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1911ref. 426216Boston: The Proprietors of The Woman's Journal 1911. Unbound. Near Fine. Stock Certificate No. 129 for two shares issued by The Proprietors of The Woman's Journal Corporation. Measuring 10.5" x 5.25" including stub. Attached at the margin with a stub to a transfer document. Stock certificate of the first and most important woman's suffrage periodical and includes the signatures of several famous proponents of the movement. Signed by Alice Stone Blackwell Francis J. Garrison and Catherine Wilde. The attached transfer awards the two shares to The Proprietors from the Estate of H.M. Pitman. Near fine. The Woman's Journal was the first regular woman's rights periodical in America. Its publication was the crowning achievement of Lucy Stone's long and distinguished feminist career. According to HAWH: "Stone's most active and lasting contribution to the women's movement is The Woman's Journal which she founded in 1870 and edited until her death in 1893. This extraordinary archive of women's history provided a weekly chronicle of woman's progress - political vocational economic cultural and legal-both in the United States and abroad.for over sixty one years." As the political organ of the National American Woman Suffrage Association The Woman's Journal printed meeting and convention addresses and notes reported on national and international news published columns and editorials on the suffrage struggle as well as poems stories and book reviews. Regular contributors included Julia Ward Howe William Lloyd Garrison T.W. Higginson and of course Lucy Stone and her husband Henry Brown Blackwell. After Stone's 1893 death her daughter Alice Stone Blackwell assumed responsibility for producing and editing the journal which was renamed The Woman Citizen; contributors to this new incarnation of the periodical read like a virtual who's who of early modern feminism: Susan B. Anthony Anna Shaw and Carrie Chapman Catt were only a few of the names on its ever-expanding masthead. This stock certificate from the founding of The Woman's Journal's production is a tangible artifact of the first American woman's rights periodical and a glimpse at the relationships and efforts behind its financing. The Proprietors of The Woman's Journal unknown books
1893ref. 002401London: Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable Edinburgh 1893. First Edition. Cloth. Very Good Minus. 8vo. 21.5 by 16 cm. 8.5 by 6.25 inches. 18 132 14 2 pp. With publisher's list of books in the back. In this first edition apparently only 500 copies were printed! The pages are heavily toned per the norm for the paper stock but clean otherwise. The binding is tight. A few uncut leaves in the advertisement section. FEP with small ornamental bookplate pastedown of "Carroll Atwood Wilson" who was a well-known book collector of his day as well as a lawyer and chief legal counsel to the Guggenheims. The publisher's peach-colored cloth has some blistering on the boards. Along the edges there are long narrow spots in which the color is washed out. The spine has been rebacked with most of the original spine mounted thereon with a small loss of the gilt lettering transpiring. The resulting spine also has small dark spots and one is likely not to find it prepossessing. Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable, Edinburgh unknown books
ref. 06516Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. 1894. Wilde at Oxford - A Lifetime Edition Issued on the Eve of Scandal" Limited to 750 Copies - Published May 1894 WILDE Oscar. Aristophanes at Oxford By Oscar Wilde. O.W. by Y.T.O. all rights reseved. Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. May 1894. One of 750 copies printed. Small quarto 7 5/8 x 5 1/8 inches; 194 x 130 mm. viii 1 2-85 1 blank pp. Publisher's stiff tan/gray wrappers front cover lettered in green. Wrapper edges a little chipped as usual; otherwise an excellent example internally clean and well preserved. Housed in a green cloth clamshell case spine lettered in gilt. A lifetime edition of Wilde's early Oxford satire originally composed in 1879 here issued anonymously "O.W. by Y.T.O." in a limited printing of 750 copies. Published in May 1894 at the height of Wilde's literary success and just one year before his dramatic fall this edition represents the first substantial reappearance of the text in expanded form extending to 85 pages. It offers a rare glimpse of Wilde's formative wit - rooted in classical parody and undergraduate satire - reissued for a contemporary audience during his most celebrated period. Mason 685. Oxford [&] London: J. Vincent [&] Simpkin, Marshall, Hamilton, Kent & Co., 1894 unknown books
1905ref. 16244Paris: Privately Printed 1905. First Edition Thus. Hardcover. Near Fine. Limited to 50 copies. Good. Original wraps generally toned some spots of soiling a very small chip at the head of the spine tear down much of the top spine fold. Square and firmly bound with unopened pages some foxing at the edges clean otherwise. A pirated edition printed by Charles Carrington with the text taken from the July 1894 issue of The Fortnightly Review. Mason 609. Privately Printed hardcover books
1917ref. 2222372First edition thus. 10" x 7 1/2". Original tan stiff printed wrappers. Four page introduction by Clement K. Shorter. No dust jacket. Very good. 12 pages. Number 17 of 25 copies signed by Shorter. Four letters from 1897 to Dalhousie Young 1866-1921 English pianist and composer. In 1895 he published "Apologia Pro Oscar Wilde" defending Wilde. Privately Printed books
1928ref. 483Paris. Société d'édition Le Livre Emile Chamontin 1928. Trans. into French by E. Jaloux and F. Frapereau. Large 4to 349 pp. 3/4 maroon moroccan gilt back t.e.g marbled boards and end papers with original wrappers bound in. Illus. With 23 steel engravings by Jean-Emil Laboureur. No. 61 of 230 numbered copies. Godefroy 369 Carteret IV p. 409. ORIGINAL WRAPS BOUND IN INCLUDING SPINE. Corners rubbed end paper slightly split interior fine. Fine example of Laboureur's work at the height of his stylized art deco period. Société d'édition Le Livre, hardcover books
1921ref. ST12330bWestminster: Beaumont Press 1921-22. FIRST EDITIONS. EACH ONE OF 75 COPIES ON JAPANESE VELLUM OF THE EDITION DE LUXE SIGNED BY THE PUBLISHER AND ARTIST of a total of 475 copies. 222 x 152 mm. 8 3/4 x 6". Two separately issued but companion volumes. Original vellum-backed decorative paper boards. Reading with vignette on title in orange and green two plates in the same colors one facsimile of writing in text device on final page stylized illustration of a tree on front and rear endpapers; "Berneval" with woodcuts of Naples and Paris printed in blue on the front and rear endpapers two-color title page woodcut one plate a facsimile of a Wilde letter and printer's woodcut device; our special deluxe version WITH THREE ADDITIONAL WOODCUTS at the back of each volume all the woodcuts as well as the cover design by Randolph Schwabe. Ransom p. 211; Tomkinson p. 17. ◆Berneval spine just a bit darkened otherwise FINE UNWORN COPIES that have obviously been little used as they open stiffly and are immaculate inside and out. Here "After Berneval" is offered with "After Reading" its earlier companion volume both of them in their deluxe form on Japanese vellum and including an extra suite of the illustrations. "Reading" comprises a set of letters also written to Ross by Wilde during the summer of 1897 after having just been released from two years' imprisonment in Reading Gaol. The preface to its sequel "After Berneval" says that the earlier collection "was unprocurable almost as soon as it was published." The letters in these volumes tell the story of a tragic literary figure who fell from a precipitous height. Oscar Wilde 1854-1900 was born and raised in Ireland studied classics at Trinity College Dublin and at Magdalen College Oxford before settling in London. There he became famous for his unmatched wit and infamous for his personal eccentricities--long hair décor at his lodgings that included peacock feathers and blue china and ultimately sexual behavior that was deemed both intolerable and criminal. During the first half of the 1890s he was enjoying remarkable social prominence and literary success with the staging of "Lady Windermere's Fan" 1892 "A Woman of No Importance" 1893 "An Ideal Husband" 1894 and the incomparable "The Importance of Being Earnest" 1895. But two months after the staging of this last play he brought a defamation suit against the Marquess of Queensbury the father of his intimate friend Lord Alfred Douglas. The suit backfired: in the course of the litigation Wilde was investigated by police and his homosexuality was exposed leaving his reputation destroyed. He was sentenced in May of 1895 to two years of hard labor spending part of his time behind bars at Reading Gaol where he produced his powerful poem "De Profundis." After release he moved to the Continent and died three years later in Paris of meningitis. As Day says "Among English men of letters only Byron and Shaw have surpassed Wilde in the craft of conscious posing and self-publicizing" a fact that has made succeeding generations suspicious of the reality behind the legend that the author helped to establish. But after a period when he was treated as a kind of martyr because of his suffering at the hands of squeamish Victorianism "it is at last possible to evaluate Wilde as the capable literary artist he actually was." In physical terms these are modest but nevertheless pleasing products of the Beaumont Press founded by Cyril W. Beaumont in 1917. A special feature of the Press is its patterned paper bindings each with a design created for one title only. Beaumont Press unknown books
1878ref. 236London: Thos. Shrimpton and Son 1878. Very good in original gray-green printed wrappers which are a bit browned at edges and with a few small chips. Now housed in a custom chemise and green morocco-backed slipcase. First Edition. With crest on wrapper title page and with woodcut on the last page. Wilde's first book. Wilde's poem was the Newdigate Prize winner for 1878 presented at Oxford University for best poetry. "During a vacation ramble in 1877 Wilde started from Greece and visiting Ravenna by chance on the way he obtained material for a poem on that ancient city and singularly enough Ravenna was afterwards given out as the topic for the Newdigate competition." Hamilton The Aesthetic Movement in England as quoted by Mason pg. 243. 8vo. 16pp. Mason pg. 241. Thos. Shrimpton and Son unknown books
1878ref. 151231878. the fine Bradley Martin copy Recited in The Theatre Oxford June 26 1878. Oxford: Thos. Shrimpton and Son 1878. Original grey printed wrappers. First Edition of Oscar Wilde's first book the Newdigate Prize-winning poem that he wrote while a student at Magdalen College. To quote from Pearson: He Wilde left Oxford in a blaze of glory. The subject for the Newdigate Prize Poem that year was Ravenna and it so happened that he had visited the place on his way to Greece the year before noting it as a theme for poetic treatment. He could therefore put in bits of local colour which the other competitors had to glean from books. He won the prize as John Ruskin and Matthew Arnold had done before him and declaimed the poem in the Sheldonian Theatre on June 26 1878. When the Professor of Poetry J.C. Shairp whose duty it was to suggest textual improvements to the winner of the Newdigate advised certain alterations Wilde listened with due courtesy took careful notes of every suggestion but went away and printed the poem exactly as he had written it. In this copy the slip "PRINTED IN GREAT BRITAIN" is affixed to the title verso. This is a remarkably fine copy of this very delicate piece light browning as usual around the edges of the wrappers but no wear. Though not really as scarce an item as one might expect for a first effort this is THE copy for condition and for provenance -- see below. Mason pp 241-249. Housed in a morocco-backed slipcase with inner chemise. Provenance: bookplate of H. Bradley Martin on the case's chemise. To this day the eight-part Bradley Martin sale of 1989-1990 remains the sale of a generation especially for the remarkable condition of his collection for this item see lot #3320. unknown books
ref. ST17553Bayreuth: The Bear Press 1982. No. 4 OF 15 COPIES with hand-colored etchings signed by Benda Klitsch and Lehr from a total edition of 210. 226 x 146 mm. 9 x 5 7/8". 50 pp. 2 leaves.Translated and with an afterword by Wolfram Benda. Publisher's dark brown calf by Erwin Lehr covers with gilt fillet border upper cover with large gilt rose at center raised bands spine in gilt-ruled compartments gilt lettering. In the original slipcase covers with ivory handmade paper. With four signed and hand-colored etchings by Peter Klitsch all with original tissue guards. Printed on Kochi-Japan paper. ◆In pristine condition. This is a lovely special version of a finely crafted private press edition of Wilde's fairy tales "The Nightingale and the Rose" "The Happy Prince" and "The Selfish Giant." It is the third work issued by the Bear Press founded in 1979 by literary scholar Wolfram Benda and still in operation. According to the firm's website "at a time when the craftsmanship and ethos of the artisan in bookmaking have been damaged by ever-increasing industrialization and neglect . . . The Bear Press . . . tries to achieve the highest possible degree of technical and artistic perfection in its printed works." The font used to print the text and the artist chosen to illustrate each work have been carefully selected to express "the individual author's personality and intention." Even the discriminating aesthete Wilde 1854-1900 would be pleased with the choices here: the type is set in refined Walbaum Antiqua; the etchings by Austrian artist Peter Klitsch b. 1934 are meticulous detailed and reminiscent of the work of Wilde's friend Aubrey Beardsley; and the binding is the epitome of tasteful restraint. First appearing in 1888 the three tales here are bittersweet in their themes of love and self-sacrifice. Wilde's stories for children were one of his early successes and DNB says that "their permanent place in child affections refutes the vulgarism that Wilde's literary reputation arose from his legal notoriety. In all cases the fairy tales are on the child's side celebrating the courage and generosity of the poor and vulnerable while their satire mocks the kind of pomposity and hypocrisy children can recognize.". The Bear Press unknown books
1891ref. 7941London: James R. Osgood 1891. First edition. Very Good . One of 1000 copies. A Very Good copy fresh and clean throughout. Publisher's pictorial tan cloth stamped in gilt. Cloth a bit faded and foxed. Gilt very bright and attractive. Dent to edge of lower board at bottom corner. Modern bookplate D. Chisholm Simpson and ink ownership stamp Yew Tree Cottage to upper endpapers. A some toning to upper free endpaper otherwise very fresh and clean internally. Complete with the four plates illustrated by Charles Shannon which have faded but are somewhat clearer than is usually seen. A collection of fairytales from the famed writer wit and aesthete A House of Pomegranates compiles four stories of mermaids hunchbacks kings and princesses. This was actually Wilde's second collection of fairy tales - he had been writing such stories for years - after The Happy Prince and Other Tales published in 1888. A House of Pomegranates was met with some controversy with many reviewers finding the stories too complex and morally ambiguous for children. Wilde clearly had more wide-ranging ambitions than the standard children's tale however and found it absurd that "the extremely limited vocabulary at the disposal of the British child is the standard by which the prose of an artist is to be judged.in building this House of Pomegranates I had about as much intention of pleasing the British child as I had of pleasing the British public." Very Good . James R. Osgood unknown books
1893ref. 140949205London: Elkin Mathews and John Lane 1893. First Edition. Very Good. First edition first printing. xiv 132 14 2 pp. with 14 advertising pages at rear. Bound in publisher's mauve cloth stamped in gilt. Very Good with soiling and darkening to cloth and bumping to corners and spine ends. Contents lightly toned and thumbed with foxing to endpapers and first and last few pages. One of the Irish playwright Oscar Wilde's best-known plays a comedy in four acts. Elkin Mathews and John Lane unknown books
1878ref. 140943843Oxford: Thomas Shrimpton and Son 1878. First Edition. First edition. Oxford crest present on front wrap and title page; a later pirate edition lacked these. Mason 301. 16 pp. Bound in publisher's gray-green printed wrappers. An unsophisticated copy Very Good with toning and and few small edge chips to fragile wrappers. Contents bright and in great shape. The author's first book. Thomas Shrimpton and Son unknown books
1899ref. 140938501London: Leonard Smithers 1899. First Edition. Very Good. First Edition first printing. One of 800 copies originally printed which sold out immediately. Very Good. Covers soiled corners and spine ends softened. Endsheets offset from binder's glue. Previous owner name partially effaced from front paste down. Slight odor to pages. Clipping with apparently forged signature of Oscar Wilde tipped in on recto of final blank sheet by no means assumed to be authentic. Leonard Smithers unknown books
1878ref. 2178Oxford: Thos. Shrimpton and Son 1878. First edition. First edition. 12mo. 16pp. Original grey-green printed wrapers. Exceedingly scarce first edition with the publisher's printed crest appearing on the cover of the wrappers as well as on the title page and a vignette woodcut appears on the last page. The prestigious Newdigate Prize Oxford's top award for poetry dates to early 1800's and the winner for 1878 was the young Oscar Wilde. The pamphlet was issued in the same year as was common with many of the early prize winners and is considered Wilde's first publication in book form. He worked on the poem a few years earlier while touring Greece as a student at Oxford. An exemplary copy with no wrinkling or central creases as was commonly seen from folding to place in a pocket. Very small nick out of two corners very slight barely detectable browning to covers else extremely clean and bright. 16pp. Thos. Shrimpton and Son unknown books
1923ref. 56675München Munich: Drei Masken Verlages 1923. Limited Edition. Very good. SIGNED. 57pp. Quarto 28 cm Parchment vellum boards with a hubbed spine gilt spine title and single gilt ruled borders on the spine and boards. Top edge gilt. Patterned endpapers. Bound by Hübel & Denck in Leipzig. The front board is wavy. There is a previous owner's decorative bookplate on the front pastedown. The text is in English. Ritter C a 29. Woodcuts by Frans Masereel. This is one of the copies which have been numbered with Roman Numerals. Number XLVII of LXX the copies numbered in Roman numerals forming part of an overall edition of 340 copies. Signed by Frans Masereel on the limitation page. Masereel has additionally signed the seven full-page woodcut illustrations within. Drei Masken Verlages unknown books
1891ref. 158131891. Ricketts Charles. London: James R. Osgood McIlvaine and Co. 1891. Original salmon paper-covered flexible boards decorated in dark red. First Edition of this collection of four dark semi-comic mystery tales. "Lord Arthur Savile's Crime" is an amusing but macabre tale if there can be such a thing about a young man who convinced by Lady Windermere's cheiromantist that he is doomed to commit murder does his best to do so prior to getting married -- out of a sense of duty to his fiancée. As one would expect Lord Arthur bungles his mission. In addition to the title story this book includes "The Sphinx Without a Secret" "The Canterville Ghost" and "The Model Millionaire." The binding of this title with decorations by Charles Ricketts is extremely delicate -- paper-covered flexible boards; although 1500 copies were issued we find this book to be quite uncommon and we have never seen a truly fine copy. In our experience THE PICTURE OF DORIAN GRAY THE HOUSE OF POMEGRANATES and this title are the three Wilde first editions most difficuilt to find in collectible condition. This copy is close to near-fine with a bit of the darkening and mottling of the spine that is typical for this fragile book but with scarcely any actual wear. Mason 345. Housed in a handsome gilt-paneled morocco-backed slipcase with inner chemise. unknown books
1922ref. 2222703Privately issued 1922 1924 1931. First edition. Quarto. Collated and compiled by Robert Ernest Cowan and William Andrews Clark Jr. Original green cloth over boards; spine labels. Very good spines faded to tan. 6 volumes. A fine set of this monumental collection assembled by William Andrews Clark Jr. Each volume in a grey board slipcase. No signatures or bookplates. One of 100 copies. Printed by John Henry Nash. Privately Printed hardcover books
ref. 06514London: Leonard Smithers and Co. 1899. A Play of Conscience and Corruption - Wilde at His Brilliant Peak" First Edition Limited Issue - From the Library of Esher Place WILDE Oscar. An Ideal Husband. By the Author of Lady Windermere's Fan. London: Leonard Smithers and Co. 1899. First edition limited to 1000 copies. Small quarto 8 1/4 x 6 1/8 inches; 210 x 155 mm. xvi 213 1 pp. Publisher's mauve cloth covers elaborately decorated in gilt spine decoratively stamped and lettered in gilt top edge trimmed others uncut. With the printed Esher Place Library location label dated 1897 on the front paste-down denoting its place within a late Victorian country house library system. Housed in a red cloth chemise within a full maroon calf slipcase spine with five raised bands ruled and lettered in gilt in compartments. Endpapers and half-title with the lightest amount of foxing otherwise a spectacular example the binding fresh and unfaded. One of Wilde's four great society comedies An Ideal Husband premiered in 1895 at the Haymarket Theatre and stands among his most sophisticated explorations of public virtue and private compromise. Written at the height of his fame - and on the eve of his dramatic fall - the play offers a sharply observed critique of political morality reputation and the currency of secrets in late Victorian society. The 1899 Smithers edition issued in a limitation of 1000 copies following Wilde's imprisonment represents the first appearance of the play in book form and remains the preferred edition for collectors. London: Leonard Smithers and Co., 1899 unknown books
1899ref. 1411385London: Leonard Smithers and Co 1899. First Trade Edition Limited #208/1000. Hardcover. Octavo 151 pages. In Good plus condition. Bound in publisher's pale purple cloth with gilt leaves to boards gilt lettering to spine. Fading to spine and boards. Some general shelfwear. Chipping to head and tail of spine. Bumping to corners and extremities. Spine cocked. Front pastedown with glue stains from a removed bookplate. Front free endpaper with bookplate. Shelved showcase. 'The Importance of Being Earnest' was a success on stage when it opened in 1895 but closed after 86 performances due to Wilde's arrest. It is generaly considered one of his best works. This Trade edition was published in 1899 after he was released from Reading Gaol and residing in France. He died the following year. 1411385. Shelved Dupont Bookstore. Leonard Smithers and Co hardcover books
ref. 06519London: John Lane. 1894. A Woman of No Importance - Wilde Before the Fall" First Edition One of 500 Copies - The Slocum Copy WILDE Oscar. A Woman of No Importance. London: John Lane 1894. First edition. One of 500 copies. Small quarto 8 1/4 x 5 7/8 inches; 210 x 150 mm. 16 134 1 1 blank 16 publisher's catalogue dated March 1894 pp. Publisher's light red-brown linen over boards covers decoratively stamped in gilt spine decoratively stamped and lettered in gilt the design by Charles Shannon. All edges uncut. Light rubbing to extremities; front inner hinge cracked but holding. Otherwise an excellent entirely unrestored example. The first edition of Wilde's third society comedy published in the same year as Salomé and on the eve of the triumph of An Ideal Husband and The Importance of Being Earnest. The play explores themes of social hypocrisy gender inequality and moral duplicity - subjects that Wilde would refine and perfect in his later dramatic masterpieces. Issued in a limitation of 500 copies by John Lane at The Bodley Head the edition shares the elegant typographic and binding aesthetic of Wilde's 1890s publications with the characteristic gilt design by Charles Shannon. Complete with the publisher's catalogue dated March 1894 as called for. Provenance: The Myles Standish Slocum copy with his pencil note on the front paste-down. Myles Standish Slocum 1887-1956 was a noted American collector of first and rare editions remembered both for the quality of his library and for his encouragement of book collecting through the annual Scripps College prize bearing his name. London: John Lane., 1894 unknown books
1895ref. 2221665First edition. 8 1/2" x 6 1/2". Original brown wrappers stamped in red lower right corner of upper cover replaced uncut and mostly unopened. Very good. 98 pages. No signatures or bookplates. Enclosed in a plum half morocco slipcase. Printed by The Chiswick Press. Mason 367 - only 50 copies were printed. Privately Printed paperback books
1898ref. 1262071898. First Edition. WILDE Oscar. The Ballad of Reading Gaol by C.3.3. London: Leonard Smithers 1898. Slim octavo original half cream cloth with cinnamon cloth boards uncut. $3600.First edition one of only 800 copies printed on handmade paper.Inspired by his prison experience and comprised in part by a plea for penal reform The Ballad of Reading Gaol was the last work Wilde completed before his death in 1900. ""In his comedies the miscreants were always pardoned but in the Ballad while ultimately forgiven they are treated vindictively by their fellows who are equally guiltyÉ There is no doubt that Wilde had once again touched a great subject and left his fingerprints on itÉ once read it is never forgotten"" Ellmann 532-34. Mason 371. A few pinholes to two preliminary leaves interior otherwise fine. One tiny inkspot to front cover spine slightly toned. A handsome extremely good copy of this scarce first edition. hardcover books
1907ref. 68900London and New York: A. R. Keller & Co 1907. Full Description: WILDE Oscar. The Writings of Oscar Wilde. London and New York: A. R. Keller & Co. 1907. The University Edition of the Uniform Edition. One of 800 numbered copies this being number 15. Complete in fifteen octavo volumes 8 x 5 1/2 inches; 205 x 140 mm. Illustrated with plates in black and white each with a descriptive tissue guard. Title and limitation pages on Japanese vellum printed in black and red with additional engraved title pages in each volume. Half red morocco over green cloth. Spines stamped and lettered in gilt. Top edges gilt. Marbled endpapers. Spines uniformly a bit darkened. Some minor occasional rubbing the worst of it to the top edge of "Lady Windemere's Fan." Still a near fine set. The Uniform Edition comprises the Edition De Luxe of 200 copies. the Oxford edition of 250 copies and the University Edition present copy of 800 copies. This very early edition precedes the 1908 Ross edition of Wilde's works often described as the first collected edition. HBS 68900. $4250. A. R. Keller & Co unknown books
1968ref. 69253London: Petersburg Press 1968. DINE Jim. The Picture of Dorian Gray. London: Petersburg Press 1968. Full Description: WILDE Oscar. DINE Jim artist. The Picture of Dorian Gray. London: Petersburg Press 1968. Limited edition signed and numbered by the artist Jim Dine on the limitation page in green ink. This being number 11 of 200 in Edition B. Folio 17 3/8 x 12 1/4 inches; 440 x 310 mm. Complete with frontispiece and twelve lithographs in color with a set of an additional 4 loose lithographs issued in a portfolio each annotated "Edition B" on the reverse and numbered 11/200 and signed by the artist in pencil on the front lower margin. Original full green velvet boards. Front board lettered in silver. Pictorial patterned endpapers. Housed in a black cloth slipcase. With additional black cloth portfolio. Cloth portfolio with a small split at top of hinge. A fine copy. "A working script for the stage from the novel by Oscar Wilde with original images and notes on the text by Jim Dine" From the title page. "The original colour lithographs etchings and text pages comprising this book were prepared on zinc and aluminum plates by the artist at Bath Academy of Art Corsham ini February 1968; and subsequently printed on Velin Arches at the Atelier Desjobert and Atelier Leblanc in Paris." Colophon HBS 69253. $4500. Petersburg Press unknown books
