8 484 résultats
1907réf. 12964London: John Lane The Bodley Head 1907. First Edition Stated. Publisher's cloth. Very Good. First Edition Stated. Publisher's cloth. First published with Beardsley's illustrations in 1894 the first uncensored edition did not appear in full until 1907; this edition contains all of Beardsley's intended illustrations which were previously cancelled uncensored version of Enter Herodias both versions of The Toilet of Salome. Includes the casts for the first performance of the play in England in 1905 and for the première of Richard Strauss's opera. Fraying to head and tail bumped corners rubbing discoloration and toning to ffep and removed exlibris ep transferred images else tight bright and unmarred. Bound in green cloth with gilt stamped peacock design to front board gilt title to spine gilt top edge with 16 black and white plates including suppressed frontispiece title page on Japanese vellum. Royal 8vo. xx 4 66pp. 2 adverts. Illus. b/w plates. Pencil marks notations on ep bookseller ticket. John Lane, The Bodley Head unknown books
réf. 06515London: Simpkin Marshall Hamilton Kent & Co Ltd 1913. Dorian Gray on the Stage - A Rare Early Dramatic Adaptation" WILDE Oscar. The Picture of Dorian Gray: A Play in Three Acts and Prologue. Dramatized by G. Constant Lounsbery from the romance of Oscar Wilde. London: Simpkin Marshall Hamilton Kent & Co Ltd. 1913. First edition thus. Printed at the Ballantyne Press. Octavo 8 7/8 x 6 inches; 225 x 152 mm. 1-10 11-94 95 1 blank pp. Publisher's white buckram front cover decoratively stamped and lettered in gilt spine lettered in gilt top edge gilt others uncut. A near fine copy the binding clean and unusually bright for this fragile white buckram issue. An uncommon early stage adaptation of Wilde's The Picture of Dorian Gray prepared by G. Constant Lounsbery for theatrical performance. While Wilde himself had explored dramatization during his lifetime no authorized stage version achieved lasting success leaving later playwrights to reinterpret the novel for the stage. This 1913 adaptation reflects the continued fascination with Wilde's most controversial work in the years following his death translating the novel's themes of aestheticism morality and duplicity into a dramatic format. London: Simpkin Marshall Hamilton Kent & Co Ltd, 1913 unknown books
1907réf. 4982Leipzig: Im Inselverlag 1907. # 350 in an edition limited to 725 copies. Acceptable. 25 cm; 24 leaves text on Insel hand-made paper and 15 full-page illustrations by Aubrey Beardsley on Strathmore Japan including title page and dramatis personae. Bound in original boards worn spine perished boards loose. Several plates somewhat foxed. The first German appearance of Aubrey Beardsley's illustrations to Oscar WIlde's play. Wilde first published the play in French in 1896 before the English and later German editions appeared. Wilde's play with Beardsley's iconic illustrations inspired Richard Strauss's opera of the same name. Im Inselverlag hardcover books
1920réf. 46822Boston: John W. Luce & Co 1920. Reprint. Slim octavo 19cm; dark red publisher's cloth stamped in gilt front; 53pp 12 plates missing one. Boards mildly worn and soiled some rubbing to extremities; textblock toned along edges and page margins; foxing and soiling intermittent throughout; some passages marked in pencil; gift inscription on ffep. Else Very Good scarce. Wilde's Salomé was published in 1891 originally in French. An English version came about in 1894 but not before a tiff over the translation work done by Lord Alfred Douglas who was Wilde's paramour at the time. This 1920 reprint retains the iconic artwork by Aubrey Beardsley and all sixteen original illustrations are listed in the index; however the plate with illustration 4 "The Woman in the Moon" is presumed missing with evidence of its loss between pgs. 6 and 7. John W. Luce & Co unknown books
1894réf. 140949078London: Elkin Mathews & John Lane 1894. First Edition. Near Fine. First edition in English of Wilde's seminal one-act tragedy and the first to feature Aubrey Beardsley's lavishly unrestrained illustrations. One of 500 copies. xii 67 1 16 ads illustrated with frontispiece 9 full page plates and singular tailpiece. Bound in publisher's blue canvas cloth decoratively stamped in gilt after design by Beardsley. Near Fine with light sunning to spine and edges light foxing to cloth. Offsetting to front endsheets and armorial bookplate to pastedown there contents lightly tanned. A beautiful copy of a definitive work of the Decadent movement. Composed initially in French Wilde allegedly intended for Sarah Bernhardt to play Salome in hopes of bypassing strict British censors although it was inevitably banned by Lord Chamberlain due to the depiction of biblical characters. The play premiered on February 11 1896 at the Theatre de l'Oeuvre in Paris starring Lina Munte and directed by Lugne-Poe. Rave reviews ensued and later adaptions followed most notably Richard Strauss' Dresden production which premiered in 1905. The radical work served as a direct affront to Victorian moral standards and cemented the femme fatale archetype for future avant-garde luminaries. Mason 350. Elkin Mathews & John Lane unknown books
réf. 24943London, Methuen, 1917 Bound, green cloth, gold impression on back, 110 x 180mm., 180pp.
réf. 129126aaf24 S. + 2 Blatt (Colophon). Druck auf Butten; Mit 12 ganzseitigen Holzschnitten und Einbandillustration von Edwin Keller-Venton (Basel); Nummerierter Band: Vorliegend Nr.484 aus der Geschenkauflage fur Freunde des Hauses. 29. Band der Basler Drucke, bedruckter OButtenbezug-Einband, Blockbuch-Bindung; Schönes Exemplar.
1950réf. 5029BBWinterthur. Geschwister Ziegler & co. 1950. 4°. (20) S. Mit 3 Lithographien und einer signierten Wachskreidezeichnung von Fred Riz à Porta. Orig.-Broschur mit 1 farb. (wiederholter) Lithographie von Fred Riz à Porta. (gebräunt. Rücken leicht wasserfleckig).
1924réf. 54467BBParis, Henri Jonquières & Cie. 1924. In-8°. VII, 201 p., 6 p. n.ch. Avec frontispice, 22 gravures coloriés et quelques vignettes par Constant Le Breton. broché, couverture rempliée.
1996réf. 56660ABParis, Gallimard 1996. Petit in-8°. LVI, 1904 p., 7 f. Reliure plein cuir, rhodoïd, etui.
1948réf. 57081ABLondon, Castle Press, 1948. 8°. 63 S. Originalleinwand mit Schutzumschlag.
réf. 129223aafPortland Maine, Thomas B Mosher MDCCCCV, (1905), sm. in-8vo, frontispice in color ‘ Oscar Wilde from a drawing by Thomas Maitland Cleland ’ + 4 leaves (2 white + half-tite & title) + 90 p. + 1 leaf (colophon). stiff, overlapping full vellum, over original printed wrappers (in red & black), fine end-papers, on foot of spine G.V. (copy of Gilbert de Voisins (1877-1939)).
1988Wilde, Oscar/Wilde, Oscar Fingal O'Flahertie Wills/Wilde, Oscar Fingal O'Flaherty Wills (Marco, Amante: Traduzione di - Marenco, Franco: Introduzione di) Il ritratto di Dorian Gray. Milano, Garzanti Editore s.p.a. 1988 italian, in sedicesimo pp. (2)+XXIV+318=344 XI ed. Garzanti: 14 giugno 1988 (ed. originale: The Picture of Dorian Gray, in « Lippincott's Monthly Magazine », luglio 1890 e in volume nel 1891 - I ed. italiana: Mattioli 1885 I ed. Garzanti: agosto 1976). Traduzione dall'inglese di Marco Amante. collezione i grandi libri Garzanti, 166. XVI/(2)+XXIV+318=344/brossura in cartoncino bianco goffrato effetto tela con grafica in tortora, arancione e nero e con illustrazione a colori al primo piatto (La voix du mal, di Georges De Feure, part.). Con un ritratto fotografico in b/n dell'A. f.t.. Stato buono (leggera usura della copertina - copertina e pagine brunite - inizio distacco delle pagine: il volume è completo).
1913réf. 30862Paris, L'Edition Moderne - Librairie Ambert, -1913, Broché, 312 pages. Portrait en frontispice et fac-similé d'une lettre d'O. Wilde. Exemplaire solide. TABLE DES MATIÈRES I La Décadence du Mensonge, dialogue. II Plume, Pinceau et Poison, étude de vert . III De la Critique considérée comme un art, avec quelques remarques sur l'importance de ne rien faire, dialogue . IV De la Critique considérée comme un art, avec quelques remarques sur l'importance de discuter toute chose, dialogue . V L'Ame humaine et le Socialisme.
réf. 92099Paris, Mercure de France 1927, 185x135mm, 248pages, broché. Edition originale sur papier vergé pur fil Montgolfier, numérotée n.° 167 / 385. Tranche non rognée. Bel exemplaire.
réf. 28235Postdam, Gustav Kiepenheuer 1919, 245x195mm, 66Seiten, Verlegereinband.
2000réf. LCI-5124Zurich, Haffmans verlag 2000 1 in 12 Broché, Bradel type Suisse 272[p.p]
195118 cm, rilegatura editoriale cartonata con titolo su targa impressa in oro al piatto e dorso, p. 193. Timbro exlibris al frontespizio. Complessivamente assai ben conservato.
réf. 84339Paris, Georges Crès 1914 (1905), 225x145mm, L- 266pages, demi-percaline. Etiquette de titre au dos, plats papier marbré. Achevé d’imprimer cinq Août 1905 Mme Ve Guy et Cie, imprimeurs Alençon, sur la page de titre, étiquette de l’éditeur Georges Crès recouvre la première mention d’édition
réf. 83529Paris, Librairie Stock 1928, 185x130mm, XII - 240pages, broché. Ex-libris. Bon état. Edition originale sur papier alfa satiné d’Outhenin-Chalandre, numéroté n.° 192 / 2700.
réf. 106039Lausanne, Editions L’Age d’Homme 1989, 210x140mm, 101pages, broché. Bel exemplaire.
1902réf. 19801902 Couverture rigide Paris, Éditions de La Plume (31, rue Bonaparte), 1902 (MCMII). Un volume in-8 (19,5 x 15 cm), demi-chagrin havane à coins d'époque, dos à 4 nerfs orné de filets dorés et de petits fers floraux, titre doré, tête dorée, papier à la cuve aux plats et contreplats, couverture orange conservée, frottements au dos et sur les plats, quelques éraflures. Reliure signée Truc sur la page de garde. 261 pages, papier légèrement jauni, quelques marques marginales à la page de titre. Mention de troisième édition, ornée d'un portrait de l'auteur par Albert C. Sterner en frontispice et d'une reproduction photographique en noir. Ex-libris manuscrit à l'encre « Antoinette Morin-Pons ». La Maison des Grenades est un recueil de contes poétiques et symbolistes, où Oscar Wilde explore les thèmes de la beauté, du sacrifice et de la vanité humaine. Bon exemplaire.
réf. 13739L’avant-scène théâtre, N°602, 15 janvier 1977. In-4°, agrafé.
réf. 84948Paris, Librairie Stock, Delamain, Boutelleau et Cie. 1924, 200x200mm, 336pages, broché. Nom du possesseur sur le haut de la page de garde supérieure. Inscriptions manuscrites sur les pages de gardes aux crayon à papier. Tranche non rognée. Bel exemplaire. Edition sur papier vergé de Hollande, et contenant une variante (présente en deuxième frontispice) hors texte également sur vergé de Hollande, de la lithographie originale d’André Hofer, numéroté n.° 123 / 125, deuxième tirage après 25 exemplaires sur papier impérial du Japon et avant 1600 exemplaires sur papier pur fil.
réf. 84964Paris, P.-V. Stock 1906, 190x120mm, 342pages, reliure skyvertex verte, couverture supérieure collée sur le plat supérieur. Nom du possesseur sur le haut de la page de garde supérieure. Bon état.
