Wilde, OscarBiblio.com
8 484 résultats
1906réf. 51464Portland ME: Thomas B. Mosher 1906. Stiff wraps. Very good /near fine. 54p 32mo. A very good copy in a near fine dust jacket and worn publisher's slipcase. Text block lightly foxed inscription from previous owner Kentucky author Edwin Carlily Litsey penned on first blank leaf. Scarce in original printed tissue dust jacket and publisher printed floral slipcase. Slipcase has wear to edges and two small clear pieces of tape on top edge. Thomas B. Mosher paperback
réf. 102046108X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 692Paris: Privately printed 1905. Soft cover. Good. Octavo. 4 38 2pp. First edition. Original printed wrappers part of spine missing. Lower tip of upper cover at gutter and at fore-edge with some loss. MASON 609. 0 Paris: Privately printed, 1905. paperback
1918réf. 766New York: Boni and Liveright 1918. Early Modern Library Printing. Hardcover. Very good. Moderate rubbing to extremities light wear to endpapers as typical with this binding. Binding lightly shaken text clean & bright. 16mo. 4.5 x 6.5 in. ix 275 pp. Toledano Binding Style No. 1 in caramel brown 'limpcroft leather' with gothic Boni & Liveright device in gilt on upper cover; green marbleized endpapers. Publisher's 50-title catalogue C4 to verso of half-title; spring 1918 printing. Uncommon. Toledano 19.1. Boni and Liveright hardcover
1917réf. 18009New York: Modern Library / Boni & Liveright 1917. Modern Library Edition. Softcover. Very Good bound in green leatherette wraps Brodzky end papers binding style 2. Minor wear to exterior. Creasing to end papers. Owner name to half title page. Toning. No markings to text. 12mo 6 1/2"h x 4 1/2"w. Modern Library / Boni & Liveright unknown
1913réf. IYC79055London: Methuen & Co 1913. 12th. hardback. Very good no d/j green bloards clean gilt ruling decoration and titling on cover and spine bright; text block v.g. untrimmed pages unmarked with only occasional foxing; top edges gilt; owner inscribed with poem on a front endpaper; article from 1920 Spectator glued to back pastedown. 18mo 170 x 100 / 6_"" x 4"". 12th edition of this Wilde anthology first published in 1907. Methuen & Co hardcover
1911réf. 002170London: Methuen & Co. Ltd. 1911. An important omnibus of Wilde's poetry. Includes the complete "Poems" 1881 "Uncollected Poems" 1876-1893 "The Sphinx" 1894 "Ravenna" 1878 and "Reading Gaol" 1898. Uncommon. First issued by Methuen in 1908; this is a Near Fine copy of the Eleventh Edition stated from December 1911. Notes by his friend and literary executor Robert Ross 1869-1918. Clean text; 320 pages. Gilt on the top other edges deckle. It has been rebound in a light green cloth. A very nice little volume rather too "sophisticated" for the advanced collector but a great reading copy. Size: 12mo - over 6¾" - 7¾" tall. Eleventh Edition. Hard Cover. Near Fine/No Jacket. 12mo - over 6¾" - 7¾" tall. Methuen & Co. Ltd. Hardcover
réf. 102296920X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1892réf. 180628London: Elkin Mathews & John Lane 1892. My life is a twice-written scroll Signed limited edition number 195 of 220 copies numbered and signed by the author. Poems was first published in 1881. This is Mason's "author's edition" a reissue of the fifth edition substituting the first two prelims with a new half-title and limitation leaf and a conjugate title leaf all designed by Charles Ricketts. The volume was the first issued by the new partnership of Elkin Mathews and John Lane. Octavo. Original pale pink cloth spine and covers lettered and elaborated decorated with prunus blossom designs in gilt pale purple decorated endpapers all after designs by Charles Ricketts top edge gilt others untrimmed. Bookplates of Alfred Sutro the artist and architect George A. Crawley and the abbot's library at St Benedict's Fort Augustus. Minor restoration to spine ends supplying half a dozen letters minor foxing to cloth front free endpaper reinserted. A very good copy. Mason 309. hardcover
réf. 118405London David Bogue 1882. . Fourth edition inscribed presentation copy; single leaf of publisher's ads at rear bookplate of Waldo Story free endpapers tanned light spotting to the title and blanks and occasionally to the contents; publisher's parchment boards blocked in gilt binding rubbed with some wear at the tips and a few spots and marks including a 1cm mark on the upper board spine rolled very good condition; 234pp. Fourth edition of Wilde's first poetry collection a presentation copy inscribed from the author to Ada Maud Story née Broadwood wife of his friend the sculptor Thomas Waldo Story: 'To Mrs. Waldo Story from her friend Oscar Wilde. Paris May 9th '83'. Additionally inscribed 'Rien n'est vrai que le Beau' on the title and with her husband's bookplate. Thomas Waldo Story 1854-1915 was born in Rome the son of American Neoclassical sculptor William Wetmore Story. He was educated at Eton and Oxford before returning to Italy and joining his father's practice. The Storys cultivated an impressive clientele including the Marlboroughs and Astors for whom they developed large-scale decorative schemes and Thomas Waldo is best known for the monumental two-colour marble sculpture Fountain of Love at Cliveden. In addition to Neoclassicism he was inspired by the Aesthetic movement espoused by friends such as Wilde who wrote to him in 1883 that Whistler 'spoke of your art with more enthusiasm than I ever heard him speak of any modern work' Whistler Catalogue Raisonné University of Glasgow. The present copy was inscribed in Paris in May 1883 following the Story's April marriage and a year prior to Wilde's own marriage. Upon becoming engaged Wilde wrote to Thomas Waldo 'Well we are to be married in April as you were and then go to Paris and perhaps to Romewhat do you think Will Rome be nice in May I mean will you and Mrs Waldo be there and the Pope and the Peruginos Her name is Constance and she is quite young very grave and mystical. quite perfect except that she does not think Jimmy the only painter that ever really existed: she would like to bring Titian or somebody in by the back door: however she knows I am the greatest poet so in literature she is all right: and I have explained to her that you are the greatest sculptor: art instruction cannot go further'. London, David Bogue, 1882. hardcover
1903réf. 10736Paris: None stated 1903. Limited Edition. Hardcover. Good. 8vo - over 7¾ - 9¾" tall. 1st ed. Edition de Luxe on Japanese Vellum limited to 50 numbered copies this being copy #32. A Good copy. Octavo. Vellum like paper over boards gilt spine title. The leaves are Fine several tissue guards are foxed the end papers are well tanned. The covers are discolored especially the front the spine is tanned the gilt title is still bright. The rear cover has a small bend. Still Good. None stated hardcover
réf. 51-4868New York: Gabriel Wells 1925. 8vo. 14.5 x 22.2cm. liv 350pp.Original blue boards with matching cloth spine repaired and paper label label rubbed and discolored. One of 575 copies only the first volume is numbered. New York: Gabriel Wells, 1925 hardcover
réf. 1019448202.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1023826925.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012réf. DADAX3849139875TREDITION CLASSICS 2012-11-22. paperback. New. 5.43x0.63x8.23. Buy with confidence. Excellent Customer Service & Return policy. TREDITION CLASSICS paperback
1992réf. Q-2070384853Gallimard Education 1992-01-01. Pocket Book. New. In shrink wrap. Looks like an interesting title! Gallimard Education unknown
réf. MA05H-00167Mitchell Kennerley. Collectible - Acceptable. New York: Mitchell Kennerley 1921. 1st thus. 8vo. 133pp. Facsimile. Limited edition #515/1000. Fair book. No dust jacket else Good. First published in Blackwood's Edinburgh Magazine in July 1889; printed from the original enlarged manuscript. Partially uncut. authorship William Shakespeare sonnets fiction Inquire if you need further information. Mitchell Kennerley unknown
réf. 7611NY KENNERLEY 1921. #354/1000; GRAY BOARD SLIPCASE FIRST EDITION THUS VERY GOOD. F. NY, KENNERLEY, 1921 unknown
réf. 67566820-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 3849139875.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 9786556405537NOVA FRONTEIRA. new. Como prova cabal de que os contos de fadas so fundamentais para a infncia o renomado escritor Oscar Wilde criou contos maravilhosos especialmente para os filhos tentando assim lhes passar o que julgava ser o mais importante na vida e que princ�pios so inegoci�veis. Nesta edio soma-se genialidade de Wilde o talento irrefut�vel de Paulo Mendes Campos na adaptao de grandes obras para o pblico infanto-juvenil. Com o seu lirismo e gosto pelas par�bolas a pena de Paulo Mendes Campos faz a magia criada por Oscar Wilde superar quaisquer barreiras impostas pela l�ngua e pelo tempo e d� origem a uma obra incompar�vel. Para coroar tal unio esta edio brinda o leitor com as ilustraes de Alexandre Camanho que o transportaro para o mundo fant�stico de Wilde. NOVA FRONTEIRA unknown
réf. 9786559102822MARTIN CLARET. new. A Eterna Beleza da Generosidade: ""O Pr�ncipe Feliz"" de Oscar Wilde O Pr�ncipe Feliz e outras hist��rias escrito por Oscar Wilde e publicado pela primeira vez em 1888 Ǹ uma obra atemporal que encanta leitores de todas as idades com sua mensagem de generosidade e compaix�o. A hist��ria principal narra a jornada de um pr�ncipe que mesmo ap��s sua morte continua a ajudar os necessitados de sua cidade. O conto que dǭ nome �� edi��o se desenrola na cidade onde vive o Pr�ncipe Feliz cuja estǭtua adornada com ouro e pedras preciosas se torna um s�mbolo de beleza e bondade. Junto com a andorinha que decide ficar ao seu lado o Pr�ncipe observa as dificuldades e tristezas das pessoas comuns e ambos se dedicam a aliviar o sofrimento delas. A obra de Wilde Ǹ uma poderosa reflex�o sobre valores essenciais como compaix�o solidariedade e desapego material. AtravǸs da jornada emocionante do Pr�ncipe e da andorinha o autor nos lembra da import�ncia de olhar alǸm das apar�ncias e valorizar as virtudes que verdadeiramente enriquecem nossas vidas. Edi��o formato bolso capa dura e ilustrada por Charles Robinson. MARTIN CLARET hardcover
1973réf. 526232Belfast: Crannog Press 1973. Hardcover. Near Fine. First edition by this publisher and first illustrated by Margaret McCord. Octavo. 19pp. Printed in blue ink on black paper. Dark blue cloth with publisher's printed label on front cover. Illustrated by Margaret McCord with three full-page color illustrations. Binding is slightly rubbed at tips of spine and corners front endpaper has a few abrasions from a removed bookplate else a near fine copy issued without printed dust jacket. Limited to 100 numbered copies. Contains the following 'prose' poems by Oscar Wilde: "The Master; The Disciple; The House of Judgement; The Doer of Good; and The Artist. Crannog Press hardcover
1973réf. 1346Belfast: Crannog Press 1973. Limited edition no. 42 of 100 one of the 80 standard copies. Small 4to 20 x 15.5cm n.p. pp. 20 three single-page linocut illustrations by McCord. Black cloth green printed paper label. Printed in purple. Lightly soiled rubbed at edges and extremities. Text block pulling slightly at stitches. Else internally clean and bright. A very good copy of a handsome edition. Comprising 'The Master' 'The Disciple' 'The House of Judgement' 'The Doer of Good' and 'The Artist' all of which were originally published in the July 1894 issue of The Fortnightly Review along with 'The Teacher of Wisdom'. The Crannog Press was a private press based at Sandown Road Belfast. According to Maggs Bros. it "issued around 14 titles from 1968 to 1978 and was run single-handedly by its founder the artist and teacher Margaret McCord who was greatly motivated by her teacher-training spell in Leicester under the esteemed tutorage of Rigby Graham. McCord initially used an Old treadle-operated Cropper Platen press then graduated to a Heidelberg Automatic Platen. Having only one set of type full-page texts were often commercially printed usually by the Northern Whig Company in Belfast." Irish First Editions Catalogue 1442. Crannog Press hardcover
1878réf. 236London: Thos. Shrimpton and Son 1878. Very good in original gray-green printed wrappers which are a bit browned at edges and with a few small chips. Now housed in a custom chemise and green morocco-backed slipcase. First Edition. With crest on wrapper title page and with woodcut on the last page. Wilde's first book. Wilde's poem was the Newdigate Prize winner for 1878 presented at Oxford University for best poetry. "During a vacation ramble in 1877 Wilde started from Greece and visiting Ravenna by chance on the way he obtained material for a poem on that ancient city and singularly enough Ravenna was afterwards given out as the topic for the Newdigate competition." Hamilton The Aesthetic Movement in England as quoted by Mason pg. 243. 8vo. 16pp. Mason pg. 241. Thos. Shrimpton and Son unknown
