5588 resultados
1892ref. 85027Reliure demi-maroquin corail à coins. Dos lisse orné de quatre caissons à losanges et semés de points dorés, pièce de titre de maroquin noire. Tête dorée. Couvertures et dos conservés. Reliure signée Michel Richard.Ancienne bibliothèque Jean-Maurice de Montremy, ex-libris sur contreplat.
1893ref. 85029Reliure demi-maroquin carmin à coins. Dos à nerfs, date dorée au talon. Tête dorée. Exemplaire à grands témoins. Couvertures et dos conservés. Bien complet de la planche dépliante de l'arbre généalogique des Rougon-Macquart et du feuillet promotionnel pour le portrait de Zola. Reliure signée Semet & Plumelle.
1927ref. elala1677Paris: François Bernouard 1927-29. 1927. 50 Volumes. 8vo. with half-titles. contemporary half morocco t.e.g. original printed wrs. bound in spines sunned & a few with rubbing or small nicks on raised bands. One of 5000 numbered copies on Vergé dalfa. Paris: François Bernouard, [1927-29]. hardcover
1867ref. B-16-060011Ed Manet. With a wood engraving by Manet. Zola Emile. Dentu Paris 1867. With one etching "Portrait of Manet" by Bracquemond and a wood engraving after a drawing by Manet "Olympia" by Moller. Rebound with the original paper blue cover inside. In very good condition trace of moisture plates in very good condition without stains. More pictures on request Dentu paperback
1867ref. B-16-060011Ed Manet. With a wood engraving by Manet. Zola Emile. Dentu Paris 1867. With one etching "Portrait of Manet" by Bracquemond and a wood engraving after a drawing by Manet "Olympia" by Moller. Rebound with the original paper blue cover inside. In very good condition trace of moisture plates in very good condition without stains. More pictures on request Dentu paperback books
1893ref. 85770Sous étui bordé. Reliure demi-chagrin noir à coins. Dos à nerfs avec titre doré et date en queue. Tête dorée. Couverture et dos conservés. Non rogné.
1886ref. 75914Reliure postérieure demi-maroquin rouge à coins. Dos à nerfs et date dorée en queue. Tête dorée. Reliure signée DEVAUCHELLE. Couverture et dos conservés.
1887ref. 76672Reliure postérieure demi-maroquin rouge à coins. Dos à nerfs et date dorée en queue. Tête dorée. Couverture et dos conservés.
1891ref. 82291Reliure demi-maroquin bleu à coins. Dos lisse finement dorés de fleurs mosaïquées. Tête dorée. Couverture et dos conservés. Reliure signée Ch. LANOE. Non rogné.
1887ref. 84904Reliure postérieure demi-chagrin maroquiné rouge à coins. Dos à nerfs, date dorée au talon. Tête dorée. Couvertures conservées, dos conservé et monté sur un feuillet. Reliure signée Devauchelle.
1890ref. 85014Reliure demi-maroquin corail à coins. Dos lisse orné de quatre caissons à losanges et semés de points dorés, pièce de titre de maroquin noire. Tête dorée. Couvertures conservées. Reliure signée Michel Richard.Ancienne bibliothèque Jean-Maurice de Montremy, ex-libris sur contreplat.
1892ref. 85025Reliure demi-maroquin vermillon à coins. Dos à nerfs, caissons ornés, date et éditeur dorés au talon. Tête dorée. Exemplaire à grands témoins. Couvertures et dos conservés. Reliure signée Yseux sr de Thierry-Simier.
1875ref. 83515Charpentier & Cie | Paris 1875 | 11 x 17.50 cm | relié
1901ref. 87263Paris 1901. Fine. ""I have finished my crushing task and I am going to rest a little because I am exhausted"" Paris 4 Mars 1901 13.50 x 20.50 cm deux pages sur un bifeuillet Autograph letter signed by Emile Zola addressed to Octave Mirbeau dated in his hand March 4 1901. Two pages in black ink on a bifolium. Horizontal fold mark inherent to postal delivery. Published in his Correspondence vol. X p. 242. Precious letter from Zola to his great supporter Octave Mirbeau who had paid his fine at the end of his second trial for ""J'accuse!"". Now amnestied the writer attempts - in vain - to recover the sum to reimburse him. After his historic cry from the heart in l'Aurore Zola was first condemned by the Seine jury on February 23 1898 to one year in prison and a three thousand franc fine. The judgment was overturned on appeal and the case was referred to the Versailles assizes which retained only three lines out of the eight hundred that make up ""J'accuse!"" as grounds for accusation. To avoid accepting such a stifling of the debates Zola's defense decided to default and the conviction was confirmed on July 18 - Zola left that very evening for London to avoid prison. The tribunal also demanded 7555 francs from him which Mirbeau spontaneously decided to pay from his own funds. It was also Octave Mirbeau who prevented the seizure of Zola's furniture by obtaining from Joseph Reinach the 40000 francs in damages that Zola had been condemned to pay to the three pseudo-experts in handwriting that he had ""defamed"" in J'accuse!. Following the amnesty law that ended judicial proceedings for ""all criminal or delictual acts connected to the Dreyfus affair"" Zola was acquitted but was not reimbursed. This letter attests to the writer's desire to compensate Mirbeau for his act of generosity: ""Labori his lawyer will attempt an approach to try to recover the seven thousand and some francs that you paid on my behalf for the Versailles affair. He simply wishes to have a letter from you in order to show it and thus be authorized to speak in your name. You certainly do not have down there the receipt that was issued to you. Perhaps you remember its terms. In any case if we must wait we will wait for nothing is urgent after all. The important thing today is only to test the ground to see if they will return the money to us"". However the prosecutor's office refused his request. Furious Zola wrote two days later a letter to Labori asking him to give up claiming the slightest cent - he published it in L'Aurore under the title ""Let them keep the money"": ""they torture the text of the law and the State too keeps the money. If the prosecutor's office persists in this interpretation it will be yet another monstrosity in the unworthy way they have refused me all justice . I do not want to be complicit by accepting anything whatsoever from their amnesty ."". According to Pierre Michel these unsuccessful recovery attempts of which this letter bears witness ""incited Zola to adopt an attitude that emphasizes even more his disinterestedness and that of his 'friend' who is not named in the L'Aurore article probably at Mirbeau's request."" Dreyfus's pardon and the amnesty of his supporters did not satisfy the writer but nevertheless marked the end of long years of struggle: ""I have finished my crushing task and I am going to rest a little because I am exhausted"". Struck down in full glory the following year he would not be able to witness Captain Dreyfus's rehabilitation. Beautiful lines from Zola to Mirbeau who gave him the means to continue his fight for justice. unknown
1882ref. 86096Paris: Charpentier 1882. Fine. Charpentier Paris 1882 12.50 x 19 cm relié First edition one of 250 numbered copies on Holland paper the only deluxe copies after a few rare China paper copies. Half red morocco binding with corners spine with five raised bands set with blind fillets marbled paper boards combed paper endpapers and pastedowns bookplate pasted on one pastedown original wrappers preserved top edge gilt on deckled edges signed binding Pétrus Ruban. Fine bookplate engraved by Provost-Blondel and pasted on one pastedown. It depicts a helmet adorned with a feather a medallion and a phylactery bearing the motto ""Toujours en face"". It would have belonged to Victor Coué second lieutenant killed in action during World War I. Handsome copy nicely bound. Charpentier hardcover
1907ref. AMO-41561 volume in-18 (18,5 x 12 cm), broché, de (6)-300-(1) pages. Couverture jaune imprimée. Exemplaire non coupé. Exemplaire à l'état proche du neuf. Un petit choc en pied du dos et du premier plat (léger manque de papier de couverture). Petite fissure en bordure extérieure du premier plat de couverture, petites fentes du papier du dos. Splendide état par ailleurs. Edition originale. Un des rarissimes exemplaires du tirage de tête à 15 exemplaires sur papier du Japon. Il porte le numéro 1 (imprimé). Il a été tiré en outre 50 exemplaires sur Hollande (formant avec les exemplaires sur Japon le tirage en grand papier). Ce premier volume de Correspondance contient les lettres de jeunesse, celles que l'écrivain, alors à ses débuts, écrivait à trois de ses amis et condisciples (Jean-Baptistin Baille, Paul Cézanne et Marius Roux). Au collège Bourbon à Aix-en-Provence, Zola, Baille et Cézanne deviennent des amis que l'on appelle les « trois inséparables ». Ils se retrouveront d'ailleurs tous les trois à Paris en 1861. On estime également que Jean-Baptistin Baille servit ainsi de modèle à Émile Zola pour un personnage des Rougon-Maquart, Louis Dubuche, tout comme Paul Cézanne lui inspira la trame de l'ouvrage et son personnage principal, Claude Lantier (voir L'Œuvre). Précieux volume, rarissime imprimé sur Japon, digne d'entrer dans les plus belles bibliothèques consacrées au chef de l'école naturaliste.
1877ref. 79046L'Estaque - Marseille 22 septembre 1877 | 13.30 x 20.80 cm | 3 pages 1/2 sur un double feuillet
1866ref. 91980E. Dentu | Paris 1866 | 15.5 x 24 cm | Relié
1885ref. 82293Reliure demi-maroquin long grain prune à coins. Dos à nerfs. Tête dorée. Couverture et dos conservés. Reliure signée C. Septier.
1891ref. 85018Reliure demi-maroquin corail à coins. Dos lisse orné de quatre caissons à losanges et semés de points dorés, pièce de titre de maroquin noire. Tête dorée. Couvertures et dos conservés. Bien complet du catalogue Charpentier et du feuillet promotionnel La Nouvelle Collection. Manque la mention de la justification de tirage au revers du faux-titre. Reliure signée Michel Richard.Ancienne bibliothèque Jean-Maurice de Montremy, ex-libris sur contreplat.
1888ref. 85012Sous étui bordé. Reliure maroquin janséniste vert de chrome. Dos à nerfs, date dorée au talon. Double filet doré sur coupes et coiffes. Doublures de maroquin gris encadrées d?un filet dorée, gardes de soie brochée bleue turquin. Toutes tranches dorées. Couvertures et dos conservés. Bien complet des pages de catalogue éditeur in fine. Reliure signée Noulhac et datée 1913.
1891ref. 1417755Paris 1891-1903. Other. Small folios. 638 issues in 13 foam binders. In Good minus condition. Moderate age toning to all issues with chipping and small closed tears to edges. Volumes are complete. CONTENTS: 1891 31 issues No.1-27 4 supplementary issues--1892 52 issues--1893 52 issues--1894 52 issues--1895 52 issues--1896 52 issues--1897 53 issues--1898 52 issues--1899 52 issues--1900 52 issues--1901 52 issues--1902 52 issues--1903 34 issues final year Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. . 8-page French weekly newspapers featuring many color lithographs by Steinlen on front and back covers. 1417755. Special Collections - Upstairs. unknown
1891ref. 1417755Paris 1891-1903. Other. Small folios. 638 issues in 13 foam binders. In Good minus condition. Moderate age toning to all issues with chipping and small closed tears to edges. Volumes are complete. CONTENTS: 1891 31 issues No.1-27 4 supplementary issues--1892 52 issues--1893 52 issues--1894 52 issues--1895 52 issues--1896 52 issues--1897 53 issues--1898 52 issues--1899 52 issues--1900 52 issues--1901 52 issues--1902 52 issues--1903 34 issues final year Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. . 8-page French weekly newspapers featuring many color lithographs by Steinlen on front and back covers. 1417755. Special Collections - Upstairs. unknown books
1871ref. 81820Reliure demi-maroquin rouge à coins. Dos à nerfs avec date dorée au talon et filets à froid. Tête dorée. Couverture conservée. Reliure signée Semet & Plumelle.
1882ref. 79108Médan 1882. Fine. Médan 23 juin 1882 13.40 x 21.60 cm 1 page 1/2 sur un double feuillet - enveloppe jointe Autograph letter signed by Emile Zola - apparently unpublished - addressed to Léon Carbonnaux written in black ink on a double sheet. Folds inherent to mailing. Envelope included. Important testimony to the colossal documentation work and the capital role of Emile Zola's informants in depicting his immense natural and social fresco. This letter was sent to Léon Carbonnaux department head at Bon Marché who transmitted precious information to Emile Zola for the creation of the eleventh volume of the Rougon-Macquart series: Au Bonheur des Dames. Only two letters from Léon Carbonnaux to Emile Zola are known: they can be consulted in the digitization of the preparatory file for Bonheur des Dames made available online by the Bibliothèque nationale de France. However we know thanks to this same file which contains a long section entitled ""Notes Carbonnaux"" that this department head at Bon Marché provided a significant amount of information to Zola particularly about employee customs and their remuneration. The two men undoubtedly met when Emile Zola eager for information about the functioning of department stores conducted field research in February and March 1882. This response would therefore be the very first that the writer addressed to the department head in reply to his letter of June 19 1882. Far from imagining the keen success that this new novel would achieve Zola even seems to take it lightly: ""Je désire simplement toucher au sujet dans mon livre pour le besoin du petit drame commercial qui me sert de fable. Vos notes sont excellentes. . Enfin me voilà au travail. Le sujet est à la fois bien vaste - et bien ingrat pour un roman. On devra me tolérer un peu de fiction car il faut bien que je passionne la matière. Mais je tâche de m'en tenir le plus strictement possible à mes notes."" ""I simply wish to touch on the subject in my book for the needs of the little commercial drama that serves as my fable. Your notes are excellent. . Finally here I am at work. The subject is both very vast - and very thankless for a novel. One will have to tolerate a bit of fiction from me for I must make the material passionate. But I try to stick as strictly as possible to my notes."" It must be said that Carbonnaux takes his role as informant very much to heart and having no doubt about the book's success he writes: ""Dans le bâtiment chez nous d'ailleurs partout on attend votre livre. Les lecteurs ne vous manqueront pas. Soyez-en sûr. Vous n'en êtes plus à compter les succès celui-là s'annonce comme devant dépasser les autres."" letter of June 19 1882 For another work on the same subject has just appeared: ""J'ai lu le volume de Pierre Giffard. Il me paraît comme vous injuste et même faux dans plusieurs parties. C'est bâclé. Il aurait fallu pour un pareil ouvrage de documents purs une entière exactitude. Moi qui écris une uvre d'imagination je ne me permettrai pas de tels écarts."" ""I have read Pierre Giffard's volume. It seems to me like you unjust and even false in several parts. It is hastily done. For such a work of pure documents complete accuracy would have been necessary. I who write a work of imagination would not allow myself such deviations.""It was Carbonnaux who had pointed out the work to Zola: ""Pierre Giffard du Figaro vient de faire paraître chez Havard un vol de 300 pages intitulé « Les Grands bazars de Paris ». . On sait que le Figaro est inféodé au Louvre magasin concurrent au Bon Marché & on peut assurer que ce livre a été commandé et bâclé dès que votre intention de traiter le même sujet a été connue. . Il fallait déguiser un peu la réclame pour le Louvre."" letter of June 19 1882 We can clearly see here how much department stores fascinate and we understand the immense success that this novel by Zola describing their advent and supremacy would achieve. unknown
