4 047 résultats
1898réf. 59504New York:: Brentano's 1898. First US edition first printing. publisher's olive cloth decorated in colors; preserved in a custom quarter morocco folding box. . Cloth lightly rubbed at edges joints and corners; 1899 private library book label on pastedown; but an attractive tight and sound copy. . 12mo. Horodisch pp. 72-75. Brentano's, hardcover
1895réf. 2221665First edition. 8 1/2" x 6 1/2". Original brown wrappers stamped in red lower right corner of upper cover replaced uncut and mostly unopened. Very good. 98 pages. No signatures or bookplates. Enclosed in a plum half morocco slipcase. Printed by The Chiswick Press. Mason 367 - only 50 copies were printed. Privately Printed paperback
1888réf. 0107840 First trade edition/First printing published by David Nutt London 1888. Tight binding. Print run of 1000 copies Frontispiece with tissue guard and 2 other plates by Walter Crane. No marks or inscriptions. Owner's bookplate to front pastedown. Foxing to endpages and occasional throughout. Stiff card covers have tanning and some marking. Protected in archive cover. David Nutt hardcover
réf. 116514London Cyril William Beaumont at the Beaumont Press 1921 & 1922. . Limited editions each number 10 of 75 copies on Japanese Vellum signed by the illustrator and printer from total editions of 475; 2 vols 8vo 235 x 160 mm; woodcut illustrations and decorations by Ethelbert White; original vellum-backed patterned boards gilt lettering to spines slight browning to head of covers else very good. An attractive set collecting together a series of letters from Wilde to Robert Ross. Each one of 75 copies on Japanese vellum signed by the illustrator and printer. London, Cyril William Beaumont at the Beaumont Press, 1921 & 1922. hardcover
1899réf. 182530London: Leonard Smithers and Co. 1899. I really think it reads the best of my plays First edition trade issue one of 1000 copies. Wilde's political comedy premiered at the Haymarket on 3 January 1895 and ran until 6 April. His arrest the day before the production closed precipitated his "utter social destruction" ODNB and the play was not published in book form until two years after his release from prison. An Ideal Husband led George Bernard Shaw to hail Wilde as "our only thorough playwright. He plays with everything: with wit with philosophy with drama with actors and audience with the whole theatre" Saturday Review 12 January 1895. Wilde himself wrote to the publisher stating that "I really think it reads the best of my plays" cited in Nelson p. 392. The edition also included 100 signed copies on large paper and 12 on Japanese vellum reserved for presentation. Small quarto. Original pink linen with gilt floral motifs after designs by Charles Shannon spine lettered in gilt fore and bottom edges uncut. Bookplate of the collector and Steinbeck bibliographer Adrian Homer Goldstone 1897-1977. Spine cocked and sunned extremities bumped occasional patches of rubbing contents foxed. A very good copy. Mason 385. James G. Nelson Publisher to the Decadents: Leonard Smithers in the Careers of Beardsley Wilde Dowson 2000. hardcover
1898réf. 180349London: Leonard Smithers 1898. Unusual in a fine contemporary binding First edition one of 800 copies printed on handmade paper. This copy is beautifully presented and includes the well-preserved wrappers at the rear. At the insistence of his publishers Wilde employed a pseudonym for fear of the negative effect his name would have on the poem's sales. "C.3.3." derives from Wilde's cell in Reading Gaol - the third cell on the third landing of Gallery C. The first edition of which another 30 copies on japon were also issued sold out rapidly. A second edition was printed within weeks. Octavo 220 x 135 mm. Contemporary brown crushed morocco by Rivière spine lettered in gilt with raised bands compartments tooled with floral design French fillet to boards gilt inner dentelles dark green coated endpapers top edge gilt fore and bottom edges uncut original wrappers bound in. Label sometime removed from front pastedown rear blanks lightly toned from wrappers. A fine copy. Mason 371. hardcover
1899réf. 355490724400London 1899. First Edition. Hard Cover. London: Leonard Smithers 1899. First Edition. First Printing. This is the first impression which was limited to 1000 copies this being # 33. Publisher's original pale salmon binding with gilt leaf stamping to panels. 152 pages. This copy is about VG with the usual slight fading to the gilt leaf. Boards clean and tidy with no noteworthy issues. There is a book-plate to the front paste-down of "Richard Buckle". No previous owner inscriptions. The spine has been sympathetically and skilfully re-backed in brown morocco with the title and author in gilt with leaf stamps blind-stamped in three places. The interior of the book is clean tidy and tightly bound with minor foxing to several pages. Photographs/scans available upon request. hardcover
réf. 75101Boson MA and New York NY: The C.T. Brainard Publishing Co. 1909. Literature LEATHER-BOUND ILLUSTRATED SET Edition De Luxe. Complete in 15 volumes. Octavo 20 x 13 x 56cm. Each volume with between three and seven black and white illustrated plates including a frontispiece by various illustrators. An out-of-series copy from an edition of 1000 numbered copies. Recently bound in blue half morocco with raised bands gilt titles to twin red labels and matching cloth over boards. Top edges gilt and others lightly trimmed. A crisp clean set in an attractive new leather binding. Boson, MA, and New York, NY: The C.T. Brainard Publishing Co., 1909 unknown
1905réf. 64534Paris: S. n. Charles Carrington 1905. Fine. S. n. Charles Carrington Paris 1905 14.50 x 22.50 cm relié Poems in Prose No publisher Charles Carrington Paris 1905 14.5 x 22.5 cm contemporary full morocco First edition one of 50 numbered copies on Japon paper the only grands papiers deluxe copies. Burgundy morocco binding spine in five compartments set with black fillets gilt heraldic eagle at the bottom heraldic coat of arms stamped in the centre of the boards endpapers with geometric motifs bordered with a burgundy morocco strip on the inner covers gilt top edge contemporary binding signed by Creuzevault. Some small foxing on the endpapers and some very fine tears in the margin of the final endpapers. Beautiful copy nicely bound. S. n.[ Charles Carrington] hardcover
1894réf. 182536London: John Lane at the Sign of the Bodley Head 1894. Mr Oscar Wilde is not in the house First edition one of 500 trade copies. The play's opening show was met with applause for the actors and boos for the playwright causing Wilde to announce from behind a curtain "Ladies and gentlemen I regret to inform you that Mr Oscar Wilde is not in the house" Ellmann p. 381. Wilde's opulent production used "the market forces of luxury dressmaking to comment upon the worlds of his Haymarket patrons. Audiences in the stalls and boxes continued to be both flattered and vexed by the antics of their on-stage doubles while viewers in the upper galleries enjoyed the additional spectacle of fashionable Society catching its likeness in Wilde's cunningly set mirrors" Kaplan p. 252. The play premiered at Haymarket Theatre on 19 April 1893 and ran until 16 August for 113 performances. A further 50 large paper copies were also issued. Small quarto. Publisher's 16-page catalogue dated March 1894 at rear. Original pink linen with gilt floral decorations by Charles Shannon spine lettered in gilt fore and bottom edges untrimmed. Housed in a custom green cloth slipcase and chemise. Faint marks and fading to spine ends slightly bumped cloth lightly rubbed contents toned as usual. A very good copy. Mason 364. Richard Ellmann Oscar Wilde 1988; Joel Kaplan "Wilde on the Stage" in Peter Raby ed. The Cambridge Companion to Oscar Wilde 1997. hardcover
1891réf. 195705London: James R. Osgood McIlvaine & Co. 1891. Wilde as critic First edition of Wilde's collected essays on aesthetics and criticism originally published in journals from 1885 to 1890. Wilde revised the essays for this edition setting out his ideas "in a gorgeous profusion of epigram and paradox ostentation and learning frivolity and wisdom" ODNB. This is one of 900 copies for publication in Britain from a total edition of 1500. Octavo. Original green cloth spine and front cover lettered in gilt edges untrimmed. Bookseller's stamp in blind of Palmer Howe & Co. Manchester. Small bumps to extremities faint marks to p. 229. A near-fine copy. Mason 341. hardcover
réf. 109536London Leonard Smithers 1898. . First edition one of 800 copies on handmade paper from a total edition of 830; 8vo; ownership inscription to front free endpaper some age-toning to edges endpapers browned as often; publisher's white linen-backed cinnamon cloth gilt lettering to spine spine slightly rolled and darkened light soiling to boards slight rubbing to corners and spine ends else very good. First edition limited to just 800 copies on handmade paper with a further 30 copies on Japanese Vellum. The poem was composed following Wilde's release from the titular prison and published under the pseudonym 'C.3.3.' after his cell the third cell on the third landing of Gallery C. Wilde had been incarcerated in Reading after being convicted of gross indecency in 1895 and sentenced to two years' hard labour in prison. The first edition sold out within a week resulting in a second edition being published soon after yet it was not commonly known until the 7th printing in June 1899 that C.3.3. was actually Wilde. Mason 371. London, Leonard Smithers, 1898. hardcover
1899réf. 16609JLondon: Leonard Smithers 1899. First Edition. Bookplate of noted writer and book collector Carroll Atwood Wilson. Laid in this copy are two printed in-house reports sheets from the Theatre Royal Haymarket from the play’s first run of 124 performances. Handwritten in ink are the sums tallying the box office receipts for the 93rd and 94th performances of An Ideal Husband on March 23 1895. The matinee brought in 82 pounds and the evening performance totaled 144 pounds. Remarkably this copy still has the pages unopened and intact. Slight chipping at top of spine else very good. Leonard Smithers unknown
réf. 06518London: Leonard Smithers and Co. 1899. The Trivial Comedy for Serious People - Wilde's Masterpiece" First Edition One of 1000 Numbered Copies WILDE Oscar. The Importance of Being Earnest. A Trivial Comedy for Serious People. By the Author of Lady Windermere's Fan. London: Leonard Smithers and Co. 1899. First edition. One of 1000 numbered copies this being No. 256. Printed at the Chiswick Press. Small quarto 8 3/4 x 7 inches; 222 x 178 mm. 16 151 1 pp. Publisher's light red-brown linen over boards covers decoratively stamped in gilt spine decoratively stamped and lettered in gilt the design by Charles Shannon. All edges uncut. The bare minimum of rubbing to extremities free endpapers minimally browned from paste-down glue as usual; spine slightly darkened and gilt a little dulled. Still a near fine copy sound and unrestored example. The first book appearance of Wilde's most celebrated play originally performed in 1895 at the St. James's Theatre. Issued four years later by Smithers - Wilde's principal publisher during and after his fall - this edition presents the definitive text of his final and finest comedy. The Importance of Being Earnest represents the culmination of Wilde's dramatic art: a perfectly constructed satire of identity social convention and moral pretense combining epigrammatic brilliance with unmatched theatrical economy. The edition is notable for its elegant production including the Chiswick Press printing and the distinctive gilt cover design by Charles Shannon placing it among the most visually refined of Wilde's first editions. Bibliographical Reference A pleasing and well-preserved example. The slight spine darkening and mellowing of the gilt are typical; copies retaining such integrity are increasingly scarce. Mason 382. London: Leonard Smithers and Co., 1899 unknown
1968réf. 69253London: Petersburg Press 1968. DINE Jim. The Picture of Dorian Gray. London: Petersburg Press 1968. Full Description: WILDE Oscar. DINE Jim artist. The Picture of Dorian Gray. London: Petersburg Press 1968. Limited edition signed and numbered by the artist Jim Dine on the limitation page in green ink. This being number 11 of 200 in Edition B. Folio 17 3/8 x 12 1/4 inches; 440 x 310 mm. Complete with frontispiece and twelve lithographs in color with a set of an additional 4 loose lithographs issued in a portfolio each annotated "Edition B" on the reverse and numbered 11/200 and signed by the artist in pencil on the front lower margin. Original full green velvet boards. Front board lettered in silver. Pictorial patterned endpapers. Housed in a black cloth slipcase. With additional black cloth portfolio. Cloth portfolio with a small split at top of hinge. A fine copy. "A working script for the stage from the novel by Oscar Wilde with original images and notes on the text by Jim Dine" From the title page. "The original colour lithographs etchings and text pages comprising this book were prepared on zinc and aluminum plates by the artist at Bath Academy of Art Corsham ini February 1968; and subsequently printed on Velin Arches at the Atelier Desjobert and Atelier Leblanc in Paris." Colophon HBS 69253. $4500. Petersburg Press unknown
réf. 06423London: Methuen & Co. 1908. First Collected Edition Handsomely Bound by Birdsall of Northampton WILDE Oscar. Works. London: Methuen & Co. 1908-1922. The Picture of Dorian Gray with imprint: Paris: Charles Carrington 1908. First collected edition including For the Love of the King which was published in 1922. One of 1000 issued on handmade paper out of a total edition of 1080 sets. Fifteen octavo volumes 8 1/4 x 5 3/4 inches; 209 x 146 mm. Handsomely bound ca. 1950 by Birdsall of Northampton and London stamp-signed in full light blue calf covers with triple ruled borders spines with five shallow raised bands decoratively tooled in compartments two red leather labels lettered in gilt gilt decorated boards edges and turn-ins pale blue marbled endpapers top edge gilt other uncut. Spines uniformly faded one volume a little less so otherwise a very fine set including the fifteenth volume For the Love of the King which was published later in 1922. The first collected edition of the works of Wilde is still the most complete and correct. "The text is taken in most instances from the last editions issued under the superintendence of the author. In some cases the volumes contain additional matter which had not previously been reprinted while some of the volumes contain matter here published for the first time" Mason. Oscar Wilde 1854-1900 Irish-born poet dramatist and novelist. "During his undergraduate years at Oxford and as a disciple of Walter Pater Wilde became the leader of an aesthetic movement that advocated art for art's sake. He attracted a great deal of attention with his aestheticism and by wearing long hair dressing eccentrically and carrying flowers in his hands while lecturing.Wilde was accused of homosexual practices was tried and found guilty and was sentenced to imprisonment 1895-97.On his release physically spiritually and financially ruined he went to Paris.where he lived in bitterness and despair until his death. Wilde's works include Poems 1881; two collections of fairy stories The Happy Prince and Other Tales 1888 and The House of Pomegranates 1891; The Picture of Dorian Gray 1891 a novel; and many brilliantly witty plays including Lady Windermere's Fan 1892; A Woman of No Importance 1893; Salomé 1894 written originally in French and used as the basis for Richard Strauss's opera of the same title; An Ideal Husband 1895; and The Importance of Being Earnest 1895 often considered his masterpiece. His poem The Ballad of Reading Gaol 1898 and his impassioned letter to his lover Lord Alfred Douglas De Profundis published post-humously in 1905 were products of his imprisonment" Benét's Reader's Encyclopedia. Mason pp. 459-460. London: Methuen & Co., 1908 unknown
réf. 41901Berlin: Guido Moriell 1991. Limited edition. Hardcover. Fine condition. Signed by the artist on each etching and colophon. A15/50. Small Folio. 55 1pp. Original hand bound blue Morocco with geometric cover design by bookbinder Guido Moriell and black-stamped lettering on spine housed in blue cloth clamshell box with gilt lettering on spine. Every binding of the deluxe edition is a unique copy. Includes the video documenting the production of this anniversary edition housed in separate compartment of clamshell box as issued. Bibliophile edition on the occasion of the 25th anniversary of the bookbinder Guido Moriell Radolfzell released in two Deluxe Editions A and B of 50 copies each and a standard edition of 100. This is No. 15 of the deluxe edition A printed on handmade paper. With 10 signed and hand colored original etchings by Rudolf Stuckert printed on the hand press of the artist. Top edge blue. Blue shaded endpapers. Blue initials. Text revised by John Loram based on the translation by Wilhelm Cremer 1922. Beautiful hand press production on firm handmade paper by the Steinort paper mill. An artistic masterpiece of modern hand press printing and bookbinding. Rudolf Stuckert 1912-2002 was a German painter and gallerist. He studied at the Academies in Kassel and Düsseldorf and was a master student of Oskar Moll. Stuckert opened his first gallery in 1936 in Düsseldorf with an exhibitions of Bruno Goller. In 1949 Stuckert became a cofounder of the New Rhine Secession Neue Rheinische Sezession in Düsseldorf. He had moved to Lake Constance in 1947 where he became a cofounder of the artist group "Der kleine Kreis" and was considered one of the so-called Höri-Painters. His paintings are an interplay of figurative and abstract elements. Landscapes ballplayers and acrobats are his favorite motifs. Guido Moriell is a film enthusiast and bookbinder in Radolfzell Lake Constance. In 2008 his work as a bookbinder was featured in the prestigious exhibition "Kunst des Bucheinbandes Art of Bookbinding" at the Duchess Anna Amalia Library in Weimar. Emphasis of the exhibition was the bookbinding in historic fashion showing a video of Guido Moriell at work as an example of traditional bookbinding. Guido Moriell hardcover
1926réf. 329075Paris: F.-L Schmied 1926. Limited. hardcover. near fine. Color woodcuts and decorations by Francois-Louis Schmied printed by hand. 4to full black crushed morocco spine faded to brown with gold & silver art deco design; full gray leather doublures pictorially stamped in gilt & blind with a singing bird; gray silk fly-leaves by Gonin. Paris: F.-L Schmied 1926. Limited Edition. Fine in a leather tipped marbled board slipcase. French translation by Albert Savine of Wilde's The Happy Prince and the Nightingale and the Rose. Number VII of XII copies de collaborateurs signed by the artist. F.-L Schmied unknown
1899réf. 186847London: Leonard Smithers and Co 1899. Wilde's greatest play in the original cloth First edition out of series from an issue of 1000 numbered copies. Wilde's last play opened to great acclaim on Valentine's Day 1895 but was withdrawn after Wilde's failed libel suit against Lord Queensbury led to his arrest in April of that year. It was not published in book form until February 1899 after Wilde's release from prison. The play was published in a standard issue of 1000 unsigned copies 100 signed large paper copies and 12 signed copies on japon. Quarto. Original pink cloth spine lettered in gilt stylised leaf motifs by Charles Shannon in gilt to spine and covers edges uncut and untrimmed. Spine toned and a little bumped nick to head of spine occasional foxing mostly to outer leaves. A very good copy. Mason 381. hardcover
1899réf. 182434London: Leonard Smithers and Co 1899. An unusual binding First edition number 373 of 1000 copies. This copy is in a contemporary vellum binding in a style that was popular at the end of the nineteenth century similar to those produced by both the Kelmscott Press and the Riccardi Press. This copy was part of the standard issue in cloth; a further 100 signed large paper copies and 12 signed copies on japon were produced. Wilde's last play opened to great acclaim on Valentine's Day 1895 but was withdrawn after Wilde's failed libel suit against Lord Queensbury led to his arrest in April of that year. The play was not published in book form until February 1899 after Wilde's release from prison. Quarto 210 x 155 mm. Contemporary limp vellum spine lettered in gilt green silk ties top edge gilt others untrimmed. Natural variation to vellum light foxing mostly to edges. A very good copy. Mason 381. hardcover
1894réf. 21246961894. London: Elkin Mathews & John Lane. 1894. Small 4to. Original blue-green woven cloth gilt designs after Beardsley blocked to boards spine lettered in gilt fore- and tail-edges uncut; pp. 10 67 1 14 advertisements 2 10 plates including frontispiece illustrated title-page contents page and tailpiece by Aubrey Beardsley printed on glazed paper from line blocks engraved by Carl Hentschel; a few chips to joints and corners small loss to head of spine affecting 2 letters of gilt text spine sunned; internally very clean; a very good copy; bookplate of William Forbes Morgan 1841-1916 to front pastedown.First English edition of Wilde's one-act tragedy the first with Beardsley's illustrations four of which contain caricatures of Oscar Wilde one of only 500 copies translated by and dedicated to Wilde's lover Lord Alfred Douglas.Though Wilde tried to fix some of the errors Douglas raged when he did and wrote to the publishers that September 'as I cannot consent to have my work altered and edited and thus to become a mere machine for doing the rough work of translation I have decided to relinquish the affair altogether.' Daniel. Nevertheless their relationship recovered and the translation has since become the text most familiar to Anglophone audiences. Steven Berkoff used the Douglas translation for his critically acclaimed Salome at the National Theatre in 1988 with all its archaisms and errors unabridged.Sadly Wilde never saw the play produced. Its only performance during his lifetime was a one-off presentation at the Theatre de la Comedie-Parisienne on 11 February 1896 by which time he was already in prison. It was not performed publicly in Britain until 1931.Gertner Zatlin 865-81; Mason 350; Reade 274-83; Samuels Lasner 59; Vallance 86. See Daniel 'Lost In Translation: Oscar Bosie and Salome' Princeton University Library Chronicle 2007. hardcover
1999réf. 15778VITALIS 1999. 1. hardcover. VITALIS hardcover
1894réf. 282902London: John Lane 1894. Limited. hardcover. very good. Tall 8vo lavender cloth faded to tan with gilt designs considerably browned on the spine and edges; pages untrimmed London: John Lane 1894. Limited First Edition. Mason 365. One of only 50 copies printed simultaneously with the first trade edition. Internally fine and clean. John Lane unknown
1898réf. 282548London: Smithers 1898. First. hardcover. very good. Slim 8vo mustard cloth backed in white with gilt lettering. London: Leonard Smithers 1898. Limited First Edition. One of 800 copies printed on hand-made paper on one side only. Inscribed on title page; "I.O. from F.A.S. Guilsborough Hall." A very good copy with some bubbling of the cloth and light soil. Irene Osgood later the wife of R.H. Sherard author of the life of Oscar Wilde was a novelist. This book was given to her by Sir Frank Athelstane Swettenham Preserved in an attractive1/4 leather slipcase with an elaborately gilt spine. Smithers unknown
1926réf. 190158Paris: F.-L. Schmied 1926. In a superb art deco Schmied binding Signed limited edition number 59 of 162 copies only signed by Schmied on the original drawing of these two French translations of Wilde's The Happy Prince and The Nightingale and the Rose originally published in 1888. François-Louis Schmied 1873-1941 a Swiss-born French painter engraver and printer incarnated the art deco style in the 1920s which he brought to its peak in the bibliophile-oriented publishing field. Quarto 273 x 222mm. Finely bound by Creuzevault in contemporary blue crushed morocco titles to spine in red morocco onlay and blind tooling pictorial onlays in blue red brown white and black morocco heightened in silver after two of Schmied's in-text ornamental designs blue patterned silk endpapers original colour pictorial wrappers preserved blue silk bookmark untrimmed. Housed in a custom plush-lined patterned-paper slipcase light rubbing to extremities. Original gouache signed by Schmied mounted before limitation page 60 colour woodcuts heightened in silver and gilt including 4 full-page suite of woodcuts all but one on Japan title page in red and black with Schmied's device in similar colours. Light sunning and rubbing to spine the binding otherwise sharp occasional light offsetting else internally fresh and clean; a near-fine copy. unknown
