6.853 resultados
ref. 6630Paris, Librairie Marceau, 1942. Grand in-8, broché, couverture imprimée et rempliée, 69 pp.
1999ref. 44179Wommelgem Belgium: Blondé Artprinting International 1999. First Edition. Quarto 31cm x 25cm. Gray cloth boards hardcover with titling blind-stamped on cover and spine; pictorial dustjacket; 344pp; illus. Fine copy; appears new. Very Good dustwrapper; small tear to upper cover panel; shelf wear to extremities else clean and sound. Published on the occasion of the retrospective exhibition 'James Ensor' commemorating the 50th anniversary of the Belgian artist's death held at the Musées royaux des Beaux-Arts de Belgique in Brussels September 24 1999-February 13 2000. Scholarly texts by art historians and curators coupled with a catalogue of 370 color reproductions of Ensor's paintings drawings watercolours prints engravings posters and memorabilia. Blondé Artprinting International unknown books
ref. 55367P., Gallimard, NRF, 1979, in 8° broché, 275 pages ; couverture illustrée.
ref. 201108256Paris, France empire, 1959 ; in-8, 318 pp., cartonnage d'éditeur avec jaquette. Très bon état.
ref. 201509141Paris, Editions atlas collection club mediterranée , 1993 ; in-folio, 136 pp., cartonnage d'éditeur avec jaquette. Très bon état.
ref. 201106240Paris, Editions atlas collection club mediterranée , 1993 ; in-folio, 136 pp., cartonnage d'éditeur avec jaquette.
ref. 580739Paris, Stock, 1946. In-4, en feuilles, sous chemise et étui cartonné, couverture rempliée, 301 pp. Edition limitée à 362 exemplaires. Un des 330 exemplaires sur vélin chiffon des papeteries du Marais.
1825ref. 48641Wien, J. Trentsensky, o. J. (um 1825). Orig.-Lithographie von Joseph Trentsensky (Blattgröße 35,5 x 46,5 cm; Darstellung 24,5 x 34,5 cm).
1918ref. 9620Berlin, Hyperionverlag, o. J. (1918). Gr.-8°. Mit einem Titelbild von A. Kubin. 1 nn., 42 num., 1 nn. Bll., OPpbd.
1882ref. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
1882ref. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown books
1923ref. _202100017Paris, Les Éditions G. Crès & Cie, 1923 ; in-8 (143 x 195 mm), VIII-98 pp. + 9 pl. hors-texte, broché, couverture illustrée à rabats. Note des éditeurs, par Ad. Van Bever. Quelques illustrations en couleurs (dessins de Alastair).
1948ref. G1337Paris, Mercvre de France, 1948 ; in-8, 192 pp., broché. Traduction de l'anglais par Léo Lack. Recueil de contes publié en Angleterre, en 1891. Bon état.
ref. 201323386Paris, Le livre de poche, 1997 ; in-12, 180 pp., br.
ref. 201607068Bruxelles, Club international du livre , s.d. ; in-8, 245 pp., cartonnage de l'éditeur.
1930ref. 15457Paris, Devambez, 1930 ; in-4, en ff., couverture crème rempliée, chemise demi-percaline bleue, titre doré au dos, étui avec couvercle plein chagrin brique, dos rond à nerfs, titre doré (reliure de l'éditeur) ; (4), 77, [78], (4) pp., (2) ff. bl., 20 eaux-fortes dont 17 hors-texte.
1973ref. 34941Wien, Kremayr & Scheriau, (1973). Kl.-8°. Mit 12 ganzs. Illustrationen u. einer num. u. sign. Orig.-Farbradierung (bez. ?Nubier?) von Stuart S. R. Matthews. 92 S., 2 Bll., OPpbd. m. bedrucktem transparentem OUmschlag.
ref. 69242P., Editions de l'Odéon, , 1951, in 4° en feuilles, sous chemise rempliée et double emboitage (légèrement insolé en tête et au dos).
1933ref. C105626Vindex Pub. Co. Calvi. Corsica 1933. First Edition. Wraps. Paperback . Good. First Edition. Wraps. 8vo. pp 14. Plain paper wrappers stapled printed in black. Spine slightly slit at head and tail some mild creasing and spotting to extremities: about very good copy. Includes an interview with G B Shaw by Hugh Kingsmill . Vindex Pub. Co., Calvi. Corsica, paperback
1884ref. 9061Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm. Vanity Fair
1904ref. 1021W3London: Arthur L. Humphreys 1904. First edition. Leather. Good. 6.5" by 5". None. A first edition collection of essays and lines of verse bound in three quarter green morocco. A collection of lines of verse and sayings published under the psuedonym of Oscar Wilde which he used following release from prison in 1897 and throughout his exile. The name was taken from the protagonist of the Gothic novel Melmoth the Wanderer which was written by Wilde's great-uncle Charles Maturin published in 1820. Bound together with The Soul of Man. Wilde's essay The Soul of Man Under Socialism was originally published in 1891. This volume is the first edition of Sebastian Melmoth. Bound in three quarter green signed morocco binding: J. & E. Bumpus. With the bookplate of English Liberal Party politician Reginald Nicholson to the front paste down a copy of which is held by the V&A Museum. Bound in 3/4 morocco. Externally generally smart. Front board detached. Moderate rubbing to extremities. Slight fading to hinges. Association bookplate to front paste down. Mild age toning to free endpaper extremities. Internally firmly bound. Pages generally bright and clean with the odd minor spot throughout. Binder's stamp to front blank. Infrequent minor tide mark to the odd page. Good Arthur L. Humphreys hardcover
ref. 201708895Paris, Editions de la Martinière, 2006 ; in-8, br.
ref. 10751La nouvelle revue française, 14e année, n° 157, Paris, 1er janvier 1966. In-8, broché.
1834ref. 51187Leipzig, Baumgärtner?s Buchhandlung, 1834. Kl.-8°. Mit 28 Holzstich-Tafeln auf gelbem Papier. VIII, 231 S. - Angeb. - Wilde Thiere, ihre Natur, Lebensweise, Triebe, Fähigkeiten u.s.w. mit gelegentlichen Bemerkungen über ihre Heimath. (Als Gegenstück des im nemlichen Verlag erschienenen Werkes: die Hausthiere.) Aus dem Englischen. Ebda., 1836. Mit Holzstichen im Text u. auf (1 gefalt.) Tafeln. VIII, 419 (1) S., 1 Bl., HLwd. d. Zt. m. goldgepr. Rückentitel (?Natur Geschichte 6)? u. dreiseitig marmor. Schnitt.
ref. 200510421Basel, Haldimann Verlag, s.d. ; in-8, 274 pp., cartonnage de l'éditeur. Coiffe haut abîmée.