Kilmer, JoyceABAA
2 551 résultats
1920réf. 140941506New York: George H. Doran Company 1920. Fine/Very Good. Early printing but not first with "Printed in the United States of America" on copyright page. 75 pp. Publisher's brown cloth ruled in blind with title labels on front and spine. Fine in Very Good dust jacket with some closed tears and creases sunning to spine. The bestselling poetry collection with its famous titular poem which begins "I think that I shall never see / A poem lovely as a tree" and a great dust jacket design that can only be described as a proto-psychedelic barber's pole. George H. Doran Company unknown books
1937réf. 140940529London: John Lane the Bodley Head 1937. First British trade edition. Near Fine/Near Fine. First British trade edition first printing. viii 766 2 pp. Publisher's green cloth with gilt lettering. Very Near Fine with subtle bowing to boards a little offsetting to endpapers and few tiny stains in an unclipped dust jacket very lightly shelfworn else Fine. An attractive copy of the classic novel. John Lane the Bodley Head unknown books
1927réf. 140939462London: Shakespeare and Company 1927. First Edition. Very Good. First edition first printing. Bound in publisher's original pale green paper-covered boards lettered in dark green. Very Good with rubbing and wear to spine toning and light soiling to covers. A nice copy. Shakespeare and Company unknown books
1927réf. 140939125London: Shakespeare and Company 1927. First Edition. Near Fine. First trade edition first printing. Bound in publisher's original pale green paper-covered boards lettered in dark green. Near Fine with toning to covers light wear to spine with minute loss at head and tail. Small previous owner bookplate to front paste down and light toning to pages. A lovely copy in much nicer condition than as normally found in. Shakespeare and Company unknown books
1939réf. 140937376New York: The Viking Press 1939. First Edition. Fine/Near Fine. First edition first printing. Publisher's black cloth binding lettered in gilt. Fine with fading to topstain near spine in a Near Fine unclipped dust jacket with several tiny edge-tears and very light soiling. A striking copy of a book and jacket typically found in much lesser condition. The Viking Press unknown books
1963réf. 140937449New York: The Vanguard Press 1963. First Edition. Near Fine/Near Fine. First edition first printing. Signed by Joyce Carol Oates on the title page. Near Fine with light shelf wear and toned pages. In a Near Fine dust jacket with toning to the spine panel and faint rubbing at the extremities with publisher's price intact. A sharp copy of the author's first book signed. The Vanguard Press unknown books
1939réf. 403164New York: The Business Bourse Publishers 1939. Hardcover. Fine/Fine. First edition. Octavo. 324pp. Fine in just about fine dustwrapper. Inscribed by Frederick at a later date: "To Charles Paoly Sea Isle Hotel Miami Beach with appreciation of the author J. George Frederick President Gourmet Society. New York N.Y. 10/28/83." Frederick's recipes edited by Jean Joyce. A beautiful copy. The Business Bourse, Publishers hardcover books
1929réf. 299582Paris: Black Sun 1929. Limited. paperback. fine/fine. Three Fragments from a Work in Progress. With a "Portrait" by Brancusi. Sq. 8vo printed wrappers with original glassine. Paris: The Black Sun Press 1929. First Edition. Contains work that was later to appear in Finnegans Wake. Number 66 of 500 copies. Fine in the original gilt slipcase. Slocum & Cahoon A-36. Black Sun unknown books
2004réf. 1398901New York: HarperCollins Publishers 2004. First Paperback Edition Second Printing. Hardcover. Octavo 324 pages. In Very Good condition. Spine multitoned blue with white lettering. Minor shelfwear and soiling. Textblock slightly agetoned but clean. Inscribed by Oates on title page. Shelved in under the Front Counter. 1398901. Shelved Dupont Bookstore. HarperCollins Publishers hardcover books
1974réf. 10904New York: Vanguard 1974. Softcover. Very Good. Uncorrected Proof. Bumped and split at tail end of spine else fine in wrappers. Publisher's information slip taped to front free endpaper. Scarce proof of one of the author's less common critical volumes. Vanguard unknown books
1975réf. 1100136NY: Vanguard Press 1975. First edition first prnt. Inscribed by Oates on the title page. "For __ with warm regards - Joyce Carol Oates 13 March 1995." Faint beginning foxing on top edge; slight creasing on the dustjacket spine top edge. Near Fine condition in a Near Fine dustjacket with an archival cover. Oates' eighth story collection. Inscribed & Signed By Author. First Edition. Hardcovers. Near Fine/Near Fine. 8vo - over 7¾" - 9¾" tall. Vanguard Press Hardcover books
1973réf. 625439Baton Rouge: Louisiana State University Press 1973. Hardcover. Fine/Very Good. First edition. Binding slightly cocked else fine in a very good dust jacket with rubbing and a lightly sunned spine. Signed by the author on the title page. Louisiana State University Press hardcover books
1937réf. 2884Paris: np 1937. Very Good. POWERFUL IMAGE OF JAMES JOYCE BY SURREALISTIC PHOTOGRAPHER JOSEF BREITENBACH. A remarkable set of circumstances had to come together to this photograph of James Joyce by German born photographer Josef Breitenbach to first exist and then to survive. Throughout the summer of 1937 as he experienced increasingly painful flashes in his right eye Joyce pored over early proofs of Finnegan's Wake then known only as "Work in Progress". Perhaps he was preoccupied with correcting the inevitable and myriad errors in his pun-flecked stream of consciousness prose or perhaps he was overcome with pain but we know from Breitenbach's pocket diary that Joyce canceled four times before the two exiled artists finally met. James Joyce's relationship with Ireland was famously complex and included self imposed exile. He and Nora Barnacle his future wife left Dublin in 1904 for mainland Europe never returning to his homeland after 1912. On the other hand photographer Josef Breitenbach was a Jewish German refugee who fled the rising Nazi's. Both his Jewish background and prior involvement with the short-lived revolution of 1918 made him an early target of the Brownshirts who knocked on his Munich studio door one day in 1932. Thinking on his feet Breitenbach was able to use his portrait of then Vice-Chancellor Papen whom he had photographed the year before together with a letter of thanks from Papen for his work in order to claim that he was under Papen's protection. Seizing the brief vacuum created by his subterfuge Breitenbach immediately packed his bags and within days departed for Paris. Once in Paris Breitenbach mingled with the Surrealists showing in gallery exhibitions alongside Man Ray Henri Cartier-Bresson and Brassai. Over time he developed a reputation for landscapes nudes and photo-journalism. By the time Breitenbach photographed James Joyce in July 1937 he had built a portfolio of portraits of artists such as Max Ernst Emile Bernard and Bertold Brecht. Studio portraits like this print of Joyce were often bathed in a soft seductive glow both flattering and intriguing. Here Joyce sits in profile with clasped hands behind him are blurred rows upon rows of bookshelves. The message is clear: despite failing vision Joyce remained a bright and vibrant writer. Meanwhile history marched on. Two years later in September 1939 Breitenbach was placed with other German and Jewish exiles in a French internment camp. His survival skills still intact he volunteered for a rural labor force that saved him from deportation to a concentration camp. With the help of friends in England and the United States Breitenbach once again fled the Nazi's arriving in New York in June 1941. To his enormous relief his entire oeuvre of photographic prints and negatives including the Joyce pictures had been smuggled out of Paris by another friend and sent to the States by way of Havana. As Breitenbach once again built a life for himself in a new country he turned to his pre-war work. Among the first negatives he developed were those of Joyce - an homage to the writer who had died months before at age 59 in Zurich. Silver gelatin photograph. Taken in 1937; printed later. With "Estate of Josef Breitenbach" stamp on verso. Very faint corner crease only noticeable on verso. Image approx 9x7 1/2 in / 23 x 19.2 cm; with margins 9 3/8 x 7 7/8 in / 23.8 x 19.9 cm. A beautiful evocative image. Rare. References: Michael Shnayerson Josef Breitenbach: James Joyce 9 Portraits. Dublin The Towers 2004. np unknown books
réf. 1918Hardcover. Brand new still sealed in publisher's plastic. hardcover books
1974réf. 404465Los Angeles: Black Sparrow Press 1974. Hardcover. Fine/Fine. First edition. Fine in an about fine unprinted mylar dustwrapper with a short tear on the front panel. Copy 46 of 350 numbered copies handbound in boards by Earle Gray and Signed by the author. Black Sparrow Press hardcover books
1985réf. 88875New York: Persea Books 1985. Hardcover. Fine/Fine. First American edition. Octavo. Preface by Richard Ellman. Fine in fine price-clipped dustwrapper. Persea Books hardcover books
1932réf. 337611New York: Hound & Horn 1932. paperback. very good-. 8v printed wrappers light shelf-wear. New York: Hound & Horn July - September 1932. Contains Joyce's "Banned Writer to a Banned Singer". Other contributors include Gertrude Stein Allen Tate & W.C. Williams. Hound & Horn unknown books
1974réf. 1414591New York: The Vanguard Press Inc 1974. First Edition. Hardcover. Octavo 307 pages. In Very Good minus condition with a Good dust jacket. Dust jacket protected with a mylar covering. Spine light green with off-white lettering. Exterior has slight plus wear including mild sunning few chips to head/tail edges and light age toning to the jacket interior. Boards have very light wear. Text block has slight wear including slight age toning to the edges. First edition. Signed by the author. NOTE: Shelved in Locked Annex Col. CC. 1414591. FP New Rockville Stock. The Vanguard Press, Inc hardcover books
1960réf. 216264Paris: Presses Universitaires de France 1960. Softcover. VG: Rubbing and smudging to the wraps. Wear to the edges and corners. Prevoius owner's name in ink on the first page and on the back inside cover. A tan softcover book with brown text on the spine and front cover. 487 pages. Presses Universitaires de France paperback books
1981réf. 2827First Edition. 36 pp. text with illustrations. 8vo 8.5 x 5.5 outer wrappers with interior text block 6.75 x 5.5 in. Very good. Illus. wrappers with marginal handling marks. 2827 Illustrated poetry publication which has been cleverly designed with an overhanging cover utilized for interior typographical and layout purposes. Scarce. Zamani Productions paperback books
1968réf. 613265New York: The Viking Press 1968. Softcover. Very Good. First Viking Critical Library edition. Text criticism and notes edited by Chester G. Anderson. Trade paperback. Inked notations and underlining on the majority of pages in the first half of text small tear along front joint soiling on rear cover very good. The Viking Press unknown books
2008réf. 585712New York: Ecco 2008. Hardcover. Very Good/Near Fine. First edition. Toning on the pages thus very good in a near fine dust jacket with toning on the flap edges. Ecco hardcover books
1968réf. 561162New York: The Viking Press 1968. Softcover. Very Good. First Viking Critical Library edition. Text criticism and notes edited by Chester G. Anderson. Trade paperback. Name stamp on the front free endpaper sunning to the spine spilling over to the wrappers and foxing to the wrappers very good. The Viking Press unknown books
1977réf. 54563NY:: Farrar Straus and Giroux. 1977. Hardcover. Near Fine in Near Fine dust jacket. Stated first American edition. Near fine in a near fine age toning to. flaps dust jacket. 0374324549 . Farrar, Straus and Giroux, hardcover books
1998réf. 387626New York: Dutton 1998. Hardcover. Near Fine/Near Fine. First edition. Slightly cocked else near fine in a near fine price-clipped dust jacket with rubbing and edgewear. Dutton hardcover books
