Ionesco, EugeneBiblio.com
222 résultats
réf. 0140181040.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. Q-0140184155Penguin Putnam~trade 1815. Paperback. New. In shrink wrap. Looks like an interesting title! Penguin Putnam~trade paperback
1994réf. Q-0802131018Grove Press 1994-01-21. Paperback. New. In shrink wrap. Looks like an interesting title! Grove Press paperback
1977réf. 88043Paris: Gallimard 1977. Fine. Gallimard Paris 1977 14 x 21 cm broché First edition a Service de Presse advance copy. Handsome copy complete with its illustrated dust jacket. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa whom he erroneously called Suzanne and her companion the actress Erika Kralik: ""Pour Suzanne Ben-Mussa et Erika avec toute ma tendresse. Eugène Ionesco."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
1977réf. 80141Paris: Mercure de France 1977. Fine. Mercure de France Paris 1977 14 x 20.50 cm broché First edition an advance copy. Handsome copy with dust jacket. Autograph inscription from Eugène Ionesco to Maurice de Gandillac and his wife Geneviève. Mercure de France unknown
1977réf. 58908Paris: Gallimard 1977. Fine. Gallimard Paris 1977 14 x 21.50 cm broché First edition review copy. Signed autograph of Eugene Ionesco Claude Bonnefoy and his wife Nicole. Little sunshine Length back and boards otherwise pleasant complete copy of his illustrated jacket. Gallimard hardcover
1971réf. 396783East Hampton New York 1971. Unbound. Very Good. Broadsides. Illustrated by Isadore Seltzer. Measuring 11" x 17" and 13" x 19.75". Overall very good with some toning pins holes at the corners and light edge wear; one poster with a couple of water spots. Eight posters for performances at the Old Post Office Theatre on Newtown Lane in East Hampton New York which was co-owned by photographer Ken Robbins who used the upstairs as his first darkroom. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performances and even less have survived. unknown
réf. 51-7299Paris: Jean-Jacques Pauvert 1955. 4to. 19 x 26.8cm. 69.pp Original wraps. Founded by Eric Losfeld–who went on to publish Jean-Claude’s notorious Barbarella comics in the early 1960s–Bizarre lasted for just two issues before falling off the map in 1953. The magazine was soon revived however by Jean-Jacques Pauvert and Michel Laclos who kept its torrent of iconoclastic wit cultural criticism and artistic daredevilry running uproariously from 1955 right up to the eve of the Paris uprisings in the spring of 1968. No stranger to controversy Pauvert made a name for himself in the immediate postwar years publishing at times clandestine editions of Sade. His new bookshop on the Rue Bonaparte was quickly put under police surveillance when it opened in 1956 just a year after he restarted Bizarre and the besieged bookseller/ publisher found himself at the center of the “Affaire Sade” as the French government stepped in to ban the publication and sale of such works. Clashes with authority and public controversy also hounded other contributors to the journal including its ‘s star illustrator Siné. An anarchist with sharply anti-capitalist anti-colonialist and as many would later find anti-semitic views Siné felt pressured to quit his position as political cartoonist for L’Express due to his virulent opposition to the Algerian War which provoked public outcry from many readers and for a time in the early sixties he worked on Révolution africaine a journal financed by the Algerian resistance organization FLN. When the uprisings came in 1968 Siné again joined with Pauvert to found the magazine L’Enragé an important document of the rebellious spirit of the late sixties and early seventies recently acquired by Beinecke as part of the Philippe Zoummeroff Collection of May 1968 Paris / BIZARRE. N° 1. Mai 1955.Expertise by Amaury BONNETAIN Paris: Jean-Jacques Pauvert, 1955. paperback
1993réf. DADAX2070386538Folio 1993-03-01. Student. mass_market. New. 4.33x0.39x7.09. Buy with confidence. Excellent Customer Service & Return policy. Folio unknown
1973réf. 88042Paris: Gallimard 1973. Fine. Gallimard Paris 1973 11 x 16.50 cm broché First edition of which there were no deluxe copies a Service de Presse advance copy. Some occasional light worming to the edges. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa: ""Pour Simone Benmussa avec ma vieille amitié et pourtant toujours jeune fidèlement affectueusement Eugène Ionesco Janvier 1974."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
1973réf. 86305Paris: Gallimard 1973. Fine. Gallimard Paris 1973 11 x 16.50 cm broché The first edition of which there were no deluxe copies a Service de Presse advance copy. Some occasional worming to edges. Autograph inscription signed by Eugène Ionesco to the graphic designer typographer illustrator layout artist writer Robert Massin known as Massin: ""Pour Massin affectueusement Eugène Ionesco."" For Massin affectionately Eugène Ionesco. Gallimard unknown
1996réf. Q-2070392473Editions Gallimard 1996-04-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Editions Gallimard paperback
1973réf. Q-2070364011Gallimard Education 1973-06-01. Pocket Book. New. New. In shrink wrap. Looks like an interesting title! Gallimard Education unknown
1969réf. 22144Paris: Francois Ruy-Vidal at Harlin Quist Editions 1969-1970. 1st Edition. hardbound. Very Good/no dustwrapper. 2 volumes 4to. profusely illustrated 1st French Editions of the first two or four volumes of Ionesco's Conte Pour Enfants de moins de trois ans tales for children under three years of age illustrated by Etienne Delessert; a very scarce Ionesco First with the distinctive illustrations of Delessert who once produced animated segments for Sesame Street; 2 vols illustrated laminated boards text and illustrations in combination throughout; Vol 1 Very Good and clean throughout; Vol 2 with occasional foxing o.w. Very Good; both volumes with minor knocks/worn spots to head and tail of spines. Francois Ruy-Vidal at Harlin Quist Editions hardcover
2009réf. H-725-407Gallimard Jeunesse 2009. Paperback. Very Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Gallimard Jeunesse paperback
réf. 9788599102985MARTINS - MARTINS FONTES. new. Os dois contos infantis que a Martins Editora lana neste volume fazem parte de um conjunto de cinco hist�rias escritas por Eugne Ionesco para o pblico infantil. A protagonista de todos esses contos a menina Josete personagem inspirada em Marie-France filha de Ionesco. Sempre desenvolvidas no ""universo do absurdo"" as hist�rias malucas contadas pelo pai da menina voam soltas pela imaginao da criana que comea a descobrir a mgica que h por trs das palavras e a brincar com os nomes de coisas e pessoas. MARTINS - MARTINS FONTES unknown
1971réf. 396807East Hampton New York 1971. Unbound. Near Fine. Broadside. Illustrated by Isadore Seltzer. Measuring 11" x 17". Near fine with some toning. Poster for two performances at the Old Post Office Theatre in on Newtown Lane in East Hampton New York co-owned by photographer Ken Robbins who used the upstairs as his first dark room. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performance and even less that have survived. unknown
réf. LV92576Altea.Colección:Altea Benjamín 65. Bueno. 1986rústicarozado.Expurgo bibliotecasellos y códigos.SINOPSIS:¿Sirven las palabras para entenderse El dramaturgo rumano Eugene Ionesco pensó que no se trataba de una pregunta tan sencilla deparándonos este cuento tan absurdo como inolvidable tan enigmático como evocador tan gracioso como alarmante. Altea.Colección:Altea Benjamín 65 paperback
1969réf. 782R57Geneve: Editions d'Art Albert Skira 1969. First edition. Paperback. Very Good. 8.5" by 7". Eugene Ionesco. A delightful collection of the artwork of Eugene Ionesco in rich colour alongside his musings. A personal exploration on art and life by an important Romanian-French playwright.Eugene Ionesco 1909-1994 wrote mostly in French and was a prominent figure in avant-garde theatre. his works included 'The Killer' 'Rhinoceros' 'The Bald Soprano' 'Double Act' and 'The Lesson'.In the original French language.A first edition.Richly illustrated throughout in colour by the author. In the publisher's original paperback binding. Externally generally smart; boards are a little rubbed and worn in places. Internally firmly bound. Pages are bright and clean. Very Good Editions d'Art Albert Skira paperback
réf. 8424511344.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 8495642948.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1971réf. 66938Paris: Gallimard 1971. Fine. Gallimard Paris 1971 12.50 x 19.50 cm broché First edition one of 16 numbered copies on Hollande the deluxe issue. A fine copy. Gallimard unknown
1969réf. 008203Geneva: Editions Skira 1969. Limited Edition 1st Printing. Unbound. Near Fine. 4to - over 9¾ - 12" tall. Ionesco Eugène. In French not in English. First edition thus of Découvertes: Les Sentiers de la Création Discoveries: The Paths of Creation. This is no. 45 of 175 deluxe copies on vélin d'Arches from a total edition of 2200. Printed in Switzerland. 11.25 x 9 inches. Slipcase is 11.75 x 9.5 x 1.75 inches. There are 35 loose quires in paper folder housed in parchment paper-backed chemise with matching vellum-tipped slipcase. 127 numbered pages. With 1 of 2 original lithographs by Ionesco the second had been by Giuseppe Capogrossi and with numerous Ionesco color plates of various sizes tipped in including 4 double-page plates. The color lithograph is signed and numbered in a neat purple ink hand by Ionesco. It is in flawless condition. Note that the Capogrossi lithograph is missing. The loose sheets are all exceptionally clean and bright. The paper folder chemise and slipcase all with unbumped spine heads and tails and with sharp corners; all are impressively clean. Chemise and slipcase covered with cocoa-brown textured parchment-like Japan-paper; paper appears hand-made but is likely not. A Near Fine copy. 3 lbs. 12 oz. Eugène Ionesco born Eugen Ionescu 1909-1994 was a Romanian-French playwright who wrote mostly in French and was one of the foremost figures of the French avant-garde theater in the 20th century. His non-fiction work Découvertes: Les Sentiers de la Création was originally published in 1969 by Editions d'Art Skira. Sorti des presses de l'imprimerie Henri Studer S.A. Genève en novembre 1969. Edition originale illustrée de une lithographie originale en couleurs signée et numérotée 45/175 l'une par Ionesco. La deuxième lithographie par Capogrossi est manquante. In-4 28.5 x 23 cm en feuilles étui chemise. Tirage limitée à 2 000 exemplaires celui-ci numéroté 45 l'un des 175 sur vélin d'Arches. Riche iconographie. Trés bel exemplaire. Editions Skira unknown
1966réf. 53504Paris: Gallimard 1966. Fine. Gallimard Paris 1966 21 x 18 cm broché First edition one of 150 copies hors commerce numbered. Clear stain in the margins of upper cover. Gallimard unknown
réf. 66-0410London: Encounter Ltd. 1964. 8vo. 95 pp. illus. Very good in wraps. Pen scrawl on front cover above title. Includes contributions from Anne Sexton Eugene Ionesco Christopher Isherwood Josef Brodsky; most notably includes the original transcript of Brodsky's Soviet show trial for parasitism "Trial of a Young Poet" smuggled from the Soviet Union in the preceding months. London: Encounter Ltd., 1964. paperback
