8,484 results
2016ref. x-1138147931Taylor & Francis 2016. Hardcover. New. 2nd revised edition. 256 pages. 8.50x5.43x1.57 inches. Taylor & Francis hardcover
2016ref. x-113882321XRoutledge 2016. Hardcover. New. 224 pages. 9.25x6.25x0.75 inches. Routledge hardcover
ref. 8266Les Editions G. Cres & Co. Paris. 1923. French text. Reprint of the original Alastair illustrated version which was published as a limited edition in 1922. Small 4to. 7.6 x 5.8 inches. Beautifully illustrated with 9 colour plates by Alastair. Finely bound by Bumpus in contemporary half plum calf. Spine with 5 raised bands. Compartments double ruled fully decorated and lettered in gilt. Salmon pink cloth on boards. Marbled endpapers. Top edge gilt. Light spotting to the blank endpapers otherwise a lovely bright copy in a fine early twentieth century leather binding with just a small are of abrasion to the top raised band on the spine. This edition contains a bibliography of the various editions of Salome published prior to this one. Les Editions G. Cres & Co. Paris. 1923 hardcover
2010ref. NOV16-047-0565411-4732Wiley 2010-08-24. Hardcover. Good. US Edition Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Emailed Tracking from USA Wiley hardcover
1888ref. 024406Cassell 1888. No Binding. Near Fine. Assorted. 1st edition Volume I 4to 12¼ x 9½ ins. Original 3/4 leather and cloth boards. Quite worn with spine missing and both covers loose. First 4 1/2 3/4 pages torn along bottom right-hand edge & Final 2 pages 571/2 torn along center. Pp. iv 572 pages v-viii. All other contents are very good and better Many illustrations and color plates. NOTE: This is NOT a reprint it is the Original Printing from 1888. Cassell unknown
2025ref. Discovery-9781804892015BRILLIANCE 2025. Hardcover. New. BRILLIANCE hardcover
2025ref. Discovery-9781804892015BRILLIANCE 2025. Hardcover. New. BRILLIANCE hardcover
ref. Discovery-9781806014699Brilliance 2027. Hardcover. New. Brilliance hardcover
ref. Discovery-9781806014699Brilliance 2027. Hardcover. New. Brilliance hardcover
1910ref. mon00001812161910-01-01. Hardcover. Good. in x in x in. Ex-library book usual markings. Hardcover/Hardback. Well read copy with some signficant spine wear but very useable. Foreedge of page showing damage and wear. This book was published in 1910 by Methuen & Co. Ltd. hardcover
ref. alba2909c3a546455e3Prevot M. Wilde O. Mendes K. Stories. Stories and Tales. Selected Stories. In Russian (ask us if in doubt)/Prevo M. Uayld O. Mendes K. Rasskazy. Rasskazy i skazki.Izbrannye rasskazy.. Short description: In Russian (ask us if in doubt).S.Pb.Type. S.Pb.T-va Trud 1912. 128 and 128 and 1 l. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba2909c3a546455e3
ref. alb77dd6a2788b3b10bTetmayer K. Meneds K. Prevot M. Rodenbach J. Dode A. Wilde O. Stories novels miniatures poems in prose (convulsions) In Russian (ask us if in doubt)/Tetmayer K. Meneds K. Prevo M. Rodenbakh Zh. Dode A. Uayld O. Rasskazy novelly miniatyury stikhi v proze (konvolyut). Free supplement to the journal Prorwakudeniye. S.Pb.Typographer T v Trud. 1912. 786 p. SKUalb77dd6a2788b3b10b.
ref. alb74da37bc67d74212Wilde O. The Complete Works of Oscar Wilde. Volume 4. In Russian /Uayld O. Polnoe sobranie sochineniy Oskara Uaylda. Tom 4. Supplement to the journal Niva 1912. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb74da37bc67d74212.
1905ref. 3222London: Methuen and Co 1905. Penned by Wilde while he was imprisoned in Reading Gaol for two years. Published posthumously. First printing with the rear catalogue dated February 1905. This book was the personal copy of noted Cambridge librarian Augustus Theodore Bartholomew with his name printed and ex libris affixed to front end papers. A good copy with a unique association. Lacking a dust jacket though it likely never included one. The letter written by Wilde from Reading Goal to Lord Alfred Douglas. Methuen and Co unknown
1990ref. BN536246Edwin Mellen Press Ltd 1990. 1990. The Development of Melody in the Tone Poems of Richard Strauss: Motif Figure and Theme Studies in the History & Interpretation of Music Band 32 The Development of Melody in the Tone Poems of Richard Strauss: Motif Figure and Theme Studies in the History & Interpretation of Music Band 32 Denis Wilde Edwin Mellen Press Ltd unknown
1920ref. 147351920 P., Edition à petit nombre réservée aux souscripteurs et non mise dans le commerce [Librairie des Bibliophiles Parisiens, d'après Carteret], 1920, 1 vol. in-4° (285 x 198 mm) broché sous couverture mauve rempliée, étiquette de titre collée au plat supérieur, de 84 pp. - (2) ff. (cul-de-lampe et achevé d'imprimer).Couverture insolée, assez fortement au dos, comme toujours, très bel exemplaire par ailleurs.
Paris, Aux éditions de la Belle étoile, s.d. [1935]. Petit et fort in-4 (21 cm x 27) ; 367 pp. Plein maroquin havane, dos à 5 nerfs, contre plats à encadrement, tête dorée, couvertures illustrées en couleurs et dos conservés. (reliure signée U.C.A.D) Tirage à 3.000 exemplaires numérotés sur vélin des Papeteries Navarre. Très bel ex.
ref. 20636Paris, Aux éditions de la Belle étoile, s.d. [1935]. Petit et fort in-4 (21 cm x 27) ; 367 pp. Plein maroquin havane, dos à 5 nerfs, contre plats à encadrement, tête dorée, couvertures illustrées en couleurs et dos conservés. (reliure signée U.C.A.D)
1887ref. 012823Milano: Sonzogno 1887 1895 18. Prima edizione italiana delle poesie di Whitman; First Italian Editions. In un volume dimensioni 11x17 cm che contiene anche a seguire: George Eliot: LE TRIBOLAZIONI DEL REVERENDO AMOS BARTON. Prefazione di Gaetano Negri. Oscar Wilde: RACCONTI. Traduzione e prefazione di Francesco Stocchetti. G.B. Shaw: IL DISCEPOLO DEL DIAVOLO. -In tutti i casi prime edizioni italiane di quelle opere edite da Sonzogno nella Biblioteca Universale. - Tutte le opere hanno alla pagina di titolo firma e data di possesso di Davide Casella Napoli. - I due CANTI SCELTI DI WHITMAN pur avendo lo stesso titolo e curatore sono in realtà due diverse serie che si completano come spiega il curatore nell'avvertenza alla seconda raccolta e rappresentano la prima edizione delle poesie pubblicate nel 1887 e otto anni dopo nel 1895. Alla prima raccolta all'ultima pagina 103-04 sono stati tagliati i margini superiore e inferiore dove il possessore aveva scritto alcune note di commento; ma il taglio non tocca la stampa. -Legatura degli anni Venti in tela marrone con una scritta in oro al dorso: AUTORI INGLESI.- Di notevole rarità queste prime edizioni italiane riunite. Sonzogno unknown
1927ref. 105279Paris Javal et Bourdeaux 1927 1 vol. broché in-4, en feuilles, couverture rempliée, 25 + XLV pp. Superbe édition illustrée d'un frontispice signé et de 14 gravures en couleurs (dont 8 à pleine page) par G. Cornélius (1880-1963). Cet artiste tourmenté, blessé de la Grande Guerre et converti au catholicisme en 1931, compose une illustration allégorique, hantée par la figure christique. Tirage unique à 225 exemplaires numérotés sur Japon Impérial. Manque la chemise et l'étui, sinon parfait exemplaire.
1927ref. 105279Paris Javal et Bourdeaux 1927 1 vol. broché in-4, en feuilles, couverture rempliée, 25 + XLV pp. Superbe édition illustrée d'un frontispice signé et de 14 gravures en couleurs (dont 8 à pleine page) par G. Cornélius (1880-1963). Cet artiste tourmenté, blessé de la Grande Guerre et converti au catholicisme en 1931, compose une illustration allégorique, hantée par la figure christique. Tirage unique à 225 exemplaires numérotés sur Japon Impérial. Manque la chemise et l'étui, sinon parfait exemplaire.
1922ref. 27887Leipzig: Hesse & Becker 1922. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Mustard cloth stamped in brown. Bookplate of Francis Kettaneh. Minor toning of textblock. Fine in glassine dust wrapper. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Poems by the prolific German-born author George Sylvester Viereck 1884-1962 who first gained renown for The House of the Vampire and Nineveh and other Poems both 1907 which showed the strong influence of Oscar Wilde. Viereck became notorious for his pro-German propaganda during the first world war and later for his pro-Nazi propaganda before and during the second world war for which he was imprisoned. This is a German-language selection of his early verse including Nineveh 1907 with some pieces translated by other hands. Viereck's free German translation "frei verdeutscht" of The Ballad of Reading Gaol appears here at pages 151-175; his English translation of the Deutschlandslied "Deutschland Deutschland Land of All Lands" which appears here on p. 176 remained standard for many years. Signed by the author on the front flyleaf. Hesse & Becker unknown
1922ref. 27887Leipzig: Hesse & Becker 1922. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Mustard cloth stamped in brown. Bookplate of Francis Kettaneh. Minor toning of textblock. Fine in glassine dust wrapper. First edition of this selection. Portrait frontispiece. 176 pp. 1 vols. 12mo. Poems by the prolific German-born author George Sylvester Viereck 1884-1962 who first gained renown for The House of the Vampire and Nineveh and other Poems both 1907 which showed the strong influence of Oscar Wilde. Viereck became notorious for his pro-German propaganda during the first world war and later for his pro-Nazi propaganda before and during the second world war for which he was imprisoned. This is a German-language selection of his early verse including Nineveh 1907 with some pieces translated by other hands. Viereck's free German translation "frei verdeutscht" of The Ballad of Reading Gaol appears here at pages 151-175; his English translation of the Deutschlandslied "Deutschland Deutschland Land of All Lands" which appears here on p. 176 remained standard for many years. Signed by the author on the front flyleaf. Hesse & Becker unknown books
1882ref. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
1882ref. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown books