Wilde, OscarABAA
8 467 résultats
1904réf. 259337London: Printed for Private Circulation 1904. First separate edition one of 200 copies printed. 30 pp. Title-page in red green and black. 1 vols. 8vo. Original gray wrappers lightly browned and splitting along spine; slight offset to half-title. Very good copy of a fragile book. First separate edition one of 200 copies printed. 30 pp. Title-page in red green and black. 1 vols. 8vo. Mason 614 Printed for Private Circulation unknown books
1904réf. 12783London: Printed for Private Circulation 1904 First British and first separate edition of this essay. One of 200 copies. Original gray wrappers lightly browned light offsetting to fly-leaves. . Octavo. Title-page in red green and black. Former owner's bookplate A very good copy of a fragile book. Printed for Private Circulation, unknown books
1927réf. 339822New York: Dutton 1927. Limited. hardcover. near fine. John Vassos. Illustrations by John Vassos. 4to black boards.; black & gold end-papers. New York: Dutton 1927. Limited First Edition. Near fine. No. 456 of 500 copies signed by Vassos. Dutton unknown books
1907réf. 12580SALOME complete in Poet Lore for Summer 1907 first edition thus a vg copy in wraps. Poet Lore paperback books
1927réf. 239440New York: Dutton 1927. hardcover. fine. Vassos John. Illustrations by John Vassos. 4to handsomely rebound in 1/2 purple crushed morocco and decorative gold and purple boards. New York: Dutton 1927. Fine. Dutton unknown books
1945réf. 109297New York: The Heritage Press 1945. Hardcover. Near Fine/Near Fine. Reprint. Translated from the French by Lord Alfred Douglas with a new introduction by Holbrook Jackson. Decorated and hand-illuminated by Valenti Angelo. A mildly sunned spine thus near fine in a near fine publisher's cardstock box with moderate rubbing. The Heritage Press hardcover books
1907réf. 194503New York: Caldwell 1907. Hardcover. Good- Boards have shelf/edgewear; inner hinge is cracked and spine is pulling away from the spine;textblock edges are lightly darkened and foxed; first few pages have light smudging; textblock is cracked. Brown boards with decorative cloth binding with mounted picture illustration and gilt lettering and design; xviii 117 xiii 5-83 pp.; 1 unnumbered leaf of plates; illustration. "Salome" was translated from the French by Lord Alfred Bruce Douglas. Caldwell hardcover books
1906réf. 38828Boston: Luce 1906. BEARDSLEY Aubrey illus. 8vo pp. 36. Black cloth stamped in gilt. Cover and 13 illustrations by A. B. Untrimmed Cover slightly worn at corners and ends of spine one hinge tender o/w VG. Samuels-Lasner 59G. Luce unknown books
1907réf. 328629London: John Lane The Bodley Head 1907. hardcover. fine. Aubrey Beardsley. Introduction by Robert Ross. Illustrated by Aubrey Beardsley with 16 full-page drawings including the title page contents page and sketch for cover design; one folding facsimile. xviii 8 66 2 pages. Slim square 8vo original green cloth with ornate gilt-stamped cover. London: John Lane the Bodley Head. 1907. Second edition but the first to contain the full 16 plates including the title which was originally suppressed as it depicts hermaphrodite genitalia. Front & back flyleaves browned otherwise a beautiful copy in excellent condition. John Lane The Bodley Head unknown books
1911réf. 47077Portland: Thomas B. Mosher 1911. Edition limited to 500 copies printed on Van Gelder 8vo pp. xxiii 1 75 3; 1 plate by Beardsley; boards toned else a fine copy in a toned else near fine dust jacket and publisher's slipcase. Hatch 530. Thomas B. Mosher unknown books
1930réf. 12884London: John Lane the Bodley Head 1930 Red cloth with front cover design stamped in blind in an all-over design by Bearsley spine stamped in gilt. Quarto. Light shelfwear. Near fine in dust jacket. The jacket is browned at the spine and there is a tear along the front hinge rendering it in two pieces but the image of the Beardsley design on the front cover is bright and attractive. A few short tears on the jacket otherwise. John Lane the Bodley Head, hardcover books
1949réf. 9027364Socking: Bachmair 1949. Aubrey Beardsley. One of 2100 copies printed. Bound in publisher's original maroon cloth with front cover elaborately stamped in gilt rear cover stamped with a smaller gilt design. Bachmair hardcover books
1973réf. 102152Norwalk:: Heritage Press. Near Fine. 1973. Hardcover. Translated from the French by Lord Alfred Douglas. Introduction by Holbrook Jackson. A reprint edition. "Sandglass" laid in. Fine in a near fine slipcase. ; 51 pages . Heritage Press, hardcover books
1973réf. 95833Norwalk:: Heritage Press. Fine. 1973. Hardcover. Translated from the French by Lord Alfred Douglas. Introduction by Holbrook Jackson. A reprint edition. "Sandglass" laid in. Fine in a fine slipcase. ; 51 pages . Heritage Press, hardcover books
1907réf. 513757New York: For the Trade 1907. Softcover. Very Good. First American edition thus by this publisher presumably an unauthorized printing. 12mo. 60pp. Pictorial wrappers illustrated by Aubrey Beardsly. Wear on the thin spine fore-edge of front wrap is nicked last few leaves of text have short closed tear in fore-edge margin else a very good copy. Lower margin of front cover states: "The Great Success of the Metropolitan Opera House." Not in Mason. For the Trade unknown books
1907réf. 538378New York: For the Trade 1907. Softcover. Very Good. First New York edition Cover illustration by Aubrey Beardsley. Translated by Oscar Wilde. 16mo. 6pp. Gray perfectbound wrapper with cover illustration. Very good with toning some wrinkling to the rear wraps and light edgewear including a few short tears crease and nicked corner. Presumably an unauthorized printing which states on the lower margin of front cover states: "The Great Success of the Metropolitan Opera House." Not in Mason. For the Trade unknown books
1945réf. 274011New York: The Heritage Press 1945. Hardcover. Near Fine/Very Good. Reprint. Translated from the French by Lord Alfred Douglas. New introduction by Holbrook Jackson. Illustrated by Valenti Angelo. Near fine copy in a very good somewhat edgeworn slipcase. The Heritage Press hardcover books
1938réf. 164534Paris: The Limited Editions Club 1938. 1/15 presentation copies; Signed by Derain. Softcover. VG-/Poor glassine dj remnants only. minor dampstain to last few leaves in lower extreme corner moderate foxing to endpapers. Black wraps over white card. 72 pp. plus colophon. 10 gouache illustrations on heavy black paper. Text in French. The script for Wilde's Salome with a list of characters. The gouache illustrations by Derain have been reproduced through the pochoir process. Originally this volume was presented with its English counterpart illustrated by Aubrey Beardsley together in a slipcase. Neither the Beardsley volume nor the slipcase are included in this listing. This copy one of 15 presentation copies and so stamped with a circular blindstamp on the limitation page below the signature. The Limited Editions Club paperback books
réf. 20351London: John Lane n.d. Reprint. Small 8vo pp. 66. In paper-covered boards. cover little worn and soiled some marking in text o/w VG. The play from which the Strauss opera was taken. John Lane unknown books
1945réf. 36610NY: Heritage 1945. Valenti Angelo. Large 8vo pp. 51. Translated from the French by Lord Alfred Douglas with an introduction by Holbrook Jackson. Decorated and hand-illuminated by Valenti Angelo. One hinge near tender o/w VG. No dj or box. Heritage unknown books
1906réf. 38782Boston: John W. Luce 1906. BEARDSLEY Aubrey illus. 8vo pp. 36. Gray paper over boards lettered and stamped in green with an illustration by Aubrey Beardsley. Cover slightly worn at corners and ends of spine o/w a VG tight copy. Scarce. Samuels-Lasner 59G. not in Mason who does list the 1906 printing by the John Lane Company and preceded in America only by the 1894 Copeland & Day limited edition. John W. Luce unknown books
1906réf. 38779London: John Lane 1906. First Trade Edition. BEARDSLEY Aubrey illus. Small 8vo pp. 66. Cover by Aubrey Beardsley. Ivory paper over boards stamped in green. Cover worn interior foxed o/w VG. Not in Gallatin. Samuels-Lasner 59C. John Lane unknown books
1912réf. 38770London: Lane 1912. Reprint. BEARDSLEY Aubrey illust. Small 8vo pp. 82. Original green cloth stamped in gilt; uncut. Little wear to corners sides and ends of spine o/w VG. Galletin 25. This was the first publication of Robert Ross's 16 page Note on "Salome Lane unknown books
1945réf. 24560NY: Heritage 1945. Large 8vo pp. 51. Decorated and illuminated by Valenti Angelo. Spine slightly faded o/w a nice copy. Heritage unknown books
1927réf. 12415Paris: Les Éditions G. Crès 1927. Hardcover. vg. Alastair. Small quarto 19 by 14 cm. vii 1 blank 89 5 table pp. Half title; main title in red and black; 9 duotone plates by Alastair. Text in original French. Half calf over mottled brown boards; spine lettered in gilt; marbled endleaves. Illustrated front wrapper lightly soiled retained. Clean text throughout mild rubbing/wear at extremities of covers else a very good copy. Later illustrated edition of this one-act play which tells the biblical story of Salome stepdaughter of the tetrach Herod Antipas who to her stepfather's dismay but to the delight of her mother Herodias requests the head of Jokanaan John the Baptist on a silver platter as a reward for dancing the dance of the seven veils. While the intended premier of the play was being rehearsed for production in June of 1892 at the Palace Theatre in London with Sarah Bernhardt in the leading role and Albert Darmont as Herod the lord chamberlain withheld his license invoking legislation from the protestant Reformation era which prohibited medieval miracle or otherwise religious plays. Wilde responed in print: "Personally to have my première in Paris instead of in London is a great honour and one that I appreciate sincerly. The pleasure and pride that I have experienced in the whole affair has been that Madame Sarah Bernhardt who is undoubtedly the greatest artist on any stage should have been charmed and fascinated by my play and should have wished to act in it. Every rehearsal has been a source of pleasure to me. The hear my own words spoken by the most beautiful voice in the world has been the greatest artistic jouy that it is possible to experience. So that you see as far as I am concerned I care very little about the refusal of the Lord Chamberlain to allow my play to be produced" quoted in Mason. With a seven-page bibliography of French editions and translations into fourteen languages including Yiddish. For a concise but well-documented treatment of Wilde's response to the suppression of the play in England along with a brief discussion of the early productions and a list of later productions prior to the First World War see S. Mason Bibliography of Oscar Wilde vol. 2 pp. 370-378. Les Éditions G. Crès hardcover books
