6786 risultati
rif. 29800Paris, Mazarine, 1987. Gr. in-8°, 345p. Broché, couverture illustrée.
rif. 3659Paris, Arts et Métiers Graphiques, 1950. grand in-8, broché, couverture imprimée et illustrée (extrait de " The Early Work " d'Aubrey Beardsley), 205 pp. Bibliographie et index en fin d'ouvrage.
rif. 3709Mercure de France. 1928. In-8° broché. 237 pages. Mention de 6è édition (dans l'année de l'E.O.).
rif. 3710Mercure de France. 1948. In-8° broché. 75 pages. E.O. (pas de grand papier).
1950rif. 45891950 Paris, Arts et Métiers Graphiques, 1950, grand in 8 broché, 207 pages ; non coupé.
rif. 5558P., Gallimard, 1955, in 12, broché, 213pp.
rif. 13920P., Mercure de France, 1946, in 12 broché, 77 pages.
1987rif. 199391987 Lausanne, Favre, 1987, grand in 8° broché, 408 pages ; couverture illustrée.
rif. 36610P., Perrin, 1967, in 8°, cartonnage de l'éditeur, jaquette illustrée en couleurs, 411 pages ; illustrations ; bibliographie et important index des noms in-fine. Bel exemplaire.
2014rif. 264702014 Portrait encadré (format du cadre 14,5 x 16), réalisé en héliogravure.
rif. 200818204Paris, Editions atlas, 1991 ; in-folio, 135 pp., cartonnage d'éditeur avec jaquette.
1983rif. 38353(Frankfurt a. M.), Verlag der Autoren, (1983). Kl.-8°. 86 S., 5 Bll., OKart.
1834rif. 51187Leipzig, Baumgärtner?s Buchhandlung, 1834. Kl.-8°. Mit 28 Holzstich-Tafeln auf gelbem Papier. VIII, 231 S. - Angeb. - Wilde Thiere, ihre Natur, Lebensweise, Triebe, Fähigkeiten u.s.w. mit gelegentlichen Bemerkungen über ihre Heimath. (Als Gegenstück des im nemlichen Verlag erschienenen Werkes: die Hausthiere.) Aus dem Englischen. Ebda., 1836. Mit Holzstichen im Text u. auf (1 gefalt.) Tafeln. VIII, 419 (1) S., 1 Bl., HLwd. d. Zt. m. goldgepr. Rückentitel (?Natur Geschichte 6)? u. dreiseitig marmor. Schnitt.
rif. 200510421Basel, Haldimann Verlag, s.d. ; in-8, 274 pp., cartonnage de l'éditeur. Coiffe haut abîmée.
rif. 10751La nouvelle revue française, 14e année, n° 157, Paris, 1er janvier 1966. In-8, broché.
rif. 201708895Paris, Editions de la Martinière, 2006 ; in-8, br.
1933rif. C105626Vindex Pub. Co. Calvi. Corsica 1933. First Edition. Wraps. Paperback . Good. First Edition. Wraps. 8vo. pp 14. Plain paper wrappers stapled printed in black. Spine slightly slit at head and tail some mild creasing and spotting to extremities: about very good copy. Includes an interview with G B Shaw by Hugh Kingsmill . Vindex Pub. Co., Calvi. Corsica, paperback
1884rif. 9061Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm. Vanity Fair
1904rif. 1021W3London: Arthur L. Humphreys 1904. First edition. Leather. Good. 6.5" by 5". None. A first edition collection of essays and lines of verse bound in three quarter green morocco. A collection of lines of verse and sayings published under the psuedonym of Oscar Wilde which he used following release from prison in 1897 and throughout his exile. The name was taken from the protagonist of the Gothic novel Melmoth the Wanderer which was written by Wilde's great-uncle Charles Maturin published in 1820. Bound together with The Soul of Man. Wilde's essay The Soul of Man Under Socialism was originally published in 1891. This volume is the first edition of Sebastian Melmoth. Bound in three quarter green signed morocco binding: J. & E. Bumpus. With the bookplate of English Liberal Party politician Reginald Nicholson to the front paste down a copy of which is held by the V&A Museum. Bound in 3/4 morocco. Externally generally smart. Front board detached. Moderate rubbing to extremities. Slight fading to hinges. Association bookplate to front paste down. Mild age toning to free endpaper extremities. Internally firmly bound. Pages generally bright and clean with the odd minor spot throughout. Binder's stamp to front blank. Infrequent minor tide mark to the odd page. Good Arthur L. Humphreys hardcover
rif. 69242P., Editions de l'Odéon, , 1951, in 4° en feuilles, sous chemise rempliée et double emboitage (légèrement insolé en tête et au dos).
1973rif. 34941Wien, Kremayr & Scheriau, (1973). Kl.-8°. Mit 12 ganzs. Illustrationen u. einer num. u. sign. Orig.-Farbradierung (bez. ?Nubier?) von Stuart S. R. Matthews. 92 S., 2 Bll., OPpbd. m. bedrucktem transparentem OUmschlag.
1930rif. 15457Paris, Devambez, 1930 ; in-4, en ff., couverture crème rempliée, chemise demi-percaline bleue, titre doré au dos, étui avec couvercle plein chagrin brique, dos rond à nerfs, titre doré (reliure de l'éditeur) ; (4), 77, [78], (4) pp., (2) ff. bl., 20 eaux-fortes dont 17 hors-texte.
1882rif. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown books
1882rif. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
rif. 201323386Paris, Le livre de poche, 1997 ; in-12, 180 pp., br.
