6313 risultati
rif. 9823P., Charpentier, 1890. In 12 demi-chagrin à coins, dos à nerfs orné, couverture conservée, (reliure postérieure), 415 pp.
rif. 9824"P.; Lacroix, Verboeckhoven et Cie, 1871. In 12 demi-chagrin à coins, dos à nerfs orné, 360 pp. (quelques rousseurs)."
rif. 9830P., Charpentier, 1880. In 12 demi-chagrin, dos à nerfs orné, couverture conservée, (reliure postérieure), 524 pp., (quelques rousseurs).
1886rif. 22369Paris Librairie L. Conquet 1886 -in-8 demi-Maroquin 2 volumes, reliure demi-maroquin cerise in-octavo à coins (half morocco binding in-8 with corners) (21 x 14 cm), reliure d'Epoque non-signée mais superbe (elle le mériterait largement), dos à nerfs (spine with raised band), décoré or et à froid (gilt and blind stamping decoration), titre frappé "or" avec un double filet "or" en encadrement, filet perlé "or" en place des nerfs avec un filet à froid de part et d'autre des nerfs, entre-nerfs à fleuron "or" au fer plein mosaïqué de cuir vert dans un encadrement d'un double filet "or", date "or" en pied dans un encadrement d'un double filet "or", plats décorés "or" d'un filet "or" au mors et aux coins, papier peigné vieux rose et vert aux plats, tête lisse dorée, gouttière et tranche de queue non-rognées, couverture crème imprimée en noir conservée, Édition unique, Tirage limité à 500 exemplaires (planches détruites), Un des 350 exemplaires numérotés sur vélin du Marais à la forme (seul tirage après 150 exemplaires sur Japon) (N° 193), Illustré d'un frontispice et de 30 compositions dessinés et gravés à l'eau-forte en noir avec serpente par Ed. RUDAUX, Gravées par Chardon aîné, 184 et 195 pages, 1886 Paris, Librairie L. Conquet Editeurs,
1901rif. 700Paris, Romagnol, collection des Dix, 1901 ; grand in-8 de [2] ff., 90 pp., [1] f., maroquin taupe, grand décor de filets pointillés dorés sur les plats, 4 grenades enflammées mosaïquées en maroquin brun et orange entourées d'une couronne de lauriers à froid dans les angles, dos à 4 nerfs orné de même, tête dorée, filets intérieurs agrémentés de roses dorées, doublures et gardes de soie à motifs, couverture illustrée et dos (René Kieffer).
1933rif. 457341933 Paris. Javal et Bourdeaux. 1933. 1 volume in-folio, en feuilles, sous chemise et étui postérieur.
1890rif. 156435Paris: G Charpentier 1890. First French Edition and correct first. Basis for the 1938 film directed by Jean Renoir and for the 1954 film noir "Human Desire" directed by Fritz Lang starring Glenn Ford Gloria Grahame and Broderick Crawford. Fine in original yellow wrappers. Quarter-bound in blue leather with raised bands gilt rule and design and blue marbled boards and endpapers. Boards are lightly worn along the outer edges else a bright copy of an uncommon title. G Charpentier unknown books
1890rif. 156435Paris: G Charpentier 1890. First French Edition and correct first. Basis for the 1938 film directed by Jean Renoir and for the 1954 film noir "Human Desire" directed by Fritz Lang starring Glenn Ford Gloria Grahame and Broderick Crawford. Fine in original yellow wrappers. Quarter-bound in blue leather with raised bands gilt rule and design and blue marbled boards and endpapers. Boards are lightly worn along the outer edges else a bright copy of an uncommon title. G Charpentier unknown
2013rif. 2-2745320890Honoré Champion 2013. Hardcover. New. French language. 9.69x6.46x3.23 inches. Honoré Champion hardcover
1864rif. 519821 vol. in-12 reliure demi-maroquin bleu, dos à 5 nerfs, couvertures et dos conservés, tête dorée, J. Hetzel et A. Lacroix, Librairie Internationale, Paris, s.d. [ 1864 ], 1 f. , 320 pp.
rif. 71016Les uvres d'Alexandrine Zola sont composées de deux lettres autographes signées et deux cartes de visite autographes dont une signée. Contient quatre pages à l'encre violette sur un double feuillet de papier demi-deuil teinte mauve, deux pages à l'encre violette sur une carte demi-deuil teintée, ainsi que deux cartes de visite imprimées à son nom, bordures deuil, à l'encre violette. Contient également un lettre issue d'un auteur différent à l'encre noire sur double-feuillet en-tête du Figaro.
1838rif. 0056141838 Paris, Desessart et Cie, 1838. Deux tomes reliés en un volume in-8 (209 X138 mm) demi-chagrin noir, dos à nerfs surlignés de filets à froid, titre doré (Reliure de l'époque). Tome I : Frontispice, (2) ff. de faux-titre et titre, 327 pages - Tome II : 325 pages, (1) f. de table. L'exemplaire a été relié sans les feuillets de faux-titre et de titre du tome II ni sans le feuillet (pages 39/40) de faux-titre du chapitre IV du tome II "Cuncta supergilio mota". Deux infimes trous de la taille d'une tête d'épingle dans le compartiment inférieur et en bas du mors supérieur, pointes de rousseurs à la gravure ajoutée, trace de colle sur la partie gauche de la page de titre (morceau collé de la gravure), mouillure claire au faux-titre, mention manuscrite à l'encre brune « acheté à Médan - 1862 » en tête du faux-titre, mention à l'encre brune de la même main (ex-libris ?) biffée au verso du faux-titre, trace de cachet encré (ex-libris) effacé en marge latérale de la page de titre.
1887rif. 45312Paris Charpentier et Cie, 1887 In-12, demi-maroquin bordeaux coins, plats de papier marbr; dos quatre nerfs orn de jeux de filets dors et portant le nom de l'auteur, le titre de l'ouvrage et la date de l'dition en petites capitales pousses or sur des pices de titre mosaques en maroquin noir; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (E. Jarrigeon).Edition originale. Exemplaire du tirage ordinaire.
1883rif. 85833Paris, Charpentier et Cie, 1883, in-8, 3-521 pp, demi toile gris souris à la bradel de l'époque, tranches mouchetées, couvertures conservées, Édition originale. Originalement paru en 75 livraisons dans la revue Gil Blas du 17 décembre 1882 au 1er mars 1883, Au bonheur des dames est un des romans les plus célèbres d'Émile Zola. Il constitue le onzième volume du cycle des Rougon-Macquart. Joris-Karl Huysmans qualifiera ce récit de "colosse" dont Zola devait "être fier et très fier". Petit manque au second plat de couverture, quelques rousseurs, coins frottés. Couverture rigide
1884rif. 81544Reliure demi-veau blond. Dos à nerfs. Couverture conservée. Tranche supérieure tachée.
1886rif. 000593On offer is a group of three early English editions of Émile Zola's novels published in London by Vizetelly & Co. in 1886–1887 and uniformly bound in oxblood half leather over marbled boards. Bringing together Nana His Masterpiece and Germinal; or Master and Man the group spans the worlds of Parisian society artistic ambition and industrial labour explored in Zola's Rougon-Macquart novels. The matching bindings feature five raised bands gilt author and title lettering dates at the foot of the spines and elaborate floral gilt tooling within the compartments. The boards and endpapers display coordinated marbling in shades of red pink and cream with green accents. Although the leather shows substantial wear in places the gilt spines retain a strong decorative presence. Nana: A Realistic Novel. London: Vizetelly & Co. 1887 Designated "New Edition" on the title page which describes the text as "Translated without abridgment from the 127th French edition." Red-printed illustrations include an illustrated title depicting George's first interview with Nana. The novel's world of performance desire and wealth is reflected in these period images. Text concludes on page 398. His Masterpiece L'Œuvre; or Claude Lantier's Struggle for Fame: A Realistic Novel. London: Vizetelly & Co. 1887 Designated "New Edition" with a portrait of Zola etched by Bocourt. A translator's preface discusses the Parisian artistic fraternity and the relationship between the fictional Claude Lantier and contemporary painting including Édouard Manet. The volume offers a companion to the other novels through its treatment of creative ambition and the personal cost of pursuing recognition. Text concludes on page 371. Germinal; or Master and Man: A Realistic Novel. London: Vizetelly & Co. 1886 The title page states "Translated without abridgment from the 60th French edition" and calls for sixteen page engravings from designs by J. Férat. The illustrated title and accompanying engravings depict episodes of mining life and conflict including a deputation of striking miners received by Monsieur Hennebeau and a confrontation in the flooded mine. All three volumes bear the publisher's address at 42 Catherine Street Strand. They are offered as a group in matching bindings; their origin within a larger collection has not been established. No first-edition or fully collated illustration-completeness claim is made. Historical Note: Vizetelly & Co. played a significant role in bringing Émile Zola's novels to English readers and its publications became embroiled in Victorian censorship controversies. In 1888 publisher Henry Vizetelly was prosecuted over Zola's works with The Soil La Terre central to the proceedings and fined £100. A further prosecution in 1889 resulted in three months' imprisonment. These 1886–1887 volumes predate those prosecutions and belong to the firm's publishing programme that helped establish Zola's English readership—a tangible connection to the period's struggles over literary freedom and public morality. Condition: Dealer reviewed with rubbing scuffing abrasions and areas of surface loss to the leather together with wear to the raised bands spine ends corners and board edges. Marbled paper coverings show surface rubbing and wear. External joints are cracked and split in places most markedly on Nana where portions expose underlying binding material. His Masterpiece has a pronounced scuff across the spine title panel while Germinal shows vertical cracking in the spine leather. Gilt decoration and lettering remain largely legible and visually appealing. Paper shows age toning and scattered foxing particularly noticeable on Germinal's opening leaves. Marbled endpapers show wear along their folds. The bindings require careful handling and Nana is the most worn volume of the group. Please review photographs item for sale carefully for exact condition as they form part of the description. VIZETELLY & CO. hardcover
1898rif. 74340Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1898 31 x 27 cm une feuille et une serpente Rare original colour lithograph executed by Albert-Émile Artigue for L'Estampe Moderne series no. 10 published in February 1898. One of 50 deluxe proofs printed on Japon with wide margins artist's signature within the stone publisher's blindstamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso; the print is preceded by a captioned tissue guard with the artist's name the title and an excerpt from the work; with additional plain tissue guard. Lithograph inspired by an excerpt from Emile Zola's novel La Faute de l'abbé Mouret reproduced on the tissue guard of the print. A magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe Moderne comprises original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as specified on the tissue guards were created expressly for the journal by each artist. In all 100 prints were published encompassing the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Époque. Each issue of four plates was printed in 2000 copies sold at 3.50 francs and 100 on Japon paper offered at 10 francs. Henri Piazza also planned an exclusive printing of the utmost luxury: 50 copies on Japon with wide margins and 50 in black on China paper at the considerable price of 30 francs. This large-format print is superbly printed on the most prestigious of papers: Japon. Thick silky satin-finished and pearly it elevates each sheet into a work of art in its own right. Its exceptional capacity for ink absorption and affinity with colour make it the ideal medium for these splendid lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this craze coined the term affichomanie. The poster originally popular and pasted up on the streets of the capital then became an art object its ephemeral support transformed into something precious and destined for preservation. Piazza resolved to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on a par with the deluxe illustrated book. In this way he assembled a prestigious collection of entirely original works by the most prominent European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1885rif. 1026F50London: Vizetelly & Co 1885 . First edition. Cloth. Very Good. 8" by 6". Georges Bellenger. Charmingly illustrated and beautifully bound this is the very scarce first English language translation of Emile Zola's novel set in a bourgeoisie apartment building. The very scarce first English language translation of this work 'translated from the 63rd French edition'. Illustrated with a frontispiece illustrated title page and fourteen further plates. Collated complete. The tenth novel in the Rougon-Macquart series by Emile Zola offering an indictment of the mores of the bourgeoisie of the Second French Empire. With an advertisement leaf to the start of the work alongside a publisher's catalogue to the rear dated December 1884. In the publisher's original decorative cloth binding. Bumping to back strip head and tail otherwise externally excellent. Front hinge a touch strained but firmly held. Internally generally firmly bound. Pages a touch age toned but clean. Very Good Vizetelly & Co hardcover
1892rif. 007475PARIS: BIBLIOTHEQUE - CHARPENTIER 1892 Book. Good. Hardcover. TITLE: LA DEBACLE par EMILE ZOLA 1892 AUTHOR: EMILE ZOLA PUBLISHER - LOCATION / COPYRIGHT: BIBLIOTHEQUE - CHARPENTIER PARIS 1892 EDITION: First Edition assumed Unsure about title author publisher with the book being in French!!! CATEGORY: Foreign Literature Decorative BINDING/COVER: Hardback without dust jacket COLOR: DARK GREEN WITH A MAROON SPINE CONDITION: Unsure about title author publisher with the book being in French!!! The outside of book is in good condition; there is some light scuffs and rubbing present; the corner edges are rubbed. There are light brown or yellowish like shades of spots to the pages. Book is without marks or writings pages are browning clean and book is tight and sturdy. All the pages are present in book. SIZE: 5 ½ x 8 ½ approximately PAGES: 636 pages. Good/None dust jacket condition. BACKGROUND/DESCRIPTION: Unsure about title author publisher with the book being in French!!! LES ROUGON - MACQUART. There are similar condition copies from BIBLIOTHEQUE - CHARPENTIER PARIS 1892 selling in the $1950 range on the internet at the time of this listing/research!!!! COMPETITIVE PRICING! Once paid books will ship immediately to customer it's on the way you are welcomed to email about shipment date! REFUNDS: All ViewFair books prints and manuscript items are 100% refundable up to 14 business days after item is received. InvCodePrc 1350 E H V VIEWFAIR BOOKS: 007475. BIBLIOTHEQUE - CHARPENTIER hardcover
1929rif. LIQ-6259P. Jonquières 1929. 2 volumes in-4° brochés sous chemises et étui de toile rouge, couvertures illustrés.
rif. 9825P., Charpentier, 1887. In 12 demi-chagrin à coins, dos à nerfs orné, couverture conservée, (reliure postérieure), 519 pp.
rif. 27478Paris, Librairie L. Conquet, 1886. 2 volumes in-8°, IV-184-195p. Reliures demi-maroquin à coins, dos à nerfs ornés de caissons dorés et de petites fleurs mosaïquées, têtes dorées. [signées V.Krafft].
1886rif. CLL-830Paris, Conquet, 1886 2 volumes in-8 de (2)ff., IV, 184pp., (1)f., 1 f.bl. - (2)ff., 195pp. (verso bl.), (1)f., 1 f.bl., maroquin vert, double encadrement de filets dorés sur les plats, dos à nerfs ornés de caissons de filets dorés, coupes et bordures ornées de filets dorés, tranches dorées sur témoins, couvertures conservées (Chambolle-Duru).
1890rif. 45314Paris Charpentier et Cie, 1890 In-12, demi-maroquin bordeaux coins, plats de papier marbr; dos quatre nerfs orn de jeux de filets dors et portant le nom de l'auteur, le titre de l'ouvrage et la date de l'dition en petites capitales pousses or sur des pices de titre mosaques en maroquin noir; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (E. Jarrigeon).Edition originale. Exemplaire du tirage ordinaire.
1884rif. 115157Paris Charpentier 1884 1 vol. relié in-12, demi-maroquin marron à coins, dos à nerfs, chiffre doré en pied, tête dorée, couvertures et dos conservés, non rogné (Champs-Stroobants), 379 pp. Édition originale enrichie d'un envoi autographe signé de l'auteur.