8 491 résultats
1913réf. 30862Paris, L'Edition Moderne - Librairie Ambert, -1913, Broché, 312 pages. Portrait en frontispice et fac-similé d'une lettre d'O. Wilde. Exemplaire solide. TABLE DES MATIÈRES I La Décadence du Mensonge, dialogue. II Plume, Pinceau et Poison, étude de vert . III De la Critique considérée comme un art, avec quelques remarques sur l'importance de ne rien faire, dialogue . IV De la Critique considérée comme un art, avec quelques remarques sur l'importance de discuter toute chose, dialogue . V L'Ame humaine et le Socialisme.
réf. 81825Paris, L'Edition Moderne. Librairie Lambert, sans date, in-12, broché, couverture légèrement défraîchie, 312p. Portrait photographique de l'auteur en frontispice et fac-similé d'une lettre d'O. Wilde.TABLE DES MATIÈRES I La Décadence du Mensonge, dialogue. II Plume, Pinceau et Poison, étude de vert . III De la Critique considérée comme un art, avec quelques remarques sur l'importance de ne rien faire, dialogue . IV De la Critique considérée comme un art, avec quelques remarques sur l'importance de discuter toute chose, dialogue . V L'Ame humaine et le Socialisme.
réf. 2232in 12 broché,faux-titre,un portrait de l’auteur,un fac-similé de lettre,313 pages,l'édition moderne éditeur sans date.Edition originale de la traduction dont il n’est pas annoncé de grand papier.Quelques rousseurs
1965réf. R100073225Prentice-Hall Inc.. 1965. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. XIII+202 pages - nombreuses figures en noir et blanc dans le texte - une étiquette collée sur le 1er contre plat - jaquette conservée - livre en anglais - manque coin en pied sur la page de titre.. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
réf. 1500768774.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2024réf. ABD-9789391972035Agrotech Press 2024. New. Agrotech Press unknown
2024réf. ABD-9789391972035Agrotech Press 2024. New. Agrotech Press unknown
1996réf. DADAX1860640621Brand: I. B. Tauris 1996-05-15. hardcover. New. 5.60x1.25x8.68. Buy with confidence. Excellent Customer Service & Return policy. Brand: I. B. Tauris hardcover
1996réf. SONG1860640621Brand: I. B. Tauris 1996-05-15. hardcover. Used: Good. 5.60x1.25x8.68. Buy with confidence. Excellent Customer Service & Return policy. Brand: I. B. Tauris hardcover
1976réf. 21170141976. 1976. Original pen-and-ink illustration image size circa 11 x 8cm; signed presented in an ivory-coloured acid-free mount; reproduced on page 157 of the published book; fresh. unknown
réf. 29532411like new. unknown
réf. 29532411-nnew. unknown
réf. Oxford-9780198418580Oxford University Press. Paperback. New. 201 mm x 131 mm. Oxford University Press paperback
réf. Oxford-9780198418580Oxford University Press. Paperback. New. 201 mm x 131 mm. Oxford University Press paperback
2000réf. 68150Mundus Verlag, 2000. 4 Taschenbücher. Band 1: Erzählungen und Märchen, 331 Seiten. Band 2: Gedichte.Gedichte in Prosa, 303 Seiten. Band 3: Bühnenstücke, 400 Seiten. Band 4: Briefe. Essays, 400 Seiten.
1977Maxim Mazumdar is an Indo-Canadian playwright and director.This is the text of his one-man show, Oscar Remembered, which tells the story of the Irish playwright Oscar Wilde seen from the perspective of his lover and nemesis, Lord Alfred Douglas .Preface by Herbert Whittaker70p. illus. Nice clean text, some pages coming loose. slight wear to paper covers. Book
1914réf. 13342OSCAR WILDE AND MYSELF Duffield & Company 1914 first American edition some age toning to the page edges else a fine bright copy. Illustrated. Duffield & Company unknown
1916réf. 264948New York: Printed and Published by the Author 1916. First Edition. Frontis. 2 vols. 8vo. Qauarter publisher;'s green calf and boards. Fine in half faded green morocco and chemise. First Edition. Frontis. 2 vols. 8vo. Printed and Published by the Author unknown
1931réf. 5469Seattle: Dogwood Press 1931. First edition thus. 26x18cm 24pp. Mounted color frontis title and initial in color. Pictorial rainbow paper boards stamped in gilt in original burnished gold paper slipcase. Spine toning some smudging to front cover clean internally. Slipcase rubbed and scuffed as typically seen. Beautiful production from preeminent Seattle fine printer Frank McCaffrey being the titular story from Oscar Wilde's 1888 collection of children's stories. McCaffrey notes in his preface "Putting this book into type has been a most satisfying pleasure to me" which is evident in the work being one of the most striking examples of fine Northwest printing. This copy with fragile slipcase prone to wear is better than often seen. Dogwood Press unknown
1882réf. List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde-related ephemera issued during the height of the writer's American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde's appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture "The English Renaissance" as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde's aesthetic persona.1 The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. 1 "Freshmen at Oscar Wilde's Lecture" The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
1933réf. C105626Vindex Pub. Co. Calvi. Corsica 1933. First Edition. Wraps. Paperback . Good. First Edition. Wraps. 8vo. pp 14. Plain paper wrappers stapled printed in black. Spine slightly slit at head and tail some mild creasing and spotting to extremities: about very good copy. Includes an interview with G B Shaw by Hugh Kingsmill . Vindex Pub. Co., Calvi. Corsica, paperback
1884réf. 9061Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm. Vanity Fair
1922réf. 796Gothenburg: N. J. Gumpert 1922. Very good. Original printed wrappers. Spine extremities chipped and snagged otherwise a very good copy of an increasingly scarce title. First edition variant issue in collected form of these five essays two in their original French on Wilde and associates. From an edition of 400 copies this copy is neither numbered nor signed and has a cancel paste-over obscuring the original "Vienna 1921 / Alfred Holder" imprint on the title page; Gumpert's imprint appears on the wrapper instead. "Printed by Alfred Holder Vienna 1922" is printed on the lower wrapper. N. J. Gumpert unknown
réf. 5FSZKH0010TYTown House. paperback. Good. 0.7 in x 7.7 in x 5 in. The cover shows normal wear. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations First Aid and Fire Stations! paperback Town House paperback