Emile ZolaBiblio.com
6 294 résultats
1890réf. 156435Paris: G Charpentier 1890. First French Edition and correct first. Basis for the 1938 film directed by Jean Renoir and for the 1954 film noir "Human Desire" directed by Fritz Lang starring Glenn Ford Gloria Grahame and Broderick Crawford. Fine in original yellow wrappers. Quarter-bound in blue leather with raised bands gilt rule and design and blue marbled boards and endpapers. Boards are lightly worn along the outer edges else a bright copy of an uncommon title. G Charpentier unknown
1894réf. 80728s. l. Rome Rome 1894. Fine. s. l. Rome Rome Dimanche 4 novembre 1894 13.20 x 20.50 cm une page sur un double feuillet et une enveloppe Autograph letter signed by Emile Zola addressed to Ugo Ojetti. One page written in black ink on the first page of a double sheet. Folding inherent to postal transmission. Envelope included. This letter was addressed by the father of naturalism to journalist Ugo Ojetti when he had just arrived in Rome: ""Monsieur je vais remercier infiniment le comte Joseph Primoli de l'amabilité qu'il a mise à vous adresser à moi et je serai très heureux de vous recevoir si vous voulez bien me venir voir le soir qu'il vous plaira à six heures."" ""Sir I wish to thank Count Joseph Primoli infinitely for the kindness he has shown in directing you to me and I shall be very happy to receive you if you would be so good as to come and see me any evening that suits you at six o'clock."" Having arrived a few days earlier in the eternal city to conduct research for Rome Emile Zola hoped to meet Count Joseph Primoli there. The latter was unfortunately in Paris but he sent him this young journalist from La Tribuna who would serve as his guide but also as secretary. The two men clearly got along well and Zola even authorized Ojetti to adapt an opera libretto from his famous Nana. The project would unfortunately never come to fruition. Joseph Napoléon Count Primoli 1851-1927 was the great-great-nephew of Napoleon Bonaparte. Very close to the imperial family under the Second Empire he subsequently remained faithful to the salon of his beloved aunt Princess Mathilde in her private mansion on rue de Berri. His refined and witty conversation worked wonders there and he met as a passionate bibliophile some of the greatest writers of his time: Gustave Flaubert Théophile Gautier the Goncourts and Guy de Maupassant. unknown
réf. 6357449283Benediction Classics . Hardback. New. pp. 1146 Benediction Classics hardcover
1893réf. 12881BB1893. 10. Auflage Stuttgart Deutsche Verlags-Anstalt 1893 8° 332 S. roter original Halbleder-Einband mit Marmorbezugspapier und goldener Rückenbeschriftung Rücken mit vier Bünden florale Musterpapiervorsätze Rundumfarbschnitt eindrucksvolles Exlibris auf Vorsatzseite das Leder an den Kanten stellenweise beschabt sonst sehr schönes sauberes Exemplar. Originaltitel: "La Débâcle'' 1892 ist der zu Lebzeiten des Autors meistgelesene Band des Rougon-Macquart-Zyklus. In dem Antikriegsroman geht es um den Zusammenbruch des Zweiten Kaiserreichs der vorliegende dritte Teil beschreibt den Sturz der Pariser Commune. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1893réf. 12882BB1893. 10. Auflage Stuttgart Deutsche Verlags-Anstalt 1893 8° 287 S. roter original Halbleder-Einband mit Marmorbezugspapier und goldener Rückenbeschriftung Rücken mit vier Bünden florale Musterpapiervorsätze Rundumfarbschnitt eindrucksvolles Exlibris auf Vorsatzseite das Leder an den Kanten stellenweise beschabt sonst sehr schönes sauberes Exemplar. Originaltitel: "La Débâcle'' 1892 ist der zu Lebzeiten des Autors meistgelesene Band des Rougon-Macquart-Zyklus. In dem Antikriegsroman geht es um den Zusammenbruch des Zweiten Kaiserreichs der vorliegende zweite Teil beschreibt die Schlacht bei Sedan. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1898réf. 74340Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1898 31 x 27 cm une feuille et une serpente Rare original colour lithograph executed by Albert-Émile Artigue for L'Estampe Moderne series no. 10 published in February 1898. One of 50 deluxe proofs printed on Japon with wide margins artist's signature within the stone publisher's blindstamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso; the print is preceded by a captioned tissue guard with the artist's name the title and an excerpt from the work; with additional plain tissue guard. Lithograph inspired by an excerpt from Emile Zola's novel La Faute de l'abbé Mouret reproduced on the tissue guard of the print. A magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe Moderne comprises original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as specified on the tissue guards were created expressly for the journal by each artist. In all 100 prints were published encompassing the major artistic movements of the late 19th century: Symbolism Art Nouveau the Pre-Raphaelites Orientalism and the Belle Époque. Each issue of four plates was printed in 2000 copies sold at 3.50 francs and 100 on Japon paper offered at 10 francs. Henri Piazza also planned an exclusive printing of the utmost luxury: 50 copies on Japon with wide margins and 50 in black on China paper at the considerable price of 30 francs. This large-format print is superbly printed on the most prestigious of papers: Japon. Thick silky satin-finished and pearly it elevates each sheet into a work of art in its own right. Its exceptional capacity for ink absorption and affinity with colour make it the ideal medium for these splendid lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this craze coined the term affichomanie. The poster originally popular and pasted up on the streets of the capital then became an art object its ephemeral support transformed into something precious and destined for preservation. Piazza resolved to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on a par with the deluxe illustrated book. In this way he assembled a prestigious collection of entirely original works by the most prominent European artists of the time: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. A handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898réf. 74855Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 24.50 x 32 cm une feuille et une serpente Rare original color lithograph executed by Jules-Gustave Besson for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's blind stamp depicting a child's profile in lower margin numbered luxury edition stamp on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by an extract from Germinal by Emile Zola reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and lustrous it contributes to making each page a work in its own right. Its ink absorption quality and affinity with colors also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""poster mania"". The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1898réf. 74856Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Juin 1898 24.50 x 32 cm une feuille Rare original lithograph executed by Jules-Gustave Besson for L'Estampe Moderne series number 14 published in June 1898. One of 50 deluxe proofs printed on China paper with large margins artist's signature in the plate publisher's dry stamp showing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso some foxing. Lithograph inspired by an extract from Germinal by Emile Zola. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was printed in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with large margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to conservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1880réf. 71646Paris: Goupil & Cie 1880. Fine. Goupil & Cie Paris 1880 24 x 33 cm une feuille Photoglyptie from the Galerie contemporaine. Portrait of Zola at the age of 35-40 years. Mounted sheet on which a 19x24cm photoglyptie has been laid down. Caption at bottom of mount: Galerie Contemporaine 126 boulevard de Magenta. Phot. Goupil et Cie. Cliché Carjat 10 rue Notre-Dame de Lorette. One tiny white spot in the beard. Very fine condition. Similar to a carbon print in its warm and deep tones photoglyptie is a complex photomechanical process for photographic reproduction which was used by publishers for about 20 years from 1875 to 1895. Seeking an ideal and aesthetic image of famous men the plates were always retouched and repainted to smooth out an unsightly wrinkle or too obvious defect to polish the hair etc. Thus photography and printmaking converge in a new form of representation. The Galerie Contemporaine became a publishing house that sold images of contemporary men; these images were assembled in 8 folio volumes by Paul de Lacroix but continued to be sold separately at the headquarters of the Galerie Contemporaine. Goupil & Cie unknown
1870réf. 72935Paris: Ernest Ladrey 1870. Fine. Ernest Ladrey Paris 1870 6.50 x 10.50 cm une photographie Very rare original albumen photograph in carte-de-visite format mounted on yellow cardboard with red border. Manuscript annotation on verso. The address at Passage des Princes on the back of the photograph indicates that the photograph was taken before 1875. Handsome copy of this photograph of the writer with his lorgnette and beard. Ernest Ladrey unknown
1900réf. 73358Londres London: London Stereoscopic Company 1900. Fine. London Stereoscopic Company Londres London 1900 10.70 x 16.60 cm une photographie au format carte cabinet Handsome original photographic portrait of Emile Zola in cabinet card format period print on albumen paper mounted on cardboard from the London Stereoscopic Company and taken by an unidentified photographer. The writer poses there rosette of the Legion of Honor at his buttonhole. Condemned for defamation after the publication of his famous ""J'Accuse!"" on the front page of L'Aurore and to escape prison Zola secretly fled to London on July 18 1898. On July 26 1898 the Legion of Honor was withdrawn from him. A snub to this France that did not understand him this ""rosette"" photograph was most likely taken after his removal from the order of the Legion of Honor. Exceptional state of conservation. London Stereoscopic Company unknown
1898réf. 6066BB1898. 11. Auflage. 4 Bde. Stuttgart u. Leipzig Deutsche Verlags-Anstalt 1898. 8°. Schwarz- u. goldgepr. Orig.-Leinenbde. minim bestossen. Leicht gebräunt. unknown
1948réf. 018838New York: Limited Editions Club 1948. Hardcover. Spine sunned as often the case. Near Fine in a Very Good slipcase with a short split. Bernard Lamotte. Quarto 8-1/4" x 11" bound in raspberry watered-silk covers with a French blue linen gilt-stamped spine label. Translated by F. J. Vizelelly with an introduction by Lewis Galantiere and a preface by Henry James. Illustrated with drawings by Bernard Lamotte reproduced in collotype by George Duval in Paris. Copy #1221 of 1500 SIGNED by the artist on the colophon page. Monthly Letter laid in. Limited Editions Club hardcover
1929réf. 62624Paris: Eugène Fasquelle 1929. Fine. Eugène Fasquelle Paris 1929 14 x 20.40 cm relié Edition with some parts in first edition of this posthumous collection of short stories. One of 115 numbered copies on Holland paper after 30 on Japon impérial. The collection contains 8 stories: Madame Sourdis L'attaque du moulin Une victime de la réclame Voyage circulaire Une farce ou Bohèmes en villégiature Comment on se marie Trois guerres Angéline ou la maison hantée. Only three of these texts had appeared in bookshops during his lifetime: L'attaque du moulin Les soirées de Médan 1880; Une farce Anthologie contemporaine des écrivains français et belges 1888; Trois guerres Bagatelles 1892. Half bronze green shagreen morocco binding with havana morocco corners. Spine with 2 raised bands decorated with a floral composition of several tools. Red straight-grained morocco title label. Spine slightly and uniformly faded. One corner rubbed. Light rubbing to one border at head. Handsome copy with immaculate paper. Covers and spine preserved. Copy as issued uncut with its quires of different dimensions. Eugène Fasquelle hardcover
1880réf. 53303Paris: Charpentier 1880. Fine. Charpentier Paris 1880 12 x 19 cm relié First edition an ordinary paper copy. Contemporary green half shagreen marbled paper boards spine with five raised bands and gilt flowers speckled edges. With the autograph signatures of every author of the ""Médan group"" involved in the writing of this famous collection of short stories: Guy de Maupassant Emile Zola Joris-Karl Huysmans Léon Hennique Paul Alexis and Henri Céard on the first endpaper. A very good and rare copy in a strictly contemporary binding. This true manifesto of Naturalism that constitutes Les Soirées de Médan is composed of six short stories: ""L'Attaque du moulin"" by Émile Zola ""Sac au dos"" by J.-K. Huysmans ""La Saignée"" by Henry Céard ""L'Affaire du grand 7"" by Léon Hennique ""Après la bataille"" by Paul Alexis and of course ""Boule de Suif"" by Guy de Maupassant qualified as a masterpiece by Gustave Flaubert. Charpentier hardcover
1864réf. 52158Paris: J. Hetzel & A. Lacroix 1864. Fine. J. Hetzel & A. Lacroix Paris 1864 11 x 18 cm relié The first edition of the author's first book. Contemporary half red shagreen over marbled paper boards spine in five compartments with gilt fillets and triple gilt frames marbled endpapers and pastedowns collector's blindstamp to head of one endpaper speckled edges. Handsome rare autograph inscription to this text from Emile Zola to a monsieur Boucher. Faint dampstain to the first 70 pages a little light foxing. There are very few inscribed copies of this text. J. Hetzel & A. Lacroix hardcover
réf. 6357345136Westdeutscher Verlag GmbH . Papeback. New. pp. 300 Westdeutscher Verlag GmbH unknown
1881réf. 45284Paris: Charpentier 1881. Fine. Charpentier Paris 1881 12 x 18.50 cm relié First edition. Contemporary red cloth Bradel binding by Pierson spine with gilt floral motif date and double gilt fillet to foot black shagreen title label. A little light spotting principally affecting the first and final few leaves. Ex libris of Adolphe Racot on inside upper cover. Concerning Victor Hugo Alfred de Musset George Sand François-René de Chateaubriand Théophile Gautier Alexandre Dumas fils and so on Autograph inscription from Emile Zola to Adolphe Racot. Charpentier hardcover
1932réf. 44553Paris: Editions du Trianon 1932. Fine. Editions du Trianon Paris 1932 11.50 x 17.50 cm broché First edition one of 800 numbered copies on Auvergne paper. Autograph inscription signed by André Thérive to Emile Mireaux "". qui a gardé sûrement le goût des canulars"" "". who surely retained his taste for hoaxes"". Spine and first cover uniformly faded as usual second cover marginally faded handsome interior condition. Editions du Trianon unknown
réf. DADAX1442209275New unknown
réf. DADAX0521386020New unknown
1888réf. 334721888. Fine. 1888 27 x 35 cm Panneau de bois Oil on wood signed lower right This original work was used to illustrate a scene from The Earth in the first illustrated edition of Emile Zola's work published by Marpon & Flammarion in 1889. unknown
1890réf. 23990Paris: La Vie Populaire 1890. Fine. La Vie Populaire Paris 1er Janvier 1888 au 28 Décembre 1890 24.50 x 32.50 cm 312 fascicules reliés en 6 volumes First edition of this bi-weekly illustrated review publishing in serial form either unpublished texts or previously published texts by the most illustrious authors of this end of century. Half cherry red shagreen bindings spine with five raised bands decorated with blind fillets showing slight traces of rubbing marbled paper boards marbled endpapers and pastedowns illustrated front covers preserved contemporary bindings. Rich literary contributions including those of G. de Maupassant with notably the unpublished ""Fort comme la mort"" and also ""Pierre et Jean"" and ""Notre coeur"" E. Zola with the unpublished ""La bête humaine"" and also ""Le voeu d'une morte"" ""Le rêve"" ""La terre"" and ""Une page d'amour"" P. Loti with an unpublished novel ""Le roman d'un enfant"" J. Clarétie with an unpublished novel ""Puy Joli"" J. Richepin with an unpublished novel ""Le cadet"" and ""Césarine"" 2 unpublished works by H. Malot but also A. Daudet C. Monselet E. Renan L. Dierx E. Goudeau J. Barbey d'Aurevilly O. Mirbeau with notably ""L'abbé Jules"" M. Beaubourg C. Mendès P. Arène T. de Banville F. Mistral J. Bois G. Courteline J. Barbey d'Aurevilly Villiers de l'Isle Adam S. Masoch A. Scholl J. Gautier. Illustrated covers with portraits of the principal contributors. A marginal restoration at foot of page 213 of the first volume a small lack at foot touching text on page 383 of the second some occasional light foxing. Handsome and rare set. La Vie Populaire hardcover
1888réf. 334731888. Fine. 1888 27 x 35 cm Un panneau de bois Oil on wood signed lower right This original work was used to illustrate a scene from The Earth in the first illustrated edition of Emile Zola's work published by Marpon & Flammarion in 1889. unknown
réf. SONG2246521416Used: Good unknown
