Townsend, Joyce HBiblio.com
23,948 results
2018ref. 1882541Archetype Publications 2018. 1st. paperback. New. 6x0x9. Archetype Publications paperback
ref. 68-7992Murphys CA: Philter Press 1964. 4to. Stapled Wraps. 8 pp. Facsimile of Chinese Print & Illustrations. Very Good covers sunned. Murphys, CA: Philter Press, 1964. paperback
ref. ria9783659592751_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This book is an account of the phytochemical analysis of two genera Vernonia and Vepris which are used as remedies for illness by the Kalenjin community of Kenya. Species of Vernonia are known to yield sesquiterpene lactones which typ paperback
ref. B9783659592751Paperback / softback. New. paperback
2009ref. Q-0470384506Wiley 2009-01-20. Paperback. New. New. In shrink wrap. Looks like an interesting title! Wiley paperback
2004ref. Q-0764557467Wiley 2004-05-07. Paperback. New. In shrink wrap. Looks like an interesting title! Wiley paperback
2004ref. 2555PHP5 and MySQL Bible Authors: Tim Converse Joyce Park Clark Morgan Publisher: Wiley 2004 Language: English ISBN‑10: 0764557467 ISBN‑13: 9780764557460 Description PHP5 and MySQL Bible is a comprehensive programming reference that equips developers with the tools to build dynamic database‑driven websites. Covering both PHP5 and MySQL the book provides in‑depth explanations practical examples and hands‑on techniques for mastering two of the most widely used open‑source technologies in web development. Key features include: Complete coverage of PHP5 syntax and functions including object‑oriented programming enhancements. Detailed MySQL integration guidance from database design to query optimization. Step‑by‑step tutorials for building interactive applications such as content management systems and e‑commerce sites. Best practices for security scalability and performance in real‑world web projects. Extensive code samples to reinforce learning and provide ready‑to‑use solutions. Collectible Significance Published in 2004 this edition captures a pivotal moment in web development history when PHP5 introduced major improvements and MySQL was cementing its role as the backbone of dynamic websites. As later frameworks and languages emerged this book remains a valuable reference for collectors of programming literature educators documenting the evolution of web technologies and developers interested in the foundations of modern web applications. WILEY, JOHN @ & SONS paperback
ref. Z11I-00245Wiley. Used - Very Good. Very Good condition. 2nd edition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name short gifter’s inscription or light stamp. Bundled media such as CDs DVDs floppy disks or access codes may not be included. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES. Wiley unknown
2002ref. Q-0764549553Wiley 2002-10-03. Paperback. New. New. In shrink wrap. Looks like an interesting title! Wiley paperback
1984ref. 101457Boston: David R. Godine 1984. First edition. Softcover. A nice look at her rather ethereal photographs. This is the simultaneous oversized wraps edition. A clean very good plus copy with some wear to the bottom front corner but internally very clean. A very presentable copy of this book. David R. Godine unknown books
1984ref. 65290Contejour 1984 In-4 relié. Sans jaquette. Très bon état d’occasion.
1983Full cream cloth boards. Dust jacket has several small tears, edgewear, general light scuffing. Bottom spine and bottom cover corners are lightly bumped, otherwise book is excellent in every respect. Black and white photographs. Text in French. Previous owner's inscription in Japanese on endpaper.
1932ref. 69434New York: Berenice Abbott 1932. JOYCE James; ABBOTT Berenice. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Bernice Abbott 1932. Full Description: JOYCE James. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Berenice Abbott n.d. taken 1928. Original gelatin silver print portrait of Joyce taken by Abbott. Signed by the photographer in pencil in the lower right hand corner of the photograph. Mounted on stiff board. Abbott's stamp with her "50 Commerce Street NY" address on the verso of the mount. Image size: 13 x 10 1/8 inches; 330 x 260 mm. Some minor sunning around the perimeter of the photo. A tiny bit of scuffing to top and bottom edges. Otherwise about fine. This is the largest photo we can find of Joyce for the Commerce St. address. Swann Galleries who has had this photo before states "Circa 1932." This is a lovely and well-know portrait of author James Joyce. He is seated in Abbott's studio with a cane wearing a hat and his signature round-framed glasses. "Abbott photographed Joyce on two occasions the first in 1926 at his home in Paris and the second two years later in her studio. At the time of the sitting Joyce was struggling with teeth and eye problems and was struggling through completion of one of his best-known works Finnegan's Wake." "Berenice Alice Abbott July 17 1898 - December 9 1991 was an American photographer best known for her portraits of cultural figures of the interwar period New York City photographs of architecture and urban design of the 1930s and science interpretation of the 1940s to the 1960s." Wikipedia Abbott lived at 50 Commerce St. in NYC with her partner the influential art critic Elizabeth McCausland from 1935 to 1965. HBS 69434. $6000. Berenice Abbott unknown books
1998ref. 205231Zurich / New York: Edition Stemmle 1998. Hardcover. VG. Ex-lib with minimal markings. Sticker on spine and inside rear board paste down. Otherwise besides from a little soiling on the rear panel of the jacket book is clean and unmarked. Quarto. Hardcover. Paper boards in b&w illustrated jacket. 207 pages : chiefly illustrations ; 31 cm. Edition Stemmle hardcover books
1983ref. c011101Paris: Contrejour 1983. Hardcover. Very Good/Very Good. 4to - over 9¾ - 12" tall. Dustwrapper in clear protective sleeve. Contrejour hardcover
1932ref. 69434New York: Berenice Abbott 1932. JOYCE James; ABBOTT Berenice. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Bernice Abbott 1932. Full Description: JOYCE James. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Berenice Abbott n.d. taken 1928. Original gelatin silver print portrait of Joyce taken by Abbott. Signed by the photographer in pencil in the lower right hand corner of the photograph. Mounted on stiff board. Abbott's stamp with her "50 Commerce Street NY" address on the verso of the mount. Image size: 13 x 10 1/8 inches; 330 x 260 mm. Some minor sunning around the perimeter of the photo. A tiny bit of scuffing to top and bottom edges. Otherwise about fine. This is the largest photo we can find of Joyce for the Commerce St. address. Swann Galleries who has had this photo before states "Circa 1932." This is a lovely and well-know portrait of author James Joyce. He is seated in Abbott's studio with a cane wearing a hat and his signature round-framed glasses. "Abbott photographed Joyce on two occasions the first in 1926 at his home in Paris and the second two years later in her studio. At the time of the sitting Joyce was struggling with teeth and eye problems and was struggling through completion of one of his best-known works Finnegan's Wake." "Berenice Alice Abbott July 17 1898 - December 9 1991 was an American photographer best known for her portraits of cultural figures of the interwar period New York City photographs of architecture and urban design of the 1930s and science interpretation of the 1940s to the 1960s." Wikipedia Abbott lived at 50 Commerce St. in NYC with her partner the influential art critic Elizabeth McCausland from 1935 to 1965. HBS 69434. $6000. Berenice Abbott unknown
1937ref. 2884Paris: np 1937. Very Good. POWERFUL IMAGE OF JAMES JOYCE BY SURREALISTIC PHOTOGRAPHER JOSEF BREITENBACH. A remarkable set of circumstances had to come together to this photograph of James Joyce by German born photographer Josef Breitenbach to first exist and then to survive. Throughout the summer of 1937 as he experienced increasingly painful flashes in his right eye Joyce pored over early proofs of Finnegan's Wake then known only as "Work in Progress". Perhaps he was preoccupied with correcting the inevitable and myriad errors in his pun-flecked stream of consciousness prose or perhaps he was overcome with pain but we know from Breitenbach's pocket diary that Joyce canceled four times before the two exiled artists finally met. James Joyce's relationship with Ireland was famously complex and included self imposed exile. He and Nora Barnacle his future wife left Dublin in 1904 for mainland Europe never returning to his homeland after 1912. On the other hand photographer Josef Breitenbach was a Jewish German refugee who fled the rising Nazi's. Both his Jewish background and prior involvement with the short-lived revolution of 1918 made him an early target of the Brownshirts who knocked on his Munich studio door one day in 1932. Thinking on his feet Breitenbach was able to use his portrait of then Vice-Chancellor Papen whom he had photographed the year before together with a letter of thanks from Papen for his work in order to claim that he was under Papen's protection. Seizing the brief vacuum created by his subterfuge Breitenbach immediately packed his bags and within days departed for Paris. Once in Paris Breitenbach mingled with the Surrealists showing in gallery exhibitions alongside Man Ray Henri Cartier-Bresson and Brassai. Over time he developed a reputation for landscapes nudes and photo-journalism. By the time Breitenbach photographed James Joyce in July 1937 he had built a portfolio of portraits of artists such as Max Ernst Emile Bernard and Bertold Brecht. Studio portraits like this print of Joyce were often bathed in a soft seductive glow both flattering and intriguing. Here Joyce sits in profile with clasped hands behind him are blurred rows upon rows of bookshelves. The message is clear: despite failing vision Joyce remained a bright and vibrant writer. Meanwhile history marched on. Two years later in September 1939 Breitenbach was placed with other German and Jewish exiles in a French internment camp. His survival skills still intact he volunteered for a rural labor force that saved him from deportation to a concentration camp. With the help of friends in England and the United States Breitenbach once again fled the Nazi's arriving in New York in June 1941. To his enormous relief his entire oeuvre of photographic prints and negatives including the Joyce pictures had been smuggled out of Paris by another friend and sent to the States by way of Havana. As Breitenbach once again built a life for himself in a new country he turned to his pre-war work. Among the first negatives he developed were those of Joyce - an homage to the writer who had died months before at age 59 in Zurich. Silver gelatin photograph. Taken in 1937; printed later. With "Estate of Josef Breitenbach" stamp on verso. Very faint corner crease only noticeable on verso. Image approx 9x7 1/2 in / 23 x 19.2 cm; with margins 9 3/8 x 7 7/8 in / 23.8 x 19.9 cm. A beautiful evocative image. Rare. References: Michael Shnayerson Josef Breitenbach: James Joyce 9 Portraits. Dublin The Towers 2004. np unknown
1937ref. 2884Paris: np 1937. Very Good. POWERFUL IMAGE OF JAMES JOYCE BY SURREALISTIC PHOTOGRAPHER JOSEF BREITENBACH. A remarkable set of circumstances had to come together to this photograph of James Joyce by German born photographer Josef Breitenbach to first exist and then to survive. Throughout the summer of 1937 as he experienced increasingly painful flashes in his right eye Joyce pored over early proofs of Finnegan's Wake then known only as "Work in Progress". Perhaps he was preoccupied with correcting the inevitable and myriad errors in his pun-flecked stream of consciousness prose or perhaps he was overcome with pain but we know from Breitenbach's pocket diary that Joyce canceled four times before the two exiled artists finally met. James Joyce's relationship with Ireland was famously complex and included self imposed exile. He and Nora Barnacle his future wife left Dublin in 1904 for mainland Europe never returning to his homeland after 1912. On the other hand photographer Josef Breitenbach was a Jewish German refugee who fled the rising Nazi's. Both his Jewish background and prior involvement with the short-lived revolution of 1918 made him an early target of the Brownshirts who knocked on his Munich studio door one day in 1932. Thinking on his feet Breitenbach was able to use his portrait of then Vice-Chancellor Papen whom he had photographed the year before together with a letter of thanks from Papen for his work in order to claim that he was under Papen's protection. Seizing the brief vacuum created by his subterfuge Breitenbach immediately packed his bags and within days departed for Paris. Once in Paris Breitenbach mingled with the Surrealists showing in gallery exhibitions alongside Man Ray Henri Cartier-Bresson and Brassai. Over time he developed a reputation for landscapes nudes and photo-journalism. By the time Breitenbach photographed James Joyce in July 1937 he had built a portfolio of portraits of artists such as Max Ernst Emile Bernard and Bertold Brecht. Studio portraits like this print of Joyce were often bathed in a soft seductive glow both flattering and intriguing. Here Joyce sits in profile with clasped hands behind him are blurred rows upon rows of bookshelves. The message is clear: despite failing vision Joyce remained a bright and vibrant writer. Meanwhile history marched on. Two years later in September 1939 Breitenbach was placed with other German and Jewish exiles in a French internment camp. His survival skills still intact he volunteered for a rural labor force that saved him from deportation to a concentration camp. With the help of friends in England and the United States Breitenbach once again fled the Nazi's arriving in New York in June 1941. To his enormous relief his entire oeuvre of photographic prints and negatives including the Joyce pictures had been smuggled out of Paris by another friend and sent to the States by way of Havana. As Breitenbach once again built a life for himself in a new country he turned to his pre-war work. Among the first negatives he developed were those of Joyce - an homage to the writer who had died months before at age 59 in Zurich. Silver gelatin photograph. Taken in 1937; printed later. With "Estate of Josef Breitenbach" stamp on verso. Very faint corner crease only noticeable on verso. Image approx 9x7 1/2 in / 23 x 19.2 cm; with margins 9 3/8 x 7 7/8 in / 23.8 x 19.9 cm. A beautiful evocative image. Rare. References: Michael Shnayerson Josef Breitenbach: James Joyce 9 Portraits. Dublin The Towers 2004. np unknown books
1971ref. 20009NY: Jill Krementz 1971. 1971. 8" x 11" approx black and white photograph of Joyce Carol Oates taken in London on 12/12/1971. One of the more haunting photographic portraits of Oates. With Jill Krementz studio stamps rear of the archival mounting. SIGNED lightly in blue ink by Oates on the bottom of the front of the white matting. This is a fine photograph as matted and framed by the studio. Signed by Authors. 1st Edition. No Binding. As New. NY: Jill Krementz, 1971. unknown
1983ref. 090778Contrejour 1983. Oversize Hardcover. Near Fine/Good. Full cream cloth boards. Dust jacket has several small tears edgewear general light scuffing. Bottom spine and bottom cover corners are lightly bumped otherwise book is excellent in every respect. Black and white photographs. Text in French. Previous owner's inscription in Japanese on endpaper. Keywords: Photography Character Portraits Mythology Archetypes Joyce Tenneson Contrejour hardcover
1984ref. 0791783Boston Massachusetts U.S.A.: David R Godine. 1984. Folio - over 12" - 15" tall. F First Edition. H Hard Cover -. Collectible; Very Good. Autographed / Signed by Author on the front endpaper. First Edition First printing. Very good in good dust jacket. Jacket : slight to moderate over-all soiling 1.25 inch tear with internal clear tape repair just in front lower left corner of front panel 1/2 inch tear near lower right corner of front panel. 28.5 x 32cm. hard cover. 77pp. B202Z Signed: I Signed by Author David R Godine hardcover
1998ref. Q-3908161053Edition Stemmle 1998-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Edition Stemmle hardcover
1960ref. 392967New York 1960. Hardcover. Very Good. Oblong quarto. Brown leather over paper boards with "Photographs" embossed on the front board. A collection of 132 black and white or color photographs affixed to stiff black paper as well as newspaper clippings and some postcards. Various sizes with most being 3.5" x 3.5". Boards are good only with tape replacing the spine chips tears and a few present but detached pages overall very good. The assemblage contains photographs and ephemera related to the dancing career of Joyce Pickens. Originally from New York Pickens traveled the United States and Canada performing at clubs and supplementing her income by staying on in some cities to teach the newest dance crazes to hip citizens. In an offprint of an article from a May 1964 Toronto Daily is a discussion of how the Discotheque trend had arrived from Paris and Pickens had stayed on to teach the dances dubbing her "Toronto's original discotheque girl." They quote her as saying "We're headed into another era like the 'roaring twenties.' When the big bands died people gave up going out to dance except at private parties. Now with the discotheque they can have all the variety and sounds they want. everything at the flick of a turntable switch." The photos show Pickens posing in a variety of costumes as a cowgirl a flamenco dress even a bikini and in numerous clubs and venues including California's Moulin Rouge Club. Also tipped in are business cards for some of the backing bands that she danced with such as Alfredito and his Mambo Orchestra Barry Del Rae and Andrew Alvarez. There are also a handful of curious drawings one of a hand-colored treasure map another pencil drawing labeled "Holiday Inn." The end of the album has small newspaper clippings containing advertising for costumers and nightclubs. An interesting and plentiful collection of the earliest gestation phase of the disco area. hardcover books
1960ref. 392967New York 1960. Hardcover. Very Good. Oblong quarto. Brown leather over paper boards with "Photographs" embossed on the front board. A collection of 132 black and white or color photographs affixed to stiff black paper as well as newspaper clippings and some postcards. Various sizes with most being 3.5" x 3.5". Boards are good only with tape replacing the spine chips tears and a few present but detached pages overall very good. The assemblage contains photographs and ephemera related to the dancing career of Joyce Pickens. Originally from New York Pickens traveled the United States and Canada performing at clubs and supplementing her income by staying on in some cities to teach the newest dance crazes to hip citizens. In an offprint of an article from a May 1964 Toronto Daily is a discussion of how the Discotheque trend had arrived from Paris and Pickens had stayed on to teach the dances dubbing her "Toronto's original discotheque girl." They quote her as saying "We're headed into another era like the 'roaring twenties.' When the big bands died people gave up going out to dance except at private parties. Now with the discotheque they can have all the variety and sounds they want. everything at the flick of a turntable switch." The photos show Pickens posing in a variety of costumes as a cowgirl a flamenco dress even a bikini and in numerous clubs and venues including California's Moulin Rouge Club. Also tipped in are business cards for some of the backing bands that she danced with such as Alfredito and his Mambo Orchestra Barry Del Rae and Andrew Alvarez. There are also a handful of curious drawings one of a hand-colored treasure map another pencil drawing labeled "Holiday Inn." The end of the album has small newspaper clippings containing advertising for costumers and nightclubs. An interesting and plentiful collection of the earliest gestation phase of the disco area. hardcover
ref. 1138277924.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
