4 557 résultats
1993réf. BN647361993. 1993. 978E12 unknown
1919réf. 47472Hannover: Der Zweemann Verlag Robert Goldschmidt 1919. First edition. Hardcover. g to vg. 76/100. Signed and numbered by the artist on colophon. Quarto. Original half vellum over decorative handmade paper. Frontispiece. Second German translation of "The Priest and the Acolyte" by E. Sander with illustrations by Ernst Schütte. This short story was first published with the German translation of Wilde's "Teleny" the homoerotic story of the French dandy Camille and the Hungarian pianist René Teleny. This work was originally credited to Oscar Wilde however the presumed author is John Francis Bloxam. In his trial against Queensberry Wilde contested the authorship and deemed the story "tasteless." This work contains two stunning lithographically reproduced Art Nouveau images of Ernst Schütte's work. Text in German. Spine with some light wear small chips and closed tears. Borads slightly bent outwards. Binding in overall good interior in very good condition. Der Zweemann Verlag Robert Goldschmidt hardcover
1923réf. 6000868NY: Putnam 1923. Bound in grey boards with blue cloth spine. Dustwrapper shows a bit of darkening to spine and light chipping to bottom end. Top chip 1/3" but not affecting any text. Overall in well above average condition. This is the true first U.S. edition of this title in the original dustwrapper. A three act play with an introductory note and a letter to "Mrs. Chan Toon". This copy is listed as the Second Edition F'cap 8vo . 1923" title page verso; originally published in Great Britain in a limited edition in 1922 but it is indeed the first U.S. edition. Scarce in the dustwrapper and in this protected condition. 58 pp. First American Edition. Hard Cover. Very Good /Very Good . Putnam Hardcover
1891réf. 503897New York: Dodd Mead and Company 1891. Hardcover. Fine. First American edition using the English sheets see Mason 343: "Of the English edition. . 600 copies were printed for America. Octavo. 258pp. Pinkish-red cloth stamped in yellow. Spine is slightly faded else a nice very near fine copy. Scarce. Dodd, Mead and Company hardcover
1918réf. 072266London: John Lane The Bodley Head 1918. Book. Poor. Hardcover. 16mo - over 5¾ - 6¾" tall. 65pp pale green/grey pictorial boards with title in black to spine. Shelfworn boards faded and toned particularly at spine corners very rubbed and bumped. Small dents to board edges in places and spine partly cracked externally at joins with front and rear boards. Tears at top and bottom of spine cracking to spine at top of fep. Toning to pages previous owner's name in ink to top of fep. Toning to pages and eps mild foxing to eps and page edges. John Lane, The Bodley Head Hardcover
réf. Z1-H-011-01782Magna Large Print Books. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Magna Large Print Books unknown
réf. Z1-C-080-02393Kessinger Publishing LLC. Used - Like New. Used - Like New. This is a reproduction of an out of print title. This book may have occasional imperfections such as missing or blurred pages poor pictures errant marks etc. that were either part of the original artifact or were introduced by the scanning process. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Kessinger Publishing, LLC unknown
réf. Z1-S-025-02945General Books LLC. Used - Like New. Used - Like New. Book is new and unread but may have minor shelf wear. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. General Books LLC unknown
1980réf. mon0000038432Heron Books London 1980-01-01. Hardcover. Good. in x in x in. 1948 edition illustrated by Arthur WRagg. Ex-library book usual markings. Rebound by library. Heron Books London hardcover
1911réf. mon0000186899Methuen 1911-01-01. Hardcover. Good. in x in x in. Ex-library book Hardback/Hardcover usual stamps and marking. Clean text sound binding. Methuen hardcover
1977réf. 116845Secaucus : Chartwell Books 1977. First Edition. Hardback. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 160 pages; Description: 160 p. : ill. chiefly col. ports. 1 col. ; 35 cm. Subjects: Hell's Angels. Motorcyclists. Gangs. Secaucus : Chartwell Books hardcover
2014réf. __0198448619OUP Oxford 2014. Paperback. New. 80 pages. 10.47x8.07x4.76 inches. OUP Oxford paperback
1890réf. 972Boston: Roberts Brothers 1890. Hardcover. Very Good. Illustrated by Walter Crane and Jacomb Hood Very Good condition with water marks and soiling to original gray cloth cover. Interior text as new no markings binding tight Roberts Brothers hardcover
1893réf. 371134Oxford: published for the Proprietor by James Thornton High Street 1893. 100 pp. Squarish 8vo. Blue printed paper wrappers. Some chipping and loss to covers; toning to pages. 100 pp. Squarish 8vo. Featuring "The Disciple" by Oscar Wilde and pieces by Lord Alfred Douglas H. M. Beerbohm and John Addington Symonds. published for the Proprietor by James Thornton, High Street unknown
1929réf. 44391London:: Martin Secker 1929. First edition. publisher's cloth in dust jacket. A near fine copy in an attractive jacket with some chipping to two corners and the extremities of the spine not affecting any lettering. The jacket has a few neat internal repairs. It is extremely uncommon in our experience. . 8vo. Martin Secker, hardcover
1969réf. 50211Amsterdam: Stedelijk Museum 1969. First edition. Near fine. Scarce catalogue of the 1969 exhibition of Arte Povera and Conceptual Art less known but as innovative and groundbreaking as the same year's more-mythologized "When Attitudes Become Form" and similarly an expression of its own curator's personality and vision. "Op Losse Schroeven" and "When Attitudes Become Form" were conceived planned and exhibited more or less concurrently but independently: Stedelijk Museum director de Wilde though supervising one curator and friendly with the other apparently shared no information in either direction despite considerable overlap in vision. If the curators were not well informed on their peer's progress those artists invited to participate in both exhibitions were: one of those artists Ger van Elk "made the curious suggestion that the physical similarity of the two men - each was solidly built bearded and bohemian in style - made it interesting for an artist to work with them both as their quickly staggered studio visits turned into a kind of performance; that of a curator chased by his doppelgänger" Rattemeyer. With work by Carl Andre Giovanni Anselmo Joseph Beuys Bill Bollinger Gerrit Dekker Barry Flanagan Bruce Nauman Richard Serra Robert Smithson Lawrence Weiner and others. 10.75'' x 8''. Original wrappers housing two bound portfolios designed by Wim Crouwel and Jolijn van de Wouw of Total Design Amsterdam. Text in Dutch and English. Illustrated in black and white. Printed on multi-colored paper. Light edgewear and soil to wrappers minor creasing to page edges. Stedelijk Museum unknown
1969réf. 50211Amsterdam: Stedelijk Museum 1969. First edition. Near fine. Scarce catalogue of the 1969 exhibition of Arte Povera and Conceptual Art less known but as innovative and groundbreaking as the same year's more-mythologized "When Attitudes Become Form" and similarly an expression of its own curator's personality and vision. "Op Losse Schroeven" and "When Attitudes Become Form" were conceived planned and exhibited more or less concurrently but independently: Stedelijk Museum director de Wilde though supervising one curator and friendly with the other apparently shared no information in either direction despite considerable overlap in vision. If the curators were not well informed on their peer's progress those artists invited to participate in both exhibitions were: one of those artists Ger van Elk "made the curious suggestion that the physical similarity of the two men - each was solidly built bearded and bohemian in style - made it interesting for an artist to work with them both as their quickly staggered studio visits turned into a kind of performance; that of a curator chased by his doppelgänger" Rattemeyer. With work by Carl Andre Giovanni Anselmo Joseph Beuys Bill Bollinger Gerrit Dekker Barry Flanagan Bruce Nauman Richard Serra Robert Smithson Lawrence Weiner and others. 10.75'' x 8''. Original wrappers housing two bound portfolios designed by Wim Crouwel and Jolijn van de Wouw of Total Design Amsterdam. Text in Dutch and English. Illustrated in black and white. Printed on multi-colored paper. Light edgewear and soil to wrappers minor creasing to page edges. Stedelijk Museum unknown
réf. 62462US: Oxford University Press. Hardback. Very Good /Very Good . Quarter red-orange cloth over textured orange paper-covered boards with gilt-debossed particulars to spine. Pages are clean and unmarked. A few spots of foxing to top edge close to spine; otherwise text block is clean and unmarked. Boards are clean and bright. Corners bumped and lightly rubbed. Binding is tight spine slightly cocked. Dust jacket is clean and bright with light creasing to corners and headcap. Dust jacket is covered in a protective mylar jacket. Oxford University Press unknown
1907réf. 23487Leipzig 1907. Boards. Very Good. Aubrey Beardsley. The 1907 1st German appearance with the seminal Aubrey Beardsley illustrations. Solid and VG- to VG in its gray boards over navy-blue leather spine. Mild spotting to the boards especially at the rear board a degree of chipping along the spine affecting the gilt-titling and the gilt-rule. Lovely former owner bookplate to the front pastedown offsetting at the colophon darkening along the rear blank endsheet. Still though a very presentable copy and uncommon as such with Aubrey Beardsley's 15 magnificent plates including frontispiece and title page beautifully complementing Oscar Wilde's text. #283 of 825 copies issued. unknown
1909réf. mon0004059945THE PEARSON PUBL 1909T. hardcover. Good. . 10-volume set. deluxe library edition half morocco by Brentano's with raised bands and gilt decorations top edges gilt marbled boards. some of the spines with professional repair joints starting top boards on 2 of the volumes detached. the ""Poems in Prose"" volume contains work by Lady Wilde ""De Profundis"" is from the original unexpergated German edition translated by Henry Zick there is an introduction by Richard Le Gallienne a 296-page biography of Wilde and Wilde's translation of Barbey D'Aurevilly's ""What Never Dies"" is included. THE PEARSON PUBL hardcover
réf. 51-2530Mount Horeb Wisconsin: Perishable Press Walter Hamady 1985. Original handmade paper covers. 26 x 19 cm. Full page illustrations. Unpaginated. Edition of 200 copies. Fine.Mailing label from Perishable Press included. John Wilde an American surrealist associated with the Magic Realist school of painting whose fantastic darkly humorous images brought him fame far beyond his native Wisconsin died on March 9 2006 at his home in Cooksville. He was 86.The cause was cancer said his dealer Tory Folliard of the Tory Folliard Gallery in Milwaukee.Mr. Wilde pronounced WILL-dee dedicated his six-decade career to painting with an exacting touch narratives involving grotesque doll-like people in otherworldly situations. He was inspired partly by Salvador Dalí and partly by Northern Renaissance masters like Bosch and Grünewald.Mr. Wilde often painted himself into his pictures giving himself a weirdly oversized and misshapen head. He also created intensely detailed colorful and mysteriously glowing still lifes.Although he lived his whole life in Wisconsin -- except for a wartime stint in the Army -- Mr. Wilde rejected the regionalism of artists like Grant Wood and John Steuart Curry. Instead he became part of a loose community of like-minded Midwesterners -- including Marshall Glasier his teacher at the University of Wisconsin and the Chicago-based fantasy painter Gertrude Abercrombie -- who advocated idiosyncratic and freely imaginative forms of expression. His paintings also relate to those of New York-based Magic Realists like Paul Cadmus and George Tooker. For Mr. Wilde's solo exhibition in New York at the Edwin Hewitt Gallery in 1950 the ballet impresario Lincoln Kirstein a friend of Cadmus and the New York Magic Realists wrote the brochure text.Paintings by Mr. Wilde were included in "Surrealism USA" a major exhibition at the National Academy Museum in New York last year. Currently two shows of Mr. Wilde's works are on view: at Spanierman Gallery in New York and at Tory Folliard Gallery in Milwaukee Mount Horeb, Wisconsin: Perishable Press (Walter Hamady), 1985 unknown
1891réf. 40615New York: Dodd Mead and Company 1891. First American Edition. Octavo pink cloth stamped in yellow. Of a total of 1500 copies printed 900 were for sale in the UK and 600 were bound with the Dodd Mead and Company title page. Very Good condition spine darkened time toned paper. No dust jacket. Dodd, Mead and Company hardcover
1905réf. 45608London: Arthur L. Humphreys 1905. Softcover. g to vg. Duodecimo. 222pp. Bound in a beautiful period grey-brown morocco binding with gilt lettering and ruling on the front cover with raised bands and gilt stamped motifs and lettering on a red label on the spine. Top edge of the book block in gilt. Gilt dentelles and decorative pattered endpapers. The binding was created by acclaimed London-based firm Sangorski & Sutcliffe for sale in the book department of the famous Chicago department store Marshall Field & Company. Binder's ink stamp on the verso of the front endpaper. Reprinted from the "Fortnightly Review" by permission of Messrs Chapman & Hall. Publication in the Belles Lettres series of Humphreys's Royal Library. Contains epigrams and aphorisms and the essay "The Soul of Man" a reprint of the essay originally published with the title "The Soul of Man Under Socialism." Mason # 633. Binding with light rubbing to extremities including head and tail of spine as well as raised bands. Small stain on the front cover. Covers sunned along the edges. Interior with some smudging to the half-title. Binding in very good- interior in near fine condition overall. Arthur L. Humphreys unknown
1928réf. BOOKS005552INew York: Macy/Masius: Vanguard 1928. 1st . Hardcover. Good. Lynd Ward. Near fine in restored dust jacket. Macy/Masius: Vanguard hardcover
1898réf. 004339London: Leonard Smithers 1898. Wilde used his prisoner's number as his nom de plume for the early printings. This is a Very Good copy of the "Fourth Edition" Printing. Tan and cream-coloured binding with gilt titling on the spine. Clean text; 31 pages text printed only on the recto. There is a contemporary 22 May 1898 previous-owner signature only three letters on the front free endpaper. There is a tiny bookseller label Brentano's Paris on the rear paste-down. The paste-downs and free endpapers are typically tanned. The corners are bumped; surfaces soiled; and there is a crease on the rear cover. The spine has darkened but the lettering remains readable. Within this rather used-looking exterior the textblock is wonderfully fresh and bright. A solid copy of this rare edition. Fourth Edition. Hard Cover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" tall. Leonard Smithers Hardcover
