8 611 résultats
1987réf. 199391987 Lausanne, Favre, 1987, grand in 8° broché, 408 pages ; couverture illustrée.
1942réf. 875461942 Paris, Mercure de France, 1942, petit in 8° broché, 347 pages ; couverture effrangée avec petits manques.
réf. 39285later Edition of the First Edition 7th printing of June 1899 31 pages original hardcover quarter vellum with mustard boards Leonard Smithers very slight fraying on spine but tight copy in very good condition The Ballad of Reading Gaol is a poem by Oscar Wilde written in exile either in Berneval-le-Grand or in Dieppe France after his release from Reading Gaol pronounced "redding jail" on 19 May 1897. Wilde had been incarcerated in Reading after being convicted of homosexual offences in 1895 and sentenced to two years' hard labour in prison. During his imprisonment on Tuesday 7 July 1896 a hanging took place. Charles Thomas Wooldridge had been a trooper in the Royal Horse Guards. He was convicted of cutting the throat of his wife Laura Ellen earlier that year at Clewer near Windsor. He was aged only 30 when executed. Wilde spent mid-1897 with Robert Ross in Berneval-le-Grand where he wrote The Ballad of Reading Gaol. The poem narrates the execution of Wooldridge. No attempt is made to assess the justice of the laws which convicted them but rather the poem highlights the brutalisation of the punishment that all convicts share. The finished poem was published by Leonard Smithers on February 13 1898 under the name C.3.3. which stood for cell block C landing 3 cell 3. This ensured that Wilde's name by then notorious did not appear on the poem's front cover. It was not commonly known until the 7th printing in June 1899 that C.3.3. was actually Wilde. The first edition of 800 copies sold out within a week and Smithers announced that a second edition would be ready within another week; that was printed on February 24th in 1000 copies which also sold well. A third edition of 99 numbered copies "signed by the author" was printed on March 4th on the same day a fourth edition of 1200 ordinary copies was printed. A fifth edition of a 1000 copies was printed on March 17th and a sixth edition was printed in 1000 copies on May 21st 1898. So far the book's title page had identified the author only as C.3.3. although many reviewers and of course those who bought the numbered and autographed third edition copies knew that Wilde was the author but the seventh edition printed on June 23 1899 actually revealed the author's identity putting the name Oscar Wilde in square brackets below the C.3.3. hardcover
réf. 200818204Paris, Editions atlas, 1991 ; in-folio, 135 pp., cartonnage d'éditeur avec jaquette.
1983réf. 38353(Frankfurt a. M.), Verlag der Autoren, (1983). Kl.-8°. 86 S., 5 Bll., OKart.
réf. 200510421Basel, Haldimann Verlag, s.d. ; in-8, 274 pp., cartonnage de l'éditeur. Coiffe haut abîmée.
1834réf. 51187Leipzig, Baumgärtner?s Buchhandlung, 1834. Kl.-8°. Mit 28 Holzstich-Tafeln auf gelbem Papier. VIII, 231 S. - Angeb. - Wilde Thiere, ihre Natur, Lebensweise, Triebe, Fähigkeiten u.s.w. mit gelegentlichen Bemerkungen über ihre Heimath. (Als Gegenstück des im nemlichen Verlag erschienenen Werkes: die Hausthiere.) Aus dem Englischen. Ebda., 1836. Mit Holzstichen im Text u. auf (1 gefalt.) Tafeln. VIII, 419 (1) S., 1 Bl., HLwd. d. Zt. m. goldgepr. Rückentitel (?Natur Geschichte 6)? u. dreiseitig marmor. Schnitt.
réf. 10751La nouvelle revue française, 14e année, n° 157, Paris, 1er janvier 1966. In-8, broché.
réf. 201708895Paris, Editions de la Martinière, 2006 ; in-8, br.
1933réf. C105626Vindex Pub. Co. Calvi. Corsica 1933. First Edition. Wraps. Paperback . Good. First Edition. Wraps. 8vo. pp 14. Plain paper wrappers stapled printed in black. Spine slightly slit at head and tail some mild creasing and spotting to extremities: about very good copy. Includes an interview with G B Shaw by Hugh Kingsmill . Vindex Pub. Co., Calvi. Corsica, paperback
1884réf. 9061Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm. Vanity Fair
1904réf. 1021W3London: Arthur L. Humphreys 1904. First edition. Leather. Good. 6.5" by 5". None. A first edition collection of essays and lines of verse bound in three quarter green morocco. A collection of lines of verse and sayings published under the psuedonym of Oscar Wilde which he used following release from prison in 1897 and throughout his exile. The name was taken from the protagonist of the Gothic novel Melmoth the Wanderer which was written by Wilde's great-uncle Charles Maturin published in 1820. Bound together with The Soul of Man. Wilde's essay The Soul of Man Under Socialism was originally published in 1891. This volume is the first edition of Sebastian Melmoth. Bound in three quarter green signed morocco binding: J. & E. Bumpus. With the bookplate of English Liberal Party politician Reginald Nicholson to the front paste down a copy of which is held by the V&A Museum. Bound in 3/4 morocco. Externally generally smart. Front board detached. Moderate rubbing to extremities. Slight fading to hinges. Association bookplate to front paste down. Mild age toning to free endpaper extremities. Internally firmly bound. Pages generally bright and clean with the odd minor spot throughout. Binder's stamp to front blank. Infrequent minor tide mark to the odd page. Good Arthur L. Humphreys hardcover
réf. 69242P., Editions de l'Odéon, , 1951, in 4° en feuilles, sous chemise rempliée et double emboitage (légèrement insolé en tête et au dos).
réf. 104747London The Nonesuch Press 1932. . Number 773 of 800 copies; tall 8vo 26 x 15.5 cm; title with vignette printed in red; original near-white cloth gilt designed by Ricketts top edge gilt others uncut a bright & sharp copy. A fine copy of Charles Ricketts' recollections of Oscar Wilde for the Nonesuch Press. Charles Ricketts was a well-known artist/illustrator and typographer most famous perhaps for his creation of The Dial co-founded with his partner Charles Shannon and for his work with the Vale Press. His name is often synonymous with that of Oscar Wilde as he was one of the two illustrators primarily associated with Wilde's work the other of course being Aubrey Beardsley. He and Shannon were friends & supporters of Wilde for whom Ricketts painted the hero of Wilde's short story The Portrait of Mr. W.H. 'Jean Paul Raymond' was an imaginary author first introduced by Ricketts in his privately issued work Beyond the Threshold 1929. The typography was designed by Francis Meynell and the book was printed at the Dolphin Press six hundred copies being for sale in England and two hundred to Random House for sale in America. Dreyfus 8A. London, The Nonesuch Press, 1932. hardcover
1973réf. 34941Wien, Kremayr & Scheriau, (1973). Kl.-8°. Mit 12 ganzs. Illustrationen u. einer num. u. sign. Orig.-Farbradierung (bez. ?Nubier?) von Stuart S. R. Matthews. 92 S., 2 Bll., OPpbd. m. bedrucktem transparentem OUmschlag.
1930réf. 15457Paris, Devambez, 1930 ; in-4, en ff., couverture crème rempliée, chemise demi-percaline bleue, titre doré au dos, étui avec couvercle plein chagrin brique, dos rond à nerfs, titre doré (reliure de l'éditeur) ; (4), 77, [78], (4) pp., (2) ff. bl., 20 eaux-fortes dont 17 hors-texte.
réf. 201323386Paris, Le livre de poche, 1997 ; in-12, 180 pp., br.
réf. 201607068Bruxelles, Club international du livre , s.d. ; in-8, 245 pp., cartonnage de l'éditeur.
1923réf. _202100017Paris, Les Éditions G. Crès & Cie, 1923 ; in-8 (143 x 195 mm), VIII-98 pp. + 9 pl. hors-texte, broché, couverture illustrée à rabats. Note des éditeurs, par Ad. Van Bever. Quelques illustrations en couleurs (dessins de Alastair).
1948réf. G1337Paris, Mercvre de France, 1948 ; in-8, 192 pp., broché. Traduction de l'anglais par Léo Lack. Recueil de contes publié en Angleterre, en 1891. Bon état.
1882réf. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown books
1882réf. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
1918réf. 9620Berlin, Hyperionverlag, o. J. (1918). Gr.-8°. Mit einem Titelbild von A. Kubin. 1 nn., 42 num., 1 nn. Bll., OPpbd.
1825réf. 48641Wien, J. Trentsensky, o. J. (um 1825). Orig.-Lithographie von Joseph Trentsensky (Blattgröße 35,5 x 46,5 cm; Darstellung 24,5 x 34,5 cm).
réf. 580739Paris, Stock, 1946. In-4, en feuilles, sous chemise et étui cartonné, couverture rempliée, 301 pp. Edition limitée à 362 exemplaires. Un des 330 exemplaires sur vélin chiffon des papeteries du Marais.