Joyce, JamesBiblio.com
14 116 résultats
1977réf. 021434Norwalk Connecticut: The Easton Press 1977. Book. As New. Hardcover. 4to - over 9¾ - 12" tall. Hardcover full dark green genuine leather gilt stamped with 22kt gold shamrock decorations on both covers with raised spine lettered in gold. New in original shrink warp. All edges gilt. Silk ribbon marker bound in. 253 pages. Illustrated with 14 unnumbered pages of plates by Brian Keough. A brand new copy of Joyce's semi-autobiographical novel of a secretive imaginative boy in Dublin and his Irish Catholic upbringing published in the Collector's edition from the 100 Greatest Books ever written series. Brand new still in original shrink wrap. . The Easton Press Hardcover
1968réf. 021823New York: Limited Editions Club 1968. Hardcover. Fine in a lightly soiled Fine slipcase. Brian Keogh. Large octavo 6-1/2" x 9-3/4" bound in green boards with a black leather spine stamped in gold. Copy #1085 of 1500 illustrated with full-page color plates and part-page line drawings by Brian Keogh and SIGNED by him on the colophon page. Monthly Letter laid in. Limited Editions Club hardcover
réf. 0001046675.Gcassette. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1977réf. 123827Easton Press 1977. First THUS. leather_bound. Like New. 9x6x1. Unread mint condition collectible copy. Part of the 100 Greatest Books Ever Written collection. Beautifully bound in genuine dark green top-grain leather with deluxe 22kt gold inlaid accents on spine and front and back covers. Pages are sewn in between heavy-duty binding boards and have gilt edges on all three sides. Frontispiece full color portrait of author by Jonathan Talbot. Introduction by Hugh Kenner professor of literature at the University of California. Numerous color illustrations by Brian Keogh throughout. Printed with 12 point Garamond typeface on sturdy acid-neutral archival quality paper specially milled for this collection that conforms to all guidelines established for permanence and durability by the Council of Library Resources and the American National Standards Institute that will resist yellowing aging and tearing. Gorgeous moiré end pages and a satin-ribbon page marker. Unconditional money back guarantee. Easton Press hardcover
1979réf. 569644New York: B.W. Huebsch & Co. James Petersen at the Cowell Press 1979. Softcover. Fine. Octavo. 4pp. Sewn copper wrappers with paper labels on front panel. Only a portion of the original handset by James Petersen at the Cowell Press in 1979. B.W. Huebsch & Co. (James Petersen at the Cowell Press unknown
1917réf. 144189London: The Egoist Ltd 1917. First English edition of Joyce’s classic stream-of-consciousness work his first novel one of about 1000 copies. Octavo original cloth. In very good condition. Housed in a custom half morocco and chemise clamshell box. A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce which describes the formative years of the life of Stephen Dedalus. It was published first in book format in 1916 by B. W. Huebsch New York. The first British edition was published by the Egoist Press in February 1917. Chosen by Modern Library as one of 100 greatest novels of the twentieth century. The Egoist Ltd hardcover
réf. 1434679691.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 140432643X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1918réf. 154058London: Egoist Press 1918. Inscribed to an early reviewer of Ulysses First edition to be printed in Britain inscribed by the author "To George and Mary Slocombe James Joyce Paris 7. i. 1926" on the half-title. George Slocombe was an English journalist writing for the American papers. Joyce asked Sylvia Beach to send him a press copy of Ulysses and he was among its first reviewers telling the readers of the Daily Herald that it was "as large as a telephone directory or a family Bible and with many of the literary and social characteristics of each". Joyce's inscriptions usually appear on the front free endpaper; in this copy however that space was already taken by the ownership inscription dated and located "Paris 1921" of Allan Ross "Dougie" MacDougall 1893-1956 a gay expatriate Scotsman in Paris friend and later biographer of Isadora Duncan. In the early 1920s MacDougall had a regular column in the Chicago Tribune and he and Slocombe shared a close mutual friend in Edna St Vincent Millay. Presumably MacDougall gave the book to Slocombe who then asked Joyce to inscribe it. Portrait was serialized in the English literary magazine The Egoist in 1914 and 1915 and first published as a book in 1916 by B. W. Huebsch of New York from whom Harriet Shaw Weaver proprietor of the Egoist Press purchased and bound some 750 sets of the US sheets issuing them in London under the Egoist imprint in 1917. This second edition is the first to be printed in Britain. Presentation copies of this printing are rare and examples with such intriguing Parisian provenance are exceptional. Octavo. Original green cloth titles to front board in blind and to spine in white. Housed in a navy blue morocco backed book-form folding case by the Chelsea Bindery. Spine heavily toned and somewhat rolled some toning around margins within but still a sound copy in good condition. Slocum & Cahoon A13. hardcover
1916réf. 5554New York: B.W. Huebsch 1916. First Edition. Joyce's autobiographical first novel first serialized in 25 installments in The Egoist between February 2 1914 and September 1 1915 by his great patron Harriet Shaw Weaver. As for the book publication she was unsuccessful at finding an English printer willing to assume the responsibility of setting the text - seven of them refused to do it all on moral grounds. "Under English law unlike American the printing of immoral writings is as actionable as their publication" Slocum & Cahoon p.20. Weaver sent a copy of her Egoist serialization to New York bookseller Edmond Byrne Hackett who in turn contacted B.W. Huebsch who undertook the publication of Portrait just as he had for Dubliners several weeks earlier. ".on 16 June an emblematic date for Joyce Benjamin Huebsch wrote to Miss Weaver with his proposal: publication of the complete novel with sheets printed in the US going to the English publisher under joint imprints the costs being shared.He was anxious he said to see Joyce properly launched in America and Pound recommended that Huebsch's offer be accepted" Bowker Gordon. James Joyce: A New Biography p.226. Through his alter ego Stephen Dedalus Joyce "describes his spiritual journey through his Jesuit education and petty bourgeois Dublin to forge through 'silence exile and cunning' the 'uncreated conscience of his race'.A landmark in sensibility the prose moves forward in complexity from the child's sensations at the beginning to the adolescent subtleties at the end" Connolly 26. The number of copies of the first printing is unknown but a second was published in April 1917 followed by three additional printings 1918-1922 before Huebsch merged his publishing house with the Viking Press. We know of no documented presentation copies of the American edition of Portrait; the present copy likely one of a very few copies with distinguished provenance not already in institutional hands was one of Benjamin Huebsch's own retained copies left to his son Ian Oscar Huebsch then passed by inheritance to a family friend. Slocum & Cahoon 11. First Printing preceding the British edition by roughly two months. Octavo 19.25cm; blue cloth with titles stamped in gilt on spine and in blind to front cover; dustjacket; iv2991pp. Spine ends gently nudged hint of sunning to spine rear hinge starting but sound with some faint shallow staining to upper board edges; text is fresh with the gilt titling bright and unrubbed; Very Good. In the original dustjacket priced $1.50 net at mid-spine with a brief holograph note in blue grease pencil at lower front panel either in Huebsch's hand or someone at his office: "1st Ed - addtl. copy." Sunning to spine and panels old dampstain affecting spine and upper edge of front panel with shallow losses along the edges - the deepest of these affecting the "SCH" in the publisher's name at base of spine; several splits tears and attendant creases a dozen of them skillfully and nearly invisibly mended on verso; Good to Very Good. B.W. Huebsch unknown
1928réf. Bing104SD004The Modern Library 1928. Hardcover w/ DJ. Good. Prompt shipment with tracking. we ship in CLEAN SECURE NEW boxes : Good hardcover in chipped and torn dust jacket. Dust jacket has chips tears and wear on corners edges and spine. Price clipped. Ink writing inside dust jacket cover. Ink writing on front free end paper otherwise clean pages. 12mo 299pp. The Modern Library hardcover
2010réf. Q-1453813004CreateSpace Independent Publishing Platform 2010-09-07. Paperback. New. In shrink wrap. Looks like an interesting title! CreateSpace Independent Publishing Platform paperback
1977réf. 70548hNorwalk CT: The Easton Press 1977. Book. Illus. by Keogh Brian. Fine. Hardcover. 4to - over 9¾ - 12" tall. Gilt full leather hardcover. All edges gilt. Moire endpapers. Ribbon marker smooth. Illustrated. Clean tight sharp and completely unmarked -- a sound and handsome copy! xx254pp. The Easton Press Hardcover
1997réf. 010420Norwalk CT: Easton Press 1997. Collector's Edition. Full-Leather. Very Fine/No Jacket As Issued. 8vo. 254pp. Beautiful Unread "Collector's Edition" one of Easton's 100 Greatest Books Ever Written. Bound in full brown leather with titles and decorations in gilt. All edges gilt. Silk bookmark. Square tight and clean throughout with no discernible wear. Introduction by Hugh Kenner. Illustrations by Brian Keogh. Though open at the top seam. still enclosed in original shrink-wrap. A gorgeous collectable copy at a great price. Easton Press unknown
1921réf. JOYCEJAM012770The Egoist Press London. 1921. Third U.K. edition. One of 1000 copies bound from the U.S. sheets. The book was first published in New York in 1916. The first U.K. edition of 1917 used American sheets. This was followed by the 1918 edition which used English sheets. The return to American sheets for this edition suggests that English printers were worried about prosecution. Octavo. pp iv 299.Covers lightly marked. Head and tail of spine scuffed. Rear joint rubbed and splitting. Good only. The Egoist Press, London. unknown
réf. 1774762080.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1917réf. 463618New York: B.W. Huebsch 1917. Hardcover. Near Fine/Very Good. Second printing April 1917 of the American edition the first edition was published in December 1916 preceding the English edition. Octavo. 299pp. Blue cloth stamped in blind and gilt. Contemporary bookplate of Walter A. Donnelly on the front pastedown and his ownership signature on the front fly else very near fine in attractive very good or better second printing dustjacket with several old internal tape repairs mostly at the folds and not visible on the outside. The text of the second printing jacket appears to be identical to the text of the first printing although laid out slightly differently with "Second printing" overstamped in red on the front panel. Joyce's landmark first novel. Huebsch printed 1250 sets of sheets for the first edition selling 500 sets to England for the Egoist Press edition which was published later thus the true first edition in this case the American edition preceded the English was 750 copies. We are unaware of the number of copies in the second printing but it was likely to have been quite small perhaps as few as 500 copies. Although the first edition is rare in jacket we've at least seen a few jacketed copies. This is the first copy we've seen of the second printing in the appropriate jacket. B.W. Huebsch hardcover
1916réf. 3926New York: B. W. Huebsch 1916. First edition. Very Good . A Very Good copy with minor shelfwear to extremities. Spine toned. Rear inner hinge tender but holding. Previous owner's bookplate to the front free endpaper. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One aspect of this innovativeness is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good . B. W. Huebsch unknown
1917réf. 83383London : The Egoist 1917. reliure d'éditeur. JOYCE James.A portrait of the artist as a young man. Second edition. London The Egoist1917 185x125mm 299 pages editor's binding. Full green cloth. Title and autor gilged on the spine of the book. Title passed on the front panel. Both backstrips of the binding slighty pressed and starting to crack otherwise book in fair condition firm binding. Initial of previous owner on top of the front page. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance The Egoist unknown
réf. GRP26196756Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1968réf. 006291The Limited Editions Club 1968 8vo 25 cm XIII 3 253 3 pp 14 plates. Black morocco backed boards spine gilt slipcase sighed by the previous owner on the front paste-down. The monthly letter of LEC no. 409 loosely inserted. With an Introduction by Hugh Kenner and illustrations by Brian Keogh. Designed by Ruari McLean printed by Clarke and Way in New York. Limited to 1500 copies this is no. 503 signed by the artist. The Limited Editions Club hardcover
1925réf. 0011159New York: The Viking Press & B. W. Huebsch 1925. Sixth Printing. Hardcover. Good. 12mo; iv 299 pages light blue cloth fore-edges flare outward inked poem penned to recto of rear free endpaper by Cindy Belles who left her name discreetly on the front endpaper. Scarce. Slocum & Cahoon A11 note which cites this as the first time this work was co-published by Viking and Huebsch of the only 7 printings prior to The Modern Library edition of 1928. The Viking Press & B. W. Huebsch hardcover
1916réf. 109550London: The Egoist Ltd 1916. First English edition second printing of Joyce’s classic stream-of-consciousness work his first novel. Octavo original cloth. Presentation copy inscribed by the author on the front free endpaper "To Beatrice Randegger. James Joyce. 25 Novembre 1919. Trieste." The recipient was a private student's of Joyce in Italy. In excellent condition with light rubbing and wear. Housed in a custom half morocco clamshell box made by the Harcourt Bindery. A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce which describes the formative years of the life of Stephen Dedalus. It was published first in book format in 1916 by B. W. Huebsch New York. The first British edition was published by the Egoist Press in February 1917. Chosen by Modern Library as one of 100 greatest novels of the twentieth century. The Egoist Ltd hardcover
1916réf. 2940New York: B. W. Huebsch 1916. First edition. Very Good. A Very Good copy with bright gilt on the spine. Shelfwear to extremities. Front inner hinge starting but holding. Some offsetting to front endpaper and early ownership signature to front pastedown. Page 16 with slight skinning affecting several lines of text. Joyce's first novel recounts the coming of age story of Stephen Dedalus the artistic alter-ego of Joyce himself. Stephen grows up ensconced in rigid institutions: the church school system family and national politics. Feeling trapped Stephen experiences a series of awakenings as he grows older and as a result of these awakenings Stephen rejects these traditional bulwarks of Irish culture. Instead he develops an aestheticism that will support his artistic vision. This rejection of existing communities and institutions alongside his embrace of a new aestheticism alienates Stephen from what he knows. Facing this alienation Stephen decides to leave Ireland and pursue his art abroad. A Portrait of the Artist as a Young Man is an important contribution to literary modernism. One innovation is Joyce's use of age-appropriate syntax and vocabulary. The beginning of the novel which starts in Stephen's infancy is mostly monosyllabic nonsense. As Stephen grows older and grasps more about the world and his place in it the novel's vocabulary and syntax become correspondingly complex. Of Joyce's first novel H.G. Wells writes that "It is a mosaic of jagged fragments that does altogether render with extreme completeness the growth of a rather secretive imaginative boy in Dublin. The technique is startling but on the whole it succeeds." Very Good. B. W. Huebsch unknown
1916réf. 68262London:: The Egoist Ltd. 1916. First edition; English issue made up of American sheets. rebound in modern morocco t.e.g. illustrated after a photograph of Joyce on the front panel and a cross on the rear panel. Preserved in a custom 1/4 morocco folding box. Joyce made an earlier attempt to inscribe this copy to someone else; the eradication of the earlier inscription can be seen if the page is held to the light. The binder has trimmed the top edge of the sheets in order to gild the top edge and the last letter of "Wadsworth" is very slightly affected. Otherwise a fine copy. . 8vo. Slocum and Cahoon A12. Signed and inscribed by James Joyce for Percy Wadsworth Paris 30 July 1921 at the upper corner of the blank leaf preceding the half-title. The Egoist Ltd., unknown
