Wilde, OscarBiblio.com
8480 risultati
1986rif. Q-014043187xPenguin Classics 1986-04-01. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Penguin Classics paperback
1909rif. 79291Paris: Charles Carrington 1909. Hardcover. Fair Condition. This copy retains the bibliographic note at the rear about pirated editions. The page edges are very browned indeed and there is a small stain to the top opening corner of the last few pages and the rear board. The top of the spine is a little frayed and the spine browned. Size: Octavo standard book size. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 79291. . Charles Carrington hardcover
rif. 3753804940.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
rif. 53748337like new. unknown
2026rif. LRB32009194Paris: Editions Recreasoft 2026 Sprache: Deutsch. Ca. 530 Seiten. Deutsch : Nachdruck auf Anfrage. Originalausgabe : 1861. Werk auf Deutsch. Diese systematische Beschreibung der Raupen bietet detaillierte Informationen über ihre Lebensweise und Entwicklungszeiten. Das Werk ist ein wertvolles Referenzwerk für Entomologen und Naturforscher das die Biologie und Ökologie dieser Insektenlarven umfassend behandelt. Buchbilder sind unverbindlich English: Print-on-demand reprint. Original edition : 1861. Text in German. This systematic description of caterpillars provides detailed information about their lifestyle and development times. The work is a valuable reference for entomologists and naturalists comprehensively addressing the biology and ecology of these insect larvae. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2000rif. 301544United Kingdom: Fourth Estate 2000. Book. Very Good. Hardcover. 1st Edition. hardback large thick octavo a tightly bound copy in a well preserved pictorial dust jacket which is now protected in a non-adhesive archival film sleeve. Small signature of a previous owner at the head of the half-title page the contents otherwise clean and unmarked. Illustrated with b&w plates xxvi 1270pp. Fourth Estate Hardcover
rif. 75-3018Amsterdam: Stedelijk Musuem Amsterdam 1970. 8vo. Soft cover. Very good ding in spine light rust 78 pp. B&W and some color plates. Amsterdam: Stedelijk Musuem Amsterdam, 1970 paperback
rif. 0790116871.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0806523743.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 0954765036.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 51-5719London: Petersburg Press 1968. Folio. 31 x 44 cm.Original red velvet binding with silver stamping in a black slipcase. The spine slightly lightened and the slipcase in 2 shades of black One of 200 signed and numbered copies from the A. Edition without the extra six lithographs called for.The 12 original lithographsj include the following from the 1970 Galerie Mikro catalogue: 47a b c d e g plus 5 not in Mikro.Printed by Atelier Desjobert and Atelier Georges Leblanc Paris. London: Petersburg Press, 1968 unknown
rif. 71-4601Cambridge MA.: The MIT Press 2001. 4to. 146 pp. Hard Cover. With Dust Jacket. Color plates throughout. Very Good. Minor rubs to the dust jacket.Heavy volume could cost extra for shipping. Cambridge, MA.: The MIT Press, 2001. hardcover
rif. A9781138187535Paperback / softback. New. The 500th anniversary of the first publication of Thomas More's Utopia invites a reappraisal of its significance not just as an ironic and playful fiction but as a serious contribution to social and political thought. More delivers a searing critique of the injustices of his time and imagines a radical alternative based on common ownership and representative government. In this new interpretation Wilde surveys the context from which Utopia emerged and analyses its key themes - politics economics social relations crime and punishment war and religion. Although the society of the Utopians is created as a remedy to the ailments of the old world there are restrictions on individual freedom which reflect More's suspicion of human nature's innate fragility. Wilde argues that this should not detract from the power of the book in challenging the root causes of inequality and oppression. The true legacy of Utopia lies in its plea for social justice in the face of a world driven by greed and the lust for power. A compelling case is made for the continued relevance of this masterpiece a legacy that should not be diminished by attempts to discredit More's character which are dealt with here in the epilogue. Offering a new perspective on this important historical text this book is essential reading for students and scholars working in radical politics the history of social thought and literature as well as anyone interested in learning more about this fascinating work. paperback
rif. 51-4876New York: Gabriel Wells 1925. 8vo. 14.5 x 22.2cm. xlvi 190 pp. Original blue boards with matching cloth spine repaired and paper label label rubbed and discolored. One of 575 copies only the first volume is numbered. New York: Gabriel Wells, 1925 hardcover
rif. 51-4873New York: Gabriel Wells 1925. 8vo. 14.5 x 22.2cm. xviii 302pp.Original blue boards with matching cloth spine repaired and paper label label rubbed and discolored. One of 575 copies only the first volume is numbered. New York: Gabriel Wells, 1925 hardcover
rif. 51-4871New York: Gabriel Wells 1925. 8vo. 14.5 x 22.2cm. xxx 406pp.Original blue boards with matching cloth spine repaired and paper label label rubbed and discolored. One of 575 copies only the first volume is numbered. Short tear in margin of one page. New York: Gabriel Wells, 1925 hardcover
rif. 51-4875New York: Gabriel Wells 1925. 8vo. 14.5 x 22.2cm. xxvi 258pp.Original blue boards with matching cloth spine repaired and paper label label rubbed and discolored. One of 575 copies only the first volume is numbered. New York: Gabriel Wells, 1925 hardcover
rif. 51-4869New York: Gabriel Wells 1925. 8vo. 14.5 x 22.2cm. 342pp.Original blue boards with matching cloth spine repaired and paper label label rubbed and discolored. One of 575 copies only the first volume is numbered. New York: Gabriel Wells, 1925 hardcover
rif. 51-4868New York: Gabriel Wells 1925. 8vo. 14.5 x 22.2cm. liv 350pp.Original blue boards with matching cloth spine repaired and paper label label rubbed and discolored. One of 575 copies only the first volume is numbered. New York: Gabriel Wells, 1925 hardcover
rif. 68-1140London: Methuen 1920. 16mo. Green Cloth 182 pp. Very Good. Previous owner's signature on FFEP.Ninth Edition. London: Methuen, 1920. hardcover
rif. B9780998059198Paperback / softback. New. paperback
rif. B9780979884887Paperback / softback. New. paperback
rif. 51-4338Paris: Émile Chamontin 1928. 4to. 20.5 x 29 cm. Original wraps with new glassine on cover and original glassine tissue guards. Very good. With twenty-three engravings by J.-E. Laboureur. Vignette on the cover 21 headbands and a cul-de-lampe. Edition of 280 copies of which 30 h.c. This is one of the 200 numbered copies on Marais watermarked with the title of the work.Carteret IV:409. - Monod 11523. Prov. J.M. Crèvecoeur ex-libris. Paris: Émile Chamontin 1928 paperback
rif. 17-1178New York: Forum Gallery 2018. 8vo. ca 20 pp. Soft Cover. Very Good. Illustrated paper wraps. Color plates throughout including some fold-outs. Scarce.From the Collection of the Art Historian Peter Selz. New York: Forum Gallery, 2018. paperback
rif. 51-2530Mount Horeb Wisconsin: Perishable Press Walter Hamady 1985. Original handmade paper covers. 26 x 19 cm. Full page illustrations. Unpaginated. Edition of 200 copies. Fine.Mailing label from Perishable Press included. John Wilde an American surrealist associated with the Magic Realist school of painting whose fantastic darkly humorous images brought him fame far beyond his native Wisconsin died on March 9 2006 at his home in Cooksville. He was 86.The cause was cancer said his dealer Tory Folliard of the Tory Folliard Gallery in Milwaukee.Mr. Wilde pronounced WILL-dee dedicated his six-decade career to painting with an exacting touch narratives involving grotesque doll-like people in otherworldly situations. He was inspired partly by Salvador Dalí and partly by Northern Renaissance masters like Bosch and Grünewald.Mr. Wilde often painted himself into his pictures giving himself a weirdly oversized and misshapen head. He also created intensely detailed colorful and mysteriously glowing still lifes.Although he lived his whole life in Wisconsin -- except for a wartime stint in the Army -- Mr. Wilde rejected the regionalism of artists like Grant Wood and John Steuart Curry. Instead he became part of a loose community of like-minded Midwesterners -- including Marshall Glasier his teacher at the University of Wisconsin and the Chicago-based fantasy painter Gertrude Abercrombie -- who advocated idiosyncratic and freely imaginative forms of expression. His paintings also relate to those of New York-based Magic Realists like Paul Cadmus and George Tooker. For Mr. Wilde's solo exhibition in New York at the Edwin Hewitt Gallery in 1950 the ballet impresario Lincoln Kirstein a friend of Cadmus and the New York Magic Realists wrote the brochure text.Paintings by Mr. Wilde were included in "Surrealism USA" a major exhibition at the National Academy Museum in New York last year. Currently two shows of Mr. Wilde's works are on view: at Spanierman Gallery in New York and at Tory Folliard Gallery in Milwaukee Mount Horeb, Wisconsin: Perishable Press (Walter Hamady), 1985 unknown
