6 853 résultats
réf. 144208Lynd Ward. New York: Macy-Masius: The Vanguard Press 1928. Illustrated with mezzotints by Lynd Ward. 4to 10 x 7 inches. 106 pp. Decorative title page printed in green and black. Twenty-five full-page mezzotints by Ward with historiated headpieces and side-pieces bordering the text throughout. Illustrated green pictorial endpapers. Original imitation wood-grain paper over boards brown leather spine lettered in blind. FIRST EDITION. First impression of 2000 copies. Set in Blado Italic on Aurelian Rag paper; composition and presswork by The Marchbanks Press. Signed by Lynd Ward on the front free endpaper. No dust jacket. Boards lightly toned and rubbed at the extremities; rear board with some additional wear. Spine intact and secure. Page block tanning at edges else the mezzotint plates and text quite clean. Very good. Horodisch p. 106. The Ballad of Reading Gaol was written during Wilde's exile in France following his release from Reading Prison where he had served two years for gross indecency. Ward's mezzotints - his first work for a fine press book predating Gods' Man 1929 - match Wilde's poem in their atmospheric darkness rendering the prison's figures in dense velvety shadow. . unknown books
réf. BN44878Hardcover. hardcover
réf. 23085n.d. before published version 1955; Typed Letter Signed dated 23 Jan. 1956. 170pp. 4to title label brown wraps "stabbed" sl. wrinkled edges sl. aged typed ownership sticker back cover "John Furnell 'Woodend' 24 Chessel Avenue Boscombe Bournemouth Hants." Final page additional p.170 includes a list of "Author's suggestions" for settings. With a sprinkling of corrections and additions.Opposite p.38 beginning of Act II set in the Foyer of the St James's Theatre an illustration from a Max Beerbohm book "Some Persons of the Nineties" with names from Wilde to Mallarme 10 names presumably in Furnell's hand. Enclosed: a typed information slip prepared by the Collector Barry Duncan presumably before the book was published in 1955 because it doesn't mention it. He also says "Not in BDL. Not performed" The book and this text presumably formed the basis for "The Trials of Oscar Wilde" with Peter Finch 1960. WITH: Typed Letter Signed "P. Macqueen" after typing "Phyllis Macqueen. "Jouhn Furnell" two pages 12mo foxed closed tears and chipped but text complete and clear as follows: She asks to call him "Popey" because that's how she thinks of him after his TV appearances. She has put aside the published version for him but understands that the published "Rider" has already sent one to him. She has derived great pleasure from his talks. "What wonderful memories you must have and jow dull and commonplace the present generation must seem to you." She then discusses her play about Oscar Wilde as follows: "'THE STRINGED LUTE' was originally written as a Play then re-written as a play-novel. Now it has beed re-arranged as a Play in four Acts & we hope to see it produced as a play or a film. I was wondering if you'd be so very kind as to advise me where to send it You have such wide experience in these matters about which I know absolutely nothing. But of course its always been my dream to see THE STRINGED LUTE as a full length production at Drury Lane with an all star cast and someone of Ustinoff's sic calibre as Oscar! Not that I think for a moment that this will materialise into fact - but one never knows! " If he's interested she'll send a copy "at once". She continues "I know I've ansolutely no right to trespass on your time and your kindness like this but hope taht you will forgive my doing so. I think the book is doing quite well. Hesketh Pearson liked it - and the Psychic Press has awarded it a 'Psychic Oscar'! Or so I believe. Also Rider's publishers tell me that America is interested. ." n.d., (before published version, 1955); Typed Letter Signed dated 23 Jan. 1956. paperback
1908réf. 3482London: Methuen and Co 1908. Near Fine. 8vo. Single volume of the collected works from the set of 80 copies bound in full vellum. Gilt lettering and designs by Charles Ricketts to the front board with gilt lettered spine. Top edge gilt other edges untrimmed yapp edges. Housed in a black cloth slipcase. Methuen and Co unknown
1908réf. 3480London: Methuen and Co 1908. Near Fine. 8vo. Single volume of the collected works from the set of 80 copies bound in full vellum. Gilt lettering and designs by Charles Ricketts to the front board with gilt lettered spine. Top edge gilt other edges untrimmed yapp edges. Housed in a black cloth slipcase. Methuen and Co unknown
1905réf. 10914DE PROFUNDIS Putnam 1905 first American edition some slight wear and tanning to the spine else a tight vg copy in vg/vg dust-wrapper with some light wear and non-stick tape along the inside front flap fold. Scarce in dust-wrapper as any 1905 book publication would be. Putnam unknown
1905réf. 10914DE PROFUNDIS Putnam 1905 first American edition some slight wear and tanning to the spine else a tight vg copy in vg/vg dust-wrapper with some light wear and non-stick tape along the inside front flap fold. Scarce in dust-wrapper as any 1905 book publication would be. Putnam unknown books
2000réf. 193392London: The British Library 2000. Signed limited edition number 56 of 95 copies signed by Merlin Holland Wilde's only grandchild dated 30 November 2000 the centenary of his grandfather's death. This edition reproduces the prison paper manuscript of Wilde's only literary work from his time at Reading Gaol published posthumously in 1904. Folio. Original blue half morocco spine lettered in gilt and with clover device blue cloth sides ruled in gilt marbled endpapers. Housed in original blue cloth slipcase blue morocco label on front. A fine copy in like slipcase. hardcover
1923réf. WILDEOSC016367Methuen London. 1923. Seventeenth edition. Octavo. pp x 131.Loosely inserted is the original typescript about 1000 words on five sheets by John Drinkwater of his introduction to volume VIII of the 1925 edition of Wilde's complete works. He makes a strong case for this being by the greatest of Wilde's plays. There are several fairly minor corrections in Drinkwater's hand as is the title 'Introduction to ''The Importance of Being Earnest'' '.Insert: held with a rusting paperclip; some creasing and a few edge-nicks. Book: some sporadic foxing; free endpapers lightly tanned; covers a bit rubbed; very good. Methuen, London. unknown
1840réf. 51206Dublin: William Curry Jun. and Company; London: Longman Orme Browne and Co. 1840. First edition. Two volumes. 8vo. xiv 464; viii 495 1 pp. Contemporary black half calf over marbled boards spines with raised bands gilt lettered maroon labels 2 tinted lithographic frontispieces 2 plans Tyre and Jerusalem and 2 plates skulls plus numerous illustrations in the text. Some mostly light wear to the covers slight staining to the frontispieces some leaves proud towards the front of volume II though still firmly attached a decent set overall. Dublin: William Curry, Jun. and Company; London: Longman, Orme, Browne and Co. unknown
1952réf. 170434Culver City CA: Columbia Pictures 1952. Collection of 36 vintage reference photographs from the 1952 film including 35 bordered and one borderless. Most with provenance stamps and labels on the versos and four with printed mimeo snipes affixed to same. Based on Carson McCullers' beloved 1946 novel which McCullers also adapted for Broadway in 1950 starring actors Ethel Waters and Julie Harris who reprised their roles for the film. A young lonely tomboy dreams of escaping her small southern town with her brother and his fiancée. Harris was 27 more than double the age of the fictional Frankie Addams at the time of the film's production. Set in the American South. 35 photographs 10 x 8 inches one 7.5 x 9.25 inches. Generally Very Good plus to Near Fine a couple with annotations in manuscript ink on the margins. Columbia Pictures unknown
1952réf. 170434Culver City CA: Columbia Pictures 1952. Collection of 36 vintage reference photographs from the 1952 film including 35 bordered and one borderless. Most with provenance stamps and labels on the versos and four with printed mimeo snipes affixed to same. Based on Carson McCullers' beloved 1946 novel which McCullers also adapted for Broadway in 1950 starring actors Ethel Waters and Julie Harris who reprised their roles for the film. A young lonely tomboy dreams of escaping her small southern town with her brother and his fiancée. Harris was 27 more than double the age of the fictional Frankie Addams at the time of the film's production. Set in the American South. 35 photographs 10 x 8 inches one 7.5 x 9.25 inches. Generally Very Good plus to Near Fine a couple with annotations in manuscript ink on the margins. Columbia Pictures unknown books
1968réf. feb813051968: First Ukrainian Edition of The Picture of Dorian Gray Портрет Доріана ÒÑ€ÐµÑ Dnipro hardcover
1943réf. feb407411943: First Portuguese Edition of The Picture of Dorian Gray O Retrato de Dorian Gray Portugalia
1840réf. 000202Dublin: William CurryJunand Co Longman OrmeBrowne and Company London 1840. 1st Edition 1st Printing. Hardcover. Very Good/Not called for>. Two Volumes.Original boards rebacked.New end papers. Boards and spine unevenly sunned. A tight firm set. Light sporadic foxing spots. Frontispiece Vol 1 The Yacht "Crusader" Frontispiece Vol 2 "Telmessus" from a sketch by R.Meiklam.Wilde a medical student was hired to accompany Robert Meiklam on his yacht "Crusader" " In September 1837 my friends Sir Henry Marsh and Professor Graves proposed that I should accompany as medical attendant a gentleman who was about to make a voyage for the benefit of his health. Anxiety to see the World coupled with the fact of my health then being in a precarious state induced me gladly to accept this kind offer" Contact seller regarding postage. William Curry,Jun,and Co, Longman, Orme,Browne and Company, London hardcover
1945réf. 39231945 Paris, Jarach, 1945, 27x35. En feuilles, sous couverture repliée et dans un double emboîtage cartonné rose. Joliement illustré en couleurs par Roger Wild. Tirage à 282 exemplaires, celui-ci l'un des 240 sans suite (70). Bel envoi de l'artiste : "A mon très cher ami, George Lambelet, j'apporte mon Miel et ma fidèle amitié". La dédicace est datée de 1948, tout comme le justificatif de tirage.
1978réf. 53347MARIFON 27/11/1978. 1. LP. Maloftege! MARIFON unknown
1915réf. 3274A fair to good copy of the scarce 6th edition of Wilde's work being the first edition illustrated by Jessie M King. In the original decorative cloth binding with colour title page 16 tipped-in colour plates and decorative endpapers. The binding is sound and clean but with wear. The front board has a pale mark down the board. The corners and edges are rubbed with some cloth loss and the top corner is bumped. The spine is darkened and cocked to the front. It has rubbing and wear to the spine ends which are faded and to the joints. There are short splits approx 1.5 cm in both spine joints at the bottom and a smaller split just under 1 cm at the top of the front spine joint. The back board has a very rubbed surface with light marking. The top corner is bumped and there is general wear around the edges with some cloth loss. Top page edges gilted. There is an old birthday gift inscription to the verso of the fep and a small ink mark could be 'Jo' to the top of the half title. The free endpapers are lightly toned. Contents with half title decorative title contents and illustration listings pp vi; text pp 162 with 16 tipped-in colour plates and half titles to each story. The contents are generally clean with brown toning towards the page edges which are very browned and the occasional mark. The plate at p 76 has a corner crease and the plate at p 110 has a very tiny inner corner crease which is mostly on the plate border. There is a brown spot in the bottom margin of p 102 mirrored on the plate mount opposite and more brown spots in the bottom margins of pp 103-105 including a plate mount. There is a pale mark to the side edge of the plate mount at p 136. Please enquire if you would like to see additional images. Methuen and Co Ltd hardcover
1908réf. 031930UK: Tauchnitz Edition 1908. New Edition . Full-Leather. Very Good/No Jacket. 24mo - over 5" - 5¾" tall. New Tauchnitz Edition 1908. Tauchnitz issued copyright editions of English and American works to be sold on the continent for travelers and resident English speakers. These Continental Edition were published at the same time and later as the standard UK editions. A wonderful publisher bound book in full leather. Book is very good with light edge rubbing. Contents good. A bright example. More images can be taken upon request.Ref19423 Tauchnitz Edition hardcover
1908réf. 7369712 187 pages limited edition of 1000 on handmade paper for the US and UK Published by Methuen & Co hardcover
1912réf. WILDEOSC007260Arthur L. Humphreys London. 1912. New edition with a Preface by Robert Ross. pp x 99. Blue boards with red title label. The Preface was Ross's way of acknowledging Arthur Humphrey's kindness in not raising copyright issues when this title appeared in the 1907-08 Library Edition of Wilde.Signs of damp at top corner of front cover. Head and tail of spine slightly rubbed. Very good in the scarce dustwrapper which is very good chipped at head and tail of spine faded at the spine and with a few smaller chips. Arthur L. Humphreys, London. hardcover
2002réf. __1860583431John Wiley & Sons Inc 2002. Hardcover. New. 1st edition. 284 pages. 9.25x6.25x1.00 inches. John Wiley & Sons Inc hardcover
1884réf. 9061Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm. Vanity Fair
1891réf. zj73McIlvaine 1891. 1st Edition. Hardcover. Very Good. brown binding with gold gilt on spine. 2 signatures from previous owners. the boards are shelf rubbed and knocked and there is fraying at the top of the spine. the book is internally clean and the binding is excellent. Our orders are shipped using tracked courier delivery services. McIlvaine hardcover
réf. 51-4338Paris: Émile Chamontin 1928. 4to. 20.5 x 29 cm. Original wraps with new glassine on cover and original glassine tissue guards. Very good. With twenty-three engravings by J.-E. Laboureur. Vignette on the cover 21 headbands and a cul-de-lampe. Edition of 280 copies of which 30 h.c. This is one of the 200 numbered copies on Marais watermarked with the title of the work.Carteret IV:409. - Monod 11523. Prov. J.M. Crèvecoeur ex-libris. Paris: Émile Chamontin 1928 paperback
