6 853 résultats
réf. 9780785847151Frances Lincoln
réf. 9781912714742Chiltern Publishing
réf. 9781529954234Vintage UK
réf. 9780141442464Penguin Books UK
réf. 9781509827831Macmillan
réf. 9780008465414Collins Reference
réf. 9780007351053William Collins
1905réf. 100072Paris, Charles Carrington, 1905, in-8, VII-326-[1] pp, Cartonnage de l'éditeur, dos et coins toilés crème, titre et petite composition dorés sur le dos et le plat supérieur, Mention de l'éditeur en regard de la page de titre : "Sole authorized edition". Cette "seule édition autorisée" a été imprimée par Charles Carrington après qu'il eut obtenu les droits exclusifs de publication de l'ouvrage. Carrington publiera par la suite la première édition illustrée en 1910. Ce célèbre roman avait été publié pour la première fois, sous la forme d'une nouvelle très censurée, dans le Lippincott's Monthly Magazine (1890). La version définitive fut donnée par Ward, Lock & Company en 1891. Cartonnage taché, quelques petites rousseurs. Couverture rigide
2025réf. 70397London: DK Classics 2025. Reprint. Hardcover. New. 223pp. Duodecimo 21cm. Illustrated paper over boards. Stamped in silver with sprayed edges. DK Classics edition of this classic tale by Oscar Wilde. DK Classics hardcover books
2025réf. 2350782New York: DK Classics 2025. First Thus. Hard Cover. Fine/No Jacket - Pictorial Cover. 5x0x8. First thus. Brand new from publisher. An exceptional copy. 2025 Hard Cover. 223 pp. A beautiful deluxe gift edition of Oscar Wilde's decadent and disturbing novel with foiled covers marbled edges and endpapers and a silk ribbon bookmark. Dorian is a good-natured young man until he discovers the power of his own exceptional beauty. As he gradually sinks deep into a frivolous glamorous world of selfish luxury he apparently remains physically unchanged by the stresses of his corrupt lifestyle and untouched by age. But up in his attic hidden behind a curtain his portrait tells a different story. DK Classics hardcover books
1987réf. 601455Oxford: Oxford University Press 1987. Softcover. Near Fine. Reprint. Edited with an introduction by Isobel Murray. 12mo. Illustrated wrappers. Wraps rubbed and bumped along the edges about near fine. Oxford University Press unknown books
réf. WELLER9781509827831New. New book. unknown books
1891réf. 260London: Ward Lock & Co 1891. First Edition. First printing without Bowden's name added to the title page imprint the Preface with Wilde's name at the end in larger bolder type and with "nd" for "and" beginning the eighth line from the bottom on page 208. The error was corrected for the second printing which included the 250 signed copies of the limited edition-copies that in addition to being the second issue are literally the second printing. This trade edition is not only earlier than the limited but when it has its dust jacket many times rarer. Original white vellum parchment-backed boards former owner's neat name to endpaper spine slightly faded from light not dust else near fine in the rare dust jacket with small tears and chips to the spine tips and corners neatly repaired a bit short an irregularity with nineteenth-century hand-trimmed jackets but a charismatic jacket still-integral clean and one to be owned with pride. An unequivocal Victorian classic as great a short novel as has ever been written and copies in dustjacket must have been dumped in the Bermuda Triangle because they never show up at auction or in the trade. Full morocco case. Wilde was from that atypical minority of great men those who do not remind us of anyone else. He wrote the best comedies since Shakespeare mastered paradox and was the reigning wit of the 1890s but he became a victim when society forgot that the mouse should never be a juror at the cat's trial. Dorian Gray was his only novel and why not When you write one like this one is sufficient. It's undeniably a modern Gothic and a self-evident Victorian classic unique in the delicacy of its grim and melancholy metaphor and it continues to maintain it's appeal even in our 21st century. Ward Lock & Co unknown books
réf. KN1183BROCHE BON ETAT . PLIS DOS .4EME PLAT JAUNI. INTERIEUR PROPRE . The Picture of Dorian Gray and Other Writings by Oscar Wilde.
1957réf. 108389NY:: Heritage Press. Very Good. 1957. Hardcover. Introduction by Andre Maurois. A reprint edition. "Sandglass" laid in. Fading along the spine else very good in a very good small spot of wear on top edge slipcase. ; 287 pages . Heritage Press, hardcover books
réf. 63775NY: Modern Library nd. Hardcover. Near fine. Hardcover. Very good hardback in a price clipped and rubbed jacket. Modern Library hardcover books
1907réf. 219497Boston: Luce 1907. Hardcover. Good. Reprint. Good hardcover. Volume 3. Name on front endpaper. Pages light brown. Small stain on inside front cover and front endpaper. Corners rubbed and bent. Edges of spine rubbed and bumped. Spine brown. Light stain on front cover. Gold gilt on top edges of pages fading. Luce hardcover books
1903réf. 60320Portland Maine: Thomas B. Mosher 1903. Limited edition of 600 copies printed on Van Gelder hand-made paper and the type distributed. Printed paper boards slightly edge darkened in the scarce original dust jacket which has some chipping loss to head of jacket closed tear spine darkened. A very good copy. Thomas B. Mosher unknown books
1921réf. 1395213New York NY: Mitchell Kennerley 1921. Limited Edition #497/1000. Hardcover. Octavo 133 pages. In Good plus condition. Boards have age toning along the spine and general shelving wear. Textblock has light pencil annotations on the front end page splitting along the gutter 88/89 and along the hinges minor soiling scattered throughout and age toning along the edges. NOTE: Shelved in Room Z. 1395213. Special Collections - Downstairs. Mitchell Kennerley hardcover books
1908réf. 134903Portland Maine: Thomas B. Mosher 1908. Softcover. Very Good. Third edition. About very good in wrappers. Front cover has a lot of brown stains on cover. Entire cover is browning. Spine has wrinkles running the length of it. 1 of 425. On Japaneese Vellum. Thomas B. Mosher unknown books
1904réf. 2222206N.d. Paris 1904. Pirated edition. Octavo. Original light blue wrappers stamped in dark blue with a decorative border of Tudor roses and leaves. Uncut. Very good some medium foxing; few nicks. 48 pages. No signatures or bookplates. Mason 611. Privately Printed paperback books
1905réf. 18953Hartford: privately printed at the Sherwood Press 1905. First edition limited to 225 numbered copies 8vo pp. 45 3; original green cloth-backed marbled boards printed paper label on spine; very slightly rubbed else a fine copy. A scarce Wilde title written for the Chancellor's English Essay Prize while at Oxford in 1879. See Mason 434 for a convoluted account of the manuscript part of which was separately sold in America and then later restored. privately printed [at the Sherwood Press] unknown books
réf. CS00382Ellington Connecticut: Privately Printed. Limited Edition. Hardcover. Very Good/No Jacket. Miniature hardcover in orange morocco paste down titles 2 3/4 x 2 inches not paginated uncut pages spine and portion of front cover toned otherwise no notable flaws. Miniature book plate adhered to front paste down from the private collection of Kal Levitan. Number 68 of one hundred twenty copies of this little book hand-set in Cheltenham Oldstyle at the private press of a Yankee Dauber Ellington Connecticut and printed in four page forms french fold direct from the type. 0 Privately Printed hardcover books
réf. 9780241783115Puffin UK
réf. 17933Larchmont NY: Peter Pauper Press n.d. One of fifty copies reserved for F. Kay Kaplan and André Durenceau out of a total edition of 750 copies. This copy is inscribed by Kaplan and Durenceau to prominent Los Angeles bookseller Jake Zeitlin and his wife Josephine: "to Mr. and Mrs. Jake Zeitlin. Memories of a pleasant evening. Red cloth spine decorative paper over boards. Front cover blocked in silver with title printed in black borders. White paper dust-jacket perhaps added by a former owner. . Twelvemo. 7 x 5 in. . Illustrations by André Durenceau on title-page and colophon. Printed in red gray-green and black. Upper corners of pages lightly creased. Near fine. Peter Beilenson founded Peter Pauper Press in his parents' basement in 1928. Originally focused on reprinting classic literature in the public domain the press would gradually shift towards fine press works and later gift books. During its heyday Peter Pauper was co-run with Beilenson's wife Edna who also served as the press's typesetter and binder. See the Peter Pauper Press in Blumenthal's The Printed Book in America. Peter Pauper Press hardcover books