461 Ergebnisse
1899Best.-Nr. 54608NY: Benj. R. Tucker 1899. Early US edition. 44 pp. Small tear to the fore-edge of one leaf else very good plus in two part gilt-stamped cloth with darkened spine. NY: Benj. R. Tucker, hardcover books
1906Best.-Nr. 38779London: John Lane 1906. First Trade Edition. BEARDSLEY Aubrey illus. Small 8vo pp. 66. Cover by Aubrey Beardsley. Ivory paper over boards stamped in green. Cover worn interior foxed o/w VG. Not in Gallatin. Samuels-Lasner 59C. John Lane unknown books
1949Best.-Nr. 154500Los Angeles: Twentieth Century-Fox 1949. Vintage borderless reference photograph from the 1949 film showing actor Cary Grant attempting to sleep in a bathtub. Printed mimeo snipe affixed to the verso along with a date stamp reading JUL 1949. After marrying an American lieutenant in postwar Germany a French captain tries to find a way to immigrate under the War Bride Act in order to join her in the US. Shot on location in Germany and England. 7.5 x 9.25 inches. About Fine. Byrge and Miller The Screwball Comedy Films. Twentieth Century-Fox unknown books
1994Best.-Nr. 16855Illustrated with wood engravings by Garrick Palmer. Two attached ribbon bookmarks. Slipcase covered in a pattern by Palmer. Old Stile Press books
1928Best.-Nr. 2221806First edition thus. 9 1/4" x 7 1/4". 16 illustrations by John Vassos. Original black cloth over blue boards t.e.g. Dust jacket clipped; small chips. Very good. 124 pages. No signatures or bookplates. No. 33 of 200 copies. This copy is not signed. Printed by Knudsen Process. E. P. Dutton & Co., Inc. hardcover books
1952Best.-Nr. 156679Amsterdam: Institut voor Filmdocumentatie 1952. Vintage reference photograph from the 1952 film showing director Cecil B. DeMille on a camera crane. Mimeo snipe and the stamps of a Dutch film institute on the verso. The manager of a traveling circus hires a flashy new trapeze performer but the new hire soon begins to butt heads with the manager's girlfriend the former trapeze star. Nominated for five Academy Awards winning two for Best Picture and Best Screenplay. Shot on location in Utah Pennsylvania Florida and Washington DC. 10 x 8 inches. Very Good plus with light creasing on the edges. Institut voor Filmdocumentatie unknown books
1927Best.-Nr. 171334N.p.: N.p. 1927. Two vintage reference photographs from the 1927 silent film one showing actor Harold Lloyd fearfully holding a stick like a machine gun the other showing a medicine show caravan. A sheriff's shy son is given the chance to prove his worth when a traveling medicine show run by shysters rolls into town. A remake of the 1924 Hal Roach film "The White Sheep." Widely considered one of Lloyd's finest films and the last of Lloyd's films to star Jobyna Ralston. Shot on location in rural California. 10 x 8 inches. Very Good plus. N.p. unknown books
1949Best.-Nr. 92475New York: Philosophical Library 1949. Hardcover. Very Good/Very Good. First complete edition. Edited with an introduction by Vyvyan Holland. Foxing to the foredge and endpapers a sound very good copy in a modestly spotted and age-toned about very good dustwrapper. James Jones's copy with his ownership and address stamp in Marshall Iowa. Philosophical Library hardcover books
1925Best.-Nr. 607516New York: Farlag "Die Feder 1925. Softcover. Very Good. Presumed first Yiddish-language edition. Translated by Aharon Karlin. Octavo. 32pp. Text in Yiddish bound and paginated in the Yiddish style. Stapled printed wrappers with a bit of tanning and edgewear page edges a trifle foxed and the last few leaves with a small faint stain near the spine base very good. The lower wrap prints a publisher's advertisement for a couple of "Die Feder" titles as well as their monthly art and literary magazine The Pen. Very uncommon. Farlag "Die Feder unknown books
1923Best.-Nr. 1394604New York NY/ London UK: G.P. Putnam's Sons 1923. Second Edition. Hardcover. Octavo 58 pages. In Good plus condition with a Good plus condition dust jacket. Blue-green spine aged brown with black lettering. Dust jacket is wrapped in a mylar covering has mild shelving wear stains on the rear cover moderate wear along the front cover and moderate age-toning along the extremities. Boards have mild wear along the head and tail edges light fraying along the spine corners and moderate age-toning along the head and tail edges. Textblock has moderate soiling on most pages faded pencil marks on the front pastedown a pen signature from previous owner "Mary R. Beebe" mild wear along the edges moderate foxing along the head and fore edges and mild age-toning along the edges. DL consingment. Shelved in Room Z. 1394604. Special Collections - Upstairs. G.P. Putnam's Sons hardcover books
1906Best.-Nr. 38782Boston: John W. Luce 1906. BEARDSLEY Aubrey illus. 8vo pp. 36. Gray paper over boards lettered and stamped in green with an illustration by Aubrey Beardsley. Cover slightly worn at corners and ends of spine o/w a VG tight copy. Scarce. Samuels-Lasner 59G. not in Mason who does list the 1906 printing by the John Lane Company and preceded in America only by the 1894 Copeland & Day limited edition. John W. Luce unknown books
1925Best.-Nr. UB-17848New York: Dodd Mead & Company 1925. First Thus. Hardcover. Very good /very good. First Thus. Hardcover. Descend into 7 morbid fairy tales full of enchantment death sacrifice and "the wounds of love" by the great Irish poet and playwright Oscar Wilde 1854-1900 who once declared these tales "intended neither for the British child nor the British public." In these pages you'll find a fisherman who falls in love with a mermaid with a magical voice and must strike a deal with a cave-dwelling witch to rid himself of his human soul to have her a beauty-loving king who would rather wear rags than raiment a falling star and a sinister babe abandoned in a wood a giant and his beautiful walled garden beset by children and so much more here illustrated in 16 striking and otherworldly plates by the Jewish Ukrainian-American artist Ben Kutcher 1895-1967. This is the first edition published with pictorial endpapers gilt-stamped pictorial binding and uncommon dust jacket all designed by Kutcher. 9 5/8" X 6 1/2". Presents nicely in protective archival sleeved dust jacket. Moderate wear to unclipped dust jacket with small open tears at all edges and extremities 3" neat tear to rear panel sunning to spine and scattered rubbing and soiling. Publisher's cloth binding by Ben Kutcher with artist's monogram BK to rear board. Bound in black cloth over boards with boards and spine stamped in gilt: rose bush and nightingale to upper board nightingale and heart motif continued to spine with star and candle and starry cloudy night sky scene to rear all bright. Edgewear to binding with slight lean to spine and scattered rubbing to cloth. Pictorial endpapers. Binding is firm and sound. Scattered foxing to pages and plates throughout else unmarked. Dodd, Mead & Company hardcover books
1949Best.-Nr. 133084Culver City CA: Columbia Pictures 1949. Vintage studio still photograph of director Douglas Sirk working on the set of the 1949 film noir. A wonderful photograph of the entire crew shooting a scene where Cornel Wilde and Patricia Knight are parting at an airport. Sirk is standing on a crane support at the left and cinematographer Charles Lawton Jr. is seated just below. A key American noir from an original screenplay by Samuel Fuller. Shot on location throughout Los Angeles and notably in the Bradbury Building on Broadway now an architectural landmark originally built in 1893 by Los Angeles mining millionaire Lewis L. Bradbury and designed by George Wyman. In a custom museum-quality frame archivally mounted with UV glass. 7 x 9 inches borderless with a studio stamp and a mimeograph snipe on the verso. Near Fine. Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown books
1916Best.-Nr. 264948New York: Printed and Published by the Author 1916. First Edition. Frontis. 2 vols. 8vo. Qauarter publisher;'s green calf and boards. Fine in half faded green morocco and chemise. First Edition. Frontis. 2 vols. 8vo. Printed and Published by the Author unknown books
Best.-Nr. 06515London: Simpkin Marshall Hamilton Kent & Co Ltd 1913. Dorian Gray on the Stage - A Rare Early Dramatic Adaptation" WILDE Oscar. The Picture of Dorian Gray: A Play in Three Acts and Prologue. Dramatized by G. Constant Lounsbery from the romance of Oscar Wilde. London: Simpkin Marshall Hamilton Kent & Co Ltd. 1913. First edition thus. Printed at the Ballantyne Press. Octavo 8 7/8 x 6 inches; 225 x 152 mm. 1-10 11-94 95 1 blank pp. Publisher's white buckram front cover decoratively stamped and lettered in gilt spine lettered in gilt top edge gilt others uncut. A near fine copy the binding clean and unusually bright for this fragile white buckram issue. An uncommon early stage adaptation of Wilde's The Picture of Dorian Gray prepared by G. Constant Lounsbery for theatrical performance. While Wilde himself had explored dramatization during his lifetime no authorized stage version achieved lasting success leaving later playwrights to reinterpret the novel for the stage. This 1913 adaptation reflects the continued fascination with Wilde's most controversial work in the years following his death translating the novel's themes of aestheticism morality and duplicity into a dramatic format. London: Simpkin Marshall Hamilton Kent & Co Ltd, 1913 unknown books
1928Best.-Nr. 47487New York: E.P. Dutton & Co. Inc 1928. First edition illustrated by John Vassos. Hardcover. Very good/very good. John Vassos. 124pp. Small quarto 24 cm 1/2 black cloth over blue striped paper covered boards. The title is stamped in gilt on the backstrip and there is an ornamental design stamped in black and gilt on the lower fore edge corner of the front board. With a slight lean to the spine and mild bumping and fading at the extremities. Age-toned pages. The jacket has periodic short closed tears and chips in the edges and there is a small loss from the paper at the foot of the jacket's spine measuring 1" wide by 3/4" deep. Includes sixteen black and white illustrations with tissue guards by John Vassos. From the dust jacket- "Vassos' interpretation of Wilde's masterpiece illustrating the emotional experiences of a condemned prisoner in his last days. E.P. Dutton & Co., Inc hardcover books
1905Best.-Nr. 18953Hartford: privately printed at the Sherwood Press 1905. First edition limited to 225 numbered copies 8vo pp. 45 3; original green cloth-backed marbled boards printed paper label on spine; very slightly rubbed else a fine copy. A scarce Wilde title written for the Chancellor's English Essay Prize while at Oxford in 1879. See Mason 434 for a convoluted account of the manuscript part of which was separately sold in America and then later restored. privately printed [at the Sherwood Press] unknown books
Best.-Nr. MA05H-00167Mitchell Kennerley. Collectible - Acceptable. New York: Mitchell Kennerley 1921. 1st thus. 8vo. 133pp. Facsimile. Limited edition #515/1000. Fair book. No dust jacket else Good. First published in Blackwood's Edinburgh Magazine in July 1889; printed from the original enlarged manuscript. Partially uncut. authorship William Shakespeare sonnets fiction Inquire if you need further information. Mitchell Kennerley unknown books
1922Best.-Nr. 27887Leipzig: Hesse & Becker 1922. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Mustard cloth stamped in brown. Bookplate of Francis Kettaneh. Minor toning of textblock. Fine in glassine dust wrapper. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Poems by the prolific German-born author George Sylvester Viereck 1884-1962 who first gained renown for The House of the Vampire and Nineveh and other Poems both 1907 which showed the strong influence of Oscar Wilde. Viereck became notorious for his pro-German propaganda during the first world war and later for his pro-Nazi propaganda before and during the second world war for which he was imprisoned. This is a German-language selection of his early verse including Nineveh 1907 with some pieces translated by other hands. Viereck's free German translation "frei verdeutscht" of The Ballad of Reading Gaol appears here at pages 151-175; his English translation of the Deutschlandslied "Deutschland Deutschland Land of All Lands" which appears here on p. 176 remained standard for many years. Signed by the author on the front flyleaf. Hesse & Becker unknown books
1882Best.-Nr. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown books
Best.-Nr. 06456London: T. Werner Laurie 1916. The first and still foundational bibliography of Oscar Wilde MASON Stuart pseud. of Christopher Sclater Millard. WILDE Oscar. Bibliography of Oscar Wilde. With a note by Robert Ross. Illustrated. London: T. Werner Laurie n.d. ca. 1916. Octavo 8 1/4 x 5 1/4 inches; 210 x 133 mm. xxxii 605 3 pp. Numerous facsimiles throughout the text. Bound ca. 1960 in three quarter purple morocco over purple cloth boards ruled in gilt spine with five raised bands tooled and lettered in gilt in compartments marbled endpapers all edges gilt spine faded. Original pink cloth covers bound in at end. The first and still foundational bibliography of Oscar Wilde compiled by his friend and literary defender Christopher Sclater Millard writing under the pseudonym "Stuart Mason." Produced with the close cooperation of Robert Ross Wilde's literary executor this work remains indispensable for collectors scholars and the trade. Millard's bibliography is far more than a mere listing: it provides detailed descriptions of Wilde's books pamphlets periodical contributions and translations along with valuable notes on variants piracies and publication history. Issued at a time when Wilde's reputation was still in recovery following his death in 1900 the book represents an early and important effort to establish a serious scholarly framework for Wilde's oeuvre. Particularly useful are the numerous facsimiles - title-pages wrappers and documents - which give the work practical bibliographical authority and make it a key reference for identifying first editions and priority issues. A cornerstone Wilde reference here in an attractive mid-twentieth-century morocco binding well suited to the collector's shelf. London: T. Werner Laurie, 1916 unknown books
Best.-Nr. 06517London: Methuen & Co. Ltd. 1922. The Infamous Fifteenth Volume - Wilde's 'Lost' Play That Wasn't" WILDE Oscar. For Love of the King. London: Methuen & Co. Ltd. 1922. Limited to 1000 copies. Small quarto 8 3/8 x 5 3/4 inches; 213 x 146 mm. vi blank xiv 1-39 1 blank 4 blank pp. Handsomely bound in three-quarter black morocco over gray marbled boards covers ruled in gilt spine with five raised bands lettered in gilt in compartments gray marbled endpapers top edge gilt others uncut. With the Ex Libris bookplate of Charles Bauman on the front paste-down. Housed in a black morocco edged cloth slipcase. An unusually fine well-preserved copy enhanced by an attractive later morocco binding. The notorious "fifteenth volume" of the Methuen collected works of Wilde. Originally issued in 1908 in fourteen volumes the set was unexpectedly augmented in 1922 by the addition of For Love of the King presented by the publisher as a newly discovered Wilde play. The claim was quickly met with skepticism and the work is now generally regarded as spurious or at best of highly doubtful attribution. Despite this Methuen produced the volume in uniform style with the earlier set encouraging its assimilation into complete runs. The text itself - a "Burmese Masque" - differs markedly in tone and quality from Wilde's authenticated dramatic works further contributing to the controversy surrounding its authorship. Long considered one of the more curious episodes in Wilde bibliography An essential - and somewhat mischievous - addition for collectors of the Methuen Wilde. London: Methuen & Co. Ltd., 1922 unknown books
1898Best.-Nr. 23069London: Leonard Smithers 1898. Sixth Edition. Hardcover. Orig. cream cloth and light brown cloth spine darkened. Very good. 31 pages. 23 x 14 cm. One of a 1000 copies on handmade paper. The last edition to identify the author as "C.3.3." -- Wilde was imprisoned in cell block C landing C Cell 3. This narrative a tale of Charles Thomas Woodbridge's 1896 execution at Reading for the murder of his wife. Small owner signature free front endpaper free endpapers toned. Leonard Smithers hardcover books
1891Best.-Nr. 503897New York: Dodd Mead and Company 1891. Hardcover. Fine. First American edition using the English sheets see Mason 343: "Of the English edition. . 600 copies were printed for America. Octavo. 258pp. Pinkish-red cloth stamped in yellow. Spine is slightly faded else a nice very near fine copy. Scarce. Dodd, Mead and Company hardcover books
1919Best.-Nr. 47472Hannover: Der Zweemann Verlag Robert Goldschmidt 1919. First edition. Hardcover. g to vg. 76/100. Signed and numbered by the artist on colophon. Quarto. Original half vellum over decorative handmade paper. Frontispiece. Second German translation of "The Priest and the Acolyte" by E. Sander with illustrations by Ernst Schütte. This short story was first published with the German translation of Wilde's "Teleny" the homoerotic story of the French dandy Camille and the Hungarian pianist René Teleny. This work was originally credited to Oscar Wilde however the presumed author is John Francis Bloxam. In his trial against Queensberry Wilde contested the authorship and deemed the story "tasteless." This work contains two stunning lithographically reproduced Art Nouveau images of Ernst Schütte's work. Text in German. Spine with some light wear small chips and closed tears. Borads slightly bent outwards. Binding in overall good interior in very good condition. Der Zweemann Verlag Robert Goldschmidt hardcover books