Ralph WildeBiblio.com
4 557 résultats
réf. 62306185Oxford University Press OUP . Hardback. New. pp. 640 Oxford University Press OUP hardcover
réf. __3111234231De Gruyter 1900. Hardcover. New. 11 edition. 823 pages. German language. 9.05x6.10x9.61 inches. De Gruyter hardcover
2004réf. 216715Norwalk Connecticut: Easton Press 2004. First Edition; First Printing. Hardcover. Illustrated by Lucille Corcos. Near Fine Leather Bound. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; The 100 Greatest Books Ever Written Collector's Edition. Easton Press hardcover
2004réf. 331902Norwalk Connecticut: Easton Press 2004. First Edition; First Printing. Hardcover. Illustrated by Lucille Corcos. Near Fine Leather Bound. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines.; The 100 Greatest Books Ever Written Collector's Edition. Easton Press hardcover
2008réf. Alibris.0021075WIT Press UK. 2008. Hard cover. New. No dust jacket as issued. Sewn binding. Cloth over boards. 546 p. Contains: Illustrations. Wit Transactions on the Built Environment 97. Audience: General/trade. WIT Press (UK) hardcover
1901réf. 74522New York:: Brentano's 1901. First US edition third printing. publisher's cream cloth decorated in colors; t.e.g. . Spine a little tanned; otherwise very attractive. 12mo. Horodisch p. 73. Brentano's, hardcover
1898réf. 71126London: Leonard Smithers 1898. Fourth. Hardcover . Used - very good plus. “Fourth Edition” stated. Author still anonymous as of this printing. Mustard buckram and quarter cream buckram over spine with gilt titles. Textblock edges uncut. Leonard Smithers hardcover
1952réf. 156679Amsterdam: Institut voor Filmdocumentatie 1952. Vintage reference photograph from the 1952 film showing director Cecil B. DeMille on a camera crane. Mimeo snipe and the stamps of a Dutch film institute on the verso. The manager of a traveling circus hires a flashy new trapeze performer but the new hire soon begins to butt heads with the manager's girlfriend the former trapeze star. Nominated for five Academy Awards winning two for Best Picture and Best Screenplay. Shot on location in Utah Pennsylvania Florida and Washington DC. 10 x 8 inches. Very Good plus with light creasing on the edges. Institut voor Filmdocumentatie unknown
1927réf. 171334N.p.: N.p. 1927. Two vintage reference photographs from the 1927 silent film one showing actor Harold Lloyd fearfully holding a stick like a machine gun the other showing a medicine show caravan. A sheriff's shy son is given the chance to prove his worth when a traveling medicine show run by shysters rolls into town. A remake of the 1924 Hal Roach film "The White Sheep." Widely considered one of Lloyd's finest films and the last of Lloyd's films to star Jobyna Ralston. Shot on location in rural California. 10 x 8 inches. Very Good plus. N.p. unknown
1903réf. 207865Paris 1903. Limited. Leather . Very Good/No Jacket As Issued. Published in Paris 1903. Limited edition of 250 but this one is un-numbered. Possibly pirate edition. Rebound in half green morocco with marbled boards. Very good all round. hardcover
1938réf. 12609The Limited Editions Club 1938. hardcover. Very Good/Good. 0x0x0. Aubrey Beardsley; Andre Derain. Signed by Illustrator. #335/1500 printed signed on the colophon of the French edition by artist Andre Derain. Two volumes: The French edition is bound in paper wraps gouache drawings by Andre Derain are executed as Pochoir prints; English version translated by Lord Alfred Douglas illustrations by Aubrey Beardsley created for the first edition bound in red cloth. Slipcase is quite sunned with edges worn spine text barely present. Red cloth boards on English volume are sunned on the spine a little rubbed on extremities. Foxed endpapers with an occasional light touch of foxing on the interior. Paperback volume has original glassine cover torn chipped yellowed. Black paper wraps have bends on front and rear foxed endpapers prints have caused offset on opposing pages. A remarkable artistic and literary achievement. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 The Limited Editions Club hardcover
1917réf. 33672New York: Boni and Liveright: The Modern Library 1917. Hardcover. First Printing of the Modern Library Edition: with only the 12 initial titles listed and patterned endpapers. 4 x 6.5in. 255pp. Publisher's stiff leatherette. VERY GOOD. Shows the extremities somewhat shelf rubbed former owner bookplate at the front paste-down otherwise the binding is strong and tight the text is clean and unmarked and the boards remain distinct. As pictured. Boni and Liveright: The Modern Library hardcover
1949réf. 92475New York: Philosophical Library 1949. Hardcover. Very Good/Very Good. First complete edition. Edited with an introduction by Vyvyan Holland. Foxing to the foredge and endpapers a sound very good copy in a modestly spotted and age-toned about very good dustwrapper. James Jones's copy with his ownership and address stamp in Marshall Iowa. Philosophical Library hardcover
1925réf. 607516New York: Farlag "Die Feder 1925. Softcover. Very Good. Presumed first Yiddish-language edition. Translated by Aharon Karlin. Octavo. 32pp. Text in Yiddish bound and paginated in the Yiddish style. Stapled printed wrappers with a bit of tanning and edgewear page edges a trifle foxed and the last few leaves with a small faint stain near the spine base very good. The lower wrap prints a publisher's advertisement for a couple of "Die Feder" titles as well as their monthly art and literary magazine The Pen. Very uncommon. Farlag "Die Feder unknown
1923réf. 1394604New York NY/ London UK: G.P. Putnam's Sons 1923. Second Edition. Hardcover. Octavo 58 pages. In Good plus condition with a Good plus condition dust jacket. Blue-green spine aged brown with black lettering. Dust jacket is wrapped in a mylar covering has mild shelving wear stains on the rear cover moderate wear along the front cover and moderate age-toning along the extremities. Boards have mild wear along the head and tail edges light fraying along the spine corners and moderate age-toning along the head and tail edges. Textblock has moderate soiling on most pages faded pencil marks on the front pastedown a pen signature from previous owner "Mary R. Beebe" mild wear along the edges moderate foxing along the head and fore edges and mild age-toning along the edges. DL consingment. Shelved in Room Z. 1394604. Special Collections - Upstairs. G.P. Putnam's Sons hardcover
1929réf. mon0000816692London : John Lane The Bodley He 1929T. hardcover. Very Good. 1.5000 in x 9.5000 in x 6.2500 in. 1929 reprint. Some light wear and fraying to extremities. Cover is bright and attractive. Binding is sound. London : John Lane The Bodley He hardcover
1904réf. 005118London: Privately Printed 1904. Under the influence of Kropotkin Wilde adopted his own version of anarchist theory. This essay made its first appearance in the "Fortnightly Review" in 1891; a tiny edition by the Chiswick Press came out in 1895. This edition which arrived nine years later was LIMITED to 250 copies. Tan paper wraps with titling on the front cover in red and black. Clean text; 87 pages. The textblock is very nice fresh and clear. The covers are worn at the margins due to standing proud of the pages; chips at head and foot of spine which has an old cello repair. A decent early copy of this famous work. First Edition. Soft Cover. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Privately Printed Paperback
1854réf. CAT0008101854. First Edition. Hardcover Half Leather. Very Good Condition. Original half leather over marbled boards old University Library bookplate inside front cover. Contains January-June of 1854. WIlde's essay leads off the February issue and is pages 127-146. "When kitchened with "point" i.e. seasoned mollified with milk or softened by a drop of the crature' the like of the potato will never again be found for ‘rent-paying pig-feeding love-making child-breeding faction-fighting and country-dancing properties". WIlde father of Oscar was a polymath - a doctor census taker folklorist and social commentator. He represents as does this essay a conundrum. He sympathized with the Irish peasantry could see many of their troubles with clarity collected huge amounts of medical data on their suffering yet supported the insupportable English response to the famine. Even this essay filled with admiring prose for the people and culture essentially blames the starving masses for their problems - a lack of imagination culinary ingenuity stupid reliance on the bounty of the potato etc etc. Though while suggesting that the Irish have little imagination or knowledge gastronomically he does mention an impressive number of ways that potato is served. He even comes to the to call it paternalistic is to do an injustice to the concept of paternalism conclusion that " ‘Irish agriculture has been greatly benefited by the famine." An essay filled with interesting dietary anecdotes fine prose insane conclusions erudite observations and condescending digressions. Quantity Available: 1. Shipped Weight: Under 1 kilo. Inventory No: CAT000810. hardcover
2009réf. Atlantic-9781848820623Springer V 2009. Hardcover. New. Springer V hardcover
2009réf. Atlantic-9781848820623Springer V 2009. Hardcover. New. Springer V hardcover
réf. 69790No place : Giancarlo Beltrame no year. WILDE Oscar.The Happy Prince. Il Principe Felice. Illustrated by Giovanni Grasso. Traduzione dall’inglese di Ottavio Fatica. No place Giancarlo Beltrame no year 265x180mm 47 pages en feuilles sous couverture cartonnée de l’éditeur 90 copies with multi-colored aquatint and illustrations by Giovanni Grasso Fravega. Text composed in monotype and printed with flat machine by Rodolfo Campi and seven colors on Japon Torinoko-Kozu paper. Book in good condition. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Giancarlo Beltrame unknown
2010réf. Adhya-9780252034725UNIVERSITY OF ILLINOIS PRESS 2010. HB. New. UNIVERSITY OF ILLINOIS PRESS hardcover
2010réf. Adhya-9780252034725UNIVERSITY OF ILLINOIS PRESS 2010. HB. New. UNIVERSITY OF ILLINOIS PRESS hardcover
1929réf. 1503New York: E.P. Dutton Inc 1929. Signed Limited Edition. Hardcover. Good. 7 3/8 X 9 3/8 Inches. #96 of 200 signed copies. TEG. Original publisher marbled paper binding. Vassos helped define the modernist art movement via his work as designer for RCA in addition to his illustrated books. Via RCA John was instrumental in the original designs of the earliest televisions mid-century microphones radios consoles etc. His industrial art is among the widest spread and most important of the 20th century. Noted art deco artist. Lacks original DJ and/or slipcase. Original boards scuffed and worn at edges. Wear to head and foot of spine. PO bookplate on inside front pastedown. Title-page has a 3 3/4 inch closed tear to bottom edge. An acceptable copy of this art deco rarity. E.P. Dutton, Inc hardcover
1906réf. 38782Boston: John W. Luce 1906. BEARDSLEY Aubrey illus. 8vo pp. 36. Gray paper over boards lettered and stamped in green with an illustration by Aubrey Beardsley. Cover slightly worn at corners and ends of spine o/w a VG tight copy. Scarce. Samuels-Lasner 59G. not in Mason who does list the 1906 printing by the John Lane Company and preceded in America only by the 1894 Copeland & Day limited edition. John W. Luce unknown
