8.484 Ergebnisse
1926Best.-Nr. 259052Paris: Ye Olde Paris Booke-Shoppe. Good with no dust jacket. 1926. Third Printing. Cloth. Former owner's name and date penned to front endpaper. Pen marking to some pages. ; 12mo; 352 pages . Ye Olde Paris Booke-Shoppe hardcover
1982Best.-Nr. ST16482Bayreuth: Printed by Chr. Scheufele Offizin Stuttgart for Bear Press 1982. No. 1 OF 10 COPIES ON VELLUM plus a "special" edition of 25 copies and 185 copies on Kochi Japanese paper. 223 x 148 mm. 8 7/8 x 5 3/4". 50 pp. 2 leaves.Translated and with an afterword by Wolfram Benda. Publisher's fine burgundy morocco by Erwin Lehr upper cover with gilt rose in recessed square flat spine with gilt titling turn-ins with gilt fillet frame pale yellow silk pastedowns. In the original burgundy suede slipcase. With three large initials in burnished gold and four signed and numbered original etchings by Peter Klitsch. Printed in red and black. Signed in the colophon by the artist the binder and the publisher/translator. In mint condition. This is the splendid deluxe version of a finely crafted private press edition of Wilde's fairy tales "The Nightingale and the Rose" "The Happy Prince" and "The Selfish Giant." It is the third work issued by the Bear Press founded in 1979 by literary scholar Wolfram Benda and still in operation. According to the firm's website "at a time when the craftsmanship and ethos of the artisan in bookmaking have been damaged by ever-increasing industrialization and neglect . . . The Bear Press . . . tries to achieve the highest possible degree of technical and artistic perfection in its printed works." The font used to print the text and the artist chosen to illustrate each work are carefully selected to express "the individual author's personality and intention." Even the discriminating aesthete Wilde 1854-1900 would be pleased with the choices here especially for the luxurious vellum printing: the type is set in refined Walbaum Antiqua and shown off with special effect by the creamy leaves; the etchings by Austrian artist Peter Klitsch b. 1934 are meticulous detailed and reminiscent of the work of Wilde's friend Aubrey Beardsley; and the binding is the epitome of tasteful restraint flawlessly executed with premium materials. The three tales here first appeared in 1888 and are bittersweet in their themes of love and self-sacrifice. His stories for children were one of Wilde's early successes and DNB notes "Their permanent place in child affections refutes the vulgarism that Wilde's literary reputation arose from his legal notoriety. In all cases the fairy tales are on the child's side celebrating the courage and generosity of the poor and vulnerable while their satire mocks the kind of pomposity and hypocrisy children can recognize." We have been able to trace just two other copies of the vellum printing at auction in ABPC and RBH. [Printed by Chr. Scheufele Offizin, Stuttgart, for] Bear Press unknown
1923Best.-Nr. 56675München Munich: Drei Masken Verlages 1923. Limited Edition. Very good. SIGNED. 57pp. Quarto 28 cm Parchment vellum boards with a hubbed spine gilt spine title and single gilt ruled borders on the spine and boards. Top edge gilt. Patterned endpapers. Bound by Hübel & Denck in Leipzig. The front board is wavy. There is a previous owner's decorative bookplate on the front pastedown. The text is in English. Ritter C a 29. Woodcuts by Frans Masereel. This is one of the copies which have been numbered with Roman Numerals. Number XLVII of LXX the copies numbered in Roman numerals forming part of an overall edition of 340 copies. Signed by Frans Masereel on the limitation page. Masereel has additionally signed the seven full-page woodcut illustrations within. Drei Masken Verlages unknown
1906Best.-Nr. 1843Düsseldorf: Schmitz & Olbertz 1906. First German edition. Numbered one of 600 copies. In unique custom made hand-painted vellum binding by Lajos Kozma. Title on spine in gilt lettering. Upper edge gilt. Paste paper endpapers. Kozma’s signet on front flyleaf’s verso and another signet supposedly of the owner: “CHW” on the additional flyleaf drawn by Kozma in black ink. Binding with slight discolorations and light stains. Inside some light and scattered foxing. Overall in fine condition. First German edition. Numbered one of 600 copies. In unique custom made hand-painted vellum binding by Lajos Kozma. Title on spine in gilt lettering. Upper edge gilt. Paste paper endpapers. Kozma’s signet on front flyleaf’s verso and another signet supposedly of the owner: “CHW” on the additional flyleaf drawn by Kozma in black ink. 44 4 p. The first German edition of The Priest and the Acolyte in Lajos Kozma’s Unique Hand-Painted Art Nouveau binding. Lajos Ludwig Kozma 1884–1948 was one of the chief Hungarian architects and interior designers of the first half of the 20th century he is also known for his graphic designs and book illustrations and binding designs. His early works were created in Art Nouveau style but later through Art Deco he found his way to International Modernism. The scandalous story of The Priest and the Acolyte here in A. W. Hiller’s translation is attributed to Oscar Wilde however its real author was John Francis Bloxam 1873–1928 an English Uranian author and churchman. The novel appeared first in The Chameleon Vol. I No. 1 December 1894. . Schmitz & Olbertz unknown
Best.-Nr. 9589494978.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. 0515044210.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 075400077X.Gcassette. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
Best.-Nr. alb7e3bc4e532cc413eA series of foreign classics by M. Eksmo-press 2001. Please contact us for details on condition of available copies of the book.�SKUalb7e3bc4e532cc413e. unknown
Best.-Nr. 1517372356.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1169227775.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1997Best.-Nr. SL-3540761292Springer 1997-05-30. paperback. New. In shrink wrap. Looks like an interesting title! Springer paperback
Best.-Nr. 0874820693.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1494247Mosher Press. Collectible - Very Good. Condition: Very Good ; Hardcover in dustjacket. This is one of 500 copies of this book on Italian Hand-Made paper privately printed by the Mosher Press for Edward Woods Sewickley and distributed in November 1919. The book is in Very Good condition with clean covers and pages sharp corners and a tight square binding. Bookplate on front pastedown. Jacket is clean with a touch of wear at spine top no rips or tears. Mylar. Laid in is a printed card from the Woods presenting the book to another individual. Photos upon request. Mosher Press hardcover
Best.-Nr. 1855645262.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. 1477102E. P. Dutton. Collectible - Very Good. Condition: Very Good; Hardcover in dustjacket. Black cloth backstrip over green paper covered boards. First Edition thus. Artwork by John Vassos. Condition is Very Good in a Good- dustjacket. Book has clean covers and pages along with a tight square binding. Lower corner bumped with rubbing to bottom edge. Bookplate on front pastedown. All plates intact. Jacket is clean with chipping at spine ends and edgewear along the top and corners. Some fading along edges. Photos upon request. E. P. Dutton hardcover
Best.-Nr. 11050Cambridge MA. Very Good in Very Good dust jacket; Cloth; The MIT Press; 1997; First . Edition. Edited by Ann & Jurgen Wilde and Thomas Weski. Albert Renger - Patzch Photographer of Objectivity. Cambridge MA: The MIT Press 1997 1998 First American Edition 176 pp. Pictorial dust wrapper with black and white photographs on front and rear wrap. Grey cloth boards with black titles to the spine very good with light wear to the edges. Introductory text by Thomas Janzen. Black and white frontispiece of Renger - Patzch 113 black and white plates of Renger - Patzch's photographs. 176 pp with a short biography and a bibliography. ; 4to 11" - 13" tall; 176 pages . hardcover
1931Best.-Nr. 021956New York: Rudolph Field Inc. 1931. Book. Very Good-. Hardcover. Inscribed and Signed By the Author. First Edition. 8vo - over 7¾ - 9¾" tall. xvi 210pp ---- Full page inscription inside front cover praising Alfred F. Goldsmith and Sign of the Sparrow Bookstore in New York signed printed by Ted Wilde ---- spine very lightly cocked; just mild soiling and wear to covers. Rudolph Field, Inc. Hardcover
1930Best.-Nr. LPB010393OWNew York: Williams Belasco and Meyers 1930. Reprint Edition. Hardcover. Near Fine/Fair. A beautfully produced edition of this work. In blue cloth with gilt to type and design motif. Top page ends tinted dark blue. Just a little wear to spine ends. Sharp corners clean interior and solid binding. Still has original glassine under the jacket which is shortter than the book and has some chips at top of spine with tear to the bottom of rear panel with some creasing. Gold fabric like jacket has chipping mostly to corners spine ends but also panel ends. Larger chip to heel of spine. Some nicks and several tears with longer one to bottom of front panel near spine. Puncture to spine and some creasing. Quite scarce in jacket. Williams, Belasco and Meyers hardcover
Best.-Nr. 1964291054.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1025141121.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 9091London: Collins 1952. Collins Classics 701. Hardcover 384 pages. Good/Good. Collins Classics no. 701. Bowing to boards. Cloth bound with gilding on outer spine. Inked top edge. Wrinkling to back paste-down with wrinkling to various pages mostly from 279 - 325. Ink spots foxing and soiling to text block. Foxing and light soiling to inner and outer dust jacket. Light fading to outer spine of dust jacket. Light creasing to inner and outer dust jacket. Collins hardcover
2003Best.-Nr. 17038Folio 2003. Book Hardcover. Fine. In near fine slipcase. Folio hardcover
1965Best.-Nr. 1300985New York: Ernest Rathenau 1965. Book. Illus. by Erich. Very Good. Cloth. 4to - over 9¾" - 12" tall. A crisp copy in like dj slipcase slightly damaged . Pics available. Ernest Rathenau Hardcover
1925Best.-Nr. 1301071London: Methuen 1925. Book. Illus. by Frans Masereel. Good. Board with Cloth Spine. Limited/Numbered. 4to - over 9¾" - 12" tall. Number 59 of 450 copies pp 62 Internally very good subject to some tanning to the endpapers binding firm cover sound with some marking . Pics available. Methuen hardcover
1919Best.-Nr. 1100937Potsdam: Gustave Kiepenheuer Verlag 1919. Book. Illus. by Charlotte Christine Englehorn. Very Good. Board with Cloth Spine. 8vo - over 7¾" - 9¾" tall. The book is bright and firm with tanning to the endpapers and a little fading to the top margin of the boards. The dj is sound with a fair degree of fading. Pics available. Gustave Kiepenheuer Verlag hardcover