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1869rif. 47911No place 1869. 8vo. In the original printed wrappers no backstrip. Offprint from the "Philosophical Magazine" January 1869. With authors presentation inscription to front wrapper: "With the author's Compliments.". Fine and clean. 9 pp. Offprint issue with author's presentation insciption to front wrapper of Wilde's paper on how to control and render the magneto-electri current which nearly led to the discovery of the principle of self-excitation. This was however achieved by other inventors first notably Charles Wheatstone and the Siemens brothers."In 1856 Wilde established a business in Manchester as an electric-telegraph and lightning-conductor engineer and spent some years on the development of a magneto-electric alphabetic telegraph which was demonstrated at the international exhibition in London in 1862. In December 1863 he patented a twin-armature machine in which a magneto-electric generator provided excitation current for the field winding of another generator. These machines were made in quantity by Wilde & Co. but in use they had the disadvantage of becoming very hot. In 1867 Described in the present paper. he patented an entirely different type of multipolar machine which was used for electro-deposition and arc lighting. Among his other patents was one in 1875 for the making of copper rollers for calico printing.". Oxford DNB. Henry Wilde 1833 - 1919 was a wealthy individual from Manchester England who used his self-made fortune to indulge his interest in electrical engineering. He invented the dynamo-electric machine or self-energising dynamo an invention for which Werner von Siemens is more usually credited and in fact discovered independently. At any rate Wilde was the first to publish his paper was communicated to the Royal Society by Michael Faraday in 1866. The self-energising dynamo replaces the permanent magnets of previous designs with electro-magnets and in so doing achieved an enormous increase in power. The machine was considered remarkable at the time especially since Wilde was fond of spectacular demonstrations such as the ability of his machine to cause iron bars to melt. unknown
1905rif. feb230391905: First Italian Edition of The Picture of Dorian Gray Il ritratto di Doriano Gray Remo Sandron hardcover
1932rif. feb609641932: First Lithuanian Edition of The Picture of Dorian Gray Dorijano Grėjaus atvaizdas Naujo žodžio b-vė
1993rif. feb855311993: First Malaysian Edition of The Picture of Dorian Gray Potret Dorian Gray Fajar Bakti
1970rif. feb721141970: First Korean Edition of The Picture of Dorian Gray 세계문학전집 3 ë„리언 ê·¸ë ˆì´ì˜ è‚–åƒ Samsung
1981rif. feb1173041981: First Colombian Edition of The Picture of Dorian Gray El retrato de Dorian Gray Bedout
1905rif. feb1180591905: First Czech Edition of The Picture of Dorian Gray Obraz Doriana Graye Nakladatelské družstvo Máje
1920rif. feb1054151920 : First Japanese Edition of The Picture of Dorian Gray ワイルド全集 Vol.1 ドリアン・グレイã®ç”»åƒ Tenyusha
1953rif. 11804LEHNING WALTER 1953. 1. softcover. LEHNING, WALTER paperback
2005rif. x-0198187726Oxford Univ Pr 2005. Hardcover. New. 465 pages. 8.75x5.75x1.25 inches. Oxford Univ Pr hardcover
1904rif. 40586London: The Mathurin Press 1904. Good with no dust jacket. 1904. Limited Edition. Hardcover FOLIO. Gravures; 15 x 19 in. FOLIO; 11 1 pp. Text. Folio 15 x 19 in. . 5 gravure plates. Some browning and light spotting. Plates and text loose as issued in original half cloth folding case ribbon ties soiling. LIMITED EDITION number 95 of an unnumbered edition with illustrations printed on plate paper and the text printed on handmade paper enclosed in a portfolio measuring 15 inches by 19 inches. Property from the Collection of Robert S. Brown Cincinnati Ohio. This is undoubtedly Wildes finest and most imaginative poem and Is not included in 'Collected Poems'. Tape repair and a tear also to inside each of two inner flaps. 5 gravure plates by Althea Gyles laid in as published . The Mathurin Press, 1904. hardcover
1886rif. d2793bLondon: Kegan Paul Trench & Co. G : in good condition. Cover rubbed and soiled. Eps darkened. Fold-out repaired with archive tape. 1886. First Edition. Blue hardback boards with cream vellum spine. 320mm x 240mm 13" x 9". vi 160pp plates. 9 plates 6 b/w 3 sepia 1 fold-out. With Glasgow Arts Club bookplate. Heavy item - shipping supplement may apply for overseas. . Kegan Paul, Trench & Co hardcover
rif. 39285later Edition of the First Edition 7th printing of June 1899 31 pages original hardcover quarter vellum with mustard boards Leonard Smithers very slight fraying on spine but tight copy in very good condition The Ballad of Reading Gaol is a poem by Oscar Wilde written in exile either in Berneval-le-Grand or in Dieppe France after his release from Reading Gaol pronounced "redding jail" on 19 May 1897. Wilde had been incarcerated in Reading after being convicted of homosexual offences in 1895 and sentenced to two years' hard labour in prison. During his imprisonment on Tuesday 7 July 1896 a hanging took place. Charles Thomas Wooldridge had been a trooper in the Royal Horse Guards. He was convicted of cutting the throat of his wife Laura Ellen earlier that year at Clewer near Windsor. He was aged only 30 when executed. Wilde spent mid-1897 with Robert Ross in Berneval-le-Grand where he wrote The Ballad of Reading Gaol. The poem narrates the execution of Wooldridge. No attempt is made to assess the justice of the laws which convicted them but rather the poem highlights the brutalisation of the punishment that all convicts share. The finished poem was published by Leonard Smithers on February 13 1898 under the name C.3.3. which stood for cell block C landing 3 cell 3. This ensured that Wilde's name by then notorious did not appear on the poem's front cover. It was not commonly known until the 7th printing in June 1899 that C.3.3. was actually Wilde. The first edition of 800 copies sold out within a week and Smithers announced that a second edition would be ready within another week; that was printed on February 24th in 1000 copies which also sold well. A third edition of 99 numbered copies "signed by the author" was printed on March 4th on the same day a fourth edition of 1200 ordinary copies was printed. A fifth edition of a 1000 copies was printed on March 17th and a sixth edition was printed in 1000 copies on May 21st 1898. So far the book's title page had identified the author only as C.3.3. although many reviewers and of course those who bought the numbered and autographed third edition copies knew that Wilde was the author but the seventh edition printed on June 23 1899 actually revealed the author's identity putting the name Oscar Wilde in square brackets below the C.3.3. hardcover
1911rif. 105302Edinburgh Society 1911. Hardcover. Very good/No jacket. #42/480cc. Fourteen volume set. Beige buckram binding. The Magdalen edition. Each volume has a color frontispiece. Contains the volumes: A Woman of No Importance; The Duchess of Padua; The Picture of Dorian Gray; Salome a Florentine Tragedy; A House of Pomegranates; An Ideal Husband; Poems; Intentions of Soul and Man; De Profundis; Lady Windemere's Fan & The Importance of Being Ernest; Lord Arthur Savil'es Crime; Reviews Vol. 1 & 2: and Miscellaneous. Some spine labels a little chipped. Edinburgh Society hardcover
1927rif. 87871New York: Wm.H.Wise & Co 1927. Connoisseurs Edition. Hardcover. near fine/varies per volume. Volume 1: Poems Vol.2::Vera and Other Early Plays Vol. 3: The Happy Prince and other Fairy Tales intro by Yeats. Vol. 4:The Picture of Dorian Gray. Vol.5: Intentions. Vol;.6: Lord Arthur Savile's Crime The Portrait of Mr. W.H. and Other Stories.Vol. 7: Lady Windermere's Fan A Woman of No Importance. Vol. 8: The Importance of Being Earnest. An Ideal Husband Vol. 9: Salome and Other Plays.Vol. 10: The Soul of Man under Socialism and Other Essays. Vol. 11: De Profundis Lectures and Essays. Vol. 12: Criticisms and Reviews.:. !2 Volume Set. Octavo.22 cm x 14 cm.Brown cloth with gilt lettering to spines.All of these volumes in dust jackets.Jackets vary in condition. About half of the dust jackets have chipping some with loss at spines. About half of these are in very nice condition with no loss or chipping. Scarce in the original dust jackets. Wm.H.Wise & Co hardcover
1915rif. 73681London:: Methuen and Coy. Ltd. 1915. First edition illustrated by Jessie King. rebound in half blue morocco marbled sides t.e.g. . The illustrated front endsheet preserved and laid down at front; corners of several of the tipped-in plates creased; tiny marginal wormhole affects a couple of leaves; light foxing; ink ownership signature to half-title page. . 4to. With Sixteen Illustrations by Jessie M. King. Methuen and Coy., Ltd., unknown
1899rif. 28234London: Leonard Smithers and Co 1899. First edition. Hardcover. Good overall. A limited printing of the first edition 1000. In 1996 critic Bindon Russell wrote in "The Wildean" that "An Ideal Husband" is "the most autobiographical of Wilde's plays mirroring as it does his own situation of a double life and an incipient scandal with the emergence of terrible secrets. Whilst Lord Goring is a character with much of Wilde's own wit insight and compassion Gertrude Chiltern can be seen as a portrait of Constance Wilde." 8vo 213pp brown-red linen over boards gilt stamped decoration on front cover and spine; gilt titles on spine. Spine rebacked with the original spine laid down. With bookplates of Herschel V. Jones and Alfred and Sara Bernheim. Internally clean some pages uncut. Leonard Smithers and Co hardcover
1903rif. 013011Minden in Westf: J. C. C. Burns 1903. 1st Edition Thus. Hardcover. Very Good. First German translation of Wilde's short story "The Portrait of Mr. W. H." first published in Blackwood's Magazine in 1889. It was later added to the collection Lord Arthur Savile's Crime and Other Stories 1891. The story is about an attempt to uncover the identity of Mr. W. H. the enigmatic dedicatee of Shakespeare's sonnets. which has led to speculation of the Bard's bisexuality. From the library of famous American art collector lawyer and bibliophile John Quinn 1870 - 1924 with his book plate designed by Yeats on the pastedown. 8vo gray cloth printed in black. 8 L 136. Art-Nouveau style endpapers. Book ticket from The Burrows Brothers Company Cleveland Ohio bottom rear pastedown. Covers moderately soiled slight lean to spine solid binding clean internals. Prelims include publisher's descriptions of its other Wilde titles. Scarce edition with a unique provenance. J. C. C. Burns hardcover
1905rif. 55474Berlin: S. Fischer 1905. First edition in part. Publisher's vellum. Nearly Fine. 1/20. Small quarto 19.4 by 14.6 cm. viii 115 1 colophon pp. Double-suite titles in red and black printer's device floral borders; red and black initial. Publisher's full vellum lettered in gilt; top edge gilt fore- and bottom edges deckled; silk ribbon marker. Covers with mild soiling; vellum very slightly bowed. A nearly fine copy. Limited fine press edition one of only twenty copies bound by the publisher in full vellum lettered in gilt. This German translation by Max Meyerfeld importantly includes material which did not appear in English until 1908. "Before the English version was issued an authorised translation in German. appeared in Die Neue Rundschau Berlin January and February 1905 under the title of De Profundis. Aufzeichnungen und Briefe aus dem Zuchthaus in Reading. It was printed in German characters with ornamental initials etc. by E. R. Weiss and included a translation of the Four Letters written from Reading Prison which were not published in England until 1908. Later in the year the text was issued in book form printed in Roman characters with title-page and initial letters by Walter Tiemann. Berlin: Verlag S. Fischer" Mason. Mason S. Bibliography of Oscar Wilde vol. 2 p. 445. Schneider & Sotscheck Eine Bibliographie Selbständiger Deutschsprachiger Publikationen 3068. S. Fischer unknown
1919rif. 7845New York: E.P. Dutton 1919. Book. Illus. by John Vassos. Very Good. Hardcover. Signed by Artist. First Edition. 8vo - over 7¾" - 9¾" tall. One quarter black cloth with gilt lettering to spine; green paper to boards with gilt/black decoration to front board. Illustrated throughout with black and white prints. The signatures are unopened. Some wear to the paper along the upper and lower edges. Dustjacket shows wear to the outer edges and there is an abrasion to the upper right front panel where a price sticker was removed. Signed by Vassos on the half-title in New York City July 29 1932. E.P. Dutton Hardcover
rif. 1438Rear joint broken; backstrip detaching from spine exposing binding beneath; loss to spine ends; boards rubbed creased and stained; corners bumped; scattered foxing to endleaves and textblock edges; light uniform toning throughout; early ink ownership signature and date to title page. Good. Oscar Wilde. Lord Arthur Savile's Crime & Other Stories. London: James R. Osgood Mcilvaine and Co.1891. First edition. Twelvemo. 168pp. Publisher's hardcover paper boards spine and covers lettered and decorated in red. . unknown
1938rif. 1953London: Limited Editions Club 1938. Hardcover. Near Fine. Near Fine 2 volume set in slipcase. Volume one is LIMITED EDITION of 1500 copies of which this is numbered 114 and SIGNED by the artist Derain. This text is in FRENCH and this volume is black wrappers and is in clear plastic wrapper. The second volume is in Red hardcover with gilt decoration and some sun fading to spine. Both are in a Fair/Good slipcase. Volumes in Near Fine condition. Limited Editions Club hardcover
1925rif. 139325London: Methuen & Co. Ltd 1925. First illustrated edition of this rare Wilde title. Royal octavo original half cloth illustrated with woodcuts by Frans Masereel. One of 450 numbered copies this is number 16. Fine in the rare original dust jacket which is in very good condition. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Methuen & Co. Ltd hardcover
rif. elala5423London: Printed by Mandruck A. G. Munich for Methuen & Co. Ltd. 1924 recte 1925. Limited to 50 numbered copies. 8vo. pp. 57 9. numerous woodcuts some full-page by Frans Masereel. tipped-in bibliographical note. contemporary half morocco top edge gilt some light wear small chip in outer edge of frontis. ownership entry on front blank & 2 bookplates. elala5423 London: [Printed by Mandruck A. G., Munich for] Methuen & Co. Ltd., [1924 recte 1925] unknown
1899rif. 15144JNew York: Benj. R. Tucker 1899. First American Edition. Three pirated editions of Wilde’s classic poem were issued in America in 1899 the Tucker edition. precedes the other two and is the True First American Edition. Issued in paper wrappers and cloth this copy is the rare hardbound state. Gilt-stamped blue cloth with white cloth spine. Hinges cracked. Some minor foxing to the preliminaries at little darkening at spine very good. Rare. Benj. R. Tucker hardcover