8 492 résultats
réf. 16621Paris, P.-V. Stock, 1918. Hardcover XXVII, 294 p.
réf. 83529Paris, Librairie Stock 1928, 185x130mm, XII - 240pages, broché. Ex-libris. Bon état. Edition originale sur papier alfa satiné d’Outhenin-Chalandre, numéroté n.° 192 / 2700.
1928réf. 116451Paris Stock, coll. "Le Cabinet cosmopolite" 1928 1 vol. relié petit in-8, demi-chagrin cerise, dos à nerfs, pièces de titre noires, couvertures conservées, 240 pp. Première édition de cette traduction. Exemplaire numéroté sur alfa. Très bon exemplaire.
1928réf. 116451Paris Stock, coll. "Le Cabinet cosmopolite" 1928 1 vol. relié petit in-8, demi-chagrin cerise, dos à nerfs, pièces de titre noires, couvertures conservées, 240 pp. Première édition de cette traduction. Exemplaire numéroté sur alfa. Très bon exemplaire.
réf. 84339Paris, Georges Crès 1914 (1905), 225x145mm, L- 266pages, demi-percaline. Etiquette de titre au dos, plats papier marbré. Achevé d’imprimer cinq Août 1905 Mme Ve Guy et Cie, imprimeurs Alençon, sur la page de titre, étiquette de l’éditeur Georges Crès recouvre la première mention d’édition
1891réf. 503897New York: Dodd Mead and Company 1891. Hardcover. Fine. First American edition using the English sheets see Mason 343: "Of the English edition. . 600 copies were printed for America. Octavo. 258pp. Pinkish-red cloth stamped in yellow. Spine is slightly faded else a nice very near fine copy. Scarce. Dodd, Mead and Company hardcover books
1923réf. 1204Paris, Librairies des Bibliophiles Parisiens, 1923, in-12, broché ,sous couverture rempliée, 244 pages Bon état. Portrait de l'auteur en frontispice présentant quelques rousseurs.
1921réf. 87084Paris, Librairie des Bibliophiles Parisiens 1921 In-12. Broché, couverture imprimée et rempliée, portrait de l’auteur en frontispice, XIV-244 pp. Bon exemplaire non coupé.
réf. 18016Paris, Librairie des bibliophiles parisiens, 1921 / 1923 1 volume In-8° (12,7 x 19,2cm) Broché sous couverture rempliée. 3 feuillets, XLIVp., 2 feuillets, 244p., 5 feuillets; portrait hors texte en frontispice. Très petits manques angulaires au 1er plat, marges des plats et dos jaunis, plis marqués au dos; propre à l'intérieur sauf petite tache en marge inférieure du frontispice (loin du portrait lui-même).
1910réf. 7949Paris P.-V. Stock / bibliothèque cosmopolite (n°14) 1910 un volume in-12, 277 pp. Reliure en demi-basane rouge à la Bradel, dos lisse orné de l'auteur et du titre dorés, couvertures conservées. (dos éclairci, léger tassement en sommet de dos). Traduction, préface et notes de J. Joseph-Renaud. Portrait de l'auteur. Couverture de relais portant l'année 1909 comme date d'édition.
1905réf. 55806NY: Brentanos 1905. Reprint first issued in 1891. 8vo pp. 263. Bound in some soiled tan cloth bookplate and former owner's name on end paper. Brentanos unknown books
1904réf. 46909Portland ME: Thomas B. Mosher 1904. One of 600 copies on van Gelder hand made paper. 8vo pp. 236. Ivory paper over boards. Cover little worn; cover and edges somewhat soiled a little interior foxing and spotting o/w a VG tight copy. Thomas B. Mosher unknown books
1928réf. R320059369DELAMAIN ET BOUTELLEAU. 1928. In-12. Broché. Etat d'usage, Tâchée, Dos satisfaisant, Intérieur frais. XII + 240 pages - Quelques points de rousseurs sur le 1er plat.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
1907réf. 0079London / New York, Keller-Farmer, 1907. These are two books from the 250 numbered sets of the Édition de Grand Luxe, both bearing the number #10. Two octavo volumes, 210 x 150 mm, Intentions featuring 237 pages and Poems in Prose 307. Rebound in modern leather, four raised bands, "The Writings of Oscar Wilde" and then book name being stamped in gold. Two gilt headbands on the top and bottom of the spine. Original full chocolate maroquine leather boards preserved with gilt ornamented caissons. Gilt leather continues behind the boards with dark green silky endsheets. Top edges gilt. Headbands. Set number written in red, ornamented collection title page, book title page, table of illustrations (engravings) and contents at the beginning of each book. Intentions contains four illustrations and the following texts: The Decay of Living; Pen, Pencil, and Poison; The Critic as Artist. Poems in Prose contains six illustrations and the following texts: The Artist; The Door of God; The Disciple; The Master; The House of Judgment; The Teacher of Wisdom; The Priest and the Acolyte; Rose-leaf and Apple-leaf; Some Cruelties of Prison Life; Lecture on the English Renaissance; Wilde v. Whistler; The Rise of Historical Criticism; The Truth of Masks. All illustrations protected with silk paper.
réf. 469223New York: Boni and Liveright/Modern Library Edition. Hardcover. Good. Green Leatherette edition with bands on the spine and writing on the cover in gold. Page attached to inside cover has small tears and is beginning to come away from the inside cover in the top corner. Horace Brodzky endpapers. Light pencil mark on the end pages. The spine is intact although there is wear to the spine the corners and the edges. New York: Boni and Liveright/Modern Library Edition. hardcover
1945réf. 1029Y9London: The Unicorn Press 1945. First edition. Cloth. Near Fine/Very Good. 8" by 5.5". None. A lovely first Unicorn Press edition of Oscar Wilde's collection of four essays with the scarce unclipped dust wrapper. The first Unicorn Press edition. This collection first published in 1891. With the scarce original unclipped dust wrapper. Oscar Wilde's Intentions comprises four essays: 'The Decay of Lying'; 'Pen Pencil and Poison'; 'The Critic as Artist' and 'The Truth of Masks'. Published at the height of his form Wilde explores art literature criticism and society lamenting the decay of Lying as an art in the first essay. In the original green cloth binding with the original unclipped dust wrapper. Externally excellent with only minor shelf wear. Dust wrapper is sunned to the spine with minor edge wear and the odd handling mark. Sympathetic tape repair to tail of spine with light loss to the head. Internally firmly bound with bright and clean pages. Near Fine The Unicorn Press hardcover
réf. ria9783368306090_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction of the original. hardcover
1908réf. 231112PBUPC082London: Methuen 1908. Hardcover. Very Good Condition. 22.4 x 13.2 x 5.7 cm. One of a limited edition of 1000 copies on handmade paper. Green cloth with titles in gilt to spine. Top edge gilt other edges uncut. Contents clean and unmarked with minor age-fading. Firm secure bindings. Very sound and presentable overall. Size: 22.4 x 13.2 x 5.7 cm. 334 pp. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Vellum printed books; Poisoners; Socialism; Great Britain; Wainewright Thomas Griffiths 1794-1847; Art critics; Add. Inventory No: 231112PBUPC082. . Methuen hardcover
réf. 0266272797.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. B9783368306090Hardback. New. hardcover
réf. B9781015427907Hardback. New. hardcover
1906réf. 66710Paris: Charles Carrington 1906. Fine. Charles Carrington Paris 1906 14.50 x 23 cm relié sous chemise et étui First edition of the French translation by Hugues Rebell one of 30 numbered copies on Japon the tirage de tête. Full morocco cover and spine preserved all edges gilt chemise in half morocco slipcase lined with morocco elegant contemporary binding signed Huser. Illustrated as frontispiece with a photographic portrait of Oscar Wilde. Provenance : from the library of Henri Thuile with his ex-libris pasted to head of a pastedown. A very nice copy elegantly bound by Huser in lined morocco. Charles Carrington unknown
1906réf. 155121906. Paris Charles Carrington Libraire-Editeur 1906 - Broché couv. rempliée 15 cm x 23 cm L+ 266 pages - Texte de Oscar Wilde préface de Charles Grolleau trad. de Hugues Rebell portrait de l'auteur en frontispice - Rousseurs sinon bon état
1906réf. 66710Charles Carrington | Paris 1906 | 14.50 x 23 cm | relié sous chemise et étui
réf. 47902Stock 1927, in-12 broché, XII-241 p. (plats de couverture et dos un peu défraîchis, sinon bon état) Devenu un classique de la critique littéraire et de l'histoire de l'art, ce volume est peut-être le plus sincère et le plus "wildien" de son auteur ; traduction et introduction de Philippe Neel.