Joyce/Translated by Hideo YukiBiblio.com
Jue, JoyceBiblio.com
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2004ref. 2110502150201422Iwanamishoten 2004. Soft Cover. Fine. Volume: 1 Iwanamishoten paperback
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ref. 0838555837New. paperback. New. Satisfaction Guaranteed or your money back. paperback
1957ref. 7L-O41N-DR2QLivingstone. Good. 1957. Unknown Binding. VOLUMES ONE AND TWO only of four. Dark blue cloth edge worn lightly marked. Vol. 1 with small slit top spine. Djs much faded edge tears soiled. End papers foxed and soiled.; 255 pages . Livingstone unknown
1993ref. 92006Univ of Oklahoma Pr 1993. First Edition. Hardcover. Like New/Like New. First Edition First Printing Full Number Line. Published by University of Oklahoma Press 1993. Octavo. Brown cloth boards stamped in white. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new. 364 pages. ISBN: 0806124997. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton New York. Univ of Oklahoma Pr hardcover
1976ref. 23403Munado Publications. Near Fine in Very Good dust jacket. 1976. Hardcover. Black cloth titled in silver gilt. Corners softened. Unmarked tight binding. The DJ is slightly soiled slightly edgeworn. ; 4to 11" - 13" tall . Munado Publications hardcover
1917ref. 290130New York: Harper and Brothers 1917. Hardcover. Near Fine/Fair. First edition. Front hinge a little cracked else near fine in poor dustwrapper with some substantial chips. Still very scarce in jacket. Harper and Brothers hardcover
2003ref. 214462New York NY: Distributed Art Publications 2003. Hardcover. Good- two considerable dampstains on front cover. All else excellent. Green boards with gilt text and design black text black cloth spine with gilt text. 61 pp. Color illustrations. Sticky note inside cover says "Love Joyce" Whether it was waged at Pitcairn Island Nagasaki or the Falkland Islands whether during the Han Dynasty the English Empire or the Cold War battles have been fought people slaughtered women raped children orphaned and so on as the pages of history turn. The current world situation in the very first years of the twenty-first century is certainly no exception. The visual residue of these battles changes over time growing more and more dense more and more immediate. But always there have been maps detailed cartographic evidence of what was known what was planned what was going to happen. For over a dozen years Joyce Kozloff has centered her art on the theme of cartography blending into her simulacra of old maps mutations that often raise geopolitical issues. She discovered in these images of physical terrain a mental territory as well--one that charts the topography of power. Boys' Art is a series of meticulous densely collaged maps that Kozloff has fashioned from hundreds of years of source material the most recent of which are her son Nik's childhood drawings of war. On top of her pristine pencil copies of historic military maps--culled from the Han dynasty to the Roosevelt administration--Kozloff has layered the movements of war as found in Tin Tin and Babar in a seventeenth-century woodblock by Hokusai in a George Grosz pen and ink drawing or a Leonardo da Vinci sketch. Surreal narratives emerge pitting cartoon elephants against samurai warriors scribbled monsters against Indians on horseback and Renaissance soldiers against Frenchmen in khaki fatigues and pith helmets. Presented in an oversize format at a 1:1 scale with the original collages Boys' Art lushly presents a series of work that unfortunately could not be more timely. But then as Kozloff herself writes in the introduction there has always been war. Distributed Art Publications hardcover
ref. 68-4033NY NY: Joyce Kozloff 1985. Stapled Letter-Sized Pages 9 pp. VG. Sent to Peter Selz stamped Oct 22 1985.From the Collection of the Art Historian Peter Selz. NY, NY: Joyce Kozloff, 1985. unknown
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1971ref. A47847Garden City NY: Doubleday & Company. Very Good in Very Good dust jacket. First Edition; First Printing. Hardcover. This book is in Very Good condition and has a Very Good dust jacket. The book and its contents are in generally clean bright condition. There is some beginning bumping to the spine ends of the book covers. The text pages are clean and bright though there is generalized light toning to the pages. The dust jacket has some light edge wear rubbing and some nicking and a couple of tears to the spine ends and corners. "In 1968 she was appointed assistant professor of sociology and curriculum specialist at the Southern Illinois University at East St. Louis. In 1969 she became a senior research fellow at the Martin Luther King Center for Nonviolent Social Change in Atlanta Georgia. Other major research positions that followed include transracial adoption work funded by the Cummins Engine Foundation and a visiting fellowship at the Metropolitan Applied Research Center. In 1970 Ladner conducted postdoctoral work as a research associate at the University of Dar es Salaam Tanzania. In Tanzania she completed research on "The Roles of Tanzanian Women in Community Development." In 1977 she embarked on a study of "The Impact of the Civil Rights Movement on the Career Patterns of Ex-Activists" which was funded by the Ford Foundation. The next year she served on the committee on Evaluation of Poverty Research at the National Academy of Sciences. " from Wikipedia; 304p. pages; Pictured 2/7/24 . 1971. Doubleday & Company hardcover
1971ref. 503348New York: Doubleday & Company 1971. Softcover. Very Good. Uncorrected proof. "Final Galley" proof of the first edition. Narrow quarto Unprinted white wrappers with publisher's cover label. Printed on rectos only. Corners of some pages have started to curl covers moderately soiled with a few short tears else near very good. Scarce in this format. Doubleday & Company unknown
ref. Y02E-00618Five Star ME. Collectible - Very Good. Signed Copy Collectible - Very Good. Very Good dust jacket. Signed/Inscribed by author on front endpage. Five Star (ME) unknown
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1981ref. HVD-61608-OS-0Baltimore MD: Williams & Wilkins. Good with no dust jacket. 1981. 1st Edition Unstated; No Printing Stated. Hardcover. 0 X 0 X 0 millimeters; 865 pages; personal stamp from previous owner on front pastedown endpaper. Minor foxing on the exterior edges of textblock. Very Good condition otherwise. No other noteworthy defects. No markings on text pages. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . Williams & Wilkins hardcover
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1990ref. 10053NEBRASKA. LINCOLN 1990. Fine with no dust jacket. 1990. First Edition; First Printing. Softcover. UNCORRECTED PROOF. Fine in red pictorial printed wrappers. The Barry Moser illustrations are featured in this galley. . NEBRASKA. LINCOLN 1990 paperback
2007ref. 2110502150502278Kashima Publishing 2007. Soft Cover. Fine. Volume: 1 Kashima Publishing paperback
1984ref. 213084Tucson AZ: Center for Creative Photography - University of Arizona 1984. First edition. Softcover. 23 pages. Published in conjunction an exhibition that ran September 23 through November 1 1984. Foreword by James Enyeart. Features text by Sarah J. Moore. Includes a 16 color images chronology list of previous exhibitions and checklist. A very good copy in stapled wrappers with some faint staining to the top of the spine that extends to the first and last few pages but with no impact on the text or images. Signed and inscribed by Neimanas on the title page to fellow photographer Barbara Crane. A nice association copy. Center for Creative Photography - University of Arizona unknown
