Wilde, OscarBiblio.com
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1906ref. 140212Sunderland: Keystone Press 1906. First edition of Wilde's report on his lecture tour throughout America in 1882. Octavo original stiff paper wrappers. One of fifty numbered copies this is number 24. Very good with the majority of the original dust jacket. Wilde’s “theme is not as is often supposed art’s divorce from life but its inescapable arraignment by experience. His creative works almost always end in unmasking. The hand that adjusts the green carnation suddenly shakes an admonitory finger. While the ultimate virtue in Wilde’s essays is in make-believe the denouement of his dramas and narratives is that masks have to go. We must acknowledge what we are. Wilde at least was keen to do so. Though he offered himself as the apostle of pleasure his created world contains much pain” Ellmann xvi. Keystone Press unknown
1906ref. 005823Sunderland: Keystone Press 1906. Wilde visited America in 1882 lecturing there to explain the Aesthetic Movement. On his return to England he gave this "report" in September of 1883. Edited and with an introduction by Stuart Mason. pseudonym of Christopher Millard 1872-1927 who was the first bibliographer of Wilde's works. This is a Very Good minus copy of the First Edition which was LIMITED to 500 copies 50 on handmade paper. A rare work bound in fragile stitched paper wraps. Clean text; 40 pages. The cover is present but detached. at the front. All other pages still nicely bound. This copy comes in a custom folder within a slipcase bound in green cloth. The spine of the case has titling in gilt which is rubbed but still very readable. . First Edition. Soft Cover. Very Good Minus/No Jacket. 12mo - over 6¾" - 7¾" tall. Keystone Press Paperback
1906ref. 004997Sunderland: Keystone Press 1906. Wilde visited America in 1882 lecturing there to explain the Aesthetic Movement. On his return to England he gave this "report" in September of 1883. Edited and with an introduction by Stuart Mason. pseudonym of Christopher Millard 1872-1927 who was the first bibliographer of Wilde's works. This is a Very Good minus copy of the First Edition which was LIMITED to 500 copies 50 on handmade paper. A rare work bound in fragile stitched paper wraps. Clean text; 40 pages which are unopened. The covers have significant chips along the margins and while present they are currently detached. Please note the condition issue; Quercus must offer this as a Binding Copy in need of restoration or repair. . First Edition. Soft Cover. Very Good Minus/Near Fine. 12mo - over 6¾" - 7¾" tall. Keystone Press Paperback
ref. 115646Sunderland: Keystone Press 1906 1st thus. Wrappers 40pp. Very good. Limited edition: one of 500 copies of which 50 were on hand-made paper; this being from the ordinary edition; 12mo 5" X 7 3 / 8" faded grey-blue wrappers with black lettering on front cover. Wrappers faded and chipped; hinge split repaired with archival tape; pages uncut and foxed. Preserved in attractive custom-made slip case with marbled paper and a Plexiglas panel revealing the cover. Scarce posthumous publication printed during the height of Wilde's unpopularity. With editor Stuart Mason 'S preface Wilde's autobiographical essay on travel in America as given as a lecture at Wandsworth in September of 1883; two poems "Le Jardin" and "La Mer" are also here printed in book form for the first time. Mason was Wilde's bibliographer. Keystone Press Paperback
1906ref. 212404Sunderland: Keystone Press 1906. First edition. Number 92 of 50 copies printed on hand-made paper. 1 vols. 8vo. Original blue printed wrappers stitched. Faded some chipping of corners and edges light browning of leaves else a good copy. First edition. Number 92 of 50 copies printed on hand-made paper. 1 vols. 8vo. The lecture Wilde presented in 1883 shortly after his two American trips of 1882 and 1883. Ransom p. 261 Keystone Press unknown
ref. 9507530630.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 9788563560254PENGUIN. new. Muito da fama de Oscar Wilde se deve ao romance O retrato de Dorian Gray mas foi como dramaturgo que ele alcan�ou o maior sucesso em vida com as com�dias de costumes Uma mulher sem import�ncia Um marido ideal e A import�ncia de ser prudente reunidas neste volume. Nas pe�as que em larga medida satirizam a alta sociedade vitoriana que jamais o aceitou de bom grado Wilde aponta de maneira ir�nica para si mesmo. H� algo do autor nas observa��es c�nicas de lorde Illingworth em Uma mulher sem import�ncia assim como no estilo de vida despreocupado de lorde Goring o bon vivant que � a fonte de sensatez de Um marido ideal e tamb�m no inconsequente d�ndi Algernon de A import�ncia de ser prudente. Com introdu��o e notas de Richard Allen Cave diretor e estudioso do teatro brit�nico a edi��o da Penguin-Companhia situa o leitor sobre o contexto em que as pe�as foram encenadas e as inova��es que Wilde um intelectual de grande apuro t�cnico trouxe para a dramaturgia moderna. PENGUIN unknown
ref. 06518London: Leonard Smithers and Co. 1899. The Trivial Comedy for Serious People - Wilde's Masterpiece" First Edition One of 1000 Numbered Copies WILDE Oscar. The Importance of Being Earnest. A Trivial Comedy for Serious People. By the Author of Lady Windermere's Fan. London: Leonard Smithers and Co. 1899. First edition. One of 1000 numbered copies this being No. 256. Printed at the Chiswick Press. Small quarto 8 3/4 x 7 inches; 222 x 178 mm. 16 151 1 pp. Publisher's light red-brown linen over boards covers decoratively stamped in gilt spine decoratively stamped and lettered in gilt the design by Charles Shannon. All edges uncut. The bare minimum of rubbing to extremities free endpapers minimally browned from paste-down glue as usual; spine slightly darkened and gilt a little dulled. Still a near fine copy sound and unrestored example. The first book appearance of Wilde's most celebrated play originally performed in 1895 at the St. James's Theatre. Issued four years later by Smithers - Wilde's principal publisher during and after his fall - this edition presents the definitive text of his final and finest comedy. The Importance of Being Earnest represents the culmination of Wilde's dramatic art: a perfectly constructed satire of identity social convention and moral pretense combining epigrammatic brilliance with unmatched theatrical economy. The edition is notable for its elegant production including the Chiswick Press printing and the distinctive gilt cover design by Charles Shannon placing it among the most visually refined of Wilde's first editions. Bibliographical Reference A pleasing and well-preserved example. The slight spine darkening and mellowing of the gilt are typical; copies retaining such integrity are increasingly scarce. Mason 382. London: Leonard Smithers and Co., 1899 unknown books
ref. B9781998667147Hardback. New. hardcover
ref. 0510341438.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 06518London: Leonard Smithers and Co. 1899. The Trivial Comedy for Serious People - Wilde's Masterpiece" First Edition One of 1000 Numbered Copies WILDE Oscar. The Importance of Being Earnest. A Trivial Comedy for Serious People. By the Author of Lady Windermere's Fan. London: Leonard Smithers and Co. 1899. First edition. One of 1000 numbered copies this being No. 256. Printed at the Chiswick Press. Small quarto 8 3/4 x 7 inches; 222 x 178 mm. 16 151 1 pp. Publisher's light red-brown linen over boards covers decoratively stamped in gilt spine decoratively stamped and lettered in gilt the design by Charles Shannon. All edges uncut. The bare minimum of rubbing to extremities free endpapers minimally browned from paste-down glue as usual; spine slightly darkened and gilt a little dulled. Still a near fine copy sound and unrestored example. The first book appearance of Wilde's most celebrated play originally performed in 1895 at the St. James's Theatre. Issued four years later by Smithers - Wilde's principal publisher during and after his fall - this edition presents the definitive text of his final and finest comedy. The Importance of Being Earnest represents the culmination of Wilde's dramatic art: a perfectly constructed satire of identity social convention and moral pretense combining epigrammatic brilliance with unmatched theatrical economy. The edition is notable for its elegant production including the Chiswick Press printing and the distinctive gilt cover design by Charles Shannon placing it among the most visually refined of Wilde's first editions. Bibliographical Reference A pleasing and well-preserved example. The slight spine darkening and mellowing of the gilt are typical; copies retaining such integrity are increasingly scarce. Mason 382. London: Leonard Smithers and Co., 1899 unknown
ref. B 03814Unchecked. Brown Suede Cover unknown
ref. 0898454018.Gcassette. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ref. 0413310000.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 1559943769.Gcassette. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1995ref. Q-0140621725Penguin Books Limited UK 1995-03-30. Paperback. New. In shrink wrap. Looks like an interesting title! Penguin Books, Limited (UK) paperback
1976ref. 58367Münsingen, Buchverlag "Tages-Nachrichten", 1976, Auflage: 1. Leinen, gebunden; blauer, weiss geprägter Einband, mit farbig illustriertem Schutzumschlag / Anz. Seiten: 192 / 16,5 x 23,5 cm / mit 8 Farb- und 8 Schwarzweisstafeln / Zustand: gut, leichte Gebrauchsspuren; Buchblock leicht schief, Papier gebräunt, Schutzumschlag leicht berieben, gering fleckig und etwas gebräunt
1991ref. 12432Stuttgart, Beatrix Wilhelm, 1991. Kartoniert, 4°, montiertes Deckelbildchen, 117 S., zahlreiche farbige, ganzseitige Abbildungen, davon 2 auf gefalteten Tafeln; -Einband leicht berieben, sehr gutes Exemplar.
1962A clean, unmarked book with a tight binding. First Noonday Press Edition. 150 pages. In this volume Robert Lowell writes poetry based on Homer, Sappho, Der Wilde Alexander, Francois Villon, Giacomo, Leopardi, Johann Peter Hebel, Heinrich Heine, Victor Hugo, Charles Baudelaire, Arthur Rimbaud, Stephane Mallarme, Paul Valery, Rainer Maria Rilke, Umberto Saba, Giuseppe Ungaretti, Eugenio Montale, Innokentii Annensky, and Boris Pasternak.
ref. 23664663-nnew. unknown
ref. 23664663like new. unknown
2014ref. __3110354276De Gruyter 2014. Hardcover. New. 388 pages. German language. 9.44x6.69x1.10 inches. De Gruyter hardcover
2008ref. 2081502111705305Iwanamishoten 2008. Soft Cover. Fine. Number of pages: 397p Size: 15cm Iwanamishoten paperback
1997ref. 2091202132702854Iwanamishoten 1997. Soft Cover. Fine. The book is in fine condition. Iwanamishoten paperback
ref. 1730581Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1700. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
