Wilde, Oscar (1854-1900)Biblio.com
6 788 résultats
1962réf. 342513London : R. Hart-Davis 1962. Hardback edition. Hardcover. Fine cloth copy in a near-fine very slightly edge-nicked and dust-dulled dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; xxv 958 pages 31 unnumbered pages of plates : facsimiles portraits ; 25 cm. Subjects; Wilde Oscar 1854-1900. Correspondence. Wilde Oscar 1854-1900 ; Biography. Authors Irish 19th century ; Correspondence. Authors Irish 19th century ; Biography. London : R. Hart-Davis hardcover
1922réf. 2222703Privately issued 1922 1924 1931. First edition. Quarto. Collated and compiled by Robert Ernest Cowan and William Andrews Clark Jr. Original green cloth over boards; spine labels. Very good spines faded to tan. 6 volumes. A fine set of this monumental collection assembled by William Andrews Clark Jr. Each volume in a grey board slipcase. No signatures or bookplates. One of 100 copies. Printed by John Henry Nash. Privately Printed hardcover
1922réf. 2222703Privately issued 1922 1924 1931. First edition. Quarto. Collated and compiled by Robert Ernest Cowan and William Andrews Clark Jr. Original green cloth over boards; spine labels. Very good spines faded to tan. 6 volumes. A fine set of this monumental collection assembled by William Andrews Clark Jr. Each volume in a grey board slipcase. No signatures or bookplates. One of 100 copies. Printed by John Henry Nash. Privately Printed hardcover books
1907réf. 222567New York Mitchell Kennerley 1907. 1907. First American edition from English sheets. Thick 8vo. Frontispiece portrait from photograph by Ellis & Walery and 25 illustrations. Original blue cloth spine with printed paper label t.e.g. uncut. Good-very good. No bookplates. Former owners ink signature on the title page. F. Hardcover. New York, Mitchell Kennerley, 1907. hardcover
1928réf. 032542New York: Dodd Mead & Company 1928. 1st Edition . Hardcover. Good/Good. Plates Facsimiles Etc.; . Xvi 470 Pp. First Binding Of Blue Cloth Spine With Paper Label Blue And White Patterned Boards. First American Edition Using British Sheets Containing An Additional Chapter Written By One Of Wilde's Prison Wardens But Otherwise A Reprint Of The First Unexpurgated Edition. Ownership Signature Of Actress Elizabeth Talbot-Martin. Light Wear Tiny Frays At Tips But Bump To Upper Tip And Small Bump At Lower Edge Of Front Cover; Water Tide-Mark To Paper Spine Label But No Other Trace Of Damp Staining; Front Hinge Cracked. In The Scarce Dj Browned At Spine Internal Tape Repairs 1" External Tape Repair Across Top Of Spine 1/2" Tape Repair Along Lower Front Flap Fold 1 1/2" X 1" Chip At Bottom Of Spine Removing Most Of Publisher's Name 1/8" Chipping Across Top Of Spine With 1/2" Deep V-Chip At Top Front Spine Edge Some Other Small Losses And Short Tears. Small Bookstore Label Of Hampels Bookshop Milwaukee. Dodd, Mead & Company hardcover
1911réf. 007192London : T.Werner Laurie Clifford's Inn London ; Printed at the Newcastle-upon-Tyne Press Waterloo House Thornton Street June 1911 1911. 3rd Edition . Hardcover. Very Good/No Jacket. 3rd edition ; xiii 403 1 pages 8 leaves of plates ; 8° ; LCCN: 06-35596 ; LC: PR5823; Dewey: 828.209 ; OCLC: 7138261 ; with Appendix p. 427-448: Oscar Wilde at Chickering Hall; Oscar Wilde's lecture in English provinces on the "House beautiful"; Oscar Wilde's lecture in Dublin on "The value of art in modern life"; Oscar Wilde's lecture in Dublin on "Dress."/ Includes bibliographical references pages 449-464.; grey cloth and 1/2 vellum-like boards with gold lettering and art nouveau design on spine ; foredge and bottom textblock untrimmed ; "by Robert Harborough Sherard ; with a full reprint of the famous revolutionary article "Jacta alea est" which was written by Jane Francesca Elgee who afterwards became the mother of Oscar Wilde and an additional chapter contributed by one of the prison-warders who held this unhappy man in gaol ; illustrated with portraits facsimile letters and other documents." ; "It was one of the dead wit's sayings that of all the disciples of a man it is always Judas who writes his biography. In the present instance this paradox has less truth than ever. The writer was in no sense the disciple of Oscar Wilde; he was indeed as strongly antagonistic to most of his principles ethical artistic and philosophical as he was warmly disposed to him for his many endearing qualities and captivating graces. His qualifications arise from the facts that for the period of sixteen years preceding Oscar Wilde's death he was intimately acquainted with him that his friendship with him -of which elsewhere a true record exists-was continuous and uninterrupted save by that act of God which puts a period to all human companionships that he was with him at times when all others had withdrawn and that for the very reason that he was not in sympathy with any of the affectations which towards others Oscar Wilde used to assume the man as he truly was the man as God and Nature had made him was perhaps better known to him than to most of his other associates. The method of treatment which was adopted in that earlier record to which reference has been made above being no longer imperative here has been abandoned with all the more alacrity on the part of the author that he has ever been in complete concordance with the general preference of objective to subjective treatment in the matter of biography. To-day what three years ago was utterly impossible he may yield to his own inclinations because to-day it has become admissible that a biography of Oscar Wilde can be written and made public. The writer has no longer to seek how to arouse interest in his subject through the graduated emotions of curiosity pity amazement and sympathy. It is open to him to record facts without having to palliate the offence of so recording them by an exposition of their incidence upon others. The upward climb the attainment the joys of conquest the catastrophe the precipitation and the horrors of the abyss may now be depicted upon his canvas in plain fashion. The reader shall see them as they were; he shall no longer be coaxed by a cunning elicitation of his sympathy for the teller of the story to listen to a tale against which prejudice the voice of public opinion and his own conception of what it is seemly and expedient for him to hear are ever prompting him to close his ears."--Robert Sherard ; also included is an important extensive Bibliography Contents: Works issued in book form -- Authorised editions published in England -- Works published in America only -- Works published in privately printed editions only -- Magazines and periodicals -- Books containing selections -- Spurious works -- Translations -- Franch -- German -- Italian -- Polish -- Russian -- Spanish -- Swedish ; wear foxing else VG London : T.Werner Laurie, Clifford's Inn, London ; [Printed at the Newcastle-upon-Tyne Press, Waterloo House, Thornton Street], hardcover
1907réf. 222567New York Mitchell Kennerley 1907. 1907. First American edition from English sheets. Thick 8vo. Frontispiece portrait from photograph by Ellis & Walery and 25 illustrations. Original blue cloth spine with printed paper label t.e.g. uncut. Good-very good. No bookplates. Former owners ink signature on the title page. F. Hardcover. New York, Mitchell Kennerley, 1907. hardcover books
1946In-8, cartonato editoriale, pp. 389. In buono stato (good copy).
1977réf. C94182London: The Round House 1977. First Edition. Wraps. Paperback . Very Good. First Edition. Wraps. 4to. pp 16. Stapled wraps. Original publishers white and red covers. Only 2 copies found at WorldCat OCLC the worldÕs largest library catalogue. Program for 2 productions of the Lindsay Kemp Company presented at the Round House London. Slight creasing at lower spine otherwise very good. The Round House, paperback
réf. 026796692X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 012928New York: The Mershon Company Full blind stamped decorated blue cloth in black and red with gilt lettering on spine. General shelf wear and the back board at spine has a visible split to cloth. Back board alos has one water drop spot and other very small spotting. Book is cocked. Behind front board can see webbing. Signed twice by John Wilde the well known artist of wisconsin. One signature in blue fountain pen on front free endpage and the other on the front flyleaf. Pages have started to yellow. Full Cloth. Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Hardcover. The Mershon Company Hardcover
1930réf. 02501THE LITTLE THEATRE IN SCHOOL Dodd Mead 1930 first edition faint moisture stain to the rear panel and sections of the top and bottom page edges of the text block which have for the most part faintly bled onto the fore mentioned margins in various degrees most all of which are minor else a vg copy in a vg color pictorial dust-wrapper with some wear and tear and some tape reinforcement to the head of the dust-wrapper spine. Illustrated with photos with 2 of the 4 plays printed herein based on the works of Charles Dickens and Oscar Wilde. The pioneering / ground breaking book of children and the performing arts in school. Dodd Mead unknown
1960réf. 042266London: George G. Harrap & Co. Ltd. 1960. First edition 1960. Hard to find title from the Flying Foal series. Illustrated in black and white. Bright red hardcover with illustrated dustjacket. The book is in very good condition with good hinges firm text block very clean pages with no names or other markings. The mylar protected dustjacket is priceclipped and has a short closed tear to the rear panel some minor shelf soil darkened but readily legible spine. First Edition. Hard Cover. Very Good/Very Good. 12mo - over 6¾" - 7¾" tall. George G. Harrap & Co. Ltd. Hardcover
1998réf. 1-1561703931Hay House 1998. Hardcover. New. 101 pages. 8.00x5.50x0.75 inches. Hay House hardcover
1998255 p. 24 mo. 145mm. Original pictorial glossy binding. Hardbound. Fine. Oscar Fingal O'Flahertie Wills Wilde (1854-1900) was an Irish writer and poet. After writing in different forms throughout the 1880s, he became one of London's most popular playwrights in the early 1890s. Today he is remembered for his epigrams, his novel The Picture of Dorian Gray, his plays, and the circumstances of his imprisonment and early death. LIT BX 6
1930réf. 02501THE LITTLE THEATRE IN SCHOOL Dodd Mead 1930 first edition faint moisture stain to the rear panel and sections of the top and bottom page edges of the text block which have for the most part faintly bled onto the fore mentioned margins in various degrees most all of which are minor else a vg copy in a vg color pictorial dust-wrapper with some wear and tear and some tape reinforcement to the head of the dust-wrapper spine. Illustrated with photos with 2 of the 4 plays printed herein based on the works of Charles Dickens and Oscar Wilde. The pioneering / ground breaking book of children and the performing arts in school. Dodd Mead unknown books
1964réf. 99535Walter J. Black Publishers, Roslyn, New York, um 1964. 19,5 cm ; Leinen
2000réf. mon0000835968Running Press 6/26/2012 12:00:01 A. paperback. Good. 1.4500 in x 7.7100 in x 5.1600 in. Spine creased but binding still sound. Running Press paperback
2011réf. Manohar-9781441178329Continuum 2011. Softcover. New. Continuum paperback
2011réf. Manohar-9781441178329Continuum 2011. Softcover. New. Continuum paperback
réf. 1441100113.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1960réf. 99551Walter J. Black Publishers, Roslyn, New York, um 1960. 19,5 cm ; Leinen
réf. 0428948774.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1334703280.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1952réf. 170434Culver City CA: Columbia Pictures 1952. Collection of 36 vintage reference photographs from the 1952 film including 35 bordered and one borderless. Most with provenance stamps and labels on the versos and four with printed mimeo snipes affixed to same. Based on Carson McCullers' beloved 1946 novel which McCullers also adapted for Broadway in 1950 starring actors Ethel Waters and Julie Harris who reprised their roles for the film. A young lonely tomboy dreams of escaping her small southern town with her brother and his fiancée. Harris was 27 more than double the age of the fictional Frankie Addams at the time of the film's production. Set in the American South. 35 photographs 10 x 8 inches one 7.5 x 9.25 inches. Generally Very Good plus to Near Fine a couple with annotations in manuscript ink on the margins. Columbia Pictures unknown
