2 530 résultats
1980réf. 579137Northridge California: The Castle Press for the Lord John Press 1980. Unbound. Fine. Broadside. Illustrated by Matt Phillips. Measuring 15" x 22¼". A fine copy. Number 165 of 200 copies printed and Signed by Oates at the close of the poem. A nice copy of a handsome broadside. The Castle Press for the Lord John Press unknown books
1955réf. 414208Cambridge Massachusetts: The Poets' Theatre Workshop 1955. Hardcover. Good. Broadside illustrated in color on stiff cardstock. Measuring 10.25" x 13.75". Two incorrectly used printed apostrophes are whited-out by hand some horizontal creases and a small light stain near very good. Poster for Manning’s stage adaptation of Joyce’s novel that Manning arranged in 1955 as The Voice of Shem. Manning was a regular cast member at the Abbey Theatre a playwright and was a filmmaker. After a distinguished career in Ireland she moved to Boston where she served as managing director of the Idler Theatre at Radcliffe College in the 1940s and was one of the founding members of the Poet’s Theatre in Cambridge in 1950. The poster notes that tickets were on sale at the Mandrake Book Store on Boylston Street in Cambridge. Interesting period-style illustration of a beer quaffer blathering over the cantilevered corpse of Finnegan. The original performances were in April of 1955; this return engagement ran for little more than a week in late November and early December 1955. OCLC locates no copies of the poster although copies of Manning's adaptation in book form published by the Harvard University Press are plentiful. We found a black and white rendition of the poster image online on a French blog but could find no illuminating information there. Presumably these posters would have been extremely ephemeral. The Poets' Theatre Workshop hardcover books
1970réf. 629421Ontario: Orange Bear Reader 1970. Unbound. Fine. First edition. 10" x 13" broadside poem laid into printed paper folder. One of 500 copies printed. Fine. In original publisher's mailing envelope which is a bit soiled. Orange Bear Reader unknown books
1978réf. 579141Northridge California: Richard Bigus for the Lord John Press 1978. Unbound. Fine. Broadside. Illustrated by Tom Killion. Measuring 22" x 15". Fine with the tip of one corner lightly creased and three tiny spots along the right edge. Copy Y of 26 lettered copies Signed by Oates and Killion of 226 total. Richard Bigus for the Lord John Press unknown books
1983réf. 578949Concord New Hampshire: William B. Ewert 1983. Unbound. Fine. Broadside. Illustration by Mary Ann Hayden. Measuring approximately 11½" x 19½". Tips of corners a trifle creased still easily fine. One of 100 numbered copies Signed by Oates and Hayden. Nicely printed at the Meadow Press. William B. Ewert unknown books
1983réf. 579559Concord New Hampshire: William B. Ewert 1983. Unbound. Fine. Broadside. Illustration by Mary Ann Hayden. Measuring approximately 11½" x 19½". Trifle soiled still bright and just about fine. Copy 3 of 100 numbered copies Signed by Oates and Hayden and nicely printed at Meadow Press. This broadside also briefly Inscribed by Oates; the recipient George Bixby published several of her titles under his Albondocani Press. William B. Ewert unknown books
1976réf. 579535Pittsburgh: Slow Loris Press 1976. Unbound. Fine. Broadside. Measuring 11" x 17". Tips of corners a bit creased else fine. Copy 48 of 65 numbered copies Signed by Oates. Slow Loris Press unknown books
1994réf. 2343935William B. Ewert 1994. Limited Edition. Broadside. Near Fine. Signed by author. Signed by author without inscription. One of 150 copies. An exceptional copy. 1994 Broadside. 8 1/4 x 10 3/4 inches. Deckled bottom edge. Title and author name in magenta; rest of text in purple. "Shall we tell them thanks but why reward us who as children filled in time by filling in coloring books' Or shall we lie' O Crayola!--Even the taste was good. William B. Ewert unknown books
1972réf. 578948Cambridge Massachusetts: Pomegranate Press 1972. Unbound. Fine. Broadside. Illustrated by Karyl Klopp. Measuring approximately 11" x 16½". Fine. One of 250 numbered copies. Pomegranate Press unknown books
1972réf. 579536Cambridge Massachusetts: Pomegranate Press 1972. Unbound. Near Fine. Broadside. Illustrated by Karyl Klopp. Measuring approximately 11" x 16¼". Near fine with a bit of tanning. One of 250 numbered copies this is copy 51 and has been Signed by both Oates and Klopp. Pomegranate Press unknown books
1972réf. 315684Cambridge Massachusetts: Pomegranate Press 1972. Unbound. Fine. First edition. Broadside. 11" x 16.5". Illustrated by Karyl Klopp. Tiny spot in top margin still easily fine. One of 250 numbered copies. A very nice copy of an elusive broadside. Pomegranate Press unknown books
1998réf. 2343912William B. Ewert 1998. Limited Edition. Broadside. Near Fine. Signed by author. Signed by author. An exceptional copy. 1998 Broadside. 7 1/4 x 10 1/2 inches. Deckled bottom edge. "If opening that drawer quickly you hear your life rattle like hollow dice--we understand each other perfectly. William B. Ewert unknown books
1977réf. 587278Northridge California: Grant Dahlstrom for the Lord John Press 1977. Unbound. Fine. Broadside. Measuring 11" x 15½". Just about fine with a bit of very light creasing. Published in an edition of 226 Signed copies this copy is Signed by Oates and at the limitation is written in another hand "John Martin's Copy." Martin's Black Sparrow Press published books by Joyce Bukowski and dozens of others. A nice association. Grant Dahlstrom for the Lord John Press unknown books
1977réf. 579392Northridge California: Grant Dahlstrom for the Lord John Press 1977. Unbound. Near Fine. Broadside. Measuring 11" x 15½". Tip of one corner with a bit of creasing tiny area of shallow loss thus near fine. Copy 35 of 200 numbered copies Signed by Oates of 226 total. Grant Dahlstrom for the Lord John Press unknown books
1977réf. 579393Northridge California: Grant Dahlstrom for the Lord John Press 1977. Unbound. Fine. Broadside. Measuring 11" x 15½". A fine copy. Copy R of 26 lettered copies Signed by Oates of 226 total. Grant Dahlstrom for the Lord John Press unknown books
1994réf. 55764Concord NH: William B. Ewert Publisher 1994. First Edition. One of 50 copies signed by the author. Broadside with text letterpress printed in black and blue on pale grey laid paper measuring 18.25cm x 24cm 7.25" x 9.5". A Fine copy of this broadside poem which first appeared in The Atlantic Monthly. William B. Ewert, Publisher unknown books
1972réf. 546997Iowa City Iowa: Steve Toth 1972. Unbound. Fine. Broadsheet. Edited by Steve Toth. One 8½" x 11" sheet mimeographed on both sides. Illustrated. Folded twice for mailing else fine in the original envelope sent from "MATCHBOOK. Joyce Holland Dave Morice ed. c/o Al Buck" roughly opened at the top. Features poems by Tim Hildebrand Joyce Holland Dave Morice John Sjoberg and George Mattingly as well as couple of unattributed illustrations. OCLC seems to locate no copies. Steve Toth unknown books
1978réf. 587321No place: no publisher 1978. Unbound. Fine. Broadsheet. Measuring 8½" x 11". Fine. Signed by Oates. Not in Lercangée's bibliography and we have not been able to locate another copy. no publisher unknown books
1947réf. 124663London: Longmans Green & Co 1947. Paperback. 79p. 4.75x7.25 inches appendix photographs in gravure line-drawn maps photographic wraps with mild trace of offsetting across cover top edge foxed otherwise a very good copy of the attractive revised edition. Longmans, Green & Co paperback books
2021réf. 588222New York: HarperCollins 2021. Hardcover. Fine/Fine. First edition. Fine in a fine dust jacket. HarperCollins hardcover books
1998réf. 627714New York: Henry Holt and Company 1998. Hardcover. Fine/Fine. First edition. Small quarto. 130pp. Illustrated. Fine in a trifle rubbed still fine dust jacket. Henry Holt and Company hardcover books
1987réf. 707986NY: E.P. Dutton. 1987. Very Good in Very Good DJ. Unless otherwise noted our first editions are first printings. First Edition. Hardcover. Very Good. E.P. Dutton hardcover books
1987réf. 704051NY: E.P. Dutton. 1987. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. E.P. Dutton paperback books
1977réf. 130152Knotting: The Sceptre Press 1977. First edition. Softcover. 47 pages. A collection of poems. A close to near fine copy in wrappers. Uncommon. The Sceptre Press unknown books
2003réf. 214462New York NY: Distributed Art Publications 2003. Hardcover. Good- two considerable dampstains on front cover. All else excellent. Green boards with gilt text and design black text black cloth spine with gilt text. 61 pp. Color illustrations. Sticky note inside cover says "Love Joyce" Whether it was waged at Pitcairn Island Nagasaki or the Falkland Islands whether during the Han Dynasty the English Empire or the Cold War battles have been fought people slaughtered women raped children orphaned and so on as the pages of history turn. The current world situation in the very first years of the twenty-first century is certainly no exception. The visual residue of these battles changes over time growing more and more dense more and more immediate. But always there have been maps detailed cartographic evidence of what was known what was planned what was going to happen. For over a dozen years Joyce Kozloff has centered her art on the theme of cartography blending into her simulacra of old maps mutations that often raise geopolitical issues. She discovered in these images of physical terrain a mental territory as well--one that charts the topography of power. Boys' Art is a series of meticulous densely collaged maps that Kozloff has fashioned from hundreds of years of source material the most recent of which are her son Nik's childhood drawings of war. On top of her pristine pencil copies of historic military maps--culled from the Han dynasty to the Roosevelt administration--Kozloff has layered the movements of war as found in Tin Tin and Babar in a seventeenth-century woodblock by Hokusai in a George Grosz pen and ink drawing or a Leonardo da Vinci sketch. Surreal narratives emerge pitting cartoon elephants against samurai warriors scribbled monsters against Indians on horseback and Renaissance soldiers against Frenchmen in khaki fatigues and pith helmets. Presented in an oversize format at a 1:1 scale with the original collages Boys' Art lushly presents a series of work that unfortunately could not be more timely. But then as Kozloff herself writes in the introduction there has always been war. Distributed Art Publications hardcover books
