8 611 résultats
réf. 16129Léon Pichon "Paris, 1918, grand in-8 maroquin chocolat doublé de maroquin cerise, garde de soie, dos à cinq nerfs fins, date en queue, double filet sur les coupes, filet doré simple encadrant les contreplats, toutes tranches dorées sur témoins. Plats de couverture et dos conservés. Etui bordé de maroquin et doublé de feutrine. Reliure signée HUSER. 75pp. Traduction et préface par Henry-D. Davray. Edition illustrée de 25 bois originaux par Gabriel Daragnès, tirés en deux tons. Tirage à 395 exemplaires. Celui-ci est un des 100 exemplaires sur Japon de la manufacture impériale (3ème papier après 30 ex. sur Japons anciens et 50 ex. sur Chine fort.) Mahé, Bibliographie des livres de luxe II, 725 / Carteret IV-408. ""Belle publication très cotée. Première édition illustrée."" Georges Huser (1879-1861) ""Artisan de grande qualité, il était apprécié pour la finesse de ses reliures, comparable à celle de Canape."" Fléty, Dictionnaire des relieurs. Il fut formé dans les ateliers de David, Noulhac, puis Lemardeley dont il prend la succession en 1903. Il est actif jusqu'en 1955. Dans sa préface, Davray relate l'histoire de la traduction de ce texte, réalisation conjointe avec Wilde, publiée pour la première fois dans les colonnes du Mercure de France puis en volume en 1898. // Dos très légèrement éclairci sinon superbe exemplaire, parfaitement établi."
1927réf. 001978Paris Javal et Bourdeaux 1927
1908réf. F-5A scandalous story of love between an abbot and a 14-year-old novice which ends in a collective suicide on the altar. In this edition the only Russian one it is attributed to Oscar Wilde. It was actually written by Wilde's "friend" John Fr. Bloksem 1873-1928 and published in the only issue of the journal "Chameleon" published by him 1894. Written under the influence of Wilde and with his approval the story "The Priest and the Acolyte" was discussed in the same year at his trial. An anonymous translator attributed this text to Wilde in the preface and gave the whole book as a title the nickname of Wilde himself — "The King of Life". The book was banned in England Russia and even in Soviet times in the 1940s and 50s see Glavlit lists in: Blum A. Index Librorum Prohibitorum of Foreign Writers and both Glavlit Blum and the catalogers of the RSL and RNB mistakenly indicate Wilde as the author of this book. Printed in the ephemeral publishing house "Icarus" in the font "antique". A literary curiosity a rarity. WorldCat and KVK do not find any copies of the book outside of Russia. Icarus paperback
1840réf. 81636Dublin: William Curry Jun. And Company. 1840. 2 volumes vol Ipp xvi 464 & vol II pp viii 495 frontis both vols water stained to verso text ills new endpapers both vols signed R. Hoddle Surveyor-General of Victoria top of t.p. both well recased half calf with green cloth maroon title pieces darker stain to front cloth vol I. Sir William Robert Wills Wilde was an Irish surgeon author and also the father of Oscar Wilde. Account of his travels as medical attendant to Robert Meilklam. Half calf. William Curry, Jun. And Company unknown
1891réf. 019038London : James R. 0SG00D McILVAINE & C0. 1891. Hardcover. Very Good. C. RICKETTS & C. H. SHANNON Design & Decoration by. . B00K: Very G00D/ $837.90 WILDE 0scar a H0USE of P0MEGRANATES C. RICKETTS & C. H. SHANNON Design & Decoration by. James R.OSGOOD McILVAINE & C0. L0ND0N 1891 There is no limited edition or edition statement. Wide H/c Brown Top And Balance Of Tan Spine With Title And Design In Polished Gold Letters Hard Cover B00K: Very Good/ Slight Shelf Edge And Corner Wear. Corners Are Square. 157 Numbered Pages Printed On Tan Paper Browning And Spotting From Aging In Very Good/Fine/ Condition Clean And Tight To The Spine Slight Wear. The Exterior Covering Of The Boards Are Not Decorated. D/j: None. Description Applies To This B0K Only. This B0k Is Hard To Find Will Be Packaged And Shipped Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Collector / Reader. WORLD WIDE SHIPPING AVAILABLE. James R. 0SG00D McILVAINE & C0. hardcover
1898réf. 23817London: Leonard Smithers 1898. First edition. Hardcover. Orig. quarter cream and light brown cloth spine darkened. Very good. 31 pages. 23 x 14 cm. "Of this Edition eight hundred copies have been printed on hand-made paper and thirty copies on Japanese vellum." The last edition to identify the author as "C.3.3." -- Wilde was imprisoned in cell block C landing C Cell 3. This narrative a tale of Charles Thomas Woodbridge's 1896 execution at Reading for the murder of his wife. Three small fade spots front cover and slight crinkling at back cover toward head at fore-edge. Nicks to spine head and foot. Leonard Smithers hardcover
1898réf. 23925Leonard Smithers. Very Good with no dust jacket. 1898. Stated 2nd Edition. Hardcover. Slim 8vo. London: Leonard Smithers 1898. Slim 8vo 4. 31pp. Printed on hand-made paper on one side of the page with deckle finish. Original quarter white linen mustard boards backstrip lettered in gilt a very good copy slightly soiled and backstrip lightly tanned. . Leonard Smithers hardcover
1898réf. 23817London: Leonard Smithers 1898. First edition. Hardcover. Orig. quarter cream and light brown cloth spine darkened. Very good. 31 pages. 23 x 14 cm. "Of this Edition eight hundred copies have been printed on hand-made paper and thirty copies on Japanese vellum." The last edition to identify the author as "C.3.3." -- Wilde was imprisoned in cell block C landing C Cell 3. This narrative a tale of Charles Thomas Woodbridge's 1896 execution at Reading for the murder of his wife. Three small fade spots front cover and slight crinkling at back cover toward head at fore-edge. Nicks to spine head and foot. Leonard Smithers hardcover books
réf. Z1-L-030-02414Symposium Books. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Symposium Books unknown
1907réf. 190828-MYB10The Nottingham Society 1907. Ten volume complete set three quarter custom leather binding marbled boards with gilt top edge .1907 Limited/ numbered edition 787/1000 illustrated very nice handsome set . Limited Edition. Leather Binding. Very Good/No Dust Cover. The Nottingham Society Hardcover
1907réf. 629171907. Etching on paper; paper 11-3/4 x 9 inches plate 5-3/4 x 4 inches. 1 vols. Matted and Framed signed in pencil. Etching on paper; paper 11-3/4 x 9 inches plate 5-3/4 x 4 inches. 1 vols. Hermann Struck 1876-1944is recognized for his extensive landscapes and portraits of noted personalities in early 20th century Europe including Herzl Ibsen Nietzsche Freud Einstein Rutenberg et al. He was born into an Orthodox Berlin family and subsequently studied at the Berlin Academy under Max Koner and Hans Meyer. He joined the Zionist movement at an early age and in 1903 after several study trips throughout Europe he visited Palestine and on his way back to Germany stopped in Vienna where he was introduced to Herzl. It was this meeting that inspired the famous portrait etching of the Zionist leader. During World War I Struck served with the German Army in Lithuania where he came in contact with Eastern European Jews and embraced their way of life. In 1923 he returned to Palestine and settled in Haifa. By now a master of the craft of etching Struck taught graphic techniques to such fellow artists as Chagall Liebermann Israels Corinth Ury and Budko. His book Die Kunst des Radierens 1923 a popular guide book for artists and connoisseurs provides both technical explanations and practical instruction. Struck excelled as a portraitist. He also recorded landscapes Jewish and Arab types and scenes from the Jewish diaspora. He spent time in England and became a member of the London Society of Painters Etchers and Engravers. unknown
1907réf. 629171907. Etching on paper; paper 11-3/4 x 9 inches plate 5-3/4 x 4 inches. 1 vols. Matted and Framed signed in pencil. Etching on paper; paper 11-3/4 x 9 inches plate 5-3/4 x 4 inches. 1 vols. Hermann Struck 1876-1944is recognized for his extensive landscapes and portraits of noted personalities in early 20th century Europe including Herzl Ibsen Nietzsche Freud Einstein Rutenberg et al. He was born into an Orthodox Berlin family and subsequently studied at the Berlin Academy under Max Koner and Hans Meyer. He joined the Zionist movement at an early age and in 1903 after several study trips throughout Europe he visited Palestine and on his way back to Germany stopped in Vienna where he was introduced to Herzl. It was this meeting that inspired the famous portrait etching of the Zionist leader. During World War I Struck served with the German Army in Lithuania where he came in contact with Eastern European Jews and embraced their way of life. In 1923 he returned to Palestine and settled in Haifa. By now a master of the craft of etching Struck taught graphic techniques to such fellow artists as Chagall Liebermann Israels Corinth Ury and Budko. His book Die Kunst des Radierens 1923 a popular guide book for artists and connoisseurs provides both technical explanations and practical instruction. Struck excelled as a portraitist. He also recorded landscapes Jewish and Arab types and scenes from the Jewish diaspora. He spent time in England and became a member of the London Society of Painters Etchers and Engravers. unknown books
1911réf. 426216Boston: The Proprietors of The Woman's Journal 1911. Unbound. Near Fine. Stock Certificate No. 129 for two shares issued by The Proprietors of The Woman's Journal Corporation. Measuring 10.5" x 5.25" including stub. Attached at the margin with a stub to a transfer document. Stock certificate of the first and most important woman's suffrage periodical and includes the signatures of several famous proponents of the movement. Signed by Alice Stone Blackwell Francis J. Garrison and Catherine Wilde. The attached transfer awards the two shares to The Proprietors from the Estate of H.M. Pitman. Near fine. The Woman's Journal was the first regular woman's rights periodical in America. Its publication was the crowning achievement of Lucy Stone's long and distinguished feminist career. According to HAWH: "Stone's most active and lasting contribution to the women's movement is The Woman's Journal which she founded in 1870 and edited until her death in 1893. This extraordinary archive of women's history provided a weekly chronicle of woman's progress - political vocational economic cultural and legal-both in the United States and abroad.for over sixty one years." As the political organ of the National American Woman Suffrage Association The Woman's Journal printed meeting and convention addresses and notes reported on national and international news published columns and editorials on the suffrage struggle as well as poems stories and book reviews. Regular contributors included Julia Ward Howe William Lloyd Garrison T.W. Higginson and of course Lucy Stone and her husband Henry Brown Blackwell. After Stone's 1893 death her daughter Alice Stone Blackwell assumed responsibility for producing and editing the journal which was renamed The Woman Citizen; contributors to this new incarnation of the periodical read like a virtual who's who of early modern feminism: Susan B. Anthony Anna Shaw and Carrie Chapman Catt were only a few of the names on its ever-expanding masthead. This stock certificate from the founding of The Woman's Journal's production is a tangible artifact of the first American woman's rights periodical and a glimpse at the relationships and efforts behind its financing. The Proprietors of The Woman's Journal unknown
1911réf. 426216Boston: The Proprietors of The Woman's Journal 1911. Unbound. Near Fine. Stock Certificate No. 129 for two shares issued by The Proprietors of The Woman's Journal Corporation. Measuring 10.5" x 5.25" including stub. Attached at the margin with a stub to a transfer document. Stock certificate of the first and most important woman's suffrage periodical and includes the signatures of several famous proponents of the movement. Signed by Alice Stone Blackwell Francis J. Garrison and Catherine Wilde. The attached transfer awards the two shares to The Proprietors from the Estate of H.M. Pitman. Near fine. The Woman's Journal was the first regular woman's rights periodical in America. Its publication was the crowning achievement of Lucy Stone's long and distinguished feminist career. According to HAWH: "Stone's most active and lasting contribution to the women's movement is The Woman's Journal which she founded in 1870 and edited until her death in 1893. This extraordinary archive of women's history provided a weekly chronicle of woman's progress - political vocational economic cultural and legal-both in the United States and abroad.for over sixty one years." As the political organ of the National American Woman Suffrage Association The Woman's Journal printed meeting and convention addresses and notes reported on national and international news published columns and editorials on the suffrage struggle as well as poems stories and book reviews. Regular contributors included Julia Ward Howe William Lloyd Garrison T.W. Higginson and of course Lucy Stone and her husband Henry Brown Blackwell. After Stone's 1893 death her daughter Alice Stone Blackwell assumed responsibility for producing and editing the journal which was renamed The Woman Citizen; contributors to this new incarnation of the periodical read like a virtual who's who of early modern feminism: Susan B. Anthony Anna Shaw and Carrie Chapman Catt were only a few of the names on its ever-expanding masthead. This stock certificate from the founding of The Woman's Journal's production is a tangible artifact of the first American woman's rights periodical and a glimpse at the relationships and efforts behind its financing. The Proprietors of The Woman's Journal unknown books
1894réf. 004078London: John Lane/Bodley Head 1894. First Edition . Decorative Cloth. Good to Very Good/No Jacket as Issued. 8vo - over 7¾" - 9¾" tall. This first edition of Wilde's play limited to 500 copies was published a year before his masterpiece "The Importance of Being Earnest". Publisher's bookplate front pastedown hinges starting fading to spine cloth. Pink cloth with gilt trim and gilt decorations edges untrimmed. John Lane/Bodley Head hardcover
1893réf. 002401London: Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable Edinburgh 1893. First Edition. Cloth. Very Good Minus. 8vo. 21.5 by 16 cm. 8.5 by 6.25 inches. 18 132 14 2 pp. With publisher's list of books in the back. In this first edition apparently only 500 copies were printed! The pages are heavily toned per the norm for the paper stock but clean otherwise. The binding is tight. A few uncut leaves in the advertisement section. FEP with small ornamental bookplate pastedown of "Carroll Atwood Wilson" who was a well-known book collector of his day as well as a lawyer and chief legal counsel to the Guggenheims. The publisher's peach-colored cloth has some blistering on the boards. Along the edges there are long narrow spots in which the color is washed out. The spine has been rebacked with most of the original spine mounted thereon with a small loss of the gilt lettering transpiring. The resulting spine also has small dark spots and one is likely not to find it prepossessing. Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable, Edinburgh unknown
1893réf. 002401London: Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable Edinburgh 1893. First Edition. Cloth. Very Good Minus. 8vo. 21.5 by 16 cm. 8.5 by 6.25 inches. 18 132 14 2 pp. With publisher's list of books in the back. In this first edition apparently only 500 copies were printed! The pages are heavily toned per the norm for the paper stock but clean otherwise. The binding is tight. A few uncut leaves in the advertisement section. FEP with small ornamental bookplate pastedown of "Carroll Atwood Wilson" who was a well-known book collector of his day as well as a lawyer and chief legal counsel to the Guggenheims. The publisher's peach-colored cloth has some blistering on the boards. Along the edges there are long narrow spots in which the color is washed out. The spine has been rebacked with most of the original spine mounted thereon with a small loss of the gilt lettering transpiring. The resulting spine also has small dark spots and one is likely not to find it prepossessing. Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable, Edinburgh unknown books
réf. 06516Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. 1894. Wilde at Oxford - A Lifetime Edition Issued on the Eve of Scandal" Limited to 750 Copies - Published May 1894 WILDE Oscar. Aristophanes at Oxford By Oscar Wilde. O.W. by Y.T.O. all rights reseved. Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. May 1894. One of 750 copies printed. Small quarto 7 5/8 x 5 1/8 inches; 194 x 130 mm. viii 1 2-85 1 blank pp. Publisher's stiff tan/gray wrappers front cover lettered in green. Wrapper edges a little chipped as usual; otherwise an excellent example internally clean and well preserved. Housed in a green cloth clamshell case spine lettered in gilt. A lifetime edition of Wilde's early Oxford satire originally composed in 1879 here issued anonymously "O.W. by Y.T.O." in a limited printing of 750 copies. Published in May 1894 at the height of Wilde's literary success and just one year before his dramatic fall this edition represents the first substantial reappearance of the text in expanded form extending to 85 pages. It offers a rare glimpse of Wilde's formative wit - rooted in classical parody and undergraduate satire - reissued for a contemporary audience during his most celebrated period. Mason 685. Oxford [&] London: J. Vincent [&] Simpkin, Marshall, Hamilton, Kent & Co., 1894 unknown
1878réf. 11085Oxford: Thos. Shrimpton and Son 1878. First Edition. Sewn binding. Very good . Octavo 16pp. First and only issue with the Oxford crest on the front wrapper and title page there were pirated editions that lacked these. A nice sound copy internally lovely with the original grey-green wrappers expertly backed onto sympathetic archival paper. Overall very good or better. A fragile publication and among the most elusive of Wilde volumes. The Newdigate Prize awarded since 1806 is given to the best composition in English verse by an undergraduate student at Oxford. A strong effort right out of the gate from the short-lived but highly influential Anglo-Irish writer. Mason 301. Thos. Shrimpton and Son unknown
1899réf. 127644David Nutt 1899. Hardcover. Very Good. 6x0x9. 1899 David Nutt second edition illustrated by Walter Crane and Jacomb Hood including tissue guarded frontis. Tight binding ownership ink to front paste down. Illustrated front board shows water spots. Please email for photos. David Nutt hardcover
réf. 06516Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. 1894. Wilde at Oxford - A Lifetime Edition Issued on the Eve of Scandal" Limited to 750 Copies - Published May 1894 WILDE Oscar. Aristophanes at Oxford By Oscar Wilde. O.W. by Y.T.O. all rights reseved. Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. May 1894. One of 750 copies printed. Small quarto 7 5/8 x 5 1/8 inches; 194 x 130 mm. viii 1 2-85 1 blank pp. Publisher's stiff tan/gray wrappers front cover lettered in green. Wrapper edges a little chipped as usual; otherwise an excellent example internally clean and well preserved. Housed in a green cloth clamshell case spine lettered in gilt. A lifetime edition of Wilde's early Oxford satire originally composed in 1879 here issued anonymously "O.W. by Y.T.O." in a limited printing of 750 copies. Published in May 1894 at the height of Wilde's literary success and just one year before his dramatic fall this edition represents the first substantial reappearance of the text in expanded form extending to 85 pages. It offers a rare glimpse of Wilde's formative wit - rooted in classical parody and undergraduate satire - reissued for a contemporary audience during his most celebrated period. Mason 685. Oxford [&] London: J. Vincent [&] Simpkin, Marshall, Hamilton, Kent & Co., 1894 unknown books
1905réf. 16244Paris: Privately Printed 1905. First Edition Thus. Hardcover. Near Fine. Limited to 50 copies. Good. Original wraps generally toned some spots of soiling a very small chip at the head of the spine tear down much of the top spine fold. Square and firmly bound with unopened pages some foxing at the edges clean otherwise. A pirated edition printed by Charles Carrington with the text taken from the July 1894 issue of The Fortnightly Review. Mason 609. Privately Printed hardcover
1905réf. 16244Paris: Privately Printed 1905. First Edition Thus. Hardcover. Near Fine. Limited to 50 copies. Good. Original wraps generally toned some spots of soiling a very small chip at the head of the spine tear down much of the top spine fold. Square and firmly bound with unopened pages some foxing at the edges clean otherwise. A pirated edition printed by Charles Carrington with the text taken from the July 1894 issue of The Fortnightly Review. Mason 609. Privately Printed hardcover books
1928réf. 75261Paris: Editions Narcisse 1928. Fine. Editions Narcisse Paris 1928 23 x 28.50 cm broché sous chemise L'Anniversaire de l'infante The Birthday of the InfantaÉditions Narcisse Paris 1928 23 x 285 cm original wrappers sous chemise Edition illustrated with paged and unpaged drawings by Alastair with 110 printed copies ours is one of 100 copies printed on Holland Van Gelder Zone the only grand papier deluxe copies after 10 Japan Imperial. Scattered foxing most noticeable at the beginning and end of the volume. Editions Narcisse unknown
1886réf. d2793London: Kegan Paul Trench & Co. G : in good condition. Covers rubbed and soiled. Eps darkened. Fold-out repaired with archive tape. 1886. First Edition. Blue hardback boards with cream vellum spines. 320mm x 240mm 13" x 9". vi 160pp; viii 160pp iv; vii 160pp plates. 37 plates 24 b/w 13 sepia 1 fold-out. Published 1886-18878. With Glasgow Arts Club bookplate. Heavy set extra shipping needed for overseas. . Kegan Paul, Trench & Co hardcover