18.459 risultati
1930rif. 66327Paris: Henry Babou and Jack Kahane 1930. First edition one of 500 copies on handmade Vidalon Royal paper of which this is number 218. Small folio 11 1/8 x 7 1/2 inches; 282 x 190 mm. Original wrappers printed in black and green glassine and publisher's green and gold slipcase. Pages unopened. Tiny chip to bottom of spine some wear and splitting to slipcase edges. Otherwise fine. Slocum and Cahoon A41. HBS 66327. $1000. Henry Babou and Jack Kahane unknown books
1930rif. ST15753bParis: Henry Babou and Jack Kahane; New York: Fountain Press 1930. FIRST EDITION LIMITED ISSUE. No. 24 OF 100 COPIES ON IRIDESCENT HANDMADE JAPON SIGNED BY THE AUTHOR plus an additional 500 on paper and 75 writer's copies. 283 x 191 mm. 11 1/8 x 7 1/2". 72 2 pp. Original white paper covers with printed titling on front and spine leaves untrimmed and UNOPENED IN THE ORIGINAL GLASSINE PROTECTIVE WRAPPER. The whole in the original slightly rubbed three-panel stiff card folder covered with gilt paper. Without the original slipcase. Title printed in green and black initials and headlines printed in green. Inside front cover of folder with bookplate of John Kobler see below. Slocum & Cahoon A-41. Corners just slightly bumped one small faint brown spot to tissue cover but AN OUTSTANDING COPY the very fragile and always-torn glassine entirely intact and the text with no signs of use most of it never having seen the light of day. This luxury version of an excerpt from "Finnegans Wake" is printed on especially pleasing handmade paper that glows like a pearl. In his book review for the New York Times 11 January 1931 Herbert Matthews says this fragment is "an attempt to enrich and refashion the English language and as such is highly stimulating and carries the reader through a form of mental gymnastics which is not without its profit and amusement." However he admits "after an honest and patient effort backed by a previous reading of all of Mr. Joyce's work 'Haveth Childers Everywhere' still remained absolutely incomprehensible" and he expresses concern that "Mr. Joyce has gone a little further on the path he is hewing for himself toward what seems to be complete linguistic chaos." Perhap our previous owner found it equally rough going for this copy has obviously never been read. That owner could well have been the prolific biographer John Kobler 1910-2000 who wrote biographies of among others Al Capone John Hunter and John Barrymore and who contributed regularly to the New Yorker Collier's and the Saturday Evening Post. Fountain Press unknown books
1994rif. 20059München : Nymphenburger, 1994. 159 S. : überw. Ill. , 24 x 27 cm Oppbd.
1967rif. 69470United States 1967. JOYCE James; WELLS Charles. WELLS Charles artist. "James Joyce". Black and White Etching and Aquatint United States: 1967. Full Description: JOYCE James. WELLS Charles artist. "James Joyce". Black-and-White Etching and Aquatint. United States: 1967. Artist proof. Etching and aquatint signed by the artist in pencil in the lower right corner. Titled "James Joyce" by the artist in pencil in the lower left corner. Mated framed and glazed. Art size: 17 3/4 x 15 5/8 inches; 450 x 396 mm. Frame size: 28 x 25 inches; 710 x 632 mm. Framed in a dark brown wooden frame. A black and white etching of Joyce's head and shoulders against a background divided into a white half and black half. He wears a dark suit and round wire-frame glasses. His face is partially obscured by shading that extends from the middle of his forehead down to his neat shirt collar. Overall a very nice portrait. HBS 69470. $1250. United States unknown books
2012rif. UJOYJAM01crMartino Publishing 2012. Fine. Joyce James. James Joyce : Collected Poems. Mansfield Centre Connecticut: Martino Publishing 2012. 63pp. 8vo. Paperback. Book condition: Near fine. Martino Publishing paperback books
1977rif. 9025892New York: Random House 1977. 1st. Hardcover. Very good. Edited translated and introduced by Louis Berone. Spine is a bit sunned. Random House hardcover books
rif. 31503Orthological Institute. First Edition; 1st Pressing. Phonograph Record. A 12" shellac 78rpm phonograph record good. The labels on each side of the record are of different sizes: Part I is 2 3/4" and Part II is 3 3/8" There is a lot of surface noise making the record difficult to hear. Joyce's voice sounds distant Well-worn. ; 12" . Orthological Institute unknown books
1963rif. 506661New York: Folkways Records 1963. Softcover. Near Fine. First edition printed text of reading ONLY. Quarto. eight pages. Self wrappers. A near fine copy The printed text only originally issued with a recording of the reading the recording is NOT present here only present is the transcription of the "Hades" section of Ulysses. Folkways Records unknown books
rif. 18678Barcelona, Junio 1994.
1963rif. 506660New York: Folkways Records 1963. Unbound. Near Fine. First edition printed text of reading ONLY. Single sheet folded to make six pages. Modest toning on last page near fine copy. The printed text only originally issued with a recording of the reading the recording is NOT present here only present is the transcription of the "Lotus Eaters" section of Ulysses. Folkways Records unknown books
1959rif. 292932Paris: M.J. Minard/Lettres Modernes 1959. Softcover. Near Fine/Very Good. First edition. Wrappers. Text in French. Near fine with top page edges uncut in very good dustwrapper with a tear on the bottom edge of the rear panel. Contributors: J. Prescott J. Joyce H. Levin M. Magalaner and more. M.J. Minard/Lettres Modernes unknown books
rif. 11815Paris, Gallimard, 1966, in-8° carré de 63 pages, broché sous couverture rouge illustrée à rabats ; première de couverture légèrement et partiellement éclaircie.
1950rif. 279987Paris: Gallimard 1950. First. hardcover. near fine. Traduit par J.S. Bradley. 16mo cream boards with Art Deco design in brown black & gilt by Paul Bonet. Paris: Gallimard 1950. First French edition. One of 1000 numbered copies. An attractive book. Gallimard unknown books
1950rif. 391876Paris: Gallimard 1950. Hardcover. Near Fine. First French edition hardcover issue. Translated by J.S. Bradley. Slight age-toning else very near fine in decorated boards designed by Paul Bonet. Copy number 265 of 1050 numbered copies on Alfama paper. Gallimard hardcover books
1950rif. 312591Paris: Gallimard 1950. Hardcover. Fine/Fine. First French edition. Fine in fine original glassine dustwrapper. One of 1050 numbered copies on Alfama paper this copy unnumbered. Gallimard hardcover books
1950rif. 285381Paris: Gallimard 1950. Softcover. Near Fine/Near Fine. First French edition. Small nick at the base of the spine else near fine in near fine original glassine dustwrapper. Copy number 3 of 1050 numbered copies on Alfama paper. Gallimard unknown books
1950rif. 103841Paris, Gallimard, NRF, 1950, in-8, 233-[6] pp, Cartonnage éditeur d'après la maquette de Paul Bonet, Première édition française. Un des 1000 exemplaires numérotés sur Alfama Marais (n° 417). Huret n° 279. Couverture rigide
1957rif. 577465New York: Viking Press 1957. Hardcover. Near Fine/Very Good. First American edition. Edited by Stuart Gilbert. 437pp. Page edges lightly toned near fine in a very good dust jacket with a toned spine and a couple tears. Viking Press hardcover books
rif. lc_78338NRF-Gallimard (Coll. Du monde entier) Paris, 1961
rif. 9782743623296Rivages
1961rif. 434844Milano: All Insegna del Pesce d Oro 1961. Softcover. Fine. First edition of this translation. Translated by Aldo Camerino. 24mo. Printed yellow self-wrappers. One of 1000 copies. About fine in near fine printed red wraparound band. All Insegna del Pesce d Oro unknown books
rif. 9782070113781Gallimard
rif. 9782070109883Gallimard
1932rif. 69434New York: Berenice Abbott 1932. JOYCE James; ABBOTT Berenice. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Bernice Abbott 1932. Full Description: JOYCE James. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Berenice Abbott n.d. taken 1928. Original gelatin silver print portrait of Joyce taken by Abbott. Signed by the photographer in pencil in the lower right hand corner of the photograph. Mounted on stiff board. Abbott's stamp with her "50 Commerce Street NY" address on the verso of the mount. Image size: 13 x 10 1/8 inches; 330 x 260 mm. Some minor sunning around the perimeter of the photo. A tiny bit of scuffing to top and bottom edges. Otherwise about fine. This is the largest photo we can find of Joyce for the Commerce St. address. Swann Galleries who has had this photo before states "Circa 1932." This is a lovely and well-know portrait of author James Joyce. He is seated in Abbott's studio with a cane wearing a hat and his signature round-framed glasses. "Abbott photographed Joyce on two occasions the first in 1926 at his home in Paris and the second two years later in her studio. At the time of the sitting Joyce was struggling with teeth and eye problems and was struggling through completion of one of his best-known works Finnegan's Wake." "Berenice Alice Abbott July 17 1898 - December 9 1991 was an American photographer best known for her portraits of cultural figures of the interwar period New York City photographs of architecture and urban design of the 1930s and science interpretation of the 1940s to the 1960s." Wikipedia Abbott lived at 50 Commerce St. in NYC with her partner the influential art critic Elizabeth McCausland from 1935 to 1965. HBS 69434. $6000. Berenice Abbott unknown books
1992rif. 578906London: Penguin 1992. Softcover. Very Good. New edition. Edited with an introduction and notes by J.C.C. Mays. Trade paperback. Margins slightly toned faint stain along the spine very good. Penguin twentieth-century classics. Penguin unknown books