23 378 résultats
2020réf. 1391410London UK: Doubleday 2020. Limited Edition #171/250. Hardcover. Octavo 388 pages. In Near Fine condition with Near Fine condition dust jacket. Spine is dark green with a small golden beetle and white lettering. Dust jacket protected by mylar covering price uncut: "£16.99" on front flap. Signed flat and stamped with a yellow beetle by Rachel Joyce on title page. Shelved in hallway. 1391410. Special Collections. Doubleday hardcover
2013réf. 72166London: Doubleday 2013. First edition. Her second novel. "In 1972 two seconds were added to time. Were they to blame for what happened next" -- from the dust jacket rear panel. 8vo glossy pictorial paper boards printed in black; black endpapers; 361 pages. Fine in fine dust jacket with "From the bestselling author of THE UNLIKELY PILGRIMAGE OF HAROLD FRY" and "Signed First Edition" stickers on front panel and "Who says time is real just because we have clocks for measuring it" bookmark laid in. Doubleday unknown
2020réf. 1391410London UK: Doubleday 2020. Limited Edition #171/250. Hardcover. Octavo 388 pages. In Near Fine condition with Near Fine condition dust jacket. Spine is dark green with a small golden beetle and white lettering. Dust jacket protected by mylar covering price uncut: "£16.99" on front flap. Signed flat and stamped with a yellow beetle by Rachel Joyce on title page. Shelved in hallway. 1391410. Special Collections. Doubleday hardcover books
1958réf. 001221London: Faber & Faber 1958. This famous memoir by Joyce's younger brother was uncompleted at his death but remains the best source for the great Irish author's early life. Edited with an Introduction by Richard Ellmann. Preface by T.S. Eliot.This is a Near Fine copy of the First English Edition. Vermillion cloth binding with gilt and black lettering on the spine. 258 page indexed. Clean and fresh text; just a previous-owner signature on the front paste-down else Fine. The dustwrapper has been clipped. It retains a bright colour but has some chipping at the edges and several closed tears. All in all a very respectable copy of this major work uncommon these days. In an archival plastic protector. Size: 8vo - over 7¾" - 9¾" tall. First Edition. Hard Cover. Near Fine/Very Good. Faber & Faber Hardcover
1933réf. 059788London Paris New York: Cassell and Comapny Limited. Clean crisp1908 edition beautifully rebound in quarter-leather hardcover--brown Moroccan with raised bands and marbled paper boards by the Starr Bookworks--in near fine condition; light shelf wear lightly age-toned text-block edges lightly faded gilt upper edge. . Near Fine. Hardcover. 1933. Cassell and Comapny, Limited hardcover
1921réf. 10393Dublin: M.H.Gill & Son Ltd 1921. Second edition enlarged. Hardcover. Very Good. Second edition enlarged. Hardcover. Octavo.512pp. Incl. index. Numerous illustrations from the author's photographs and sketches. Blue cloth spine faded. Rubbing and some fraying to spine ends and corners. Bump to bottom edge of front cover. Ownership signature in pencil on ffep one line of notes in ink on rear endpaper. Interior clean and nice. M.H.Gill & Son, Ltd hardcover
2006réf. 9004New York: HarperCollins 2006. Hardcover. SIGNED. Second revised edition first printing. Fine/As New hardcover in Fine/As New dust jacket protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. "Come meet the Robinsons: Young Wilbur has a robot. Uncle Art has his own flying saucer. Cousin Laszlo has an antigravity device. The butler is an octopus. It's snowing in the east wing. And somebody left the Time Machine on so.the search for Grandfather Robinson's missing false teeth begins." This the second edition has 4 more plates than the first and has been totally redesigned with a new cover. The basis for the Disney film Meet the Robinsons. Written and illustrated by William Joyce. SIGNED BY JOYCE opposite the title page with an original drawing of Rolie Polie Olie; no inscription. Unpaginated 40 pages; color illustrations throughout; 10.5 x 10.5 inches. HarperCollins hardcover
1940réf. 272030Berlin: Internationaler Verlag 1940. 232p. blue card covers foxed occasional very minor marks in the margin textblock otherwise clean. German edition of the work published in English as "Twilight Over England" priority of editions not known to your humble cataloger. Joyce the New York-born British propagandist for the Nazis known as "Lord Haw-Haw" was tried and executed for treason after the war the last man killed for this crime in England. Internationaler Verlag unknown
1940réf. 272030Berlin: Internationaler Verlag 1940. 232p. blue card covers foxed occasional very minor marks in the margin textblock otherwise clean. German edition of the work published in English as "Twilight Over England" priority of editions not known to your humble cataloger. Joyce the New York-born British propagandist for the Nazis known as "Lord Haw-Haw" was tried and executed for treason after the war the last man killed for this crime in England. Internationaler Verlag unknown books
2004réf. 2110502150201422Iwanamishoten 2004. Soft Cover. Fine. Volume: 1 Iwanamishoten paperback
1957réf. 7L-O41N-DR2QLivingstone. Good. 1957. Unknown Binding. VOLUMES ONE AND TWO only of four. Dark blue cloth edge worn lightly marked. Vol. 1 with small slit top spine. Djs much faded edge tears soiled. End papers foxed and soiled.; 255 pages . Livingstone unknown
1917réf. 290130New York: Harper and Brothers 1917. Hardcover. Near Fine/Fair. First edition. Front hinge a little cracked else near fine in poor dustwrapper with some substantial chips. Still very scarce in jacket. Harper and Brothers hardcover
1917réf. 290130New York: Harper and Brothers 1917. Hardcover. Near Fine/Fair. First edition. Front hinge a little cracked else near fine in poor dustwrapper with some substantial chips. Still very scarce in jacket. Harper and Brothers hardcover books
2003réf. 214462New York NY: Distributed Art Publications 2003. Hardcover. Good- two considerable dampstains on front cover. All else excellent. Green boards with gilt text and design black text black cloth spine with gilt text. 61 pp. Color illustrations. Sticky note inside cover says "Love Joyce" Whether it was waged at Pitcairn Island Nagasaki or the Falkland Islands whether during the Han Dynasty the English Empire or the Cold War battles have been fought people slaughtered women raped children orphaned and so on as the pages of history turn. The current world situation in the very first years of the twenty-first century is certainly no exception. The visual residue of these battles changes over time growing more and more dense more and more immediate. But always there have been maps detailed cartographic evidence of what was known what was planned what was going to happen. For over a dozen years Joyce Kozloff has centered her art on the theme of cartography blending into her simulacra of old maps mutations that often raise geopolitical issues. She discovered in these images of physical terrain a mental territory as well--one that charts the topography of power. Boys' Art is a series of meticulous densely collaged maps that Kozloff has fashioned from hundreds of years of source material the most recent of which are her son Nik's childhood drawings of war. On top of her pristine pencil copies of historic military maps--culled from the Han dynasty to the Roosevelt administration--Kozloff has layered the movements of war as found in Tin Tin and Babar in a seventeenth-century woodblock by Hokusai in a George Grosz pen and ink drawing or a Leonardo da Vinci sketch. Surreal narratives emerge pitting cartoon elephants against samurai warriors scribbled monsters against Indians on horseback and Renaissance soldiers against Frenchmen in khaki fatigues and pith helmets. Presented in an oversize format at a 1:1 scale with the original collages Boys' Art lushly presents a series of work that unfortunately could not be more timely. But then as Kozloff herself writes in the introduction there has always been war. Distributed Art Publications hardcover
réf. 68-4033NY NY: Joyce Kozloff 1985. Stapled Letter-Sized Pages 9 pp. VG. Sent to Peter Selz stamped Oct 22 1985.From the Collection of the Art Historian Peter Selz. NY, NY: Joyce Kozloff, 1985. unknown
2003réf. 214462New York NY: Distributed Art Publications 2003. Hardcover. Good- two considerable dampstains on front cover. All else excellent. Green boards with gilt text and design black text black cloth spine with gilt text. 61 pp. Color illustrations. Sticky note inside cover says "Love Joyce" Whether it was waged at Pitcairn Island Nagasaki or the Falkland Islands whether during the Han Dynasty the English Empire or the Cold War battles have been fought people slaughtered women raped children orphaned and so on as the pages of history turn. The current world situation in the very first years of the twenty-first century is certainly no exception. The visual residue of these battles changes over time growing more and more dense more and more immediate. But always there have been maps detailed cartographic evidence of what was known what was planned what was going to happen. For over a dozen years Joyce Kozloff has centered her art on the theme of cartography blending into her simulacra of old maps mutations that often raise geopolitical issues. She discovered in these images of physical terrain a mental territory as well--one that charts the topography of power. Boys' Art is a series of meticulous densely collaged maps that Kozloff has fashioned from hundreds of years of source material the most recent of which are her son Nik's childhood drawings of war. On top of her pristine pencil copies of historic military maps--culled from the Han dynasty to the Roosevelt administration--Kozloff has layered the movements of war as found in Tin Tin and Babar in a seventeenth-century woodblock by Hokusai in a George Grosz pen and ink drawing or a Leonardo da Vinci sketch. Surreal narratives emerge pitting cartoon elephants against samurai warriors scribbled monsters against Indians on horseback and Renaissance soldiers against Frenchmen in khaki fatigues and pith helmets. Presented in an oversize format at a 1:1 scale with the original collages Boys' Art lushly presents a series of work that unfortunately could not be more timely. But then as Kozloff herself writes in the introduction there has always been war. Distributed Art Publications hardcover books
1971réf. A47847Garden City NY: Doubleday & Company. Very Good in Very Good dust jacket. First Edition; First Printing. Hardcover. This book is in Very Good condition and has a Very Good dust jacket. The book and its contents are in generally clean bright condition. There is some beginning bumping to the spine ends of the book covers. The text pages are clean and bright though there is generalized light toning to the pages. The dust jacket has some light edge wear rubbing and some nicking and a couple of tears to the spine ends and corners. "In 1968 she was appointed assistant professor of sociology and curriculum specialist at the Southern Illinois University at East St. Louis. In 1969 she became a senior research fellow at the Martin Luther King Center for Nonviolent Social Change in Atlanta Georgia. Other major research positions that followed include transracial adoption work funded by the Cummins Engine Foundation and a visiting fellowship at the Metropolitan Applied Research Center. In 1970 Ladner conducted postdoctoral work as a research associate at the University of Dar es Salaam Tanzania. In Tanzania she completed research on "The Roles of Tanzanian Women in Community Development." In 1977 she embarked on a study of "The Impact of the Civil Rights Movement on the Career Patterns of Ex-Activists" which was funded by the Ford Foundation. The next year she served on the committee on Evaluation of Poverty Research at the National Academy of Sciences. " from Wikipedia; 304p. pages; Pictured 2/7/24 . 1971. Doubleday & Company hardcover
1971réf. 503348New York: Doubleday & Company 1971. Softcover. Very Good. Uncorrected proof. "Final Galley" proof of the first edition. Narrow quarto Unprinted white wrappers with publisher's cover label. Printed on rectos only. Corners of some pages have started to curl covers moderately soiled with a few short tears else near very good. Scarce in this format. Doubleday & Company unknown
1971réf. 503348New York: Doubleday & Company 1971. Softcover. Very Good. Uncorrected proof. "Final Galley" proof of the first edition. Narrow quarto Unprinted white wrappers with publisher's cover label. Printed on rectos only. Corners of some pages have started to curl covers moderately soiled with a few short tears else near very good. Scarce in this format. Doubleday & Company unknown books
1990réf. 10053NEBRASKA. LINCOLN 1990. Fine with no dust jacket. 1990. First Edition; First Printing. Softcover. UNCORRECTED PROOF. Fine in red pictorial printed wrappers. The Barry Moser illustrations are featured in this galley. . NEBRASKA. LINCOLN 1990 paperback
2007réf. 2110502150502278Kashima Publishing 2007. Soft Cover. Fine. Volume: 1 Kashima Publishing paperback
1984réf. 213084Tucson AZ: Center for Creative Photography - University of Arizona 1984. First edition. Softcover. 23 pages. Published in conjunction an exhibition that ran September 23 through November 1 1984. Foreword by James Enyeart. Features text by Sarah J. Moore. Includes a 16 color images chronology list of previous exhibitions and checklist. A very good copy in stapled wrappers with some faint staining to the top of the spine that extends to the first and last few pages but with no impact on the text or images. Signed and inscribed by Neimanas on the title page to fellow photographer Barbara Crane. A nice association copy. Center for Creative Photography - University of Arizona unknown
1978réf. 202581Los Angeles CA: The Los Angeles Center For Photographic Studies 1978. Poster for an exhibition that ran June 1-30 1978. Measures 21.5" wide by 17.5" high. Features Neimanas' image "the Bull Worker." A clean near fine copy with a few tiny spots. Uncommon. The Los Angeles Center For Photographic Studies unknown
1978réf. 202581Los Angeles CA: The Los Angeles Center For Photographic Studies 1978. Poster for an exhibition that ran June 1-30 1978. Measures 21.5" wide by 17.5" high. Features Neimanas' image "the Bull Worker." A clean near fine copy with a few tiny spots. Uncommon. The Los Angeles Center For Photographic Studies unknown books
1984réf. 213084Tucson AZ: Center for Creative Photography - University of Arizona 1984. First edition. Softcover. 23 pages. Published in conjunction an exhibition that ran September 23 through November 1 1984. Foreword by James Enyeart. Features text by Sarah J. Moore. Includes a 16 color images chronology list of previous exhibitions and checklist. A very good copy in stapled wrappers with some faint staining to the top of the spine that extends to the first and last few pages but with no impact on the text or images. Signed and inscribed by Neimanas on the title page to fellow photographer Barbara Crane. A nice association copy. Center for Creative Photography - University of Arizona unknown books