8 573 résultats
1891réf. zj73McIlvaine 1891. 1st Edition. Hardcover. Very Good. brown binding with gold gilt on spine. 2 signatures from previous owners. the boards are shelf rubbed and knocked and there is fraying at the top of the spine. the book is internally clean and the binding is excellent. Our orders are shipped using tracked courier delivery services. McIlvaine hardcover
réf. 51-4338Paris: Émile Chamontin 1928. 4to. 20.5 x 29 cm. Original wraps with new glassine on cover and original glassine tissue guards. Very good. With twenty-three engravings by J.-E. Laboureur. Vignette on the cover 21 headbands and a cul-de-lampe. Edition of 280 copies of which 30 h.c. This is one of the 200 numbered copies on Marais watermarked with the title of the work.Carteret IV:409. - Monod 11523. Prov. J.M. Crèvecoeur ex-libris. Paris: Émile Chamontin 1928 paperback
1938réf. 025150Paris France: Limited Editions Club 1938. First Thus . Slipcased. Near Fine/No Jacket. Derain André; Beardsley Aubrey. Generally believed to have been written by Wilde for the actress Sarah Bernhardt this play was banned in England when it first appeared in 1891 though it remained popular both there & in Paris. This is a stunning 2-volume slipcased set one of which appears in the original French & is SIGNED by the artist. Issued in only 1500 copies for members of the Limited Editions Club in 1938 this is #1001 both housed in a burgundy stiff cardboard slipcase. Vol 1 in French is illustrated with gouache drawings on black paper by André Derain reproduced through the pochoir process whose signature appears on the colophon/limitation page in rear. With black wrappers lettered in white & peach to front cover French flaps unpaginated it is in Near Fine condition: exceptionally clean & bright & unmarked with clear mylar protected the wrappers. The 71 pages show slight offsetting. Vol. II is the English translation by Sir Alfred Douglas with a new Introduction by Holbrook Jackson & the original pen-and-ink erotic drawings of Aubrey Beardsley. With rust-colored cloth over boards brightly stamped with an elaborate gilt design & lettering to front/somewhat faded gilt to spine it contains 105 pages with rough-cut edges. Condition is also Near Fine: completely clean & unmarked fading to spine & in a few random spots on both boards. The slipcase itself shows irregular fading & significant rubbing to extremities & bottom edges are beginning to tear from opening inwards about 1"-2". Still solid & completely functional protecting these lovely editions since 1938. Our photos depict the Exact books you will receive never "stock" images of books we don't actually have on hand. Same day shipping on all orders received by 2 pm weekdays Pacific time; later orders weekends & holidays ship very next business day. SORRY: this set is too large & fragile for expedited domestic or any international shipping without a larger box which will incur preapproval of extra postage per USPS rates. Limited Editions Club unknown
1927réf. 239440New York: Dutton 1927. hardcover. fine. Vassos John. Illustrations by John Vassos. 4to handsomely rebound in 1/2 purple crushed morocco and decorative gold and purple boards. New York: Dutton 1927. Fine. Dutton unknown
1923réf. 360841Garden City New York: Doubleday Page & Company 1923. Patrons' Edition De Luxe. Hardcover. Very Good. 8vo 8" - 9" tall. Sturdy attractive tightly bound in hardcover format a particularly nice-looking set of The Complete Works of Oscar Wilde being twelve 12 volumes complete in the Patrons' Edition De Luxe edition. The author Oscar Fingal O'Fflahertie Wills Wilde was born on 16 October 1854 and died on 30 November 1900 and turned into an important and popular author poet and playwright author of a wildly important Gothic novel The Picture of Dorian Gray eventually also an in-demand dramatist of the first rank. He suffered a criminal conviction in 1895 "for gross indecency for homosexual acts" and suffered greatly in the Reading Gaol Wikipedia about which he wrote compellingly. The set is from the personal library of Jane Devereux Henderson as printed on the half-title surely by the publisher in an ornate brown font see below. All but the first volume feature the name "Jane Henderson Baumann" at first free endpaper in pencil in the same hand but currently of unknown provenance. Generally clean unmarked of interiors lightly toned at worst minimal rubbing to extremities faint cracking to a couple of joint bottoms noted below else attractive and sturdy. Bound simply handsomely in blue paper over boards grayish-blue cloth-backed and gilt ruling between paper and cloth both front and rear. Rubbed and lightly abraded printed paper labels to spine. Light bumping to spine heads and feet here and there all volumes with deckled fore-edges and all top-edges gilt. Volume I Poems Introduced by Richard Le Gallienne liv 2 1-350 pp.; Volume II with Introduction to "The Duchess of Padua" by Sir Johnston Forbes-Robertson frontis matter 5-342 pp.; Volume III The Happy Prince and other fairy tales Introduced by W.B. Yeats xvi 2 1-261 pp. with cracking to rear joint and owner's bookplate inside front flap; Volume IV The Picture of Dorian Gray Introduction by Coulson Kernahan and a review by Walter Pater xxix 1 5-406 pp.; Volume V Intentions with an Introduction by Edgar Saltus xvii 2 7-286 pp.; Volume VI Lord Arthur Savile's Crime; the Portrait of Mr. W.H. and other stories with Introductions by Richard Butler Glaenzer and Dr. Clifford Smyth xviii 1 3-303 pp.; Volume VII Lady Windermere's Fan; A Woman of No Importance with an Introduction by A.B. Walkley xiv 4 9-331 pp.; Volume VIII The Importance of Being Earnest; An Ideal Husband with an Introduction by John Drinkwater xiv 4 5-412 pp. with slight cracking to bottom of rear joint; Volume IX Salome and other plays with an Introduction by Arthur Symons xxvi 3 1-228 pp. with cracking to rear pastedown scuffing to rear upper tip plus also a penciled note at rear final endpaper being two lines "All day long like a symmetrical line your practice-like presence like breath"; Volume X The Soul of Man Under Socialism and other Essays with an Introduction by John Cowper Powys xxi 1 1-215 pp. with slight bumping to bottom front tip light scuffing to rear bottom tip; Volume XI De Profundis; Lectures and Essays with Introduction by Michael Monahan and W.F. Morse xlvi 1 1-190 pp. with scuffing to tips abrasions to paper labels and an inked mark to front cover smudge inside rear flap; Volume XII Criticisms and Reviews with an Introduction by Padraic Colum xvii 1-500 pp. with slight staining to paper label. Jane Henderson Baumann was born Jane Devereux Henderson and was sometimes referred to as "Jennie" as a child her older brother being Daniel H. Henderson 1890-1933 and Belle G. Henderson later Belle Henderson Ferris 1894-1985 being her younger sister entry regarding the owner on the archives dot newmexicoculturalaffairs dot org web-site. The truly massive archive spanning 12000 items including transcribed and audio-recorded letters is available in Santa Fe New Mexico as presided over curated and made available by https://archives dot newmexicoculture dot org/solr-search/content/gridsearch_api_fulltext=Jane%20Henderson%20Baumann&field_ancestors=. Her husband Gustave Baumann June 27 1881 – October 8 1971 "was an American printmaker and painter and one of the leading figures of the color woodcut revival in America" and whose works were shown for decades at "the New York Metropolitan Museum of Art The Cleveland Museum of Art the National Gallery of Art in Washington DC and the New Mexico Museum of Art" Wikipedia. Baumann also gained prominence in the 1930s insofar as he was the "Area Coordinator" of the Public Works of Art Project of the Works Progress Administration Wikipedia. Jane Devereaux Henderson married him on June 25 1925; she bore a daughter Ann on July 31 1927. Ann donated the archive in 2021 and there is a major Baumann family exhibit coming up soon. Jane Devereaux Henderson/Jane Henderson Baumann was a major lover of and student regarding Native Southwest peoples arts and cultures. There is a full photographic record of her and other family members including letters and portraits and even recorded audio letters to and fro.Member I.O.B.A. C.B.A. and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes and for sets. Doubleday, Page & Company hardcover
1927réf. 239440New York: Dutton 1927. hardcover. fine. Vassos John. Illustrations by John Vassos. 4to handsomely rebound in 1/2 purple crushed morocco and decorative gold and purple boards. New York: Dutton 1927. Fine. Dutton unknown books
2002réf. __1860583431John Wiley & Sons Inc 2002. Hardcover. New. 1st edition. 284 pages. 9.25x6.25x1.00 inches. John Wiley & Sons Inc hardcover
1915réf. 3274A fair to good copy of the scarce 6th edition of Wilde's work being the first edition illustrated by Jessie M King. In the original decorative cloth binding with colour title page 16 tipped-in colour plates and decorative endpapers. The binding is sound and clean but with wear. The front board has a pale mark down the board. The corners and edges are rubbed with some cloth loss and the top corner is bumped. The spine is darkened and cocked to the front. It has rubbing and wear to the spine ends which are faded and to the joints. There are short splits approx 1.5 cm in both spine joints at the bottom and a smaller split just under 1 cm at the top of the front spine joint. The back board has a very rubbed surface with light marking. The top corner is bumped and there is general wear around the edges with some cloth loss. Top page edges gilted. There is an old birthday gift inscription to the verso of the fep and a small ink mark could be 'Jo' to the top of the half title. The free endpapers are lightly toned. Contents with half title decorative title contents and illustration listings pp vi; text pp 162 with 16 tipped-in colour plates and half titles to each story. The contents are generally clean with brown toning towards the page edges which are very browned and the occasional mark. The plate at p 76 has a corner crease and the plate at p 110 has a very tiny inner corner crease which is mostly on the plate border. There is a brown spot in the bottom margin of p 102 mirrored on the plate mount opposite and more brown spots in the bottom margins of pp 103-105 including a plate mount. There is a pale mark to the side edge of the plate mount at p 136. Please enquire if you would like to see additional images. Methuen and Co Ltd hardcover
1908réf. 031930UK: Tauchnitz Edition 1908. New Edition . Full-Leather. Very Good/No Jacket. 24mo - over 5" - 5¾" tall. New Tauchnitz Edition 1908. Tauchnitz issued copyright editions of English and American works to be sold on the continent for travelers and resident English speakers. These Continental Edition were published at the same time and later as the standard UK editions. A wonderful publisher bound book in full leather. Book is very good with light edge rubbing. Contents good. A bright example. More images can be taken upon request.Ref19423 Tauchnitz Edition hardcover
1904réf. WILDEOSC015250Arthur L. Humphries London. 1904. First edition. 12mo. pp iv 222. Fine period binding by Bumpus of full red morocco with raised bands elaborate and intricate gilt decoration all edges gilt. A collection of epigrams bons mots and maxims followed by the essay ''The Soul of Man''.Fine. Beautiful binding. Arthur L. Humphries,, London. hardcover
1908réf. 7369712 187 pages limited edition of 1000 on handmade paper for the US and UK Published by Methuen & Co hardcover
1912réf. WILDEOSC007260Arthur L. Humphreys London. 1912. New edition with a Preface by Robert Ross. pp x 99. Blue boards with red title label. The Preface was Ross's way of acknowledging Arthur Humphrey's kindness in not raising copyright issues when this title appeared in the 1907-08 Library Edition of Wilde.Signs of damp at top corner of front cover. Head and tail of spine slightly rubbed. Very good in the scarce dustwrapper which is very good chipped at head and tail of spine faded at the spine and with a few smaller chips. Arthur L. Humphreys, London. hardcover
1928réf. 163623New York: Vanguard Press 1928. First Edition; First Impression. Hardcover. Very Good in boards. Rubbing along panel edges. Chipping at spine crown/heel. Tape along spine. Illustrations by Lynd Ward. Vanguard Press hardcover
1978réf. 53347MARIFON 27/11/1978. 1. LP. Maloftege! MARIFON unknown
1945réf. 39231945 Paris, Jarach, 1945, 27x35. En feuilles, sous couverture repliée et dans un double emboîtage cartonné rose. Joliement illustré en couleurs par Roger Wild. Tirage à 282 exemplaires, celui-ci l'un des 240 sans suite (70). Bel envoi de l'artiste : "A mon très cher ami, George Lambelet, j'apporte mon Miel et ma fidèle amitié". La dédicace est datée de 1948, tout comme le justificatif de tirage.
1968réf. feb813051968: First Ukrainian Edition of The Picture of Dorian Gray Портрет Доріана ÒÑ€ÐµÑ Dnipro hardcover
1943réf. feb407411943: First Portuguese Edition of The Picture of Dorian Gray O Retrato de Dorian Gray Portugalia
1840réf. 000202Dublin: William CurryJunand Co Longman OrmeBrowne and Company London 1840. 1st Edition 1st Printing. Hardcover. Very Good/Not called for>. Two Volumes.Original boards rebacked.New end papers. Boards and spine unevenly sunned. A tight firm set. Light sporadic foxing spots. Frontispiece Vol 1 The Yacht "Crusader" Frontispiece Vol 2 "Telmessus" from a sketch by R.Meiklam.Wilde a medical student was hired to accompany Robert Meiklam on his yacht "Crusader" " In September 1837 my friends Sir Henry Marsh and Professor Graves proposed that I should accompany as medical attendant a gentleman who was about to make a voyage for the benefit of his health. Anxiety to see the World coupled with the fact of my health then being in a precarious state induced me gladly to accept this kind offer" Contact seller regarding postage. William Curry,Jun,and Co, Longman, Orme,Browne and Company, London hardcover
1952réf. 170434Culver City CA: Columbia Pictures 1952. Collection of 36 vintage reference photographs from the 1952 film including 35 bordered and one borderless. Most with provenance stamps and labels on the versos and four with printed mimeo snipes affixed to same. Based on Carson McCullers' beloved 1946 novel which McCullers also adapted for Broadway in 1950 starring actors Ethel Waters and Julie Harris who reprised their roles for the film. A young lonely tomboy dreams of escaping her small southern town with her brother and his fiancée. Harris was 27 more than double the age of the fictional Frankie Addams at the time of the film's production. Set in the American South. 35 photographs 10 x 8 inches one 7.5 x 9.25 inches. Generally Very Good plus to Near Fine a couple with annotations in manuscript ink on the margins. Columbia Pictures unknown
1952réf. 170434Culver City CA: Columbia Pictures 1952. Collection of 36 vintage reference photographs from the 1952 film including 35 bordered and one borderless. Most with provenance stamps and labels on the versos and four with printed mimeo snipes affixed to same. Based on Carson McCullers' beloved 1946 novel which McCullers also adapted for Broadway in 1950 starring actors Ethel Waters and Julie Harris who reprised their roles for the film. A young lonely tomboy dreams of escaping her small southern town with her brother and his fiancée. Harris was 27 more than double the age of the fictional Frankie Addams at the time of the film's production. Set in the American South. 35 photographs 10 x 8 inches one 7.5 x 9.25 inches. Generally Very Good plus to Near Fine a couple with annotations in manuscript ink on the margins. Columbia Pictures unknown books
2000réf. 193392London: The British Library 2000. Signed limited edition number 56 of 95 copies signed by Merlin Holland Wilde's only grandchild dated 30 November 2000 the centenary of his grandfather's death. This edition reproduces the prison paper manuscript of Wilde's only literary work from his time at Reading Gaol published posthumously in 1904. Folio. Original blue half morocco spine lettered in gilt and with clover device blue cloth sides ruled in gilt marbled endpapers. Housed in original blue cloth slipcase blue morocco label on front. A fine copy in like slipcase. hardcover
1923réf. WILDEOSC016367Methuen London. 1923. Seventeenth edition. Octavo. pp x 131.Loosely inserted is the original typescript about 1000 words on five sheets by John Drinkwater of his introduction to volume VIII of the 1925 edition of Wilde's complete works. He makes a strong case for this being by the greatest of Wilde's plays. There are several fairly minor corrections in Drinkwater's hand as is the title 'Introduction to ''The Importance of Being Earnest'' '.Insert: held with a rusting paperclip; some creasing and a few edge-nicks. Book: some sporadic foxing; free endpapers lightly tanned; covers a bit rubbed; very good. Methuen, London. unknown
1840réf. 51206Dublin: William Curry Jun. and Company; London: Longman Orme Browne and Co. 1840. First edition. Two volumes. 8vo. xiv 464; viii 495 1 pp. Contemporary black half calf over marbled boards spines with raised bands gilt lettered maroon labels 2 tinted lithographic frontispieces 2 plans Tyre and Jerusalem and 2 plates skulls plus numerous illustrations in the text. Some mostly light wear to the covers slight staining to the frontispieces some leaves proud towards the front of volume II though still firmly attached a decent set overall. Dublin: William Curry, Jun. and Company; London: Longman, Orme, Browne and Co. unknown
1905réf. 10914DE PROFUNDIS Putnam 1905 first American edition some slight wear and tanning to the spine else a tight vg copy in vg/vg dust-wrapper with some light wear and non-stick tape along the inside front flap fold. Scarce in dust-wrapper as any 1905 book publication would be. Putnam unknown
1905réf. 10914DE PROFUNDIS Putnam 1905 first American edition some slight wear and tanning to the spine else a tight vg copy in vg/vg dust-wrapper with some light wear and non-stick tape along the inside front flap fold. Scarce in dust-wrapper as any 1905 book publication would be. Putnam unknown books