8618 risultati
rif. 01-0487Paris: La Banderole 1926. Quarter morocco. Etchings by Charles Martin. One of 230 numbered copies. Paris: La Banderole, 1926. unknown
rif. AdityaBooks-9781119341925Wiley. New. Wiley unknown
rif. AdityaBooks-9781119341925Wiley. New. Wiley unknown
rif. ria9780199274321_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Presents a treatment of the reasons why international organizations have engaged in territorial administration from the League of Nations in Danzig during the inter-war period to the UN in East Timor and Kosovo. This work describes t hardcover
rif. 4255918-nnew. unknown
2024rif. x-0128229519Academic Pr 2024. Paperback. New. 360 pages. 9.25x7.50x9.25 inches. Academic Pr paperback
1932rif. 13343MY FRIENDSHIP WITH OSCAR WILDE BEING THE AUTOBIOGRAPHY OF LORD ALFRED DOUGLAS Coventry House 1932 first American edition fine in vg/near fine pictorial dust-wrapper save for some dustiness to the spine and rear dust-wrapper panel. Illustrated. 1/1000 copies. Coventry House unknown
1932rif. 13343MY FRIENDSHIP WITH OSCAR WILDE BEING THE AUTOBIOGRAPHY OF LORD ALFRED DOUGLAS Coventry House 1932 first American edition fine in vg/near fine pictorial dust-wrapper save for some dustiness to the spine and rear dust-wrapper panel. Illustrated. 1/1000 copies. Coventry House unknown books
rif. 99559Stockholm Hartw. Gercken 1731. 4:o. 8 80 73-212 4 217-776 769-820 2 s. Något nött samtida skinnband guldornerad rygg med upphöjda bind och röd titeletikett. Med en äldre namnteckning Nils Adolph Pontenius och Arvid Hj. Ugglas daterat 1916 på försättsbladet. Warmholtz 6714. Saknar ett deltitelblad som ofta är bundet sist. Jacob Wilde 1679-1755 blev rikshistoriograf 1719 och han förblev så till sin död. “Sueciæ historia pragmatica .” är hans huvudverk påbörjat redan 1721. Det är det första försöket i den svenska statsrättens historia. Det avlutande partiet översattes till svenska av Mathias Benzel och utgavs 1742 under titeln: “Det så kallade oinskränkta enwäldet som kon. Carl XI anno 1680 wordit uppdragit emot ogrundade ryckten förswaradt och i sitt retta lius framstäldt” medan inledningen och forntidens historia översattes och utgavs av sonen Anders Wilde 1749. unknown
1996rif. DADAX1860640621Brand: I. B. Tauris 1996-05-15. hardcover. New. 5.60x1.25x8.68. Buy with confidence. Excellent Customer Service & Return policy. Brand: I. B. Tauris hardcover
rif. 61427517John Wiley & Sons . Hardback. New. pp. 416 John Wiley & Sons hardcover
1968rif. 29200New York:: Random House 1968. First Printing of the First US Edition. A fine copy in maroon cloth binding in a Near Fine unclipped dust jacket with a closed edge tear to the spine fold. Although known primarily as the irreverent but dazzlingly witty playwright Oscar Wilde was also an able and farsighted critic. He was an early advocate of criticism as an independent branch of literature and stressed its vital role in the creative process. Included in Richard Ellmann's impressive collection of Wilde's criticism The Artist as Critic is a wide selection of Wilde's book reviews as well as such famous longer works as "The Portrait of Mr. W.H." "The Soul Man under Socialism" and the four essays which make up Intentions. The Artist as Critic will satisfy any Wilde fan's yearning for an essential reading of his critical work. Random House, hardcover
1932rif. 81512Bloomsbury: Nonsuch Press 1932. First edition. 59 pp. Light offsetting to endpapers else very near fine in near fine printed dust jacket with light chipping to crown. One of 800 numbered copies. An imaginary conversation about Oscar Wilde between Jean Paul Raymond a fictional character and Charles Ricketts written entirely by Ricketts. Inscription on the front paste-down from San Francisco collector Albert Sperisen to San Francisco printer Lawton Kennedy. Bloomsbury: Nonsuch Press, unknown
1932rif. 81512Bloomsbury: Nonsuch Press 1932. First edition. 59 pp. Light offsetting to endpapers else very near fine in near fine printed dust jacket with light chipping to crown. One of 800 numbered copies. An imaginary conversation about Oscar Wilde between Jean Paul Raymond a fictional character and Charles Ricketts written entirely by Ricketts. Inscription on the front paste-down from San Francisco collector Albert Sperisen to San Francisco printer Lawton Kennedy. Bloomsbury: Nonsuch Press, unknown books
1905rif. 142408200016Methuen and Co. : London 1905. Hardcover. Good. 0x0x0. Hardcover. SCARCE ORIGINAL 1905 PRINTING. "Second Edition" stated on title and copyright pages. Ex-Library with usual markings: bookplate inside front cover markings on front endpapers. Pages are clean and unmarked. Slightly foxed and tanned gilt top-edge shows soiling. Page edges untrimmed. Blue cloth covers with gilt lettering and decoration show moderate edge wear with rubbing and light scuffing to corners and spine tips. Rubbing to spine fading along bottom. Book is slightly shelf-cocked. Front hinge is cracked binding remains tight. INCLUDES PREFACE BY ROBERT ROSS. AN EXCELLENT READING OR REFERENCE COPY.; 100% Satisfaction Guaranteed! Ships same or next business day! Methuen and Co. : London hardcover
1921rif. 18951Paris: Calmann-Levy Editeurs 1921. An elegant copy of the 1921 1st French edition complete unto itself. Professionally bound in a handsome 3/4 morocco over marbled boards with the binder's stamp at the first blank endpaper. Solid and VG with very light offsetting along the top-edges and just a touch of light wear at the spine crown. 5 raised bands fine gilt-tooling within the compartments offsetting dark-leather title label in gilt. 12mo top-edge gilt as well. Lovely matching marbled endpapers lacking the original wrappers. Calmann-Levy, Editeurs unknown
1911rif. 26835Portland: Thomas B. Mosher 1911. Limited. Hardcover . Used - very good/Very good. 12mo. Limited to 500 copies. One devious illustration by Beardsley at end of text. Square tight copy with light foxing more so to edges. Gray boards a bit darkened at extremities. Spine label fresh however with a bit of foxing in scarce watermarked dj which is foxed at folds panels a bit darkened and short closed tear to spine; however with not a single chip housed in card-covered slipcase which is split at joints. Dj now protected in removable mylar. Thomas B. Mosher hardcover
1923rif. 18815Paris: Les Editions G. Cres 1923. 1/4 leather. Near Fine. Alastair. Sumptuous 1923 edition with Alastair's remarkable illustrations --en coulour-- complementing Oscar Wilde's text. Handsomely bound in a 1/4 dark leather over marbled boards. 5 raised bands decorative gilt devices within the compartments. Solid and VG to Near Fine. Very clean internally as well. 12mo top-edge gilt matching marbled endpapers and pastedowns. Les Editions G. Cres unknown
1920rif. mon0003874161New York: Brentano's 1920. Hardcover. Very Good. . Large 8vo 12 color plates. DJ in mylar sleeve shows minor wear rubbing tanning. Pages tanned and clean. New York: Brentano's hardcover
1905rif. 11175Hartford CT: Privately Printed By Sherwood Press 1905. This is a privately printed edition of this work and is Limited to 225 copies of which this is number 7. The paper spine label has yellowed with age although the printed title is still very legible. The rest of the book is quite nice with marbled boards good quality paper and is mostly uncut. A nice copy of a scarce Oscar Wilde piece. Limited Edition. Hardcover Comic. Very Good Minus/No Jacket. 8vo - over 7¾" - 9¾" tall. Privately Printed By Sherwood Press Hardcover
1921rif. 18951Paris: Calmann-Levy Editeurs 1921. An elegant copy of the 1921 1st French edition complete unto itself. Professionally bound in a handsome 3/4 morocco over marbled boards with the binder's stamp at the first blank endpaper. Solid and VG with very light offsetting along the top-edges and just a touch of light wear at the spine crown. 5 raised bands fine gilt-tooling within the compartments offsetting dark-leather title label in gilt. 12mo top-edge gilt as well. Lovely matching marbled endpapers lacking the original wrappers. Calmann-Levy, Editeurs unknown books
1923rif. 18815Paris: Les Editions G. Cres 1923. 1/4 leather. Near Fine. Alastair. Sumptuous 1923 edition with Alastair's remarkable illustrations --en coulour-- complementing Oscar Wilde's text. Handsomely bound in a 1/4 dark leather over marbled boards. 5 raised bands decorative gilt devices within the compartments. Solid and VG to Near Fine. Very clean internally as well. 12mo top-edge gilt matching marbled endpapers and pastedowns. Les Editions G. Cres unknown books
1948rif. 38183Buenos Aires: Sociedad de Bibliofilos Argentinos 1948. First edition. Loose in stiff paper portfolio and cardboard slip case. A near fine copy small tears to fore edge of original glassine wrapper. Unpaged 25 pp. plates. Illus. with 5 b/w plates and 2 etchings. 4to. No. 6 of 91 numbered copies of a total run of 100 on Charter Eggshell paper. Original etchings and plates signed by the illustrator. Designed by the eminent South American typographer Ghino Fogli. "Tini" is the most famous and popular of the stories of Eduardo Wilde 1844-1913 Argentine Doctor and writer. Catalina Mórtola 1889-1966 was an Argentine painter and engraver. Sociedad de Bibliofilos Argentinos unknown
1948rif. 38183Buenos Aires: Sociedad de Bibliofilos Argentinos 1948. First edition. Loose in stiff paper portfolio and cardboard slip case. A near fine copy small tears to fore edge of original glassine wrapper. Unpaged 25 pp. plates. Illus. with 5 b/w plates and 2 etchings. 4to. No. 6 of 91 numbered copies of a total run of 100 on Charter Eggshell paper. Original etchings and plates signed by the illustrator. Designed by the eminent South American typographer Ghino Fogli. "Tini" is the most famous and popular of the stories of Eduardo Wilde 1844-1913 Argentine Doctor and writer. Catalina Mórtola 1889-1966 was an Argentine painter and engraver. Sociedad de Bibliofilos Argentinos unknown books
1976rif. 001857New York: Simon & Schuster 1976. Book. Very Good. Hardcover. Inscribed by Authors. 1st Edition. 1st printing both inscribed and signed and dated by author to previous owner both on the front free endpaper and the half-title page. Spine tight but has slight cant tips pointed boards stiff and square. Boards have rubbing on bottom and top edge. Clean throughout. Otherwise text block square and clean. The dust jacket is NOT price clipped but has some wear and tear at some edges and at spine tips. Looks adorable in an archival mylar cover. Shipped in a gift wrappable box. Simon & Schuster Hardcover