Joyce Carol OatesBiblio.com
23 683 résultats
1963réf. 157813New York: Vanguard 1963. First Edition. First Edition. INSCRIBED by the author on the title page: "To Richard / Joyce Carol Oates." The author's first book. Jacket spine lightly faded and rubbed else Near Fine in an about Near Fine dust jacket. Vanguard unknown
2022réf. 1-1613163150Mysterious Pr 2022. Hardcover. New. 500 pages. 9.00x6.00x1.50 inches. Mysterious Pr hardcover
réf. 164342Margate: Counter Editions. 2019. Edition of 125 initialled dated and numbered on a label to lower right verso by Pensato. 2 colour lithograph on Somerset Tub Sized Satin White 410 gsm paper. Sheet size: 60 x 76 cm. Framed size: 69.8 x 85.5 cm. Excellent condition. Presented in a handmade black wooden frame with conservation acrylic glazing. unknown
réf. 36810Melbourne : Church Street Photographic Centre 1981. Black clamshell box 475 x 380 mm containing text sheet and eight original photographs mounted on cards each signed by the photographer one numbered in an edition of 14 suggesting that 14 portfolios were made. The photographers are Philip Cordingley Robin Ernest Blume Paul G. Frijlink Chris Hughes John McHutchison Bernie O'Regan Edward Schambre and Sandra Vitolins. In 1976 Evans opened Church Street Photographic Centre a specialist photography gallery and bookshop in Church Street Melbourne. The gallery ran until 1982 and was integral to the revival of photography as an art form in Melbourne exhibiting many important shows of Australian and international photography. This rare portfolio was created by Joyce Evans with her stable of artists as a memento of their times together. 'Image 384 was constituted in 1979 in order to enable photographers to enjoy the benefits of mutually pooled knowledge and resources and assist the individual members to develop their ideas and abilities to supportive mutual inter-action. Over the years we have had stimulating guest speakers and workshops. We have shown our work to each other for criticism and advice. Image 384 has been the means by which we have shared some of the valuable things of life friendships ideas and perhaps most importantly helped to increase our visual vocabulary. The sharing of experience is the idea which binds us the members of Image 384 together and which is the purpose of this portfolio. This very personal portfolio produced by the members of Image 384 for themselves and their friends stands as a testament to co-operative work. Each photograph is an expression of an individual experience in life and photography. As a founding member of Image 384 I a pleased to write this foreword to this portfolio and I am sure in the years to come it will be a reminder of many valuable evenings spent together'. - Joyce Evans Director Church Street Photographic Centre. Unrecorded in Australian collections. unknown
2022réf. x-0826177948Springer Pub Co 2022. Paperback. New. pap/psc edition. 607 pages. 9.75x6.75x1.50 inches. Springer Pub Co paperback
1978réf. 224512Boston. : David R. Godine. 1978. First edition. . Gilt decorated hard cover. . Fine copy in near fine very light edge wear dust jacket in mylar. . Octavo. . Illustrated. Important reference work. Very scarce in this condition. David R. Godine. hardcover
réf. 0132837803.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1927réf. 130576Paris: Shakespeare and Company 1927. First Edition. Hardcover. Very Good. Paris Shakespeare and Company 1927. Duodecimo 122 × 95 mm 24 pages including the initial blank page and the terminal blank leaf plus an errata slip tipped in on the blank page facing the colophon. Pale green papered boards lettered in dark green; spine lightly rubbed at the ends; covers a little sunned about the spine with a couple of small marks at the rear; an excellent copy internally fine of a fragile production. This short collection of poems was sold for 12 pennies or 12 francs and contains 13 poems hence 'Pomes Penyeach' the thirteenth poem being the 'tilly' the Irish term for the thirteenth item in a 'baker's dozen' and also the title of the first poem. Slocum and Cahoon 24 giving a publication date of 5 July 1927. A deluxe issue of thirteen copies on handmade paper was also produced. Shakespeare and Company hardcover
réf. 58435Johannesburg Macmillan South Africa Ltd. 1982 Auflage: 1. kartoniert gebunden; olivgrüner Einband Rückengoldprägung mit farbig illustriertem Schutzumschlag / Anz. Seiten: 307 / 20 x 25 cm / mit zahlreichen Farbabbildungen meist im Text einigen Schwarzweisszeichnungen und Karten auf Vorsätzen / Zustand: gut geringe bis leichte Gebrauchsspuren; Einband geringfügig berieben Seitenkanten leicht bestossen Schutzumschlag etwas berieben Johannesburg, Macmillan South Africa Ltd., 1982, Auflage: 1. unknown
1939réf. 139672New York: The Viking Press 1939. First American edition of Joyce’s masterpiece. Octavo bound in full morocco by the Harcourt Bindery gilt titles and ruling to the spine raised bands gilt ruled to the front and rear panels gilt signature to the front panel inner dentelles marbled endpapers all edges gilt. In fine condition. An exceptional presentation. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece" and wrote that "if aesthetic merit were ever again to center the canon Finnegans Wake would be as close as our chaos could come to the heights of Shakespeare and Dante." Modern Library named it one of the 100 best English-language novels of the 20th century. The Viking Press hardcover
1924réf. 139635Paris: Shakespeare and Company 1924. Fourth printing of Joyce's masterpiece signed by him. Quarto original wrappers. Signed by the author in the month of publication on the front free endpaper "James Joyce Paris 7 January 1924." In very good condition the joints lightly repaired. Housed in a custom clamshell box. Uncommon signed. Ulysses was published in Paris by Shakespeare & Company 1922. It was a struggle for the author to find a publisher a comic irony considering that Ulysses is "universally hailed as the most influential work of modern times" Grolier Joyce 69. Ulysses was an immediate success. The first printing sold out and "within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world of 1922" de Grazia 27. Even so the book faced difficulties in global reception. It was banned in the U.K. and was prosecuted for the obscenity in the Nausicaa episode Ellmann 1982. Joyce's inspiration for the novel began as a young boy reading Charles Lamb's Adventures of Ulysses and writing an essay entitled "My Favorite Hero" after being impressed by the wholeness of the character Goreman 1939. The idea for the novel grew from a story in Dubliners in 1906 which Joyce expanded into a short book in 1907 before reconceptualizing it as the heady novel in 1914 Ellmann 1982. The book can initially seem unstructured and chaotic and Joyce admitted that he "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant" The Observer 2000. The French translator Stuart Gilbert published a defense of Ulysses shortly after its publication in which he supported the novel's use of obscenity and explained its internal structure and links to the Odyssey against accusations of ambiguity. Every episode Gilbert explained is connected to the Odyssey by theme technique and correspondence between characters. Another instance of Ulysses' literary contribution is his use of stream-of-consciousness a technique employing carefully structured prose both humorous and charactering and involving puns and parodies. Joyce was a precursor to the use of stream of consciousness in the later decades. Similar narrative techniques were used by his contemporaries Virginia Wolfe William Faulkner and Italo Svevo. Their style can be better characterized as an "interior monologue rather than stream of consciousness is the appropriate term for the style in which subjective experience is recorded both in The Waves and in Woolf's writing generally" Stevenson 1992. Shakespeare and Company unknown
1925réf. 131904Paris: Privately Printed 1925. James Joyce's first edition copy of the collected works of Marguerite Finaly compiled by her husband Horace Finaly in her memory and privately printed for distribution to friends; with Joyce's ownership inscription. Octavo bound in full crushed morocco by G. Cretté with gilt titles to the spine silk-watered doublures and endleaves tissue-guarded frontispiece portrait of Marguerite Finaly. One of 150 copies privately printed. Signed and dated by Joyce on the title page "James Joyce Paris 27.xi.1926." Horace Finaly became a close friend of Marcel Proust in Paris and contributed to the magazine La Banquette. He rose to prominence as head of La Banque de Paris et des Pays-Bas from 1919 to 1937 and enabled several major French-American industrial collaborations. He is referred to in Finnegans Wake which Joyce was writing at the time of his inscription: "Play actors by us ever have crash to their gate. Mr.Messop and Mr Borry will produce of themselves as they're twof genitalmen of Veruno Sernior Nowno and Senior Brolano finaly! finaly! all for love of a fair penitent that a she be broughton rhoda's a rosy she. Their two big skins! How they strave to gat her! Such a boyplay!" In very good condition. Housed in a custom marbled slipcase. Rare and desirable from Joyce's personal collection. One of the most influential and important writers of the 20th century Irish novelist James Joyce is best known for his masterworks Ulysses 1922 Portrait of the Artist of a Young Man 1916 and Finnegans Wake 1939. Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear in serialized form in Parisian literary journals transatlantic review and transition under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety on 4 May 1939. The work has assumed a preeminent place in English literature. Anthony Burgess praised the book as "a great comic vision one of the few books of the world that can make us laugh aloud on nearly every page." Harold Bloom called the book "Joyce's masterpiece" and wrote that "if aesthetic merit were ever again to center the canon Finnegans Wake would be as close as our chaos could come to the heights of Shakespeare and Dante." Listed by Modern Library as one of the 100 greatest novels of the twentieth century. Privately Printed unknown
1916réf. 5554New York: B.W. Huebsch 1916. First Edition. Joyce's autobiographical first novel first serialized in 25 installments in The Egoist between February 2 1914 and September 1 1915 by his great patron Harriet Shaw Weaver. As for the book publication she was unsuccessful at finding an English printer willing to assume the responsibility of setting the text - seven of them refused to do it all on moral grounds. "Under English law unlike American the printing of immoral writings is as actionable as their publication" Slocum & Cahoon p.20. Weaver sent a copy of her Egoist serialization to New York bookseller Edmond Byrne Hackett who in turn contacted B.W. Huebsch who undertook the publication of Portrait just as he had for Dubliners several weeks earlier. ".on 16 June an emblematic date for Joyce Benjamin Huebsch wrote to Miss Weaver with his proposal: publication of the complete novel with sheets printed in the US going to the English publisher under joint imprints the costs being shared.He was anxious he said to see Joyce properly launched in America and Pound recommended that Huebsch's offer be accepted" Bowker Gordon. James Joyce: A New Biography p.226. Through his alter ego Stephen Dedalus Joyce "describes his spiritual journey through his Jesuit education and petty bourgeois Dublin to forge through 'silence exile and cunning' the 'uncreated conscience of his race'.A landmark in sensibility the prose moves forward in complexity from the child's sensations at the beginning to the adolescent subtleties at the end" Connolly 26. The number of copies of the first printing is unknown but a second was published in April 1917 followed by three additional printings 1918-1922 before Huebsch merged his publishing house with the Viking Press. We know of no documented presentation copies of the American edition of Portrait; the present copy likely one of a very few copies with distinguished provenance not already in institutional hands was one of Benjamin Huebsch's own retained copies left to his son Ian Oscar Huebsch then passed by inheritance to a family friend. Slocum & Cahoon 11. First Printing preceding the British edition by roughly two months. Octavo 19.25cm; blue cloth with titles stamped in gilt on spine and in blind to front cover; dustjacket; iv2991pp. Spine ends gently nudged hint of sunning to spine rear hinge starting but sound with some faint shallow staining to upper board edges; text is fresh with the gilt titling bright and unrubbed; Very Good. In the original dustjacket priced $1.50 net at mid-spine with a brief holograph note in blue grease pencil at lower front panel either in Huebsch's hand or someone at his office: "1st Ed - addtl. copy." Sunning to spine and panels old dampstain affecting spine and upper edge of front panel with shallow losses along the edges - the deepest of these affecting the "SCH" in the publisher's name at base of spine; several splits tears and attendant creases a dozen of them skillfully and nearly invisibly mended on verso; Good to Very Good. B.W. Huebsch unknown
1936réf. 5491New York: The Black Sun Press 1936. First Edition. A typically exquisite production by The Black Sun Press printing Joyce's Chamber Music Pomes Penyeach and Ecce Puer - the latter never before included in any edition. Slocum & Cahoon A44; Minkoff A-45. Trade Issue one of 750 numbered copies this being copy no.626. Octavo 17cm; cream paper-covered boards with titling and decorative elements stamped in navy blue on spine and front cover; publisher's original glassine overlay; ii651pp with frontispiece portrait of the author by Augustus John. Hint of sunning to crown else a fresh Fine copy. Glassine shows light wear to extremities shallow losses to spine ends and lower corners and a small triangular chip to lower rear panel; Very Good. The Black Sun Press unknown
1985réf. 222869Lanham: University Press of America. 1985. First edition. . Gilt decorated hard cover. . Fine copy. As new. . Octavo. . Important reference work. Very scarce in this condition. University Press of America. hardcover
1948réf. 228279Paris: Gallimard NRF 1948. Rilegato hardback. Buono Good. Traduction intégrale par Auguste Morel et Stuart Gilbert entièrement revue par Valery Larbaud et l'Auteur. 8vo. pp. 710. Buono Good. Copertina sbiadita e con piccoli difetti. Note a matita nel testoCover faded and with minor imperfections. Notes in pencil in the text. Edizione originale di 3000 esemplari numerati. Gallimard, NRF hardcover
réf. 61834London: Fourth Estate 2007. American Literature INSCRIBED FIRST EDITION. Octavo 24 x 16cm pp.8 582 2. INSCRIBED by the author in black ink to the title page: 'to Myra and Murray Joyce Carol Oates.' Publisher's blue cloth with gilt titles to spine. With the photographic dust-jacket priced at £18.99. A fine as-new copy. London: Fourth Estate, 2007 unknown
réf. OTF-S-9781635420265Other Press. New. BRAND NEW GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER! Other Press unknown
réf. 32154Curated by Joyce Agee ; edited by David Bennett. Melbourne : The Victorian Centre for Photography Inc. 1988. Quarto illustrated wrappers by Robert Ashton pp. 118 illustrated previous owner's name to endpaper. The thousand mile stare was a Victorian Centre for Photography bicentennial project that comprised a survey exhibition of photographic practice from the last 25 years. The artists involved in the exhibition and catalogue were Jennifer Aitken Robert Ashton Bashir Baraki Chris Barry Robert Besanko Terence Bogue Warren Breninger Francis Busby Nanette Carter Sebastian Costanzo John Cato Toni Chaffey Evan Clark Paul Cox Seham Abi-Elias Michelle Ely Sue Ford Glenda Gerrard John Gollings Peter Gray Janina Green Ponch Hawkes Angie Heinl Bill Henson Rob Imhoff Carol Jerrems Leah King-Smith Christopher Koller O. Philip Korczynski Andrew Lehmann Angela Lynkushka Peter Lyssiotis Ruth Maddison Bill McCann Craig McGee John O’Neil Bernie O’Regan Polixeni Papapetrou Wes Placek Dyranda Prevost Tim Rowston Bernard Sachs Wolfgang Sievers Robert Slatyer David Tatnall Les Walkling Kath Walters Ben Wrigley. Includes reproductions of rare photographic posters including a promotional poster for the rare book by Virginia Fraser and Carol Jerrems 'A book about Australian women'. unknown
2010réf. SKU0435146Jones & Bartlett Learning 2010-06-10. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Jones & Bartlett Learning paperback
réf. SKU0462393Mosby 2019-04-10. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Mosby paperback
réf. SKU0471736Pearson 2014-01-20. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Pearson paperback
2011réf. SKU0475178Oxford University Press 2011-10-27. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Oxford University Press paperback
2005réf. SKU0472033Elsevier 2020-05-07. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Elsevier paperback
réf. SKU0475755McGraw Hill 2015-01-07. Loose Leaf. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking McGraw Hill unknown
