Wilde, OscarBiblio.com
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1912Best.-Nr. 259334London: Arthur L. Humphreys 1912. First edition with Ross's Preface. x 99 pp. 1 vols. 12mo. Original blue boards with red label printed in black on upper cover. Exceptionally fine copy IN THE ORIGINAL PRINTED DUST JACKET with slight wear. First edition with Ross's Preface. x 99 pp. 1 vols. 12mo. Mason 370 Arthur L. Humphreys unknown
1920Best.-Nr. 19986London and New York: John Lane The Bodley Head. Printed by Spottiswoods Ballantyne and Co. Ltd. London Colchester and Eton 1920. Limited Edition First Edition Thus with Alastair illustrations. Decorated Cloth Gilt impressed. Very Good Plus. Alistair Hans Henning Otto Harry Baron von Voigt. Limitation of 1000 copies -- the colophon informs us that the stones upon which the plates were printed were destroyed by the German invasion of Belgium during the early phase of the First World War. 4to. 30.5 by 23.5 cm. 36 pp. 12 illustrated two toned plates with Alastair illustrations. 10 of these are referenced in the List of Illustrations and the other two are at the beginning and the end. These two are also on a folded sheet that is about 2 cm shorter as well as about the same shy of the width of facing pages elsewhere. Alastair 1887-1969 was a German-born self-taught artist whose style was obviously greatly influenced by Beardsley and he emulated Beardsley too in illustrating works of Oscar Wilde who was the perfect template for Alastair's imagination which gloried in decadence as Wilde did decades earlier. This work "The Sphinx" was Alastair's first published work based on Wilde's writing and it is the work that exposed a far larger audience to his distinctive highly stylized artwork. The cloth cover designed by Charles Ricketts has a light film of dusty soiling which is removable with effort and a scattering of other small light stains which are not susceptible to the simple eraser. The interior is generally quite clean and lovely. The hinge is cracked in one place. John Lane, The Bodley Head. Printed by Spottiswoods, Ballantyne and Co. Ltd., London, Colchester and Eton unknown
1922Best.-Nr. 499856Portland Main: The Mosher Press 1922. Hardcover. Fine/Very Good. First edition thus. 12mo. 117pp. Fine in Japanese vellum boards with very good or better dust jacket toned along the spine with small chip and some light foxing housed in good only publisher's original slipcase lacking the entire back edge and separated along one edge at the top. Printed by The Mosher Press for Edward A. Woods and limited to 50 numbered copies. This is number 48. Laid into the book is the original publisher's printed complimentary slip stating: "Mr. Woods takes pleasure in presenting with recipient's name in ink holograph a copy of his privately printed edition of Wilde's The Young King and Other Tales. The Mosher Press hardcover
1912Best.-Nr. 259334London: Arthur L. Humphreys 1912. First edition with Ross's Preface. x 99 pp. 1 vols. 12mo. Original blue boards with red label printed in black on upper cover. Exceptionally fine copy IN THE ORIGINAL PRINTED DUST JACKET with slight wear. First edition with Ross's Preface. x 99 pp. 1 vols. 12mo. Mason 370 Arthur L. Humphreys unknown books
1920Best.-Nr. 19986London and New York: John Lane The Bodley Head. Printed by Spottiswoods Ballantyne and Co. Ltd. London Colchester and Eton 1920. Limited Edition First Edition Thus with Alastair illustrations. Decorated Cloth Gilt impressed. Very Good Plus. Alistair Hans Henning Otto Harry Baron von Voigt. Limitation of 1000 copies -- the colophon informs us that the stones upon which the plates were printed were destroyed by the German invasion of Belgium during the early phase of the First World War. 4to. 30.5 by 23.5 cm. 36 pp. 12 illustrated two toned plates with Alastair illustrations. 10 of these are referenced in the List of Illustrations and the other two are at the beginning and the end. These two are also on a folded sheet that is about 2 cm shorter as well as about the same shy of the width of facing pages elsewhere. Alastair 1887-1969 was a German-born self-taught artist whose style was obviously greatly influenced by Beardsley and he emulated Beardsley too in illustrating works of Oscar Wilde who was the perfect template for Alastair's imagination which gloried in decadence as Wilde did decades earlier. This work "The Sphinx" was Alastair's first published work based on Wilde's writing and it is the work that exposed a far larger audience to his distinctive highly stylized artwork. The cloth cover designed by Charles Ricketts has a light film of dusty soiling which is removable with effort and a scattering of other small light stains which are not susceptible to the simple eraser. The interior is generally quite clean and lovely. The hinge is cracked in one place. John Lane, The Bodley Head. Printed by Spottiswoods, Ballantyne and Co. Ltd., London, Colchester and Eton unknown books
1922Best.-Nr. 499856Portland Main: The Mosher Press 1922. Hardcover. Fine/Very Good. First edition thus. 12mo. 117pp. Fine in Japanese vellum boards with very good or better dust jacket toned along the spine with small chip and some light foxing housed in good only publisher's original slipcase lacking the entire back edge and separated along one edge at the top. Printed by The Mosher Press for Edward A. Woods and limited to 50 numbered copies. This is number 48. Laid into the book is the original publisher's printed complimentary slip stating: "Mr. Woods takes pleasure in presenting with recipient's name in ink holograph a copy of his privately printed edition of Wilde's The Young King and Other Tales. The Mosher Press hardcover books
1903Best.-Nr. 013011Minden in Westf: J. C. C. Burns 1903. 1st Edition Thus. Hardcover. Very Good. First German translation of Wilde's short story "The Portrait of Mr. W. H." first published in Blackwood's Magazine in 1889. It was later added to the collection Lord Arthur Savile's Crime and Other Stories 1891. The story is about an attempt to uncover the identity of Mr. W. H. the enigmatic dedicatee of Shakespeare's sonnets. which has led to speculation of the Bard's bisexuality. From the library of famous American art collector lawyer and bibliophile John Quinn 1870 - 1924 with his book plate designed by Yeats on the pastedown. 8vo gray cloth printed in black. 8 L 136. Art-Nouveau style endpapers. Book ticket from The Burrows Brothers Company Cleveland Ohio bottom rear pastedown. Covers moderately soiled slight lean to spine solid binding clean internals. Prelims include publisher's descriptions of its other Wilde titles. Scarce edition with a unique provenance. J. C. C. Burns hardcover books
Best.-Nr. 64939Stockholm Hartw. Gercken 1731. 4:o. 8 80 73-776 769-820 4 s. Enstaka samtida understrykningar och enstaka lätta fläckar. Sammanbunden med: WILDE Jacob. Von dem Nutzen und Zweck der so genanten Pragmatischen oder Staats-Historie nebst der wahren Idée und Inhalt derjenigen die von dem Königreiche Schweden zum theil A. 1731. in Stockholm ausgekommen und einer Uberzeugung des Auctoris der teutschen schweitzerischen und nordischen Bibliotheque von der falschen Idée welche Er in seinem unrichtigen Auszug A. 1732 davon gegeben. Utan ort 1733. 4:o. 44 s. Mycket välbevarat samtida skinnband rikt guldornerad rygg med upphöjda bind och röd titeletikett röda stänksnitt. Fint exemplar ur Ericsbergs bibliotek. Warmholtz 6714 med not. Första upplagan av Wildes huvudarbete i tryckvarianten med hopp i pagineringen och slutpaginering på sid. 820. Det andra arbete är en försvarsskrift av Wilde gentemot en negativ recension av Historia pragmatica i Bibliotheque Germanique. Jacob Wilde 1679-1755 blev rikshistoriograf 1719 och han förblev så till sin död. Arbetet med “Sueciæ historia pragmatica påbörjades redan 1721 och det är det första försöket i den svenska statsrättens historia. Det avlutande partiet översattes till svenska av Mathias Benzel och utgavs 1742 under titeln: “Det så kallade oinskränkta enwäldet som kon. Carl XI anno 1680 wordit uppdragit emot ogrundade ryckten förswaradt och i sitt retta lius framstäldt” medan inledningen och forntidens historia översattes och utgavs av sonen Anders Wilde 1749. unknown
1947Best.-Nr. 2036CORNELSEN 1947. 1. softcover. Deutsch-Englisch! Maloftege! CORNELSEN paperback
1923Best.-Nr. 000161First edition with wood engravings by Frans Masereel. No. 115 of the limited edition of 250 on laid paper. Signed by Frans Masereel in the imprint. Description: Original half calf over marbled boards gilt title to spine. Quarto: 28 × 185 cm; pp. 57 4 ll. With 37 original woodcuts of which 7 full-page printed recto only by Frans Masereel. Ref.: Ritter: C 29 S. 258; Rodenberg: 448 Condition: Binding somewhat scuffed at joints and corners and partly faded. Contents clean and free of marks but slightly toned with age. Overall a very good copy. Notes: The Ballad of Reading Gaol was printed by Offizin Mandruck in Munich as the 11th Obelisk print with the original English text. The woodcuts were cut by Masereel in early 1923 and were printed from the original woodblocks. In addition to this edition 70 copies were published numbered I to LXX in which the full-page woodcuts were also signed by Masereel and 20 unnumbered and unsigned copies. Drei Masken Verlag hardcover
Best.-Nr. 119222London Petersburg Press 1968. Folio. Edition A. Signed by Jim Dine. No 174 of 200 copies. 12 lithograps in colour. Lacking the six loose lithographs that were issued with this edition. Original red-velvet covered boards with title in silver. Black linen slipcase. . hardcover
1968Best.-Nr. 3282060411 gelatin silver prints. 9 ¾ x 7 ½ in. Photographer's stamp and descriptive carbon typescript captions on versos. Very good condition. This West End revival of Oscar Wilde's The Importance of Being Earnestopened on February 8 1968 and ran for 283 performances at the Theatre Royal Haymarket. The production starred Isabel Jeans Daniel Massey Helen Weir and John Standing among others. "Angus McBean's iconic portraits of actors and entertainers are among the most complete visual records of the British stage from the 1930s through the 1960s" Harvard. Angus McBean, photographer
1907Best.-Nr. 111111114756John Lane Company 1907. Hardcover. Very Good. John Lane Company; New York 1907. Hardcover. Second Edition. A Very Good original green cloth binding with gilt ricketts design on front board binding sturdy and intact some handling/scuffing and soiled spots to boards starting hinge at page 16/17 16 tipped in plates present TEG with few blemishes deckle fore-edge and bottom text block edge few uncut pages bit of age toning to pages some rubbing along board edges discoloration to pastedowns and endpapers without Dust wrapper but Mylar protected. Beardsely suppressed title page present as called for. A nice clean and unmarked copy. 8vooctavo or approx. 6 x 9 inches. 66pp. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. John Lane Company hardcover
1915Best.-Nr. 78134London: Methuen and Co. Ltd 1915. 4to.Illustrated. First edition thus. vi ii 162 pp. with 16 tipped-in colour illustrations by Jessie King complete. Original blue cloth with ochre decoration and lettering to spine and boards; t.e.g.; illustrated endpapers. Spine faded and worn at ends. Acetate covering has minimised rubbing to the boards and corners the latter a little bumped. Tape residue to free endpaper bookplate of Cyril and Elsie Gordon to half title page and regular though rarely intrusive foxing. Jessie M. King's impressively illustrated edition with its splendid Art Nouveau binding. 26cms tall. . Good. Decorative Cloth. First Edition Thus. 1915. Methuen and Co. Ltd 1915 hardcover
1910Best.-Nr. 17235New York: John Lane Company 1910. First Edition Thus. Hardcover. Near Fine. Note by Robert Ross. Very Good in a Good dust jacket unclipped no price generally toned and soiled some shallow chips at the edges. Grey paper on the boards bumped at the corners a few pock marks in the gutters. Square and firmly bound inscription from Perce Rodda on the front endpaper toned some foxing on the pages. The first publication of this work to feature Ross's note. Mason 363. John Lane Company hardcover
1910Best.-Nr. 17235New York: John Lane Company 1910. First Edition Thus. Hardcover. Near Fine. Note by Robert Ross. Very Good in a Good dust jacket unclipped no price generally toned and soiled some shallow chips at the edges. Grey paper on the boards bumped at the corners a few pock marks in the gutters. Square and firmly bound inscription from Perce Rodda on the front endpaper toned some foxing on the pages. The first publication of this work to feature Ross's note. Mason 363. John Lane Company hardcover books
1980Best.-Nr. 060354Issaquah Wa: The Archive Press 1980. 1st Edition 1st Printing. Soft cover. Near Fine. Title Page Decortation By Rick Lindberg Design By Alan Ligda. . 4Pp. A Private Press Publication. Number "One" Of 135 Copies California Old Style Type Hand-Set By Alan Ligda Leaf Hand-Made Natural White Wave Paper Endpapers Hand-Marbled By Christina Russell And Dan Guyot Custom Made Inks By Daniel Smith Ink Company String-Bound. Inscribed "For ----- Who Introduced Me To This Story In 19501 With Cordial Best Wishes And Many Thnks Alan Ligda" Also Signed By Russell Guyot And Lindberg. The Archive Press paperback
1907Best.-Nr. 13130Salome John Lane / Bodley Head 1907 first edition thus small area of minor bubbling to the rear cloth cover else just about fine with all the Beardsley plates present and in fine condition. A large paper copy with extended uncut margins. John Lane / Bodley Head hardcover
1907Best.-Nr. 13130Salome John Lane / Bodley Head 1907 first edition thus small area of minor bubbling to the rear cloth cover else just about fine with all the Beardsley plates present and in fine condition. A large paper copy with extended uncut margins. John Lane / Bodley Head hardcover books
Best.-Nr. 6501716Clarendon Press . Hardback. New. pp. 544 Clarendon Press hardcover
1908Best.-Nr. 27966Première édition intégrale London, Methuen & Co., [1908]. 1 vol. (140 x 210 mm) de 211 p. Toile éditeur, titre doré au dos et sur les plats, tête dorée. Edition en partie originale et première édition complète. Tirage limité à 1 000 exemplaires sur handmade paper.
Best.-Nr. 27966London Methuen & Co. 1908. 1 vol. 140 x 210 mm de 211 p. Toile éditeur titre doré au dos et sur les plats tête dorée. . Edition en partie originale et première édition complète. Tirage limité à 1 000 exemplaires sur handmade paper. . La première édition des oeuvres de Wilde a été publiée par Methuen en 1908 et le De Profundis connaît ici sa deuxième édition en partie originale. Le texte de ce long poème avait été rédigé par Wilde depuis la prison de Reading. London, Methuen & Co., [1908]. 1 vol. (140 x 210 mm) de 211 p. Toile éditeur, titre doré au dos et sur les plats, tête dorée unknown
1938Best.-Nr. 148844Culver City CA: RKO Radio Pictures 1938. Vintage double weight photograph of Katharine Hepburn Howard Hawks and a resting Cary Grant on the set of the 1938 film. One of the foundational entries in the canon of American screwball comedies. Based on the short story by Hagar Wilde which originally appeared in Collier's Weekly magazine on April 10 1937. Zoologist David Huxley Grant develops a wary interest in the niece of dowager Mrs. Carelton Random Hepburn which as in all great screwball comedies is not finalized as a romance until about the last ten seconds of the film. But what makes this film singular is that the story is built around the maintenance aspects of raising a pet leopard creating a rapid-fire blur of events and dialogue that doesn't let up for the entire 102-minute running time. The film bombed upon release causing RKO to drop both of the stars but today ranks as one of the best films made by either. 8 x 10 inches. Near Fine. National Film Registry. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. RKO Radio Pictures unknown
1938Best.-Nr. 148844Culver City CA: RKO Radio Pictures 1938. Vintage double weight photograph of Katharine Hepburn Howard Hawks and a resting Cary Grant on the set of the 1938 film. One of the foundational entries in the canon of American screwball comedies. Based on the short story by Hagar Wilde which originally appeared in Collier's Weekly magazine on April 10 1937. Zoologist David Huxley Grant develops a wary interest in the niece of dowager Mrs. Carelton Random Hepburn which as in all great screwball comedies is not finalized as a romance until about the last ten seconds of the film. But what makes this film singular is that the story is built around the maintenance aspects of raising a pet leopard creating a rapid-fire blur of events and dialogue that doesn't let up for the entire 102-minute running time. The film bombed upon release causing RKO to drop both of the stars but today ranks as one of the best films made by either. 8 x 10 inches. Near Fine. National Film Registry. Byrge & Miller The Screwball Comedy Films: A History and Filmography 1934-1942. RKO Radio Pictures unknown books
1918Best.-Nr. 2222511First edition thus. Small 4to. Illustrated with 17 hand colored lithographs by Charlotte Christine Engelhorn. Tan leather spine over purple silk boards. No dust jacket. Very good. 67 pages. One of 100 deluxe copies signed by Engelhorn with hand colored plates. Translated by Felix B. Greve of Oscar Wilde's "The Young King" a short story from his "A House of Pomegranates." With erotic bookplate of Otto Feistmann. Gustav Kiepenheuer hardcover
