6 299 résultats
1990réf. ZB1336315Springer 1990. Price HAS BEEN REDUCED by 10% until Monday Oct 26 SALE item 576 pp. hardcover ex library else text clean and binding tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Springer hardcover
1894réf. 182536London: John Lane at the Sign of the Bodley Head 1894. Mr Oscar Wilde is not in the house First edition one of 500 trade copies. The play's opening show was met with applause for the actors and boos for the playwright causing Wilde to announce from behind a curtain "Ladies and gentlemen I regret to inform you that Mr Oscar Wilde is not in the house" Ellmann p. 381. Wilde's opulent production used "the market forces of luxury dressmaking to comment upon the worlds of his Haymarket patrons. Audiences in the stalls and boxes continued to be both flattered and vexed by the antics of their on-stage doubles while viewers in the upper galleries enjoyed the additional spectacle of fashionable Society catching its likeness in Wilde's cunningly set mirrors" Kaplan p. 252. The play premiered at Haymarket Theatre on 19 April 1893 and ran until 16 August for 113 performances. A further 50 large paper copies were also issued. Small quarto. Publisher's 16-page catalogue dated March 1894 at rear. Original pink linen with gilt floral decorations by Charles Shannon spine lettered in gilt fore and bottom edges untrimmed. Housed in a custom green cloth slipcase and chemise. Faint marks and fading to spine ends slightly bumped cloth lightly rubbed contents toned as usual. A very good copy. Mason 364. Richard Ellmann Oscar Wilde 1988; Joel Kaplan "Wilde on the Stage" in Peter Raby ed. The Cambridge Companion to Oscar Wilde 1997. hardcover
1900réf. 187548London: Leonard Smithers c. 1900-07. A finely bound copy of Smithers's unauthorized edition with the publisher's address removed from the title page. Mason notes that "there are some misprints in the text but except in one or two places it is a line for line reprint of the earlier editions". Octavo 212 x 133 mm. Mid-twentieth century red morocco by Asprey spine lettered in gilt gilt rule to boards board edges and turn-ins floral endpapers edges gilt. Paper repair to p. 15. An attractive copy. Mason 584 & 585. hardcover
1889réf. 111349David Nutt. London. 1889. David Nutt. London. 1889. Second edition. There were only 1000 copies of the first edition published in 1888. Printed cream paper covered boards. soiled and rubbed lacks spine. Endpapers browned inner hinge visible contents slightly shaken a few margins thumbed. Pages toned. All three plates present but two of them - The Selfish Giant and The Remarkable Rocket coloured in. One headpiece also coloured and another headpiece partially coloured in. The frontis. of The Happy Prince remains untouched. Rear endpapers carelessly opened along top edge not affecting any text. Please contact us for more information. hardcover
1907réf. 187979London: Keller-Farmer Co. 1907. It lies like a leper in purple it sits like a dead thing smeared with gold The Uniform Edition the illustrated Edition De Luxe issue number 152 of 200 sets this one in unusual vibrant purple bindings. This is the most limited issue of this very early collected edition of Wilde's works. 15 vols octavo 165 x 140 mm. Frontispieces with tissue guards captioned in red plates throughout illustrated title pages letterpress title pages printed in red and black. Contemporary purple crushed morocco spines lettered in gilt compartments tooled with central tool in gilt purple cloth sides and endpapers top edges gilt fore and bottom edges uncut. Bindings bright rubbing sometime retouched with iridescent polish slight loss to corner of Salome hinge cracked but holding at p. 12 of Epigrams very mild occasional foxing. A near-fine set. hardcover
1899réf. 186774London: Leonard Smithers and Co. 1899. I really think it reads the best of my plays First edition trade issue one of 1000 copies. Wilde's political comedy premiered at the Haymarket on 3 January 1895 and ran until 6 April. His arrest the day before the production closed precipitated his "utter social destruction" ODNB and the play was not published in book form until two years after his release from prison. The edition also included 100 signed copies on large paper and 12 on Japanese vellum reserved for presentation. Quarto. Original pink cloth spine lettered in gilt stylized leaf motifs by Charles Shannon in gilt to spine and covers edges untrimmed. Bookplate of one W. A. S. Ray. Spine sunned and a little soiled closed tears to upper margins of half-title and title page neatly repaired. A very good copy. Mason 385. James G. Nelson Publisher to the Decadents: Leonard Smithers in the Careers of Beardsley Wilde Dowson 2000. hardcover
1899réf. 186847London: Leonard Smithers and Co 1899. Wilde's greatest play in the original cloth First edition out of series from an issue of 1000 numbered copies. Wilde's last play opened to great acclaim on Valentine's Day 1895 but was withdrawn after Wilde's failed libel suit against Lord Queensberry led to his arrest in April of that year. It was not published in book form until February 1899 after Wilde's release from prison. The play was published in a standard issue of 1000 unsigned copies 100 signed large paper copies and 12 signed copies on japon. Quarto. Original pink cloth spine lettered in gilt stylised leaf motifs by Charles Shannon in gilt to spine and covers edges uncut and untrimmed. Spine toned and a little bumped nick to head of spine occasional foxing mostly to outer leaves. A very good copy. Mason 381. hardcover
1894réf. 186848London: John Lane at the Sign of the Bodley Head 1894. Mr Oscar Wilde is not in the house First edition one of 500 trade copies. The opening show of this satirical play on English manners met with applause for the actors and boos for the playwright causing Wilde to announce from behind a curtain "Ladies and gentlemen I regret to inform you that Mr Oscar Wilde is not in the house" Ellmann p. 381. Wilde's opulent production used "the market forces of luxury dressmaking to comment upon the worlds of his Haymarket patrons. Audiences in the stalls and boxes continued to be both flattered and vexed by the antics of their on-stage doubles while viewers in the upper galleries enjoyed the additional spectacle of fashionable Society catching its likeness in Wilde's cunningly set mirrors" Kaplan p. 252. The play premiered at Haymarket Theatre on 19 April 1893 and ran until 16 August for 113 performances. A further 50 large-paper copies were also issued. Quarto. Publisher's 16-page catalogue dated March 1894 bound at the rear. Original pink cloth spine lettered in gilt stylised flower and leaf motifs by Charles Shannon in gilt to spine and covers edges untrimmed. Cloth lightly marked and bumped small spots of wear to extremities faint vertical crease to rear cover contents generally toned some browning to pp. 42-3. A very good copy. Mason 364. Richard Ellmann Oscar Wilde 1988; Joel Kaplan "Wilde on the Stage" The Cambridge Companion to Oscar Wilde ed. by Peter Raby 1997. hardcover
1893réf. 186770London: Elkin Mathews and John Lane 1893. Life is far too important a thing ever to talk seriously about it First edition one of 500 trade copies of Wilde's first comedy play produced at the St James's Theatre on 20 February 1892. An instant success it is considered "revolutionary in its mingling of the vocabulary of comedy the potential of tragedy and the insistence on realism" ODNB. Cigarette in hand Wilde made his legendary curtain call on the opening night: "Your appreciation has been most intelligent. I congratulate you on the great success of your performance which persuades me that you think almost as highly of the play as I do myself." An additional 50 large-paper copies were also issued. Small quarto. With 16 pp. publisher's catalogue dated September 1893 at end. Original pink cloth spine lettered in gilt stylized flower and leaf motifs by Charles Shannon in gilt to spine and covers edges untrimmed. Partially removed catalogue note and previous ownership inscription to front endpapers. Extremities bumped faint marks to front cover a few neat pencil marks to contents. A very good copy. Mason 357. hardcover
réf. Adh 9781032487007USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
réf. 4253330-75Avon. Used - Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Avon unknown
2000réf. ANAIS-13988192982000-01-01. paperback. Good. 12.9x8.1x19.8. Buy with confidence. Excellent Customer Service & Return policy. 0 paperback
1894réf. 188707London: Elkin Mathews & John Lane 1894. Deluxe issue of this sublime collaboration of enfants terribles First edition in English and first Beardsley edition deluxe issue one of 100 copies printed on Japanese vellum and bound in green silk boards. "If Le Morte Darthur made Beardsley known his designs for the first edition in English of Wilde's Salomé made him notorious and it remains the book of which most people think when his name is mentioned" Ray. Translated by Lord Alfred Bruce Douglas this edition appeared the year after the play's publication in French. The premiere took place on 11 February 1896 at the Comédie-Parisienne. To restrict its public staging in Britain the Lord Chamberlain cited Protestant Reformation laws banning religious plays. An opera version was sanctioned for performance in 1910 though the play itself had to be staged privately until the first public performance at the Savoy Theatre in 1931. A further 500 copies were printed on smaller paper and bound in blue canvas boards. Small quarto. Frontispiece and illustrated title page with tissue guard illustrated border on list of illustrations page 9 plates final tailpiece all by Beardsley. Publisher's 16-page advertisements at end. Original green silk boards spine lettered in gilt decorations designed by Beardsley to covers in gilt edges untrimmed. Binding unevenly discoloured and a little soiled minor wear to edges inner hinge partially split following title page splash mark to a couple lower margins. A very good copy. Mason 351; Ray 315A. hardcover
1907réf. 183957London: E. Grant Richards 1907. First edition signed limited issue number 6 of 25 copies signed by the bibliographer printed on larger hand-made paper and with the illustrations on Japanese vellum. A further 450 unsigned trade copies were also issued. Provenance: Alfred Sutro 1863-1933 dramatist and associate of Wilde with his morocco bookplate. Quarto. halftone portrait frontispiece 8 plates on Japanese vellum. With 2 pp. of publisher's advertisements at rear. Original white cloth spine and front cover lettered in gilt edges uncut. Cloth soiled spine toned ends and corners lightly bumped free endpapers browned: a very good copy. hardcover
réf. ANAIS-0195202317Oxford University Press. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Oxford University Press hardcover
réf. ANAIS-0262181894Mit Pr. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Mit Pr hardcover
réf. 44652LONDON ARTHUR L. HUMPHREYS 1911. A VERY GOOD COPY ON BROWN LEATHER BOARDS. LONDON, ARTHUR L. HUMPHREYS, 1911 hardcover
1898réf. 188708London: Leonard Smithers 1898. For he who lives more lives than one / More deaths than one must die Signed limited edition number 74 of 99 copies signed by the author. Wilde styled this the "author's edition" and in a letter to his publisher of 28 February 1898 he insisted on the purple binding with a new gilt remarque by Ricketts. Produced at Wilde's request it was the third edition overall appearing two months after the first. Octavo. Original cream quarter linen spine lettered in gilt purple cloth sides flower and leaf design on front cover after remarque by Charles Ricketts edges untrimmed. Housed in a dark purple quarter morocco solander box by the Chelsea Bindery. Ownership inscriptions to prelims of Florence Vanda Cunliffe Thomas 1873-1936 Red House Bicester dated March and April 1898 following publication in March. Spine toned binding a little marked surface scratch on front cover light edge wear intermittent foxing but bright overall. A very good copy. Mason 374. hardcover
2004réf. 1-0131477498Prentice Hall 2004. Hardcover. New. 2nd edition. 432 pages. 9.50x7.75x1.50 inches. Prentice Hall hardcover
réf. 122321London David Nutt 1888. . First edition one of 1000 copies; large 8vo 230 x 175 mm; half-title tissue-guarded frontispiece and 2 plates by Walter Crane decorative head and tail-pieces occasional spotting heaviest to half-title short closed tear to front free endpaper small loss to upper margin of p. 51 not affecting text auctioneers slips from 1976 loosely inserted; publisher's Japanese vellum boards spine lettered in black and lightly rubbed upper cover printed in red and black with illustration by Jacomb Hood boards toned a few small marks on lower cover corners gently bumped a very good-plus copy that presents well; preserved in a later chemise and green morocco-backed slipcase; x 116 2pp. A particularly good copy of the first appearance of five of Wilde's classic fairy tales for children comprising: The Happy Prince The Nightingale and the Rose The Selfish Giant The Devoted Friend and The Remarkable Rocket. Mason 313. London, David Nutt, 1888. hardcover
1898réf. 183481London: Leonard Smithers 1898. For he who lives more lives than one more deaths than one must die First edition one of 800 unnumbered copies printed on handmade paper; a further 30 copies on japon were published simultaneously. The first edition sold out rapidly and a second edition was issued within weeks. Octavo. Original white quarter cloth spine lettered in gilt light brown cloth sides edges untrimmed. Housed in a custom yellow cloth chemise and quarter calf with yellow cloth slipcase. Bookplate and shelf-label of John Sowden; unrelated contemporary ownership inscription to title page. Spine browned soiling to covers ends and corners bumped damp stain and browning to endpapers spots of foxing to contents. A good copy. Mason 371. hardcover
1898réf. 190120London: Murdoch & Co 1898. An impassioned defence First separate edition first published as a letter in the Daily Chronicle on 28 May 1897 just over a week after Wilde was released from prison. This is Wilde's defence of the warder of Reading Gaol who was dismissed from his job after giving biscuits to a hungry child. This copy belonged to A. J. A. Symons 1900-1941 with his bookplate in the chemise. Symons was friends with Lord Alfred Douglas and was writing a biography of Wilde at the time of his death. He was the founder of both the First Edition Club and the Book Collector's Quarterly. Octavo pp. 16. Original brown wrappers front cover lettered in black. Housed in custom gold patterned chemise. A few creases and marks to wrappers nick to front wrapper light foxing to first and last pages. A very good copy of this fragile work. Millard 26. unknown
réf. 120928Paris Charles Carrington 1909. . 'Copyright' edition; 8vo 18.5 x 13.5 cm; title printed in red and black ownership inscription in pen to half-title; publisher's green cloth gilt lettering to spine and upper board spine and board extremities slightly faded lower board a little marked spotting to edges; 312 6pp. An early edition of Oscar Wilde's famed novel. This 'Copyright' edition of Wilde's only novel was issued by the publisher due to the proliferation of pirated editions in circulation and includes a bibliographic note to the rear that lists its authorised publications. Paris, Charles Carrington, 1909. hardcover
1871réf. 190902Glasgow: Cameron & Ferguson 1871. Second edition of this collection of poetry by Jane Francesca Wilde 1821-1896 the mother of Oscar Wilde. Prior to the publication of the first edition in 1864 Lady Wilde contributed pro-Irish independence poetry to The Nation under the nom-de-plume "Speranza". Octavo. Engraved frontispiece of the poet after Bernard Mulrenin. With 10 pp. of publisher's ads at rear. Original green cloth spine and front cover lettered and decorated in gilt brown coated endpapers. Bookplate of Jeremy J. Mason. Extremities a little worn cockling to rear cover binding shaken foxing to outer leaves. A good copy. hardcover
1918réf. 191157New York: Printed and published by the author 1918. Second privately printed edition presentation copy inscribed by the author on the front free endpaper "To Clarence E. Thompson from his friend the author in token of immediate sympathy Frank Harris Oct. 1920". Thompson c.1876-1945 was a writer and political publicist. He worked on the Presidential campaigns of Theodore Roosevelt Calvin Coolidge and Herbert Hoover. The Irish-born journalist Frank Harris 1855-1931 led a dissolute life that some observers believed to have been redeemed only in his loyal support of the disgraced Wilde as demonstrated by this biography of "impressionistic value despite factual vagaries" ODNB. George Bernard Shaw in his appended letter to the author Memories of Oscar Wilde writes: "Now that you have written the best life of Oscar Wilde let us have the best life of Frank Harris" p. 32. The first private and trade editions were published two years earlier. 2 vols octavo. Frontispieces and 4 halftone photographic plates. Original green cloth spines and front covers lettered in gilt front covers ruled in blind. Bookplate of Frederick W. Skiff 1867-1947 designed by W. F. Hopson. Occasional marks extremities gently bumped front inner hinges split but sound small abrasion to front pastedown of vol. I. A very good set. Mason 694. hardcover