WILDE, OscarBiblio.com
6 279 résultats
réf. STAN0098Leipzig Insel-Verl. 1908. Behmer Marcus - 761 Seiten illustr. Doppeltitel u. 2 ganzseitige s/w. Illustrationen auf Tafeln illustr. Orig.-Pappband mit Einbandill. in Silber u. Gold gedruckt sehr gut erhalten ungebräunt. Sarkowski 1913 A. Leipzig, Insel-Verl. 1908. unknown
réf. STAN0003Hannover Heinrich Böhme Verlag 1919 gedruckt in der Offizin Mandruck in München. 4°. 77 S. Mit 16 Bildern von A. Beardsley dav. 2 illustr. Einfassungen für Titel u. Verz. 13 Tafelseiten u. e. Schlussvignette. Brauner OPappband m. mont. illustr. Deckelschild Beardsley u. schwarzgepr. Rü.titel. Einband m. starken Lichtspuren Rücken an den Kanten angeplatzt u. m. Fehlstelle am unt. Kapital Hinterdeckel etw. fleckig Exlibris auf vord. Spiegel. Raabe Autoren 21072 unter C. Moreck. Exemplar der Normalausgabe. Erste Ausgabe dieser Übersetzung mit den schönen Jugendstil-Illustrationen von Beardsley. Ein Jahr zuvor erschien im selben Verlag bereits eine Übersetzung durch Paul Steegemann und 1907 eine Übertragung von Hedwig Lachmann im Insel Verlag beide mit diesen Illustrationen. Beardsleys Illustrationen - Höhepunkt und Inbegriff der Jugendstilgraphik - gelten als die bekanntesten künstlerischen Darstellungen zu Oscar Wildes Einakter. Inspiriert von der 1893 auf Französisch erschienenen Erstausgabe der Salome entwarf Beardsley eine Zeichnung zu diesem Motiv die in der Kunstzeitschrift 'The Studio' zusammen mit einem Artikel über den Künstler veröffentlicht wurde. Das große Echo machte Wilde wiederum auf Beardsley aufmerksam. So regte Wilde selbst an dass dieser die englische Ausgabe seines Dramas illustrieren solle die 1894 - zunächst jedoch nicht mit allen entworfenen und teilweise zensierten Darstellungen - erschien. Wie in einer späteren englischen Publikation 1906 wurden in der deutschen Ausgabe die abgelehnten Zeichnungen und zensierten Details übernommen. Hannover, Heinrich Böhme Verlag 1919 (gedruckt in der Offizin Mandruck in München). unknown
2008réf. 013069London: Penguin Books 2008. Soft cover. Fine. 8vo. Bill Amberg for Penguin Classics. Stiffened vegetable-tanned buffalo calf wrappers with punch at head with blind-stamped leather title tag/bookmark on leather tie. 295 pp. In tissue-lined card presentation box with title sleeve. With publisher's insert with information on the binding. A fine collector's item. Penguin Books unknown
2021réf. 1-0062953222Avon Books 2021. Hardcover. New. 384 pages. 9.25x6.25x1.00 inches. Avon Books hardcover
1995réf. BN61307Herder Verlag 1995. Hardcover/gebunden. sehr guter Zustand! Herder Verlag hardcover
1995réf. BN61665Urachhaus 1995. Hardcover. mit kleineren Gebrauchsspuren absolute Rarität! Eines der bekanntesten Märchen Oscar Wildes: die Geschichte vom eigensüchtigen Riesen der die spielenden Kinder aus seinem Garten vertreibt bis sein Herz eines Tages weich wird. Ab 4 Jahren. Oscar Wilde wurde 1854 in Dublin geboren. Wilde studierte erst am Trinity College in Dublin dann in Oxford wo er sich mehr und mehr einem Ästhetizismus zuwandte den er nicht nur in der Kunst sondern auch im Leben zum Maß aller Dinge machte. 1884 heiratete er in London; zwei Söhne wurden geboren. In den folgenden Jahren entfremdete er sich zunehmend von seiner Frau und wurde sich wohl seiner homoerotischen Neigungen deutlicher bewußt. Gleichzeitig nahm sein Ruhm stetig zu; in rascher Folge entstanden Essays sein einziger Roman "Das Bildnis des Dorian Gray" die Märchen Erzählungen und mehrere Theaterstücke. 1895 wurde er wegen seiner Liebesbeziehung zum jungen Lord Alfred Douglas in einen Prozeß mit dessen Vater verwickelt der ihm zum Verhängnis wurde: Wilde wurde zu Zwangsarbeit verurteilt und war nun gesellschaftlich aber auch künstlerisch erledigt. 1897 aus seiner Einzelzelle entlassen floh er nach Frankreich unternahm noch einige Reisen und starb 1900 resigniert in Paris. Urachhaus hardcover
réf. 109536London Leonard Smithers 1898. . First edition one of 800 copies on handmade paper from a total edition of 830; 8vo; ownership inscription to front free endpaper some age-toning to edges endpapers browned as often; publisher's white linen-backed cinnamon cloth gilt lettering to spine spine slightly rolled and darkened light soiling to boards slight rubbing to corners and spine ends else very good. First edition limited to just 800 copies on handmade paper with a further 30 copies on Japanese Vellum. The poem was composed following Wilde's release from the titular prison and published under the pseudonym 'C.3.3.' after his cell the third cell on the third landing of Gallery C. Wilde had been incarcerated in Reading after being convicted of gross indecency in 1895 and sentenced to two years' hard labour in prison. The first edition sold out within a week resulting in a second edition being published soon after yet it was not commonly known until the 7th printing in June 1899 that C.3.3. was actually Wilde. Mason 371. London, Leonard Smithers, 1898. hardcover
1957réf. 48391Folio Society 1957. 8vo. First Edition thus with coloured frontispiece title in blue and black and full-page illustrations in the text; blue patterned cloth gilt back ivory endpapers a near fine copy in publisher's board slip-case. SCARCE IN THIS CONDITION. Folio Society, hardcover
1960réf. 48387Folio Society 1960. 8vo. First Edition thus with coloured frontispiece fine full-page coloured illustrations in the text text-vignettes toned in green and pictorial endpapers; green silk boards gilt back red top a near fine copy in publisher's board slip-case the case lightly browned at extremities. SCARCE IN THIS CONDITION. Folio Society, hardcover
réf. 65824London: Leonard Smithers and Co. 1899. Literature FIRST EDITION. Small quarto 21 x 16cm pp.xvi; 214; 2 blank. Publisher's pink cloth with nouveau decoration in gilt edges untrimmed. Engraved bookplate of Ernest Thornton-Smith to paste-down. Edges toned deckles are dusty covers with some expected soiling/handling to light coloured cloth spine age-darkened. Very good. One of only 1000 copies published. An Ideal Husband was Wilde's third comedy which appeared at the Haymarket on January 3 1895. This first printing gave no mention of the author. Mason 385. London: Leonard Smithers and Co., 1899 unknown
réf. ria9781107176164_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This new edition of Wilde's popular book promises over 100 pages of new material exercises and references. New attention is given to the derivation of the Choi–Kraus theorem for quantum channels the CHSH game quantum relative entro hardcover
1919réf. 139580London: Methuen & Co. Ltd 1919. First edition of this selection of Wilde's literary criticism. Octavo original publisher's cloth. In near fine condition. Ownership inscription. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Wilde's A Critic in Pall Mall contains extracts from his critical works on Keats Shakespeare Balzac Aristotle early Christian art in Ireland Y.B. Years and William Morris among a wide variety of other subjects. Methuen & Co. Ltd hardcover
1923réf. 139527London: Methuen & Co. Ltd 1923. First edition of the infamous fifteenth volume of Metheun's Collected Works of Oscar Wilde which caused a legal dispute between Wilde's bibliographer Christopher Millard and the publisher. Octavo original publisher's white linen cloth. One of 1000 copies printed on handmade paper. Publisher's "Presentation Copy" stamp to the title page. Near fine in the rare original dust jacket which is in good condition. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Methuen & Co. Ltd hardcover
1925réf. 139325London: Methuen & Co. Ltd 1925. First illustrated edition of this rare Wilde title. Royal octavo original half cloth illustrated with woodcuts by Frans Masereel. One of 450 numbered copies this is number 16. Fine in the rare original dust jacket which is in very good condition. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Methuen & Co. Ltd hardcover
1882réf. 140655Philadelphia: J. M. Stoddart & Co 1882. First edition of Rodd's first book of verse which was published with the assistance of Oscar Wilde. 12mo original publisher's vellum with gilt inner dentelles silk watered endleaves top edge gilt with others untrimmed illustrated. In near fine condition. Neat ownership inscription. Rare. J. M. Stoddart & Co hardcover
1902réf. 140214Washington: Snohomish 1902. First edition of Wilde's classic Hellenic poem. Octavo original boards illustrated with engravings and hand painted initials embellished in gilt frontispiece by John Dennis Clancy. In very good condition. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Snohomish hardcover
1906réf. 140212Sunderland: Keystone Press 1906. First edition of Wilde's report on his lecture tour throughout America in 1882. Octavo original stiff paper wrappers. One of fifty numbered copies this is number 24. Very good with the majority of the original dust jacket. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Keystone Press unknown
1904réf. 140581London: Privately Printed 1904. First separate edition of Wilde's classic collection of of mystery tales; a pirated edition produced by Leonard Smithers. Octavo bound in three quarter morocco over marbled boards with gilt titles to the spine original wrappers bound in. One of 300 numbered copies this is number 125. In fine condition. A very rare Wilde title. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Privately Printed hardcover
1898réf. 162864London: Leonard Smithers 1898. Written from exile in France First and limited edition one of 800 unnumbered copies printed on handmade paper; a further 30 copies on japon were also issued. Wilde published this work under the pseudonym "C.3.3." after his cell in Reading Gaol the third cell on the third landing of Gallery C. The first edition sold out rapidly and a second edition was printed within weeks. Octavo. Original white quarter cloth spine lettered in gilt yellow cloth sides fore and bottom edges untrimmed. Housed in a custom pink morocco backed slipcase and chemise. Bookplate of Douglass Cooper to front pastedown. Spine ends bumped a little soiling to cloth endpapers lightly browned and foxed else a near-fine copy in unusually nice condition. Mason 371. hardcover
1898réf. 75660London:: Leonard Smithers 1898. Second edition. publisher's white and gold cloth gilt-lettered on the spine. Ink ownership name on front free endpaper; endsheets tanned; a very few smudges and spots to text and deckled fore-edges a bit tanned. The original binding is dust-soiled and stained; spine quite tanned; but tight and sound. . 8vo. Leonard Smithers, hardcover
1994réf. BN59968Herder Verlag 1994. Hardcover/gebunden. untere Ecken leicht bestoßen! Herder Verlag hardcover
1995réf. BN59969Herder Verlag 1995. Hardcover/gebunden. untere Ecken deutlich abgewetzt Seiten sauber! Herder Verlag hardcover
2013réf. 1-006221893XAvon Books 2013. Mass Market Paperback. New. 4/28/13 edition. 384 pages. 6.75x4.18x0.96 inches. Avon Books paperback
2011réf. 1-006198843XAvon Books 2011. Mass Market Paperback. New. 384 pages. 7.00x4.25x1.25 inches. Avon Books paperback
2020réf. 1-1496720873Kensington Pub Corp 2020. Hardcover. New. 304 pages. 8.50x6.00x1.25 inches. Kensington Pub Corp hardcover
