2561 risultati
1975rif. 209706PA: Know 1975. Softcover. Very Good. Later. Paperback Very good in wrappers. Cover rubbed with sticker. Know unknown books
1929rif. 22015Paris: Shakespeare And Company 1929. First edition. One of 96 numbered copies printed on Arches paper. Our Exagmination contains brief quotations from Work In Progress including a passage concerning Swift and blindness which was not later incorporated in Finnegans Wake. The ‘Letters of Protest' are reputed to have been written by Joyce himself. Slocum & Cahoon B10. Also includes Samuel Beckett's first appearance in print his essay on Joyce entitled "Dante Bruno Vico Joyce." The present copy belonged to Mogens Boisen the Danish translator of Ulysses and is inscribed to him by Sylvia Beach. It also includes two letters from him to a former owner explaining the circumstances whereby he was given the book. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. 8vo original printed wrappers. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. Shakespeare And Company unknown books
1929rif. 25938Paris: Shakespeare and Company Sylvia Beach 1929. First edition. 3-194 2 p. 191 x 140 mm. 7 1/2 x 5 1/2 in. Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy the Danish translator of Ulysses inscribed to him by Sylvia Beach and with two letters from him to a former owner explaining the circumstances. Small chip from rear wrapper edge light creasing on front wrapper otherwise a fine copy. In a folding box with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print. Shakespeare and Company, Sylvia Beach unknown books
1929rif. 48822Paris: Shakespeare and Company Sylvia Beach 1929. Very Good -. Paris: Shakespeare and Company Sylvia Beach 1929. First Edition regular paper issue. Octavo; printed wraps; 194pp. Chipped at extremities; split along top portions of joints; staining and rubbing; a Good to Very Good copy. Samuel Beckett's first book appearance a collection of essays published by Sylvia Beach on the "work in progress" which would become Finnegan's Wake. Carlton Lake No Symbols Where None Intended. University of Texas at Austin 1984; no. 1; Slocum B10. Shakespeare and Company, Sylvia Beach unknown books
1929rif. 2621Paris: Shakespeare and Company 1929. First edition. 194 pp. Original printed wrappers with cover design by Sylvia Beach. Top edge uncut and unopened. Some slight overall soiling to the wrappers slight chipping to the lower edge of the spine. Chemised in a custom slipcase. One of 96 numbered copies on Verge d'Arches the numbered copies are twice as thick as the ordinary edition due to the paper used. Various tributes and studies of Joyce's Work in Progress which was published ten years later as Finnegans Wake. As Beach wrote "these were writers who had been watching Work in Progress from the beginning each seeing it from his own angle but interested in Joyce's experiment and friendly towards it." Beckett's first appearance in book form with texts by Marcel Brion Frank Budgen Stuart Gilbert Eugene Jolas Victor Llona Robert McAlmon Thomas McGreevy Elliot Paul John Rodker Robert Sage and William Carlos Williams. With letters of protest by G.V.L. Slingsby and Vladimir Dixon reputed to have been written by Joyce himself. Slocum & Cahoon B10. Federman & Fletcher 1. Wallace B11. Shakespeare and Company unknown books
2003rif. 71661Burton: Subterranean Press 2003. Hardcover. Very good. Hardcover. First Edition. #388 of 1250cc signed by Joyce on the publisher's limitation page. Very good hardback in a very good dustjacket. Subterranean Press hardcover books
1970rif. 529325New Brunswick New Jersey: Partisan Review 1970. Softcover. Fine. First edition. Pictorial wrappers. 471-585pp. Subtle impressions from someone using it as a writing surface on the front cover else fine. Poetry short stoires art by Joyce Carol Oates Arthur Schlesinger Jr. Philip Guston Michael Harrington Howard Zinne Irving Weinman Russell Banks George Levine et al. Books reviews of The Lives and Loves of Mr. Jiveass Nigger by Cecil Brown: Maureen Howard; Local Anaesthetic by Gunter Grass: Richard Howard"; and more. Partisan Review unknown books
2012rif. 206668Santa Barbara CA: Santa Barbara Museum of Art 2012. Hardcover. VG some shelf wear and residue on front cover otherwise excellent. White boards with black and yellow design white and black text on cover. Interior pages not spine bound to boards. 4 5-160 pp. Features bw and color illustrations. Published on the occasion of the exhibition "Pasadena to Santa Barbara: a selected history of art in Southern California" organized by Julie Joyce and presented at the Santa Barbara Museum of Art February 11-May 6 2012. Santa Barbara Museum of Art hardcover books
1966rif. 187029Whittier CA: Constructive Action 1966. Softcover. Very Good. First edition. Very good in wrappers. Pages yellowed from age. Covers worn very lightly. Constructive Action unknown books
1966rif. 212288Whittier CA: Constructive Action 1966. Very Good. First edition. Very good. Pages yellowed from age. Covers worn very lightly. Constructive Action unknown books
1966rif. 212289Whittier CA: Constructive Action 1966. Very Good. First edition. Very good. Pages yellowed from age. Covers worn very lightly. Constructive Action unknown books
1966rif. 146984Whittier CA: Constructive Action 1966. Softcover. Very Good. First edition. Very good in wrappers. Pages yellowed from age. Covers worn very lightly. Constructive Action unknown books
1957rif. 447978Cambridge Massachusetts: Harvard University Press 1957. Hardcover. Fine/Near Fine. First edition. A free adaptation for the theater by Mary Manning. Ownership signature of actor Michael Clarke-Laurence. Fine in a very good or better dustwrapper with faint toning on the spine. Letter laid in from director and screenwriter Mary Bute on the stationary of Expanding Cinema to Michael Clarke-Laurence offering him a part in the adaptation. Bute eventually directed the film in 1966; it was awarded as Best Debut at the Cannes Film Festival; Clarke-Laurence did not appear in it. Harvard University Press hardcover books
1966rif. 140604Los Angeles: Expanding Cinema 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell with his manuscript annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film and the first cinematic adaptation of James Joyce's masterfully complex work of fiction. Shot over a two year period Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband Ted Nemeth were longtime collaborators and Nemeth worked as both cinematographer and producer of the film. In 1965 it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. Shot on location in New York City and Dublin. Brown untitled wrappers. Title page present dated March 4 1963 and December 3 1962 noted as Shooting Final with credits for screenwriters Mary Ellen Bute Romana Javitz and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves with last page of text numbered 139. Mimeograph duplication with onionskin revision pages throughout. Pages Very Good plus wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding. Expanding Cinema unknown books
1986rif. 537669New York: New York University 1986. Softcover. Near Fine. First edition. Guest edited by Howard Norman. Perfectbound wrappers. 130pp. Spine lightly sunned else fine. Poetry short stories and more by David St. John Carol Snow Raymond Queneau Charles Bernstein Boris Pasternak Daniel Hoffman Jennifer Clarvoe Herbert Morris Suzanne Gardinier Lydia Davis Paul Lake Richard Jones Lisa Lewis Martin Greenberg Johann Wolfgang von Goethe Norman Finkelstein Clark Coolidge Jane Mead Christopher Benfey Russell Banks Sven Birkerts Wendy Lesser and John Berger. New York University) unknown books
1967rif. 337021Stanford Connecticut: Per/Se 1967. Softcover. Fine. Magazine. 64pp. Fine in stapled wrappers. Includes an interview with Erskine Caldwell fiction from Leonard Tushnet and poetry from Malcolm M. Sedam Joyce Odam and Elizabeth Bartlett. Per/Se unknown books
1994rif. 319619New York: Hyperion 1994. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Hyperion hardcover books
1994rif. 306172New York: Hyperion 1994. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Although not marked in any way this copy is from the distinguished modern first edition collection of Bruce Kahn. Hyperion hardcover books
1998rif. 21675NY: Stewart Tabori & Chang. Fine in Fine dust jacket. 1998. Hardcover. 1556706073 . Color photographs throughout. First printing. Fine in a fine dust jacket. . Stewart, Tabori & Chang hardcover books
1995rif. 11104NY: Ecco Press. Fine in Near Fine dust jacket. 1995. Hardcover. 0880014008 . First edition. SIGNED by the author. Fine in an about fine bottom corner of front flap is lightly creased dust jacket. . Ecco Press hardcover books
1989rif. 137480Norman: University of Oklahoma Press 1989. Hardcover. Fine. First edition. Quarto. 294pp. Gilt-stamped blue cloth. Fine. Advance Review Copy with slip laid in. University of Oklahoma Press hardcover books
1989rif. 268056OK: Univ of OK 1989. Hardcover. Very Good. First edition. Very good hardcover. First US edition. Pages are clean. Clean dark blue cover with gold gilt letters on front and on spine. Univ of OK hardcover books
1989rif. 29382Norman OK: University of Oklahoma 1989. First Edition. Large 8vo pp. 294. Includes index and chronological index. Cover slightly scratched o/w near fine. University of Oklahoma unknown books
1977rif. 71246NY:: New York University. Fine. 1977. Paperback. B000IVL85M . Illustrated exhibition pamphlet. First edition paperback. Fine in illustrated stapled wraps.; 34 pages . New York University, paperback books
1960rif. 392967New York 1960. Hardcover. Very Good. Oblong quarto. Brown leather over paper boards with "Photographs" embossed on the front board. A collection of 132 black and white or color photographs affixed to stiff black paper as well as newspaper clippings and some postcards. Various sizes with most being 3.5" x 3.5". Boards are good only with tape replacing the spine chips tears and a few present but detached pages overall very good. The assemblage contains photographs and ephemera related to the dancing career of Joyce Pickens. Originally from New York Pickens traveled the United States and Canada performing at clubs and supplementing her income by staying on in some cities to teach the newest dance crazes to hip citizens. In an offprint of an article from a May 1964 Toronto Daily is a discussion of how the Discotheque trend had arrived from Paris and Pickens had stayed on to teach the dances dubbing her "Toronto's original discotheque girl." They quote her as saying "We're headed into another era like the 'roaring twenties.' When the big bands died people gave up going out to dance except at private parties. Now with the discotheque they can have all the variety and sounds they want. everything at the flick of a turntable switch." The photos show Pickens posing in a variety of costumes as a cowgirl a flamenco dress even a bikini and in numerous clubs and venues including California's Moulin Rouge Club. Also tipped in are business cards for some of the backing bands that she danced with such as Alfredito and his Mambo Orchestra Barry Del Rae and Andrew Alvarez. There are also a handful of curious drawings one of a hand-colored treasure map another pencil drawing labeled "Holiday Inn." The end of the album has small newspaper clippings containing advertising for costumers and nightclubs. An interesting and plentiful collection of the earliest gestation phase of the disco area. hardcover books