23 087 résultats
1910réf. 012561New York: Moods Publishing 1910. First Edition. Hardcover. Corners worn some typical edgewear. Front hinge cracked; paper on spine largely lacking; contents Very Good. Full parchment lettered in gilt. Copy #16 of only 50 autographed copies of a total edition of 500. This copy SIGNED by the editor Edwin Markham and 22 contributors including Louis Untermeyer and Joyce Kilmer a very scarce autograph as he was killed in World War I. This anthology predates both Kilmer's and Untermeyer's first books. Moods Publishing hardcover
1978réf. 56589New York: Pach Brothers 1978. Silver print mounted on studio's board signed on mount by the author in ink and stamp-signed by the studio. 9-1/4 x 6-1/4 inches image. Mount slightly chipped image fine. Silver print mounted on studio's board signed on mount by the author in ink and stamp-signed by the studio. 9-1/4 x 6-1/4 inches image. A fine early portrait of the young author -- one of America's most gifted writers of the latter half of the 20th century -- by the historic commercial New York photography studio the Pach Brothers. Oates won the National Book Award in 1970 for her novel THEM and the photograph was probably taken around the time of her emergence as a major literary figure. An unusual image of Oates in formal pose WITHOUT THE GLASSES and rarely seen. Pach Brothers unknown
1961réf. 511166Milano: Lerici & Scheiwiller 1961. Softcover. Near Fine. First Italian edition of The Cantos of Ezra Pound Some Testimonies. Narrow octavo. 15pp. printed on very thin paper. Text in Italian. Stapled self-wrappers. A bit of creasing at the spine base front cover with a small area of very slight discoloration and two tiny foredge nicks a near fine of a delicate pamphlet. Prints remarks on Pound's Cantos by James Joyce T. S. Eliot Ford Madox Ford William Carlos Williams Ernest Hemingway Archibald MacLeish and Allen Tate. First published in English nearly 30 years prior; Pound had been in Italy for about three years when this pamphlet was published almost certainly to advertise the Italian-language publication of his first 30 cantos translated by his daughter Mary de Rachewiltz and published by Lerici & Scheiwiller the same year. Reportedly Lerici & Scheiwiller were the first to publish Pound Langston Hughes Antonio Machado Norman Mailer W.H. Auden Henry Roth and Isaac Bashevis Singer in Italian. Very uncommon. Lerici & Scheiwiller unknown
1945réf. b29253New York 1945. First Edition . Soft cover. Near Fine. Near fine in original wrappers with minor wear. paperback
1969réf. 542435London and New York: Transatlantic Review 1969. Softcover. Near Fine. Number 32. Glossy wrappers. Slightly sunned spine with light toning at the edge of wraps near fine. Order form laid in. Includes the first appearance of "Cemeteries" by John Updike and "A Benignant Growth" by Anthony Burgess. Addition contributions by: Joyce Carol Oates Muriel Rukeyser Ted Hughes Robert Graves and more. Transatlantic Review unknown
1910réf. 27005Salabert 1910
1910réf. 29315Partitions sur les Oiseaux Salabert 1910
1917réf. 29330Salabert 1917
1918réf. 29345Salabert 1918
1920réf. 29589Salabert 1920
1909réf. 29611Salabert 1909
1909réf. 75298Francis Day 1909
1983réf. 2111902161000319Not Available 1983. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 5067George Philip & son, Londres, fin 19ème – in-8, 182 pp – broché, couv. bradel verte, illustration premier plat or, 32 cartes couleur de l'Irlande et des comtés, autres p. blanches, un index à la fin
2005réf. B15KS1171Tate Publishing London 2005. 1st Edition. HARDCOVER. Large square 4to in brown velvet covered boards gilt lettering to spine and front cover with tipped-on colour plate to front cover as issued 91pp colour plates etc __CONDITION : A well preserved almost AS NEW unmarked copy slight indentations to velvet on front cover. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Photo books type DbbPHOTO in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Tate Publishing, London hardcover
réf. 20110909San Francisco: The Press in Tuscany Alley 1994. First and Limited Edition. Hardcover. Fine. One of 75 copies unnumbered elephant folio size 156 pp. with numerous specimens in a custom box with prospectus and "El Paso keepsake" signed by James Linden. A tour de force of the ephemeral printing of the inimitable Adrian Wilson who with his wife Joyce Lancaster Wilson produced some of the finest and interesting private press work in San Francisco during the second half of the 20th century. The Press in Tuscany Alley was one of San Francisco's small private press jewels. Adrian Wilson 1924-1988 was both a book designer and a scholar authoring "The Design of Books" which is regarded as a classic text on book design. As the New York Times stated in his obituary: "Mr. Wilson designed and printed scores of books and became a mentor to younger men and women eager to learn the printer's craft. His many volumes while little-known to the general public are famous among print connoisseurs and many are collector's items." This spectacular work pays homage to the ephemeral work of Adrian Wilson in which both his perfection of technique and whimsicality shine through. Housed in a custom slipcase are first a volume which contains the bibliographical information on Wilson's ephemera; not only does it present tipped-in specimens but almost every page has either a printed and coloured cut or an illustration which has been hand-coloured. Second is a folding box which is stuffed with samples of the ephemera over forty pieces by our count. For any aficionado of private press printing this work is a bounty of both information and visual delight. ___DESCRIPTION: The volume is bound in natural linen boards Adrian Wilson's signature debossed in blind on the front board paper label on the spine fore-edge uncut bottom edge rough-cut a single piece of ephemera loosely laid in at the front half-title in red with a green cut frontis a black-and-white photograph of Wilson examining a sheet in his printing studio title page in red and black sectional headings and page numbers in red throughout a mulitiplicity of specimens and illustrations throughout signed and dated in pencil by James Linden at the colophon; designed and hand-coloured by James Linden text in Janson on Rives Heavyweight with end-papers of a special J. Barcham Green Handmade Tovil with Adrian Wilson's type-juggler logo as the watermark elephant folio size 15 3/4" by 10 1/2" 156 pp.; this copy one of 75 standard copies there were also ten special deluxe copies. The folding box entirely covered and lined with natural linen with Adrian Wilson's signature debossed in blind on the front paper spine label containing approximately 40 pieces of ephemera. Both items contained within a custom slipcase also covered with the natural linen with a paper spine label measuring 16 1/8" high by 10 3/4" wide by 3" deep. ___CONDITION: The entire work is fine and as new; we acquired this directly from the printer; clean and crisp throughout with absolutely no wear or markings. ___POSTAGE: Please note that this is an extremely large and heavy work and therefore additional postage may apply; please inquire for details; International customers please also note that any taxes duty or tariffs charged by your country will of necessity be your responsibility. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Press in Tuscany Alley hardcover
1985réf. 6936Hachette, 1985, in-8°, 317 pp, traduit de l'américain, préface d'Emmanuel Le Roy Ladurie (9 pages), broché, couv. illustrée, bon état
1922réf. 31543Bruxelles, Musée du Congo Belge 1922 In-folio, en feuilles sous chemise imp. rempliée, nc, 360 pp. & XVII planches légendées dont 16 en couleurs. 295 figures dans le texte ou à pleine page. Bel exemplaire.
1998réf. 55657Boston:: Houghton Mifflin 1998. SIGNED hardcover -. Very near fine in a like dustjacket. Book club edition. Second in this series of anthologies and fairly uncommon in hardcover. SIGNED by FOUR authors: by Sue Grafton on the title page and by John Lescroart Joyce Carol Oates and Walter Mosley. Also includes stories by Mary Higgins Clark Lawrence Block Margaret Maron Donald Westlake John Lutz Peter Robinson Jay McInerney Stuart Kaminsky David Ballard Steve Yarbrough and others. Foreword by series editor Otto Penzler and introduction by Grafton. Also includes notes on the contributors and a list of other distinguished stories of the year. xix 345 pp. Houghton Mifflin, hardcover
réf. 37462Riverside CA: Bo Press Miniature Books n.d. Hardcover. Fine. Hardcover. A charming miniature book from this well-known private press. Pat Sweet is noted for her many and varied miniature books and objects. This poem is an Irish ballad written by Robert Dwyer Joyce 1836-1883 a Limerick-born poet. The poem first published in 1861 tells the story of an Irish rebel from County Wexford who leaves his lover behind to help fight against British colonial rule. The growth of the barley crop every year in the spring is said to symbolize Irish resistance to British oppression. "I sat within a valley green I sat there with my true love My sad heart strove the two between The old love and the new love - The old for her the new that made Me think of Ireland dearly While soft the wind blew down the glade And shook the golden barley." With several illustrations of barley. Printed and bound in Mohawk Superfine paper with a white dust jacket of the same paper. In fine condition. Measures 2 x 3 inches. Unpaginated 34 pages. MINIAT/091323. Bo Press Miniature Books hardcover
réf. 10740P., NRF Gallimard, 1950, 1 vol. in-8 couronne (181 x 115), cartonnage éditeur, papier beige, motifs géométriques rouge, noir et or aux plats et dos, illustré d'après une maquette de Paul Bonet, de 233 pp. + table et achevé d'imprimer. Dos insolé ayant viré au marron, bon exemplaire par ailleurs.
1983réf. 119871Gérard-Julien Salvy, éditeur 1983 In-4 broché, couverture illustrée rempliée 26 cm sur 19. 261 pages. Illustrations et photographies en noir et blanc in et hors-texte. Cahier de publicité en tête et in-fine. Bon état d’occasion.
1982réf. 120853Gérard-Julien Salvy, éditeur 1982 In-4 broché couverture rempliée. 26 cm sur 19. Illustrations et photographies en noir et blanc in et hors-texte. Cahier de publicité en tête. Couverture poussiéreuse sinon bon état d’occasion.
1948réf. 868501948 Paris, Gallimard, NRF, 1948, petit in 8°, cartonnage crème de l'éditeur d'après la maquette de Paul BONET, 238 pages.
