8473 risultati
1996rif. 517005Bray Co. Wicklow Ireland: Real Ireland Design Limited 1996. Softcover. Near Fine. First edition illustrated wall calendar. Small quarto. 24pp. Stapled wrappers. Lightly rubbed near fine. Uncommon no copy located by OCLC which does locate a single holding of a 2004 & 2005 issue of this calendar. Wall calendar reproducing twelve photographs of Irish authors on front cover. Each month is devoted to a different noted Irish author printing a quote by them and listing various important dates. Included are Samuel Beckett James Joyce W.B. Yeats Brendan Behan J.M. Synge Flann O'Brien Oscar Wilde George Bernard Shaw and others. Real Ireland Design Limited unknown books
1921rif. ST12330bWestminster: Beaumont Press 1921-22. FIRST EDITIONS. EACH ONE OF 75 COPIES ON JAPANESE VELLUM OF THE EDITION DE LUXE SIGNED BY THE PUBLISHER AND ARTIST of a total of 475 copies. 222 x 152 mm. 8 3/4 x 6". Two separately issued but companion volumes. Original vellum-backed decorative paper boards. Reading with vignette on title in orange and green two plates in the same colors one facsimile of writing in text device on final page stylized illustration of a tree on front and rear endpapers; "Berneval" with woodcuts of Naples and Paris printed in blue on the front and rear endpapers two-color title page woodcut one plate a facsimile of a Wilde letter and printer's woodcut device; our special deluxe version WITH THREE ADDITIONAL WOODCUTS at the back of each volume all the woodcuts as well as the cover design by Randolph Schwabe. Ransom p. 211; Tomkinson p. 17. ◆Berneval spine just a bit darkened otherwise FINE UNWORN COPIES that have obviously been little used as they open stiffly and are immaculate inside and out. Here "After Berneval" is offered with "After Reading" its earlier companion volume both of them in their deluxe form on Japanese vellum and including an extra suite of the illustrations. "Reading" comprises a set of letters also written to Ross by Wilde during the summer of 1897 after having just been released from two years' imprisonment in Reading Gaol. The preface to its sequel "After Berneval" says that the earlier collection "was unprocurable almost as soon as it was published." The letters in these volumes tell the story of a tragic literary figure who fell from a precipitous height. Oscar Wilde 1854-1900 was born and raised in Ireland studied classics at Trinity College Dublin and at Magdalen College Oxford before settling in London. There he became famous for his unmatched wit and infamous for his personal eccentricities--long hair décor at his lodgings that included peacock feathers and blue china and ultimately sexual behavior that was deemed both intolerable and criminal. During the first half of the 1890s he was enjoying remarkable social prominence and literary success with the staging of "Lady Windermere's Fan" 1892 "A Woman of No Importance" 1893 "An Ideal Husband" 1894 and the incomparable "The Importance of Being Earnest" 1895. But two months after the staging of this last play he brought a defamation suit against the Marquess of Queensbury the father of his intimate friend Lord Alfred Douglas. The suit backfired: in the course of the litigation Wilde was investigated by police and his homosexuality was exposed leaving his reputation destroyed. He was sentenced in May of 1895 to two years of hard labor spending part of his time behind bars at Reading Gaol where he produced his powerful poem "De Profundis." After release he moved to the Continent and died three years later in Paris of meningitis. As Day says "Among English men of letters only Byron and Shaw have surpassed Wilde in the craft of conscious posing and self-publicizing" a fact that has made succeeding generations suspicious of the reality behind the legend that the author helped to establish. But after a period when he was treated as a kind of martyr because of his suffering at the hands of squeamish Victorianism "it is at last possible to evaluate Wilde as the capable literary artist he actually was." In physical terms these are modest but nevertheless pleasing products of the Beaumont Press founded by Cyril W. Beaumont in 1917. A special feature of the Press is its patterned paper bindings each with a design created for one title only. Beaumont Press unknown books
1921rif. ST12330bWestminster: Beaumont Press 1921-22. FIRST EDITIONS. EACH ONE OF 75 COPIES ON JAPANESE VELLUM OF THE EDITION DE LUXE SIGNED BY THE PUBLISHER AND ARTIST of a total of 475 copies. 222 x 152 mm. 8 3/4 x 6". Two separately issued but companion volumes. Original vellum-backed decorative paper boards. Reading with vignette on title in orange and green two plates in the same colors one facsimile of writing in text device on final page stylized illustration of a tree on front and rear endpapers; "Berneval" with woodcuts of Naples and Paris printed in blue on the front and rear endpapers two-color title page woodcut one plate a facsimile of a Wilde letter and printer's woodcut device; our special deluxe version WITH THREE ADDITIONAL WOODCUTS at the back of each volume all the woodcuts as well as the cover design by Randolph Schwabe. Ransom p. 211; Tomkinson p. 17. ◆Berneval spine just a bit darkened otherwise FINE UNWORN COPIES that have obviously been little used as they open stiffly and are immaculate inside and out. Here "After Berneval" is offered with "After Reading" its earlier companion volume both of them in their deluxe form on Japanese vellum and including an extra suite of the illustrations. "Reading" comprises a set of letters also written to Ross by Wilde during the summer of 1897 after having just been released from two years' imprisonment in Reading Gaol. The preface to its sequel "After Berneval" says that the earlier collection "was unprocurable almost as soon as it was published." The letters in these volumes tell the story of a tragic literary figure who fell from a precipitous height. Oscar Wilde 1854-1900 was born and raised in Ireland studied classics at Trinity College Dublin and at Magdalen College Oxford before settling in London. There he became famous for his unmatched wit and infamous for his personal eccentricities--long hair décor at his lodgings that included peacock feathers and blue china and ultimately sexual behavior that was deemed both intolerable and criminal. During the first half of the 1890s he was enjoying remarkable social prominence and literary success with the staging of "Lady Windermere's Fan" 1892 "A Woman of No Importance" 1893 "An Ideal Husband" 1894 and the incomparable "The Importance of Being Earnest" 1895. But two months after the staging of this last play he brought a defamation suit against the Marquess of Queensbury the father of his intimate friend Lord Alfred Douglas. The suit backfired: in the course of the litigation Wilde was investigated by police and his homosexuality was exposed leaving his reputation destroyed. He was sentenced in May of 1895 to two years of hard labor spending part of his time behind bars at Reading Gaol where he produced his powerful poem "De Profundis." After release he moved to the Continent and died three years later in Paris of meningitis. As Day says "Among English men of letters only Byron and Shaw have surpassed Wilde in the craft of conscious posing and self-publicizing" a fact that has made succeeding generations suspicious of the reality behind the legend that the author helped to establish. But after a period when he was treated as a kind of martyr because of his suffering at the hands of squeamish Victorianism "it is at last possible to evaluate Wilde as the capable literary artist he actually was." In physical terms these are modest but nevertheless pleasing products of the Beaumont Press founded by Cyril W. Beaumont in 1917. A special feature of the Press is its patterned paper bindings each with a design created for one title only. Beaumont Press unknown
1929rif. 1503New York: E.P. Dutton Inc 1929. Signed Limited Edition. Hardcover. Good. 7 3/8 X 9 3/8 Inches. #96 of 200 signed copies. TEG. Original publisher marbled paper binding. Vassos helped define the modernist art movement via his work as designer for RCA in addition to his illustrated books. Via RCA John was instrumental in the original designs of the earliest televisions mid-century microphones radios consoles etc. His industrial art is among the widest spread and most important of the 20th century. Noted art deco artist. Lacks original DJ and/or slipcase. Original boards scuffed and worn at edges. Wear to head and foot of spine. PO bookplate on inside front pastedown. Title-page has a 3 3/4 inch closed tear to bottom edge. An acceptable copy of this art deco rarity. E.P. Dutton, Inc hardcover
2000rif. 10015THE WILDE YEARS OSCAR WILDE & THE ART OF HIS TIME Barbican Centre 2000 first edition fine in like color pictorial dust-wrapper. Replete with both full color and black & white illustrations on virtually every page. Edited by Tomoko Sato & Lionel Lambourne. Barbican Centre unknown books
1932rif. 13343MY FRIENDSHIP WITH OSCAR WILDE BEING THE AUTOBIOGRAPHY OF LORD ALFRED DOUGLAS Coventry House 1932 first American edition fine in vg/near fine pictorial dust-wrapper save for some dustiness to the spine and rear dust-wrapper panel. Illustrated. 1/1000 copies. Coventry House unknown books
1914rif. 13342OSCAR WILDE AND MYSELF Duffield & Company 1914 first American edition some age toning to the page edges else a fine bright copy. Illustrated. Duffield & Company unknown books
1932rif. 13343MY FRIENDSHIP WITH OSCAR WILDE BEING THE AUTOBIOGRAPHY OF LORD ALFRED DOUGLAS Coventry House 1932 first American edition fine in vg/near fine pictorial dust-wrapper save for some dustiness to the spine and rear dust-wrapper panel. Illustrated. 1/1000 copies. Coventry House unknown
1914rif. 13342OSCAR WILDE AND MYSELF Duffield & Company 1914 first American edition some age toning to the page edges else a fine bright copy. Illustrated. Duffield & Company unknown
2000rif. 10015THE WILDE YEARS OSCAR WILDE & THE ART OF HIS TIME Barbican Centre 2000 first edition fine in like color pictorial dust-wrapper. Replete with both full color and black & white illustrations on virtually every page. Edited by Tomoko Sato & Lionel Lambourne. Barbican Centre unknown
1948rif. 32927Espagne, Madrid, Editorial Tesoro / Collection " Ediciones Siglo XX " 1948. In-12 broché de 276 pages au format 19,5 x 13,5 cm. Magnifique couverture rempliée, illustrée. Dos carré avec petits frottis. Plats et intérieur frais, malgré de minuscules frottis aux coins et cachet en page de titre et au bas de la dernière page. Rare édition espagnole, très très fragile, en assez bel état de fraicheur.
1907rif. 1026# AUTEUR: Wilde Oscar # ILLUSTRATEUR: Beardsley Aubrey # ÉDITEUR: Imprimé pour les souscripteurs. (Imprimerie Vve Félix Guy et & - Alençon) # ANNÉE ÉDITION: 1907 # ENVOI, BEAUX PAPIERS: Vergé antique - illustration sur japon # COUVERTURE: Pleine chagrin bordeaux - encadrement de larges filets dorés sur les plats - dos à nerfs rectangles dorés entre-nerfs # DÉTAILS: Grand in 8° relié 3ff + 84pp. Drame en un acte, avec seize hors-texte sur japon par Aubrey Beardsley. Edition tirée à petit nombre et non mise dans le commerce. Non rogné. Emboitage. La justification du tirage de la nouvelle édition de 1920 précise: ” Une partie de l'édition de Salomé publiée en 1907 à 500 exemplaires a été détruite en 1910 par les inondations de la Seine. Cette nouvelle édition est destinée à la remplacer.” Exemplaire de la première édition. # PHOTOS visibles sur www.latourinfernal.com
1902rif. 0332# AUTEUR: Oscar Wilde # ÉDITEUR: Editions de la plume # ANNÉE ÉDITION: 1902 # COUVERTURE: Imprimée # DÉTAILS: Petit in 8° broché 261pp.Edition originale française sans mention d'édition. Contient 4 contes: Le jeune roi, l'anniversaire de l'infante, le pécheur et son âme, l'enfant-étoile. # PHOTOS visibles sur www.latourinfernal.com
1928rif. CLL-242London, Dulau & Company Limited, 1928 In-4 (260 x 195mm) de (1)f., XIpp. (verso bl.), 140pp., (1)f.bl., demi-toile grège d'éditeur, étiquette de titre contrecollée au dos.
1926rif. 15333Small 4to. All orig. wrappers in publisher's box, uncut. No 148 of 230 ""sur Velin de Rives"" with and extra suite of the 8 fine etchings by Charles Martin.
1873rif. 46830London, Taylor and Francis, 1873. 8vo. Offprint, seperately paginated, with author presentation inscription to top of front wrapper (""Joseph Sidelbotham / with the Author's best regards""). Fine and clean. 8 pp. + 1 folded plate.
1895rif. 48924Manchester, 1895. 8vo. In the original printed wrappers. Offprint from: ""Memoirs and Proceedings of the manchester Literary and Philosophical Society"", Volume Nine, Fourth series. With the authors presentation inscription to top of first page: ""With the Author's Compliments"". Lacking backwrapper. Internally fine and clean. Pp. 95-107.
1896rif. 48036Manchester, The Manchester Literary and Philosophical Society, 1896. 8vo. In the original printed wrappers. Offprint from ""Memoirs and Proceedings of the Manchester Literary and Philosophical Society"", Tenth [10] volume, Fourth series. With author's presentation inscription to top of front wrapper: ""With the Author's Compliments."". Lacking 1 cm of lower part of front wrapper, not affecting text, otherwise a very fine and clean copy. Pp. 61-71 + 1 plate.
1894rif. 48038Manchester, The Manchester Literary and Philosophical Society, 1894. 8vo. In the original printed wrappers. Offprint from ""Memoirs and Proceedings of the Manchester Literary and Philosophical Society"", Ninth [9] volume, Fourth series. With author's presentation inscription to top of front wrapper: ""With the Author's Compliments."". Light soiling to extremities. Very fine and clean. Pp. 181-186 + 1 folded plate.
1895rif. 48037Manchester, The Manchester Literary and Philosophical Society, 1895. 8vo. In the original printed wrappers. Offprint from ""Memoirs and Proceedings of the Manchester Literary and Philosophical Society"", Ninth [9] volume, Fourth series. With author's presentation inscription to top of front wrapper: ""With the Author's Compliments."". Front wrapper loose and back wrapper detached, light miscolouring to wrappers. Internally fine and clean. Pp. 67-85 + 1 folded plate.
1892rif. 48041London (+) Paris, Kegan Paul (+) Gauthier-Villars et fils, 1892. Large4to. Without front wrapper and backtrip. Internally fine and clean. VI, 18 pp + 1 folded plate.
1878rif. 48040Manchester, T. Sowler and Co., 1878. 8vo. In the original printed wrappers. Offprint from ""The Proceedings of the Manchester Literary and Philosophical Society"", April 30. Author's presentation inscription to front wrapper ""Edmund J Mills / with the Author's Compliments"". Miscolouring to lower part of front wrapper. Internally fine and clean. 25 pp. + 1 folded plate.
1869rif. 47911[No place], 1869. 8vo. In the original printed wrappers, no backstrip. Offprint from the ""Philosophical Magazine"", January 1869. With authors presentation inscription to front wrapper: ""With the author's Compliments."". Fine and clean. 9 pp.
1984rif. 42002ABLisboa., Sociedade Nacional de Belas Artes., 1984. 22 x 19 cm. 112 unpaginierte S. Illustrierter OKarton., 42002AB Erste Auflage. Gutes Exemplar.
rif. 76151Editions mille et une nuits 1996 livre agenda 17,5*12,5 sp pages