WILDE, Oscar.Livre Rare Book
6853 risultati
rif. 84339Paris, Georges Crès 1914 (1905), 225x145mm, L- 266pages, demi-percaline. Etiquette de titre au dos, plats papier marbré. Achevé d’imprimer cinq Août 1905 Mme Ve Guy et Cie, imprimeurs Alençon, sur la page de titre, étiquette de l’éditeur Georges Crès recouvre la première mention d’édition
rif. 83529Paris, Librairie Stock 1928, 185x130mm, XII - 240pages, broché. Ex-libris. Bon état. Edition originale sur papier alfa satiné d’Outhenin-Chalandre, numéroté n.° 192 / 2700.
rif. 106039Lausanne, Editions L’Age d’Homme 1989, 210x140mm, 101pages, broché. Bel exemplaire.
1902rif. 19801902 Couverture rigide Paris, Éditions de La Plume (31, rue Bonaparte), 1902 (MCMII). Un volume in-8 (19,5 x 15 cm), demi-chagrin havane à coins d'époque, dos à 4 nerfs orné de filets dorés et de petits fers floraux, titre doré, tête dorée, papier à la cuve aux plats et contreplats, couverture orange conservée, frottements au dos et sur les plats, quelques éraflures. Reliure signée Truc sur la page de garde. 261 pages, papier légèrement jauni, quelques marques marginales à la page de titre. Mention de troisième édition, ornée d'un portrait de l'auteur par Albert C. Sterner en frontispice et d'une reproduction photographique en noir. Ex-libris manuscrit à l'encre « Antoinette Morin-Pons ». La Maison des Grenades est un recueil de contes poétiques et symbolistes, où Oscar Wilde explore les thèmes de la beauté, du sacrifice et de la vanité humaine. Bon exemplaire.
rif. 13739L’avant-scène théâtre, N°602, 15 janvier 1977. In-4°, agrafé.
rif. 84948Paris, Librairie Stock, Delamain, Boutelleau et Cie. 1924, 200x200mm, 336pages, broché. Nom du possesseur sur le haut de la page de garde supérieure. Inscriptions manuscrites sur les pages de gardes aux crayon à papier. Tranche non rognée. Bel exemplaire. Edition sur papier vergé de Hollande, et contenant une variante (présente en deuxième frontispice) hors texte également sur vergé de Hollande, de la lithographie originale d’André Hofer, numéroté n.° 123 / 125, deuxième tirage après 25 exemplaires sur papier impérial du Japon et avant 1600 exemplaires sur papier pur fil.
rif. 84964Paris, P.-V. Stock 1906, 190x120mm, 342pages, reliure skyvertex verte, couverture supérieure collée sur le plat supérieur. Nom du possesseur sur le haut de la page de garde supérieure. Bon état.
1948rif. 4561Paris Le Livre Universel 1948 Livre audio et parlant (intégrant un disque vinyle). Non daté. Chemise cartonnée avec vignette en papier coloré sur la couverture, un disque et 16 pages de jolies illustrations en couleur. Relié par une spirale. Première édition. Interprétation de Jean Weber de la Comédie Française. Adaptation de l'anglais par Minnie Lake. Interprété par Jean Weber, avec une musique de Leslie Bridgewater. Illustrations de H. Paul. Un peu de rousseur sur la page de titre, mais sinon en très bon état. Veuillez noter que le disque semble être en bon état, propre et légèrement rayé, mais nous n'avons pas été en mesure de le tester. 33 x 26,5 cm.
rif. 84340Paris, Gallimard 1966, 205x140mm, 584 + 686pages, broché. Couverture à rabats. Bel exemplaire.
rif. 93322Paris, Akademische Druck- u. Verlagsanstalt 1992, 175x125mm, 2035pages, reliure d'éditeur sous jaquette. Jaquette défraichie, autrement bel exemplaire. Impression sur papier bible.
rif. 98478Paris, Georges Crès et Cie. 1917, 210x150mm, frontispice, 144pages, reliure cartonnage. Couvertures conservées. Edition originale sur papier vélin des Manufactures de Rives, numérotée n.° 600 / 1028.
rif. 83301Paris, Les Fermiers Généraux 1956, 213x155mm, 68pages, reliure d'éditeur. Bel exemplaire.
190751p. Title page printed in red and black. Printed on Japan vellum. Bookplate of Albert David Hutzler and Gretchen Hochschild Hutzler, of the powerful Baltimore department store families. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover. Original floral pattern slip case, loss at top and bottom. Limited Edition of only 425 copies. Second Edition. Nice example. Oscar Fingal O'Flahertie Wills Wilde (1854-1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, and the circumstances of his imprisonment and early death. PRESS/W39. **PRICE JUST REDUCED!
rif. 69790No place, Giancarlo Beltrame no year, 265x180mm, 47pages, 90 copies with multi-colored aquatint and illustrations by Giovanni Grasso Fravega. Text composed in monotype and printed with flat machine by Rodolfo Campi and seven colors on Japon Torinoko-Kozu paper. Book in good condition.
1998255 p. 24 mo. 145mm. Original pictorial glossy binding. Hardbound. Fine. Oscar Fingal O'Flahertie Wills Wilde (1854-1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, and the circumstances of his imprisonment and early death. LIT BX 6
190875p. Title page printed in red and black. Printed on Japan vellum. Partially unopened. Small 24mo. Original stiff printed Japan vellum wraps with large red initial on front cover. Slightly soiled. Limited Edition of only 425 copies. Third Edition. Nice example." The story is about an attempt to uncover the identity of Mr W.H., the enigmatic dedicatee of Shakespeare's Sonnets. It is based on a theory, originated by Thomas Tyrwhitt, that the Sonnets were addressed to one Willie Hughes, portrayed in the story as a boy actor who specialized in playing women in Shakespeare's company. This theory depends on the assumption that the dedicatee is also the Fair Youth who is the subject of most of the poems. The only evidence for this theory is a number of sonnets (such as Sonnet 20) that make puns on the words 'Will' and 'Hues." - Wiki. Oscar Fingal O'Flahertie Wills Wilde (1854-1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, and the circumstances of his imprisonment and early death. - Wiki. PRESS/W39. **PRICE JUST REDUCED!
1950rif. 591270New York: Carl Fischer 1950. Softcover. Very Good. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Music shop sticker on the front cover along with a small abrasion from a removed price sticker and the printed price canceled in black marker edgewear and toning still a very good and complete copy. For voice and piano. Plate number 30704 - 4. The back cover features short samples of "My Eternity" "My Lovely One" "My Heart is a Silent Violin" and "Listen! Do You Hear!" The lyrics for this song come from Oscar Wilde's story The Happy Prince. OCLC locates only three holdings and it appears to be equally uncommon in the trade. Carl Fischer unknown books
1927rif. 587725Boston: White-Smith Publishing 1927. Softcover. Very Good. First edition Professional Copy. Quarto. Two nested bifoliums making eight pages. Light foxing and soiling to the exterior name stamp on the front cover and light bumping to the corners very good or better. For high voice and piano. Plate number 15694 - 5. the back cover features a short sample of "Thou Wouldst Not Stay" by Eberhart and Cadman. The name stamp is that of prolific American composer and pianist Fay Foster who took first place in the American Composers Competition of 1913. OCLC locates two physical holdings and it appears to be equally uncommon in the trade. White-Smith Publishing unknown books
1927rif. 524745Boston: White-Smith Music Publishing Co 1927. Softcover. Very Good. First edition. Quarto. Two nested bifoliums making eight pages. Owner name stamp on the front cover light soiling to the exterior and light edgewear a very good or better copy. For high voice and piano. Plate number 15694-5. The owner stamp is that of prolific American composer and pianist Fay Foster who took first place in the American Composers Competition of 1913. The back cover features a short sample of "Thous Wouldst Not Stay Nausicaa's Song from Three Songs to Odysseus by Charles Wakefield Cadman. OCLC locates two holdings. White-Smith Music Publishing Co unknown books
1908rif. 606515London: Chappell & Co 1908. Softcover. Good. First edition. Folio. 20pp. Wrappers. Edgewear to the wrappers including chips and tears with old external tape repairs along the edges of the wrappers publisher's stamp and composer's name stamp on the title page just a good or better copy. For voice and piano no vocal melody. Oscar Wilde's story accompanied by incidental music composed by Liza Lehmann. Plate number 23793. Of course Wilde needs no introduction but Liza Lehmann was a successful singer in the late 19th century eventually leaving the stage to focus on composition. She wrote many songs and even a few pieces for theater; she was the first president of the Society of Women Musicians and a professor at Guildhall School of Music. Chappell & Co unknown books
1911rif. 525331London: Chappell & Co 1911. Softcover. Good. First edition. Folio. 18pp. Stapled wrappers. Lacking the wrappers edgewear including a tear at the bottom of the last page appearing to affect just a single note soiling to the exterior and a faded composer's name stamp and publisher's stamp on the front cover a good only copy. For voice and piano with pedal marks. Plate imprint 24844. A story by Oscar Wilde with incidental music by Liza Lehmann. Of course Wilde needs no introduction but Liza Lehmann was a successful singer in the late 19th century eventually leaving the stage to focus on composition. She wrote many songs and even a few pieces for theater; she was the first president of the Society of Women Musicians and a professor at Guildhall School of Music. Chappell & Co unknown books
1912rif. 604857New York: G. Schirmer 1912. Softcover. Very Good. First edition. Folio. Four nested bifolia making 16 pages. Some edgewear soiling to the exterior outer most bifolium separated along the bottom half of the fold and bumping to the corners still a very good and complete copy. For voice and piano. Plate number 23604. The back cover features samples of four songs "Bohemian Cradle-Song" "La Colomba" "La Petite Anne" and "Adoration." OCLC locates only two holdings and it appears to be equally scarce in the trade. G. Schirmer unknown books
1927rif. 580633New York: G. Schirmer 1927. Softcover. Very Good. First edition. Quarto. Two nested bifoliums with a single sheet insert making 10 pages. Light toning light bumping to the corners and some edgewear including wear along the fold of the outer bifolium still a very good and complete copy. For high voice and piano. Plate number 33351. Isadore Freed 1900-1960 was a Jewish composer who was born in Belarus and grew up in Philadelphia; he graduated from the University of Pennsylvania held teaching positions at both The Curtis Institute of Music and Temple University and provided radio commentary for performances of the Philadelphia Orchestra. This piece is unrecorded by OCLC. G. Schirmer unknown books
1925rif. 525229London: J. B. Cramer & Co. Ltd 1925. Softcover. Near Fine. Sheet music. Quarto. Two nested bifoliums making eight pages. Music shop stamp publisher's price stamp and American price sticker on the front cover light bumping to the corners else near fine. For voice and piano. Plate imprint "J.B.C. & Co. 13231." OCLC locates only two holdings and it appears to be equally scarce in the trade. J. B. Cramer & Co. Ltd unknown books
1914rif. 333691London: Methuen 1914. Hardcover. 160p. first edition stated preface pocket size hardcover bound in gray cloth with gilt titles on the spine. Mason #566 Shilling Library #77. The essays and commentary of Wilde. Methuen hardcover books
