8 034 résultats
1908réf. feb02326alcalay 1908. First. Used book For more details and availability please contact me alcalay unknown
réf. 1024326993.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1950In-16 (cm 15,7x10,5), pp. 87+indice, brossura edit. grigia. Traduzione di D. Porzio. VIII ediz. "BUR" 120. Ordinari segni del tempo, buono.
1980Mm 110x180 Collana "Biblioteca Universale Rizzoli". Brossura di pp. 125 con le illustrazioni di Berdsely nel testo, introduzione di Alberto Arbasino. Bruniture ai piatti. Opera in buono stato.
1912réf. 26010001Translated by Wilde from his original French. Reprint of the Luce 1907 edition with all 15 of Beardsley's striking interior illlustrations and the gilt cover design. Dark blue/green cloth boards have some light scuffing with a heavier scuff near Wilde's name on front cover. Spine is sunned wrapping around to covers and a 2" area near top of front joint with some fine white spatter. Corners bumped with a bit of fraying shelfwear to edges and head and tail of spine with some fraying to head of spine. Slight outward bow to both covers. Previous owner's name in ink to top corner of FFEP. Endpapers age-toned. Interior subtly age-toned. Binding intact but not especially tight. John W. Luce & Co. hardcover
1925réf. 41981925. Paris éditions G. Crès & Cie 1925 - Broché 14 cm x 19 cm 89 pages - Drame en un acte de Oscar Wilde - bibliographie - 10 dessins couleurs hors-texte (9 intérieur + 1 couv) d'Alastair (Hans Henning Voigt) - En partie non coupé - Rousseurs sur la couv et le dos sinon bon état
réf. 65298Les Fermiers Généraux, éditions du Cap 1956, in-8 relié toile éditeur, 70pp avec des illustrations de Derain; collection les fermiers généraux n° 6 - très bon état
réf. 22500Paris, Georges Crès et Cie, 1917. In-8, 144 pp., broché, couverture originale imprimée (couverture insolée).
1893réf. #16Oscar Wilde Salomé. Drame en un acte. Paris Librairie de l'Art indépendant; London Elkin Mathews and John Lane 1893. Square 12mo 196 × 145 mm. 2 blank leaves 84 numbered pages the first 8 unnumbered: half-title title dedication to Pierre Louÿs list of characters; text beginning on p. 9 and 2 unnumbered leaves 1 leaf with the colophon dated 6 February 1893 and 1 blank leaf. Modern binding. Half black morocco with small corner pieces bluish paper sides smooth spine title in gilt untrimmed top edge with matte gilt doublures and endleaves of the same paper. Original violet wrappers and spine the upper cover printed in silver lettering preserved. Excellent condition. A few small spots; upper edges of the boards slightly faded; wrappers somewhat sunned. First edition. This celebrated play was written directly in French by Wilde between 1891 and 1892; first performed in 1896 its text was revised at the author's request by Marcel Schwob Stuart Merrill and Pierre Louÿs. The first English edition appeared the following year. Limited edition of 600 copies with no special issue on large paper. The second blank leaf bears the following autograph inscription signed in black ink: "À Puvis de Chavannes / Hommage respectueux / Oscar Wilde" To Pierre Puvis de Chavannes respectful homage Oscar Wilde. The celebrated painter and muralist Pierre Puvis de Chavannes 1824–1898 like Oscar Wilde 1854–1900 lived in the cult of Beauty. Renowned for his compositions of noble and hieratic character influenced both by Greco-Roman classicism and by Symbolism his work exerted a profound fascination on late nineteenth-century painters and sculptors particularly Edgar Degas Paul Gauguin Aristide Maillol and Maurice Denis. The aesthetic connection between Oscar Wilde and Puvis de Chavannes is to be sought precisely around Salomé since the artist had painted in 1869 a Beheading of Saint John the Baptist that may well have inspired the author. Moreover it is known that when Aubrey Beardsley—who would illustrate the English version of the play in 1894—came to Paris in 1893 he was strongly encouraged by the French painter who introduced him as "a young English artist who produces astonishing things." The inscription in Salomé is therefore particularly significant and of greater import than a simple tribute. A very fine provenance for this celebrated drama written directly in French by Oscar Wilde. Librairie de l’Art indépendant
réf. 3732658821.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 373265883X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1912réf. 003190Boston: John W. Luce & Co. 1912. Hardcover. Good. Boston: John W. Luce & Co. 1912. 67pp. Black cloth with gilt titles and illustration to front board; lacking a jacket. Fraying and splitting to cloth along spine; contents lightly toned. Binding secure but a little strained between signatures. Good to very good with all illustrations present. Reprint of Wilde's one-act tragedy the English-language edition of which was first published in 1894. With sixteen black-and-white illustrations by Aubrey Beardsley. John W. Luce & Co. hardcover
1949réf. 28747Söcking 1949. Drame en un acte avec quinze dessins par Aubrey Beardsley Nr.760 v.2100 Expl. Heinrich F.S.Bachmair 4°. Ln. Literatur unknown
1925réf. 6110Les Éditions G. Crès et Cie 14,5 x 19 Paris 1925 Broché, petit in-4, couverture rempliée illustrée d'un dessin en couleurs représentant Salomé, VII-[1]-89-[9] p., titre rouge, bibliographie et table in fine. Note des éditeurs. Dessins d'Alastair annoncés en titre, absents du volume. Couverure en bon état protégée de papier cristal, intérieur très frais.(C137)
1925réf. 6110Les Éditions G. Crès et Cie 14,5 x 19 Paris 1925 Broché, petit in-4, couverture rempliée illustrée d'un dessin en couleurs représentant Salomé, VII-[1]-89-[9] p., titre rouge, bibliographie et table in fine. Note des éditeurs. Dessins d'Alastair annoncés en titre, absents du volume. Couverure en bon état protégée de papier cristal, intérieur très frais.(C137)
réf. 9390228484.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1927réf. R320142510Les éditions G.Crès et cie. 1927. In-8. Broché. Etat d'usage, Tâchée, Coiffe en pied abîmée, Rousseurs. VII + 89 pages - coiffes abîmées - couverture à 3 rabats - quelques dessins en couleurs hors texte.. . . . Classification Dewey : 840.091-XX ème siècle
réf. 017148Fürstner Limited Broché London 39 pages en format -12 Livre personnalisé
réf. 9782081450769G.F.
réf. 79247Presses Universitaires de France 2008, cartonnage éditeur illustré, dos toilé, préface de Charles Méla, introduction de Sylviane Messerli; illustré; collection Sources - très bon état
réf. 9876London Methuen 1911 XIX 180p uncut or green cloth gilt title handwr ded on 1st flyleaf some browning and foxing 12x177 cm third F cap 8wo edition - contains the original french text of Salomé hardcover
2002réf. Q-0486421279Dover Publications 2002-08-14. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1927réf. 12415Paris: Les Éditions G. Crès 1927. Hardcover. vg. Alastair. Small quarto 19 by 14 cm. vii 1 blank 89 5 table pp. Half title; main title in red and black; 9 duotone plates by Alastair. Text in original French. Half calf over mottled brown boards; spine lettered in gilt; marbled endleaves. Illustrated front wrapper lightly soiled retained. Clean text throughout mild rubbing/wear at extremities of covers else a very good copy. Later illustrated edition of this one-act play which tells the biblical story of Salome stepdaughter of the tetrach Herod Antipas who to her stepfather's dismay but to the delight of her mother Herodias requests the head of Jokanaan John the Baptist on a silver platter as a reward for dancing the dance of the seven veils. While the intended premier of the play was being rehearsed for production in June of 1892 at the Palace Theatre in London with Sarah Bernhardt in the leading role and Albert Darmont as Herod the lord chamberlain withheld his license invoking legislation from the protestant Reformation era which prohibited medieval miracle or otherwise religious plays. Wilde responed in print: "Personally to have my première in Paris instead of in London is a great honour and one that I appreciate sincerly. The pleasure and pride that I have experienced in the whole affair has been that Madame Sarah Bernhardt who is undoubtedly the greatest artist on any stage should have been charmed and fascinated by my play and should have wished to act in it. Every rehearsal has been a source of pleasure to me. The hear my own words spoken by the most beautiful voice in the world has been the greatest artistic jouy that it is possible to experience. So that you see as far as I am concerned I care very little about the refusal of the Lord Chamberlain to allow my play to be produced" quoted in Mason. With a seven-page bibliography of French editions and translations into fourteen languages including Yiddish. For a concise but well-documented treatment of Wilde's response to the suppression of the play in England along with a brief discussion of the early productions and a list of later productions prior to the First World War see S. Mason Bibliography of Oscar Wilde vol. 2 pp. 370-378. Les Éditions G. Crès hardcover
réf. ORD-20157Paris. Edition à petit nombre. Imprimée pour les souscripteurs. 1907. In-4 (203 x 262 mm) broché, couverture verte à rabats avec, sur le 1er plat, l'étiquette de titre. Ouvrage tiré à 500 exemplaires, celui-ci n°17, un des Cent sur Vergé d'Arches. Premier plat de couverture viré au brun, dos fendillé, gardes insolées, report léger des gravures sur les pages de texte, tranches non arasées brunies. Rare exemplaire du tirage de luxe dont les hors-texte sont en excellent état.
réf. 384913637X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover