Grenfell, JoyceBiblio.com
23,948 results
1976ref. Q-0333194284Macmillan 1976-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Macmillan hardcover
1976ref. 282224New York: St. Martin's 1976. First. hardcover. very good. Profusely illustrate with black and white photographs 295 pages tall 8vo. black cloth. New York; St. Martin's Press 1975. Very good. Presentation copy on title page: "To Alton Peters / with my very good wishes - / Joyce Grenfell / in New York / October 1977." St. Martin's unknown
ref. 22104ONE: 149 King's Road S.W.3. London 9 April 1949. TWO: Laurelton Hotel West 55th St. New York City. 29 November 1955. For information on Russell see the Oxford DNB entry on his wife from 1957 the social worker Kit Russell Katherine Frances Russell née Stewart 1909-1998. Both letters are in fair condition lightly aged and creased. ONE: Signed 'Joyce Grenfell'. 2pp 12mo. She begins the letter with a question: 'Dear Sheridan Russell. What is Time and Talents It sounds interesting.' Time and Talents was a 'settlement' in Bermondsey started in 1887 by Christian society ladies with which Sheridan's wife had been associated since the 1920s. Grenfell's plans for the coming November are 'uncertain': 'I might be filming at Denham or touring in Cardiff or playing in West Hartlepool and I daren't promise anything so far ahead in case I couldn't fulfil it.' Despite her commitments she asks for more information about Time and Talents adding: 'perhaps a bit later on if you still wanted me you'd very kindly ask me again'. TWO: Signed 'Joyce'. 2pp foolscap 8vo. In light-blue ink. An air mail letter addressed to 'Sheridan Russell Esq 179 Gloucester Place London N.W.1.' By now on friendly terms she begins with a report on New York audiences: 'Dear Sheridan - I loved hearing from you but I mustn't let you be sad for me because contrary to your worry the audiences are absolutely remarkable – wonderful here! At first I felt quite jealous for London because they were so good! Now I'm grateful – feel it brings us all closer. They are so subtle so warm so responsive. I remember Myra Hess telling me she'd never had such listening as she got in America & I must say its true for me too.' She continues with her praise of the 'rewarding experience' she has with the audiences whilst conceding that her show 'draws only one section – the reading internationally minded British-film-going public – it is comforting to know they exist!' Her audiences are 'all glorious' but 'You hear very little English spoken in some sections & there are gross audiences – at the musicals for instance – but the ones who come to see the show at the Bijou are glorious!' She accepts that the show is 'not going to run for ever – too “special” - but even if we do close soon its been wonderfully exciting. I suppose we'll tour for a bit in the new year. And then home – hooray!' She finds New York 'such a mixture of enormous beauty and hellish hideosity'. She describes the 'fairy tale stuff' of the skyline and the lights on Broadway: 'forget the signs themselves it is very exciting too'. She praises the 'wonderfully nice' New Yorkers adding 'you can find anything here when you look for it. Kindness generosity and friendliness are available anywhere'. She concludes in optimistic terms: 'So I do want you to know that it is being a lovely time & a great EXPERIENCE. with love Joyce'. In a postscript she reports that 'Business dropped last week & we may close but last night the orchestra and stage crew combined & said theyd take cuts to ideas once the bad weeks pre-Christmas as they love & believe in the show. Very nice. No decision reached yet.' She ends by sending 'Love to Betty J.' ONE: 149 King's Road, S.W.3. [London] 9 April 1949. TWO: Laurelton Hotel, West 55th St., New York City. 29 November 1955. unknown
1976ref. 282224New York: St. Martin's 1976. First. hardcover. very good. Profusely illustrate with black and white photographs 295 pages tall 8vo. black cloth. New York; St. Martin's Press 1975. Very good. Presentation copy on title page: "To Alton Peters / with my very good wishes - / Joyce Grenfell / in New York / October 1977." St. Martin's unknown books
1976ref. Q-0882077422Victor Books 1976-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Victor Books paperback
1994ref. 507574New York: W.W. Norton & Company 1994. Softcover. Fine. Uncorrected proof. Introduction by Anthony Burgess. Conceived and Designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated from black and white photocopied photographs. Printed wrappers. Fine. Advance Review Copy with publisher's letter laid in. W.W. Norton & Company unknown
1994ref. 05193JOYCE IMAGES Norton 1994 first edition as new in like dust-wrapper. Ninety images both photos and drawings of Joyce some of which have never been in book form before. Introduction by Anthony Burgess. Norton unknown books
1994ref. 567314New York: W.W. Norton & Company 1994. Hardcover. Near Fine/Near Fine. First edition. Introduction by Anthony Burgess. Conceived and designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated. Tiny soil spots on bottom edge of boards near fine in a near fine dust jacket with a lightly toned spine. W.W. Norton & Company hardcover books
1994ref. 506714New York: W.W. Norton & Company 1994. Hardcover. Fine/Fine. First edition. Introduction by Anthony Burgess. Conceived and designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated. Fine in a fine dust jacket with a very faint tideline along bottom of front panel and spine. Advance Review Copy with publisher's letter laid in. W.W. Norton & Company hardcover books
1994ref. 509680New York: W.W. Norton & Company 1994. Hardcover. Fine/Fine. First edition. Introduction by Anthony Burgess. Conceived and designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated. Fine in a fine dust jacket with light uneven tanning to the edges and spine. W.W. Norton & Company hardcover books
1994ref. 507574New York: W.W. Norton & Company 1994. Softcover. Fine. Uncorrected proof. Introduction by Anthony Burgess. Conceived and Designed by Bob Cato. Edited by Greg Vitiello. Quarto. 112pp. Illustrated from black and white photocopied photographs. Printed wrappers. Fine. Advance Review Copy with publisher's letter laid in. W.W. Norton & Company unknown books
1994ref. 38305NY: Norton 1994. First edition. 112 pp. Near fine in near fine dust jacket with light toning along top edges. Introduction by Anthony Burgess. NY: Norton unknown books
1994ref. 90367New York/ London, Norton & Company 1994. 1994. 4°, 112 S. mit sehr vielen s/w Fotos. Orig.-Leinen mit Orig.-Umschlag.
2004ref. Q-097623730xNineveh Press 2004-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Nineveh Press paperback
ref. 0976237326.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1988ref. 3140BBZürich, Unionsverlag, 1988. 4°. 175 S. Ill. OLn. OUmschl.
1988ref. 70943Zch.: Unionsvlg. (c 1988). 175 Ss. 4°. Graues Ln.
ref. 6923959Edition: first . Good Condition. No Hassle 30 Day Returns Ships Daily Underlining/Highlighting: NONE Writing: NONE Publisher: Baltimore Museum of Art Pub Date: 1/1/2000 Binding: Paperback Pages: 108 paperback
2018ref. 230204001AGrounds For Sculpture 2018. Paperback. New. 9x0x11. BRAND NEW. Still Sealed in Publishers Shrinkwrap. Grounds For Sculpture paperback
2000ref. Q-0912298723Baltimore Museum of Art 2000. Paperback. New. In shrink wrap. Looks like an interesting title! Baltimore Museum of Art paperback
ref. 0912298723.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 217441First edition. Exhibition brochure for a show that ran December 6 1996 through January 12 1997. Single sheet folded three times to create 8 pages. Features text Victor Zamudio-Taylor. Includes color illustrations list of previous exhibitions and a selected bibliography. A very near fine copy. Uncommon with only 5 copies listed in OCLC. unknown books
2014ref. 212334Baltimore MD: Goya Contemporary 2014. Softcover. VG Exlibrary with stickers on front and back cover. Color illustrated wraps with white and black text. Unnumbered pages. Color illustrations. "Joyce J. Scott has been known to deliberately and systematically close the gap between the virtuosity of fine art and the honed adroitness of fine craft to reveal a practice of meaningful storytelling through the vehicle of the object. Uncharacteristically for Scott the exhibition Can't we All Just Get Along focuses on a particular subject the global gun culture. This is a common theme in her oeuvre yet this showing deviates from past exhibitions in the sum total of her concentrated message." Goya Contemporary paperback books
ref. 63-1727Sebastopol CA: Russian River Writers Guild 1988. Poster. 8.5" x 11" Illustrated. VG creasing and wear to corner. Photocopied poster. Sebastopol, CA: Russian River Writers Guild, [1988]. unknown
1983ref. Q-0671430491Pocket Books 1983-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Pocket Books paperback
