6 786 résultats
réf. 1333960859.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1994réf. 58162Paris, Les Belles Lettres, 1994, in-8, Broché., 294 pages. Plis au dos. Exemplaire légèrement gauchi.
réf. RO20220634Fourth Estate. Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 215 pages. Annotaiton à l'encre ex-dono sur la page de garde.Jaquette en bon état. Texte en langue anglaise.. Avec Jaquette. . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
2010réf. 012837Paris Grasset 2010 In 8 Collection " Les Cahiers Rouges " . - 196 p. , 300 gr.
1994réf. 51317Les Belles Lettres 1994 1 vol. broché in-8, broché, 294 pp. Première édition française de ces chroniques, en grande partie inédites suivies de deux entretiens concernant "Salomé" et "Un mari idéal". Très bon état.
1994réf. 51317Les Belles Lettres 1994 1 vol. broché in-8, broché, 294 pp. Première édition française de ces chroniques, en grande partie inédites suivies de deux entretiens concernant "Salomé" et "Un mari idéal". Très bon état.
réf. 73556Paris, Les Belles Lettres, 1994. 13 x 20, 295 pp., broché, très bon état.
1998réf. 300007346Editions 10/18 1998 295 pages 1998. 295 pages.
réf. 06516Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. 1894. Wilde at Oxford - A Lifetime Edition Issued on the Eve of Scandal" Limited to 750 Copies - Published May 1894 WILDE Oscar. Aristophanes at Oxford By Oscar Wilde. O.W. by Y.T.O. all rights reseved. Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. May 1894. One of 750 copies printed. Small quarto 7 5/8 x 5 1/8 inches; 194 x 130 mm. viii 1 2-85 1 blank pp. Publisher's stiff tan/gray wrappers front cover lettered in green. Wrapper edges a little chipped as usual; otherwise an excellent example internally clean and well preserved. Housed in a green cloth clamshell case spine lettered in gilt. A lifetime edition of Wilde's early Oxford satire originally composed in 1879 here issued anonymously "O.W. by Y.T.O." in a limited printing of 750 copies. Published in May 1894 at the height of Wilde's literary success and just one year before his dramatic fall this edition represents the first substantial reappearance of the text in expanded form extending to 85 pages. It offers a rare glimpse of Wilde's formative wit - rooted in classical parody and undergraduate satire - reissued for a contemporary audience during his most celebrated period. Mason 685. Oxford [&] London: J. Vincent [&] Simpkin, Marshall, Hamilton, Kent & Co., 1894 unknown
1894réf. 191028Oxford: J. Vincent; Simpkin Marshall Hamilton Kent & Co. London 1894. An uncommon parody of Wilde First edition one of 750 copies of this Oxford play satirizing Oscar Wilde. The authors of this anonymous parody an entertaining imitation of the classical Greek comedy of Aristophanes were three Oxford undergraduates. Leopold Amery 1873-1955 later a prominent journalist and conservative politician. Francis Wrigley Hirst 1873-1953 later a successful journalist editor of The Economist and biographer of Thomas Jefferson. Little is known about Henry Alford Antony Cruso besides that he published another drama in 1907. The initialism Y.T.O. comprises the last letter of their surnames. Octavo. Original buff wrappers front cover lettered in green. Housed in a custom green cloth slipcase. Booklabel of Timothy D'Arch Smith b. 1936 the British author and co-founder of Victim Press; illustrated bookplate of Jeremy J. Mason designed by David Ward and dated 1974 on initial leaf. Spine a little chipped wrappers toned and soiled edges nicked sporadic foxing. A good copy. Mason 685. hardcover
réf. 06516Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. 1894. Wilde at Oxford - A Lifetime Edition Issued on the Eve of Scandal" Limited to 750 Copies - Published May 1894 WILDE Oscar. Aristophanes at Oxford By Oscar Wilde. O.W. by Y.T.O. all rights reseved. Oxford & London: J. Vincent & Simpkin Marshall Hamilton Kent & Co. May 1894. One of 750 copies printed. Small quarto 7 5/8 x 5 1/8 inches; 194 x 130 mm. viii 1 2-85 1 blank pp. Publisher's stiff tan/gray wrappers front cover lettered in green. Wrapper edges a little chipped as usual; otherwise an excellent example internally clean and well preserved. Housed in a green cloth clamshell case spine lettered in gilt. A lifetime edition of Wilde's early Oxford satire originally composed in 1879 here issued anonymously "O.W. by Y.T.O." in a limited printing of 750 copies. Published in May 1894 at the height of Wilde's literary success and just one year before his dramatic fall this edition represents the first substantial reappearance of the text in expanded form extending to 85 pages. It offers a rare glimpse of Wilde's formative wit - rooted in classical parody and undergraduate satire - reissued for a contemporary audience during his most celebrated period. Mason 685. Oxford [&] London: J. Vincent [&] Simpkin, Marshall, Hamilton, Kent & Co., 1894 unknown books
réf. 1857020154.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960réf. 99610Walter J. Black Publishers, Roslyn, New York, um 1960. 19,5 cm ; Leinen
1994réf. 7728CBPhoenix, Arizona Highways Book, 1994. 4°, 136 S. mit zahlr. s/w und Farbabbildungen (Text: Englisch), illustr. original Kartonage (Paperback), 2. Auflage Titelseite leicht fingerspurig, sonst sehr schönes, sauberes Exemplar (hireg - A)
réf. ria9783658114855_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Frank Wilde untersucht die Frage inwieweit Armut bei strafrechtlichen Sanktionen zu einer Benachteiligung führt. Am Beispiel der Geldstrafe kommt er zum Ergebnis dass eine strafverschärfende Wirkung von Armut festzustellen ist. Die Ge paperback
réf. 1391174933.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1390587770.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0365935603.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 0366124943.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1939réf. 002630Paris Arts et Metiers Graphiques. 1939 In-4 Broché Edition originale
2022réf. 20650Les Editions de Paris - Max Chaleil, 2022. In-8 broché, couverture photographique. Illustré de caricatures.
1964réf. 152562New York: NY Univ 1964. Hardcover. Fine/Very Good. First edition. Fine in an about Very good dust jacket. Solid hardcover. Dustwrapper is price cliped with shelf rubbing. Light wear on corners and spine ends. NY Univ hardcover books
1969réf. 255165New York: NY University 1969. Hardcover. Very Good. Very good hardcover with similar dust jacket. Pages and cover are clean. Dustwrapper price clipped. Dustwrapper spine faded. NY University hardcover books
réf. 147394Used. For more details please contact me unknown
réf. 55007Amsterdam: Stedelijk Museum: 1980. Quarto 27.5 × 20.7 cm. Original pictorial card wrappers; 80 pp. with numerous reproductions of photographs and video stills. Spine and wrappers lightly sunned; still about very good. Catalog of the exhibition of the oeuvre of the video and television art pioneer Gerry Schum who coined the term "Land Art" with an episode of his series "Television Exhibition." In it Schum showed land art works by Marinus Lambertus van den Boezem Walter De Maria Jan Dibbets Barry Flanagan Michael Heizer Richard Long Dennis Oppenheim and Robert Smithson without commentary. In another episode of his "television exhibition" he showed works by Joseph Beuys Daniel Buren and Mario Merz. These experimental video works were televised on public service broadcasting. A third episode with the project title "Artscapes" fell through due to a shortage of funding. This was followed by further television projects. However Schum's idea of using television as a democratic medium independent of the art market for the direct presentation of artworks failed. The main reason for this was the refusal of the broadcasters to finance further projects. Cf. Helmut Kronthaler in: AKL CII 2019 285. As of September 2025 KVK OCLC locate seven copies worldwide none of them in North America. unknown