8.587 Ergebnisse
1888Best.-Nr. 190846London: David Nutt 1888. If you want a red rose. you must build it out of music by moonlight and stain it with your own heart's-blood First edition of Wilde's first and best-known collection of children's stories including "The Selfish Giant" "The Nightingale and the Rose" "The Devoted Friend" and "The Remarkable Rocket". Wilde's "reputation as an author dated from the publication of the Happy Prince and Other Tales in London in May 1888. The Athenaeum compared him to Hans Christian Andersen and Pater wrote to say that 'The Selfish Giant' was 'perfect in its kind' and the whole book written in 'pure English' - a wonderful compliment" Ellmann p. 282. Small quarto. Frontispiece with tissue guard and 2 plates by Walter Crane 12 head- and tailpieces by Jacomb Hood. Original cream paper-covered boards spine lettered in black front cover lettered in red with vignette design in black and publisher's device in red. Housed in a custom black cloth slipcase. Ownership signature dated 3 June 1888 of Minnie Davenport daughter of Staffordshire silk manufacturer Henry Davenport and her pen-and-ink "bookplate" in the style of Walter Crane signed "W.L.S. invent." to front free endpaper; bookplate of Jeremy Mason. Spine toned boards rubbed and marked spot of wear to outer edge of front board: a very good copy. Mason 313 "1000 copies". Richard Ellmann Oscar Wilde 1987. hardcover
Best.-Nr. 134067N.P.: Rolf Lock n.d. gilt-tooled crushed morocco in leather clamshell box with author and title gilt-stamped on spine. Miniature Books. miniature book 9.3 by 6.9 cm. gilt-tooled crushed morocco in leather clamshell box with author and title gilt-stamped on spine. unpaginated. Text in German. Written by hand by Lock on parchment. Calligraphy and illustrations by Rolf Lock. Lock b. 1955 studied lithography 1970-3 and calligraphy 1978-82 and founded his own press in 1991. Bound by Swiss artist Roland Meuter of Weggis Switzerland where he has operated a bindery since 1998. "R MEUTER" stamped on back pastedown. Hand gilt by Samuel Feinstein of Chicago Illinois U.S.A.; "SF-GILDER" stamped and embossed on leather on back pastedown. A German translation of Wilde's prose poem "House of Judgment" first published in Spirit Lamp III:2 February 17 1893 an Oxford magazine edited by Alfred Douglas. See Stuart Mason Bibliography of Oscar Wilde London: T. Werner Laurie 1914 211 Rolf Lock unknown books
1928Best.-Nr. 37691Paris Le Livre 1928 In-8, maroquin gris orn au centre de chaque plat d'une petite toile mosaque en maroquin havane avec quatre losanges pousss or, donnant naissance des jeux de filets dors et de listels en maroquin crme s'entrecroisant pour former un grand motif qui se prolonge sur les bords suprieurs et infrieurs des plats par des filets droits irradiant pousss or; rappel du dcor sur le dos sans nerfs; encadrements intrieurs orns d'un filet dor et d'un listel de maroquin havane, doublures et gardes de soie moire havane, tranches dores sur brochure, couverture imprime. Chemise, tui (Ren et Roger Mativet).23 burins originaux de J.-E. Laboureur, dont un sur la couverture, 21 en-ttes et un cul-de-lampe. Tirage limit 280 exemplaires numrots. Un des 30 exemplaires sur papier de Hollande van Gelder, comportant une suite part des cuivres en premier tat sur vieux japon. Bel exemplaire reli par les frres Mativet qui exercrent Paris de 1946 1975.
Best.-Nr. SBBIH-ITSTNHJEZDZKHarperCollins Distribution Servi 1954. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. HarperCollins Distribution Servi hardcover
1926Best.-Nr. 190158Paris: F.-L. Schmied 1926. In a superb art deco Schmied binding Signed limited edition number 59 of 162 copies only signed by Schmied on the original drawing of these two French translations of Wilde's The Happy Prince and The Nightingale and the Rose originally published in 1888. François-Louis Schmied 1873-1941 a Swiss-born French painter engraver and printer incarnated the art deco style in the 1920s which he brought to its peak in the bibliophile-oriented publishing field. Quarto 273 x 222mm. Finely bound by Creuzevault in contemporary blue crushed morocco titles to spine in red morocco onlay and blind tooling pictorial onlays in blue red brown white and black morocco heightened in silver after two of Schmied's in-text ornamental designs blue patterned silk endpapers original colour pictorial wrappers preserved blue silk bookmark untrimmed. Housed in a custom plush-lined patterned-paper slipcase light rubbing to extremities. Original gouache signed by Schmied mounted before limitation page 60 colour woodcuts heightened in silver and gilt including 4 full-page suite of woodcuts all but one on Japan title page in red and black with Schmied's device in similar colours. Light sunning and rubbing to spine the binding otherwise sharp occasional light offsetting else internally fresh and clean; a near-fine copy. unknown
1894Best.-Nr. 185053London: Elkin Mathews & John Lane 1894. A sublime production by the enfants terribles of Victorian Britain First edition in English the first to feature Beardsley's elegant art nouveau illustrations. "If Le Morte Darthur made Beardsley known his designs for the first edition in English of Wilde's Salomé made him notorious and it remains the book of which most people think when his name is mentioned" Ray. Salomé was published in French in 1893. This English translation by Lord Alfred Bruce Douglas was published the following year in a run of 500 trade copies as here and 100 on large paper. The premiere took place on 11 February 1896 at the Comédie-Parisienne; the Lord Chamberlain cited Protestant Reformation laws banning religious plays to restrict the public staging in Britain. An opera version was sanctioned for performance in 1910 though the play itself had to be staged privately until the first public performance at the Savoy Theatre in 1931. Small quarto. Frontispiece illustrated title list of illustrations pages 9 plates and tailpiece all by Beardsley; publisher's unopened 16-page advertisements at end. Original blue canvas boards spine lettered in gilt decorations designed by Beardsley to covers in gilt edges untrimmed. Cloth slightly rubbed gutter cracked between a couple of gatherings a couple of plates discreetly reinserted. A very good copy. Mason 350; Ray 315A. hardcover
1894Best.-Nr. 282902London: John Lane 1894. Limited. hardcover. very good. Tall 8vo lavender cloth faded to tan with gilt designs considerably browned on the spine and edges; pages untrimmed London: John Lane 1894. Limited First Edition. Mason 365. One of only 50 copies printed simultaneously with the first trade edition. Internally fine and clean. John Lane unknown
1898Best.-Nr. 282548London: Smithers 1898. First. hardcover. very good. Slim 8vo mustard cloth backed in white with gilt lettering. London: Leonard Smithers 1898. Limited First Edition. One of 800 copies printed on hand-made paper on one side only. Inscribed on title page; "I.O. from F.A.S. Guilsborough Hall." A very good copy with some bubbling of the cloth and light soil. Irene Osgood later the wife of R.H. Sherard author of the life of Oscar Wilde was a novelist. This book was given to her by Sir Frank Athelstane Swettenham Preserved in an attractive1/4 leather slipcase with an elaborately gilt spine. Smithers unknown
1908Best.-Nr. 139028London: Methuen & Co Ltd./Paris: Charles Carrington 1908-1922. Complete set of the works of Oscar Wilde including For Love of a King issued in 1922 and often missing from this set. Octavo 15 volumes in the publisher's original gilt-decorated full buckram top edge gilt with others uncut. One of 1000 copies issued on handmade paper. The Picture of Dorian Gray bears the imprint of Charles Carrington of Paris while the rest bear Methuen and Co. In near fine condition. Very rare with the inclusion of the 15th volume. Oscar Wilde was an Irish playwright novelist essayist and poet. After writing in different forms throughout the 1880s he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams his novel The Picture of Dorian Gray his plays as well as the circumstances of his imprisonment and early death. Methuen & Co, Ltd./Paris: Charles Carrington hardcover
1909Best.-Nr. 130510London: Methuen 1909-10. The works of Oscar Wilde. Octavo 13 volumes bound in three quarters morocco gilt titles and tooling to the spine raised bands top edge gilt. In near fine condition. Oscar Wilde was an Irish playwright novelist essayist and poet. After writing in different forms throughout the 1880s he became one of London's most popular playwrights in the early 1890s. He is remembered for his epigrams his novel The Picture of Dorian Gray his plays as well as the circumstances of his imprisonment and early death. Methuen hardcover
1999Best.-Nr. 15778VITALIS 1999. 1. hardcover. VITALIS hardcover
1894Best.-Nr. 282902London: John Lane 1894. Limited. hardcover. very good. Tall 8vo lavender cloth faded to tan with gilt designs considerably browned on the spine and edges; pages untrimmed London: John Lane 1894. Limited First Edition. Mason 365. One of only 50 copies printed simultaneously with the first trade edition. Internally fine and clean. John Lane unknown books
1943Best.-Nr. 156715Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1943. Draft script for the 1945 film. Copy belonging to an unknown crew member with their manuscript annotations in pencil on several pages. Based on the 1890 novel by Oscar Wilde about a man whose portrait magically takes on the ability to absorb the sins of his debauched life while he remains unaged. Nominated for three Academy Awards winning one for Best Cinematography. Set in London. Goldenrod studio wrappers rubber-stamped FILE COPY and COMPLETE on the front wrapper noted as copy No. 67 and production No. 5069 dated 11-5-43 with credits for director Albert Lewin. Title page integral with the first page of the text. 168 leaves with last page of text numbered 169. Mimeograph duplication rectos only with a single pink revision page dated 3-13-44. Pages about Near Fine wrapper Good only with a tear on the bottom right portion of the front wrapper and rear wrapper split from the binding bound with two gold brads. Selby US. Metro-Goldwyn-Mayer [MGM] unknown
1910Best.-Nr. 320658New York: Nottingham 1910. Limited. hardcover. fine. 10 volumes. Thick 8vo finely bound in recent 3/4 dark green morocco with twin burgundy spine labels decoratively gilt spines raised bands and marbled boards top edges gilt deckled edges. New York: Nottingham Society circa 1910. Fine. Deluxe Edition Number 832 of of 1000 sets. Nottingham unknown
1894Best.-Nr. 21246961894. London: Elkin Mathews & John Lane. 1894. Small 4to. Original blue-green woven cloth gilt designs after Beardsley blocked to boards spine lettered in gilt fore- and tail-edges uncut; pp. 10 67 1 14 advertisements 2 10 plates including frontispiece illustrated title-page contents page and tailpiece by Aubrey Beardsley printed on glazed paper from line blocks engraved by Carl Hentschel; a few chips to joints and corners small loss to head of spine affecting 2 letters of gilt text spine sunned; internally very clean; a very good copy; bookplate of William Forbes Morgan 1841-1916 to front pastedown.First English edition of Wilde's one-act tragedy the first with Beardsley's illustrations four of which contain caricatures of Oscar Wilde one of only 500 copies translated by and dedicated to Wilde's lover Lord Alfred Douglas.Though Wilde tried to fix some of the errors Douglas raged when he did and wrote to the publishers that September 'as I cannot consent to have my work altered and edited and thus to become a mere machine for doing the rough work of translation I have decided to relinquish the affair altogether.' Daniel. Nevertheless their relationship recovered and the translation has since become the text most familiar to Anglophone audiences. Steven Berkoff used the Douglas translation for his critically acclaimed Salome at the National Theatre in 1988 with all its archaisms and errors unabridged.Sadly Wilde never saw the play produced. Its only performance during his lifetime was a one-off presentation at the Theatre de la Comedie-Parisienne on 11 February 1896 by which time he was already in prison. It was not performed publicly in Britain until 1931.Gertner Zatlin 865-81; Mason 350; Reade 274-83; Samuels Lasner 59; Vallance 86. See Daniel 'Lost In Translation: Oscar Bosie and Salome' Princeton University Library Chronicle 2007. hardcover
1899Best.-Nr. 186847London: Leonard Smithers and Co 1899. Wilde's greatest play in the original cloth First edition out of series from an issue of 1000 numbered copies. Wilde's last play opened to great acclaim on Valentine's Day 1895 but was withdrawn after Wilde's failed libel suit against Lord Queensbury led to his arrest in April of that year. It was not published in book form until February 1899 after Wilde's release from prison. The play was published in a standard issue of 1000 unsigned copies 100 signed large paper copies and 12 signed copies on japon. Quarto. Original pink cloth spine lettered in gilt stylised leaf motifs by Charles Shannon in gilt to spine and covers edges uncut and untrimmed. Spine toned and a little bumped nick to head of spine occasional foxing mostly to outer leaves. A very good copy. Mason 381. hardcover
1899Best.-Nr. 182434London: Leonard Smithers and Co 1899. An unusual binding First edition number 373 of 1000 copies. This copy is in a contemporary vellum binding in a style that was popular at the end of the nineteenth century similar to those produced by both the Kelmscott Press and the Riccardi Press. This copy was part of the standard issue in cloth; a further 100 signed large paper copies and 12 signed copies on japon were produced. Wilde's last play opened to great acclaim on Valentine's Day 1895 but was withdrawn after Wilde's failed libel suit against Lord Queensbury led to his arrest in April of that year. The play was not published in book form until February 1899 after Wilde's release from prison. Quarto 210 x 155 mm. Contemporary limp vellum spine lettered in gilt green silk ties top edge gilt others untrimmed. Natural variation to vellum light foxing mostly to edges. A very good copy. Mason 381. hardcover
1926Best.-Nr. 329075Paris: F.-L Schmied 1926. Limited. hardcover. near fine. Color woodcuts and decorations by Francois-Louis Schmied printed by hand. 4to full black crushed morocco spine faded to brown with gold & silver art deco design; full gray leather doublures pictorially stamped in gilt & blind with a singing bird; gray silk fly-leaves by Gonin. Paris: F.-L Schmied 1926. Limited Edition. Fine in a leather tipped marbled board slipcase. French translation by Albert Savine of Wilde's The Happy Prince and the Nightingale and the Rose. Number VII of XII copies de collaborateurs signed by the artist. F.-L Schmied unknown
1899Best.-Nr. ST19154London: Leonard Smithers and Co 1899. FIRST EDITION. ONE OF 1000 COPIES. 215 x 155 mm. 8 3/8 x 6". 8 p.l. 213 1 pp. Original lavender cloth decorated with gilt flourishes smooth spine with gilt lettering edges untrimmed and ENTIRELY UNOPENED. Mason 385. ◆Spine slightly sunned as virtually always but no wear to joints or hinges and in all A REMARKABLY WELL-PRESERVED OBVIOUSLY UNREAD COPY because unopened and without the soiling this edition is almost always found with. This is an exceptionally fine copy of Wilde's second hit play successful like his other witty comedies but with at least slightly more serious social and political content. Opening at the Haymarket Theatre in 1895 and continuing for 124 performances it features as the title character a prominent politician in danger of losing his reputation because of a potentially damaging letter that the play's villain threatens to expose if the husband refuses to support the former's corrupt political agenda. The play moves its characters toward a more ideal moral standard as they struggle with dishonesty hypocrisy double standards materialism and corruption of social and political life. But none of this weighs down Wilde's witty banter as the play suggests after all that even when there is a pretense of the embrace of moral probity nobody is ever that good or is even expected to be. The work is dedicated to the Irish-American writer Frank Harris who is said to have given Wilde the idea to use insider trading which related to Disraeli's financial machinations as part of the plot here. Covering the play for the "Saturday Review" George Bernard Shaw declared Wilde 1854-1900 "our only thorough playwright. He plays with everything: with wit with philosophy with drama with actors and audience with the whole theatre." On nearly all copies of this edition the publisher's binding is now encountered in unappetizing condition; finding our unopened copy--with virtually none of the soiling almost always seen with the four Wilde plays bound in this lavender cloth--is piece of very good fortune. Leonard Smithers and Co unknown
Best.-Nr. 41901Berlin: Guido Moriell 1991. Limited edition. Hardcover. Fine condition. Signed by the artist on each etching and colophon. A15/50. Small Folio. 55 1pp. Original hand bound blue Morocco with geometric cover design by bookbinder Guido Moriell and black-stamped lettering on spine housed in blue cloth clamshell box with gilt lettering on spine. Every binding of the deluxe edition is a unique copy. Includes the video documenting the production of this anniversary edition housed in separate compartment of clamshell box as issued. Bibliophile edition on the occasion of the 25th anniversary of the bookbinder Guido Moriell Radolfzell released in two Deluxe Editions A and B of 50 copies each and a standard edition of 100. This is No. 15 of the deluxe edition A printed on handmade paper. With 10 signed and hand colored original etchings by Rudolf Stuckert printed on the hand press of the artist. Top edge blue. Blue shaded endpapers. Blue initials. Text revised by John Loram based on the translation by Wilhelm Cremer 1922. Beautiful hand press production on firm handmade paper by the Steinort paper mill. An artistic masterpiece of modern hand press printing and bookbinding. Rudolf Stuckert 1912-2002 was a German painter and gallerist. He studied at the Academies in Kassel and Düsseldorf and was a master student of Oskar Moll. Stuckert opened his first gallery in 1936 in Düsseldorf with an exhibitions of Bruno Goller. In 1949 Stuckert became a cofounder of the New Rhine Secession Neue Rheinische Sezession in Düsseldorf. He had moved to Lake Constance in 1947 where he became a cofounder of the artist group "Der kleine Kreis" and was considered one of the so-called Höri-Painters. His paintings are an interplay of figurative and abstract elements. Landscapes ballplayers and acrobats are his favorite motifs. Guido Moriell is a film enthusiast and bookbinder in Radolfzell Lake Constance. In 2008 his work as a bookbinder was featured in the prestigious exhibition "Kunst des Bucheinbandes Art of Bookbinding" at the Duchess Anna Amalia Library in Weimar. Emphasis of the exhibition was the bookbinding in historic fashion showing a video of Guido Moriell at work as an example of traditional bookbinding. Guido Moriell hardcover
1898Best.-Nr. 282548London: Smithers 1898. First. hardcover. very good. Slim 8vo mustard cloth backed in white with gilt lettering. London: Leonard Smithers 1898. Limited First Edition. One of 800 copies printed on hand-made paper on one side only. Inscribed on title page; "I.O. from F.A.S. Guilsborough Hall." A very good copy with some bubbling of the cloth and light soil. Irene Osgood later the wife of R.H. Sherard author of the life of Oscar Wilde was a novelist. This book was given to her by Sir Frank Athelstane Swettenham Preserved in an attractive1/4 leather slipcase with an elaborately gilt spine. Smithers unknown books
1898Best.-Nr. 2708London: Leonard Smithers 1898. First edition. Fine. One of 800 copies on handmade Van Gelder paper. A Fine copy without the fading or soiling typical of this book. Pages unopened. Housed in a custom case and chemise. Wilde's later work based on his two years hard labor at Reading Gaol for "gross indecency." Published under the pseudonym "C. 3. 3." for his cell block because the publisher feared having his name on the work would adversely affect sales. The poem is based on a fellow inmate convicted of murdering his wife and generated one of the great lines from Wilde "Yet each man kills the thing he loves." Wilde continued to revise his plays until his death in 1900 but said that he had lost the joy of writing and would write no other new works. An excellent copy housed in a handsome slipcase with chemise. Fine. Leonard Smithers unknown books
1899Best.-Nr. 16609JLondon: Leonard Smithers 1899. First Edition. Bookplate of noted writer and book collector Carroll Atwood Wilson. Laid in this copy are two printed in-house reports sheets from the Theatre Royal Haymarket from the play’s first run of 124 performances. Handwritten in ink are the sums tallying the box office receipts for the 93rd and 94th performances of An Ideal Husband on March 23 1895. The matinee brought in 82 pounds and the evening performance totaled 144 pounds. Remarkably this copy still has the pages unopened and intact. Slight chipping at top of spine else very good. Leonard Smithers unknown
Best.-Nr. 06518London: Leonard Smithers and Co. 1899. The Trivial Comedy for Serious People - Wilde's Masterpiece" First Edition One of 1000 Numbered Copies WILDE Oscar. The Importance of Being Earnest. A Trivial Comedy for Serious People. By the Author of Lady Windermere's Fan. London: Leonard Smithers and Co. 1899. First edition. One of 1000 numbered copies this being No. 256. Printed at the Chiswick Press. Small quarto 8 3/4 x 7 inches; 222 x 178 mm. 16 151 1 pp. Publisher's light red-brown linen over boards covers decoratively stamped in gilt spine decoratively stamped and lettered in gilt the design by Charles Shannon. All edges uncut. The bare minimum of rubbing to extremities free endpapers minimally browned from paste-down glue as usual; spine slightly darkened and gilt a little dulled. Still a near fine copy sound and unrestored example. The first book appearance of Wilde's most celebrated play originally performed in 1895 at the St. James's Theatre. Issued four years later by Smithers - Wilde's principal publisher during and after his fall - this edition presents the definitive text of his final and finest comedy. The Importance of Being Earnest represents the culmination of Wilde's dramatic art: a perfectly constructed satire of identity social convention and moral pretense combining epigrammatic brilliance with unmatched theatrical economy. The edition is notable for its elegant production including the Chiswick Press printing and the distinctive gilt cover design by Charles Shannon placing it among the most visually refined of Wilde's first editions. Bibliographical Reference A pleasing and well-preserved example. The slight spine darkening and mellowing of the gilt are typical; copies retaining such integrity are increasingly scarce. Mason 382. London: Leonard Smithers and Co., 1899 unknown
1968Best.-Nr. 69253London: Petersburg Press 1968. DINE Jim. The Picture of Dorian Gray. London: Petersburg Press 1968. Full Description: WILDE Oscar. DINE Jim artist. The Picture of Dorian Gray. London: Petersburg Press 1968. Limited edition signed and numbered by the artist Jim Dine on the limitation page in green ink. This being number 11 of 200 in Edition B. Folio 17 3/8 x 12 1/4 inches; 440 x 310 mm. Complete with frontispiece and twelve lithographs in color with a set of an additional 4 loose lithographs issued in a portfolio each annotated "Edition B" on the reverse and numbered 11/200 and signed by the artist in pencil on the front lower margin. Original full green velvet boards. Front board lettered in silver. Pictorial patterned endpapers. Housed in a black cloth slipcase. With additional black cloth portfolio. Cloth portfolio with a small split at top of hinge. A fine copy. "A working script for the stage from the novel by Oscar Wilde with original images and notes on the text by Jim Dine" From the title page. "The original colour lithographs etchings and text pages comprising this book were prepared on zinc and aluminum plates by the artist at Bath Academy of Art Corsham ini February 1968; and subsequently printed on Velin Arches at the Atelier Desjobert and Atelier Leblanc in Paris." Colophon HBS 69253. $4500. Petersburg Press unknown