8 611 résultats
1955réf. 138056Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1955. Original scenario artwork for the 1955 film depicting two men and a woman each well dressed and on horseback meeting in front of a large mansion. Historical costume drama set during the Revolutionary War. American Major John Boulton feigns desertion in order to uncover a British plot to seize the stronghold of West Point. Gouache artwork 26.5 x 12 inches within with an unpainted border of roughly 1 inch. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1949réf. 133084Culver City CA: Columbia Pictures 1949. Vintage studio still photograph of director Douglas Sirk working on the set of the 1949 film noir. A wonderful photograph of the entire crew shooting a scene where Cornel Wilde and Patricia Knight are parting at an airport. Sirk is standing on a crane support at the left and cinematographer Charles Lawton Jr. is seated just below. A key American noir from an original screenplay by Samuel Fuller. Shot on location throughout Los Angeles and notably in the Bradbury Building on Broadway now an architectural landmark originally built in 1893 by Los Angeles mining millionaire Lewis L. Bradbury and designed by George Wyman. In a custom museum-quality frame archivally mounted with UV glass. 7 x 9 inches borderless with a studio stamp and a mimeograph snipe on the verso. Near Fine. Selby US. Silver Classic Noir. Spicer US. Columbia Pictures unknown
1977réf. G0848620259I4N10Roth Pub 1977. Hardcover. Very Good. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Roth Pub hardcover
1884réf. 10030Manchester: George Falkener & Sons at The Imperial Press 1884. Lacking half of front board otherwise in very good condition. A special commemorative program and literary album published to support the Chelsea Hospital for Women and sold at a huge 1884 fundraiser held at the Royal Albert Hall in London. Binding square and sound in spite of loss to right hand half of upper lower corners and spine panel. Light spotting to preliminaries. Text block otherwise unmarked featuring original literary prose poetry illustrations by Walter Crane John Dinsdale W. Weekes F. Goodall Mrs Houghton and more and music submitted by prominent artists and writers of the Victorian era plus c.65 pp. of contemporary advertisements to the rear. Laid in is a contemporary Bank Order for donations. Edited by J.S. Wood the hospital's secretary at the time. Printed by George Falkener & Sons Art printers. A scarce and most visually appealing piece of Victorian social history. Please contact Christian White Rare Books Ltd for more information or images of this item 1884 George Falkener & Sons at The Imperial Press unknown
réf. 3852720095New. Never used book
1993réf. 040253London: The Folio Society 1993. Hardcover. Near Fine/No Jacket. 8vo - over 7¾ - 9¾" tall. Ian Archie Beck. Three volumes entitled Stories Plays and Poems and Essays and Letters bound in cream cloth with brown with gilt decoration. A little dust-marked to the brown-dyed upper closed page edge and the cream fabric is a little creased at the top spine corners production issue. Otherwise unblemished unused. Housed in a sturdy brown paper covered slipcase with title in gold on both sides scuffing to bottom edge otherwise fine. May incur additional postage charges overseas. The Folio Society hardcover
1969réf. 50211Amsterdam: Stedelijk Museum 1969. First edition. Near fine. Scarce catalogue of the 1969 exhibition of Arte Povera and Conceptual Art less known but as innovative and groundbreaking as the same year's more-mythologized "When Attitudes Become Form" and similarly an expression of its own curator's personality and vision. "Op Losse Schroeven" and "When Attitudes Become Form" were conceived planned and exhibited more or less concurrently but independently: Stedelijk Museum director de Wilde though supervising one curator and friendly with the other apparently shared no information in either direction despite considerable overlap in vision. If the curators were not well informed on their peer's progress those artists invited to participate in both exhibitions were: one of those artists Ger van Elk "made the curious suggestion that the physical similarity of the two men - each was solidly built bearded and bohemian in style - made it interesting for an artist to work with them both as their quickly staggered studio visits turned into a kind of performance; that of a curator chased by his doppelgänger" Rattemeyer. With work by Carl Andre Giovanni Anselmo Joseph Beuys Bill Bollinger Gerrit Dekker Barry Flanagan Bruce Nauman Richard Serra Robert Smithson Lawrence Weiner and others. 10.75'' x 8''. Original wrappers housing two bound portfolios designed by Wim Crouwel and Jolijn van de Wouw of Total Design Amsterdam. Text in Dutch and English. Illustrated in black and white. Printed on multi-colored paper. Light edgewear and soil to wrappers minor creasing to page edges. Stedelijk Museum unknown
1998réf. 43734Cambridge MA: MIT Press 1998. First American edition. Very good in a very good jacket. First US edition with photographs from the "Icons of New Objectivity" series as well as Renger-Patzsch's lesser-known images of landscapes urban scenes and nature studies. 113 full-page black and white plates. Translated from the German edition. Co-edited by Thomas Weski with Ann and Jurgen Wilde with an essay by Thomas Janzen. Hardcover. 4to. Grey cloth boards in black and white photographic dust jacket. Toning to spine and upper edges of jacket; corners and spine ends bumped. 176pp. MIT Press hardcover
réf. CA06AA-00016Coward-Mccann. Collectible - Acceptable. New York: Coward-McCann 1930. 1st edition. 39pp. B/W illustrations. Fair book. Binding cracked. authors irish 19th century correspondence Inquire if you need further information. Coward-Mccann unknown
réf. 0483554111.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1973réf. 526232Belfast: Crannog Press 1973. Hardcover. Near Fine. First edition by this publisher and first illustrated by Margaret McCord. Octavo. 19pp. Printed in blue ink on black paper. Dark blue cloth with publisher's printed label on front cover. Illustrated by Margaret McCord with three full-page color illustrations. Binding is slightly rubbed at tips of spine and corners front endpaper has a few abrasions from a removed bookplate else a near fine copy issued without printed dust jacket. Limited to 100 numbered copies. Contains the following 'prose' poems by Oscar Wilde: "The Master; The Disciple; The House of Judgement; The Doer of Good; and The Artist. Crannog Press hardcover
réf. 0368291073.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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réf. 1391583140.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0368285707.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0368285650.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0368291960.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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réf. 1332800238.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0428997848.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1334703280.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0428454089.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1390741273.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback