6.956 Ergebnisse
1900Best.-Nr. P-04412Doubleday Page 1900. Hardcover. Very Good. Octavo. Translated by Ernest Alfred Vzetelly. Out of print and scarce collector's quality copy of this work by the French pioneer in realistic fiction. English bookshop on the continent." Binding is original green ribbed cloth with gilt titles. Doubleday Page hardcover
Best.-Nr. 2322533084.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1933Best.-Nr. P-28401Cleveland: World Publishing Company 1933. Hardcover. Fine/First Thus. Octavo. Single date on copyright page. A new edition of Zola's classic with superb illustrations in silhouette by distinguished German artist Fred A. Mayer made specially for this edition in a deluxe silk and buckram binding with gilt decorations. 8vo quarter green silk over tan buckram 485 pages. Book is fine and unmarked. Jacket is price clipped with a few tiny edge nicks and very small spine corner chip else whole clean and bright and protected by an archival Mylar jacket cover. An attractive copy scarce in the dust jacket. World Publishing Company hardcover
1866Best.-Nr. 91980Paris: E. Dentu 1866. Fine. E. Dentu Paris 1866 15.5 x 24 cm Relié First edition illustrated with a frontispiece portrait of Edouard Manet by Bracquemond and an etching by Edouard Manet after ""Olympia"". Black half morocco over corners spine with five raised bands ruled in blind date gilt at foot marbled paper boards patterned endpapers and pastedowns original wrappers preserved binding signed by Stroobants. A rare and handsome copy attractively bound. Â E. Dentu hardcover
1878Best.-Nr. 92440Paris: Charpentier 1878. Fine. Charpentier Paris 1878 11 x 18 cm Relié First edition.Contemporary red half morocco spine with five raised bands ruled in gilt and decorated with gilt ornaments the initials ""L.B."" gilt at foot olive-green morocco lettering-piece marbled-paper boards marbled endpapers corners rubbed.Scattered foxing some rubbing to spine and boards.Printed library stamp of Léon Bienvenu on the title-page.Precious presentation copy inscribed and signed by Emile Zola to the journalist and man of letters Léon Bienvenu known as Touchatout. Charpentier hardcover
Best.-Nr. 45500417like new. unknown
1957Best.-Nr. KNY176781957. Hardcover. Good. no. 1957. Hardcover. Language: Russian. Condition: good. Photographs. The photos show the actual copy offered. Set of 18 volumes shipping weight about 18 kg; shipping is included in the price no extra postage will be requested. Ships from Ukraine by Nova Post as a tracked international parcel; estimated delivery 12-28 business days including customs clearance. Where applicable VAT or sales tax is calculated and collected by Biblio at checkout EU orders up to EUR 150 UK Canada Australia New Zealand many US states; for EU orders over EUR 150 import VAT and a carrier fee may be charged on delivery. Covered by the BIBLIO 30-day return guarantee. If the book does not match the description or is damaged in transit please contact us right after receipt. hardcover
1897Best.-Nr. 117239Chatto and Windus London. 1897. Chatto and Windus London. 1897. Sole authorised English edition. Hardback NO DW. Red cloth decorated boards are soiled and spine is sunned with a slight lean. Head and tail of spine rubbed and beginning to fray. Corners bumped. Foxing to end papers and page edges. Overall a lovely clean copy. hardcover
Best.-Nr. H-467-630Gallimard 1960. Very Good. Volume 1. Ammareal gives back up to 15% of this item's net price to charity organizations. Gallimard unknown
1902Best.-Nr. 91912Paris: Eugène Fasquelle 1902. Fine. Eugène Fasquelle Paris 1902 16.7 x 26 cm Broché First edition printed in a small number on Dutch paper. Spine and covers lightly sunned small tears to the spine final endpapers browned. Speeches by M. Chaumié Anatole France and Abel Hermant. Autograph inscription signed by Eugène Fasquelle to Marcel Batilliat whose name he misspelled: ""à M. Marcel Batillat."" The Symbolist novelist Marcel Batilliat was a close friend of Émile Zola and campaigned to preserve the memory of the author of the Rougon-Macquart cycle. Eugène Fasquelle unknown
Best.-Nr. 3414793-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
Best.-Nr. 53808070like new. unknown
1894Best.-Nr. 91151Paris: Charpentier 1894. Fine. Charpentier Paris 1894 12.8 x 18.9 cm Relié First edition on ordinary paper. Bradel binding in chocolate-brown half shagreen smooth spine date gilt at the tail contemporary leather boards japonisants embossed and polychrome decorated with gilded and colorful floral motifs marbled paper endpapers and pastedowns original wrappers and restored spine preserved later binding. Exceptional presentation copy signed by Emile Zola: ""à Edmond de Goncourt son ami Emile Zola."" Below the presentation inscription a manuscript gift inscription by Edmond de Goncourt: ""Edmond de Goncourt à Pauline Zeller."" Goncourt had the privilege of hearing Zola speak on several occasions about his rediscovery of the miraculous city that inspired this very popular novel: ""Here he broke off to tell us that he had been to Lourdes where he had been impressed and amazed by that world of hallucinated believers and that there was something worthwhile to be written about that revival of faith which in his opinion was responsible for the mysticism to be found at the moment in literature and elsewhere."" Goncourt Journal 16 March 1892. ""I arrived at Lourdes in pouring rain and stopped at a hotel where all the good rooms were already taken. And I was in such a bad mood that I felt like leaving the next morning. But I went out for a while and the sight of all those sick people those poor wretches those dying children carried up to the statue those men and women lying prostrate in prayer. the sight of that city of faith born of the hallucinations of that little girl of fourteen the sight of that grotto those processions those stampeding crowds of peasants from Brittany and Anjou.'"" ibid. 26 July 1892. Despite the stylistic disagreements that set them apart Edmond nonetheless had the book he received from Zola bound in one of his famous Japanese-style bindings notoriously fragile at the joints this example has been expertly reinforced with half shagreen. These superb kami-kawa embossed leathers sometimes referred to as the cartonnages des Goncourt for having been introduced by the brothers into the world of Parisian bibliophiles are also the fruit of a fascinating and almost devotional encounter of the Goncourts with Japanese art. The copy was later presented by Edmond to the woman who had nearly become Madame Edmond de Goncourt: Pauline Zeller a cousin of Count Tolstoy whom he had met in the salon of Princess Mathilde. A compelling parallel may be drawn between the tale of two chaste destinies in Lourdes Pierre Froment and Elise Rouquet and that of young Pauline whose diary and account of her first love Edmond obtained in order to write his final novel Chérie. Charpentier hardcover
1875Best.-Nr. 90869Paris: Ernest Leroux 1875. Fine. Ernest Leroux Paris 1875 1879 12.2 x 11.8 cm Broché Second edition the dedication to Pierre Laffitte is dated 1879. A study of madness from a positivist perspective based on the work of Auguste Comte. The dedicatee Pierre Laffitte was the editor of the review ""Le Positivisme"". Spine cracked with small losses occasional foxing and a horizontal crease at the foot of the upper cover small marginal tears on the cover firts cover reattached. With a fine signed presentation inscription from Emile François Eugène Sémérie to Émile Zola on the half-title: ""A Mr. Émile Zola. Sémérie d'Aix"" the final word underlined. The close connections between positivism and naturalism the literary doctrine developed in the 1860s1880s are well known: positivist philosophy the observation of reality and the primacy of experience influenced naturalist writers in their concern to depict reality with strict objectivity. Zola made an essential contribution to the movement with his study ""Roman expérimental"" 1880. Ernest Leroux unknown
1953Best.-Nr. 399289-XN29Paris : André Sauret 1953. No binding. Good. 2 uniform paperback volumes with transparant covers in halfvellum gilt lettered chemise in board slipcase b/w frontispice by Kees van Dongen 370281 pages 8vo. Numbered edition of 3400 copies. This is number 70.; Slipcases show shelfwear at top and bottom edge vellum chemise discoloured at spine. Paris : André Sauret unknown
Best.-Nr. 51778439like new. unknown
1887Best.-Nr. 88816Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 3 septembre 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a comic strip by Louis-Christian known as Döes: ""La bonne galette"". Includes literary contributions by Francisque Sarcey on ""La Terre"" by Emile Zola Charles Cros ""Psaume CCCCXXXIV"" Alfred Béjot ""Épitre à Allais"" Georges Auriol ""Malabar"" among others. One tear with loss and some light staining to the margins of the covers. Le Chat Noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name and to serve as its chronicle. It featured the texts recited during performances and constitutes an important literary and artistic record of late 19th-century bohemian life and the unique vibrancy of Paris during that era. Au cabaret Le Chat noir unknown
1880Best.-Nr. 87792Paris: Benque & Cie 1880. Fine. Benque & Cie Paris s.d. ca 1880 10.50 x 16.50 cm une feuille Original dedicated photograph representing Emile Zola facing forward head slightly turned to the right. Vintage silver gelatin print. The photograph is mounted on cardboard. On verso studio stamp of Benque & Cie. Worming to verso of the photograph. Small stain in lower left margin of the photograph and a clear fingerprint stain in lower right margin. Autograph inscription signed by Emile Zola to the art critic and great friend of the Goncourt brothers Vittorio Pica. Art critic of Neapolitan origin Vittorio Pica took an early interest in French naturalist and symbolist movements: ""Curious about all avant-garde movements he first concerned himself with the naturalists - he maintained regular contact with Maupassant Huysmans and Zola - then he became interested in the symbolists particularly Mallarmé and Verlaine to whom he devoted studies of admirable accuracy"" Petralia Bibliographie de Rimbaud en Italie cit. p. 37. Contributor to the most prestigious national and international reviews of modernist tendency he was one of the first founders of the Venice Biennale of which he would be secretary general from 1920 to 1926. Benque & Cie unknown
1890Best.-Nr. 87793Paris: Eugène Pirou 1890. Fine. Eugène Pirou Paris s.d. ca 1890 10.70 x 15.50 cm une feuille Original inscribed photograph portrait of Emile Zola. Original albumen paper print on cardboard bearing the stamps of the Eugène Pirou studio rue Royale Paris. Signed and inscribed by Emile Zola to Otto Eisenschitz: ""à M. Otto Eisenschitz / cordialement / Emile Zola"". Otto Eisenschitz a leading arts and culture journalist on numerous Viennese periodicals playwright and director of the Josefstadt theater was the author of numerous plays and novels. His translation work from Italian gave preference to contemporary naturalist authors such as Roberto Bracco Guglielmo Ferrero Antonio Fogazzaro Marco Praga and Giovanni Verga. He lost his life in the Theresienstadt ghetto-concentration camp in 1942. Eugène Pirou unknown
1979Best.-Nr. 87588Paris: Denoël 1979. Fine. Denoël Paris 1979 21.50 x 27.50 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Work illustrated with 480 documents selected and presented by François Emile-Zola and Massin. Handsome copy despite light foxing to edges. Publisher's full red cloth binding smooth spine complete with illustrated dust jacket. Autograph inscription signed by Massin with a small drawing of an eye to the Immortal Pierre-Jean Rémy nom de plume of Jean-Pierre Angremy: ""Pour Jean-Pierre Angremy qui a l'oeil avec l'amitié fidèle Massin."" ""For Jean-Pierre Angremy who has the eye with faithful friendship Massin."" with the manuscript signature of François Emile-Zola. Denoël hardcover
Best.-Nr. 50198287-nnew. unknown
1888Best.-Nr. 88481Paris: Charpentier 1888. Fine. Charpentier Paris 1888 13 x 19.5 cm Relié First edition this one the no. 1 of 25 numbered copies on Japon most limited deluxe issue. Bound in grey half morocco smooth spine marbled paper boards mould-made endpapers original wrappers preserved pastedown bookplate top edge gilt contemporary binding signed by L. Pouillet. A rare and handsome copy in an attractive contemporary binding. Â Charpentier hardcover
1893Best.-Nr. 87311Paris: G. Charpentier & E. Fasquelle 1893. Fine. G. Charpentier & E. Fasquelle Paris 1893 11 x 18 cm relié First edition on ordinary paper. Genealogical tree of the Rougon-Macquart on a folding sheet. Contemporary half-shagreen binding in red. Spine with false raised bands decorated with compartments ornamented with 5 fleurons. Rubbing to headcap with a minor cut. One raised band also rubbed. Paper very fresh. G. Charpentier & E. Fasquelle hardcover
1879Best.-Nr. 87597Paris: Charpentier 1879. Fine. Charpentier Paris 1879 14 x 23 cm relié First edition on ordinary paper. Full tawny morocco binding spine with four raised bands set with black fillets bearing small stains at foot gilt fillet frame on burgundy morocco pastedowns brown watered silk endpapers following endpapers of marbled paper original wrappers preserved all edges gilt elegant signed binding by Georges Cretté. Scattered foxing covers marginally and lightly faded. Autograph inscription signed by Emile Zola to the painter and photographer Eugène Montrosier at the head of the title page. Charpentier hardcover
1880Best.-Nr. 87614Paris: Charpentier 1880. Fine. The Manifesto of Naturalism Charpentier Paris 1880 12 x 19 cm relié First edition. Half blue morocco shagreen smooth spine gilt date at foot of spine marbled paper boards contemporary binding. Exceptionally inscribed by Emile Zola to the playwright and opera librettist Ludovic Halévy with the autograph signatures of Guy de Maupassant Joris-Karl Huysmans Léon Hennique Paul Alexis and Henri Céard on the first flyleaf. Provenances: from the libraries of Ludovic Halévy and Marcel Lecomte with their bookplates on front pastedown. Our copy also includes on a flyleaf an autograph note by Ludovic Halévy: ""See a letter by Guy de Maupassant at the end of the volume. L.H. Inscribed by the six authors of the volume. Ludovic Halévy."" Voir une lettre de Guy de Maupassant à la fin du volume. L.H. Envoi autographe des six auteurs du volume. Ludovic Halévy. The reproduction of the famous letter sent by Guy de Maupassant to Halévy in 1880 is pasted onto six additional leaves at the end of the volume. It bears Halévy's penned note at the beginning and end of the letter: ""Cette lettre est de 1880 / 1880."" Cette lettre est de 1880 / 1880. A fine and rare uncut copy of this manifesto of Naturalism signed and inscribed by Emile Zola with the signatures of the other five authors to their librettist colleague. Halévy notably co-wrote the libretto of Georges Bizet's Carmen. Charpentier hardcover
