Grenfell, JoyceBiblio.com
23 087 résultats
réf. 0340707364.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1976réf. Q-0333194284Macmillan 1976-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Macmillan hardcover
1976réf. 282224New York: St. Martin's 1976. First. hardcover. very good. Profusely illustrate with black and white photographs 295 pages tall 8vo. black cloth. New York; St. Martin's Press 1975. Very good. Presentation copy on title page: "To Alton Peters / with my very good wishes - / Joyce Grenfell / in New York / October 1977." St. Martin's unknown
réf. 22104ONE: 149 King's Road S.W.3. London 9 April 1949. TWO: Laurelton Hotel West 55th St. New York City. 29 November 1955. For information on Russell see the Oxford DNB entry on his wife from 1957 the social worker Kit Russell Katherine Frances Russell née Stewart 1909-1998. Both letters are in fair condition lightly aged and creased. ONE: Signed 'Joyce Grenfell'. 2pp 12mo. She begins the letter with a question: 'Dear Sheridan Russell. What is Time and Talents It sounds interesting.' Time and Talents was a 'settlement' in Bermondsey started in 1887 by Christian society ladies with which Sheridan's wife had been associated since the 1920s. Grenfell's plans for the coming November are 'uncertain': 'I might be filming at Denham or touring in Cardiff or playing in West Hartlepool and I daren't promise anything so far ahead in case I couldn't fulfil it.' Despite her commitments she asks for more information about Time and Talents adding: 'perhaps a bit later on if you still wanted me you'd very kindly ask me again'. TWO: Signed 'Joyce'. 2pp foolscap 8vo. In light-blue ink. An air mail letter addressed to 'Sheridan Russell Esq 179 Gloucester Place London N.W.1.' By now on friendly terms she begins with a report on New York audiences: 'Dear Sheridan - I loved hearing from you but I mustn't let you be sad for me because contrary to your worry the audiences are absolutely remarkable – wonderful here! At first I felt quite jealous for London because they were so good! Now I'm grateful – feel it brings us all closer. They are so subtle so warm so responsive. I remember Myra Hess telling me she'd never had such listening as she got in America & I must say its true for me too.' She continues with her praise of the 'rewarding experience' she has with the audiences whilst conceding that her show 'draws only one section – the reading internationally minded British-film-going public – it is comforting to know they exist!' Her audiences are 'all glorious' but 'You hear very little English spoken in some sections & there are gross audiences – at the musicals for instance – but the ones who come to see the show at the Bijou are glorious!' She accepts that the show is 'not going to run for ever – too “special” - but even if we do close soon its been wonderfully exciting. I suppose we'll tour for a bit in the new year. And then home – hooray!' She finds New York 'such a mixture of enormous beauty and hellish hideosity'. She describes the 'fairy tale stuff' of the skyline and the lights on Broadway: 'forget the signs themselves it is very exciting too'. She praises the 'wonderfully nice' New Yorkers adding 'you can find anything here when you look for it. Kindness generosity and friendliness are available anywhere'. She concludes in optimistic terms: 'So I do want you to know that it is being a lovely time & a great EXPERIENCE. with love Joyce'. In a postscript she reports that 'Business dropped last week & we may close but last night the orchestra and stage crew combined & said theyd take cuts to ideas once the bad weeks pre-Christmas as they love & believe in the show. Very nice. No decision reached yet.' She ends by sending 'Love to Betty J.' ONE: 149 King's Road, S.W.3. [London] 9 April 1949. TWO: Laurelton Hotel, West 55th St., New York City. 29 November 1955. unknown
1976réf. 282224New York: St. Martin's 1976. First. hardcover. very good. Profusely illustrate with black and white photographs 295 pages tall 8vo. black cloth. New York; St. Martin's Press 1975. Very good. Presentation copy on title page: "To Alton Peters / with my very good wishes - / Joyce Grenfell / in New York / October 1977." St. Martin's unknown books
1976réf. Q-0882077422Victor Books 1976-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Victor Books paperback
1994réf. 507574New York: W.W. Norton & Company 1994. Softcover. Fine. Uncorrected proof. Introduction by Anthony Burgess. Conceived and Designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated from black and white photocopied photographs. Printed wrappers. Fine. Advance Review Copy with publisher's letter laid in. W.W. Norton & Company unknown
1994réf. 38305NY: Norton 1994. First edition. 112 pp. Near fine in near fine dust jacket with light toning along top edges. Introduction by Anthony Burgess. NY: Norton unknown books
1994réf. 90367New York/ London, Norton & Company 1994. 1994. 4°, 112 S. mit sehr vielen s/w Fotos. Orig.-Leinen mit Orig.-Umschlag.
2004réf. Q-097623730xNineveh Press 2004-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Nineveh Press paperback
réf. 0976237326.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1988réf. 3140BBZürich, Unionsverlag, 1988. 4°. 175 S. Ill. OLn. OUmschl.
1988réf. 70943Zch.: Unionsvlg. (c 1988). 175 Ss. 4°. Graues Ln.
réf. 6923959Edition: first . Good Condition. No Hassle 30 Day Returns Ships Daily Underlining/Highlighting: NONE Writing: NONE Publisher: Baltimore Museum of Art Pub Date: 1/1/2000 Binding: Paperback Pages: 108 paperback
2018réf. 230204001AGrounds For Sculpture 2018. Paperback. New. 9x0x11. BRAND NEW. Still Sealed in Publishers Shrinkwrap. Grounds For Sculpture paperback
2000réf. Q-0912298723Baltimore Museum of Art 2000. Paperback. New. In shrink wrap. Looks like an interesting title! Baltimore Museum of Art paperback
réf. 0912298723.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2000réf. 185419Baltimore Maryland: Baltimore Museum of Art 2000. Softcover. VG- light shelfwear to wraps library label on title page and front cover. Pages are otherwise clean. Black wraps illustrated green spine lettering French flaps 108 pp; profusely illustrated in bw and color. "Catalog of an exhibition held at the Baltimore Museum of Art January 23-April 21 2000"--Title page verso. Essays by Leslie King-Hammond and others. Includes bibliographical references. Baltimore Museum of Art unknown books
réf. 63-1727Sebastopol CA: Russian River Writers Guild 1988. Poster. 8.5" x 11" Illustrated. VG creasing and wear to corner. Photocopied poster. Sebastopol, CA: Russian River Writers Guild, [1988]. unknown
1983réf. Q-0671430491Pocket Books 1983-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Pocket Books paperback
2005réf. Q-1931993297Companionhouse Books 2005-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! Companionhouse Books paperback
réf. 0671430491.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2005réf. Q-1931993300Lumina Media 2005-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Lumina Media paperback
réf. B9781014121554Hardback. New. hardcover
réf. B9781015430129Hardback. New. hardcover
